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Relevant bibliographies by topics / Textile designing / Dissertations / Theses

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Dissertations / Theses on the topic 'Textile designing'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Worbin, Linda. "Designing dynamic textile patterns." Doctoral thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3550.

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Designing Dynamic Textile Patterns Progress in chemistry, fibres and polymers technology provides textile designers with new expressive materials, making it possible to design dynamic textile patterns, where several different expressions are inherent in the same textile, textiles that, for example, could alternate between a striped and checkered pattern. Textiles are traditionally designed and produced to keep a given, static expression during their life cycle; a striped pattern is supposed to keep its stripes. In the same way textile designers are trained to design for static expressions, whe

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2

Kapur, Jyoti. "Smells: olfactive dimension in designing textile architecture." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12906.

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Designing with non-visual attributes challenges ways of representation. This research explores methods for designing with invisible materiality within the research practice, as well as ways of representation through textiles when designing spaces. Exploring textiles and smells within a space, the research program investigates spatial interactions. This research focuses on designing embodied experiences using tangible materials as expressions of smells. Through the spatial installations and performances Sight of smell, Touch of smell, and Smell, space, and body movement, haptics were explored a

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3

Lewis, Erin. "Radiant Textiles : A framework for designing with electromagnetic phenomena." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26256.

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The design of smart, interactive, computational, and electronic textiles involves working with unknown variables that expand the tangible dimensions of textiles. Non-visual concepts such as electromagnetic fields, electrical current, computational code, and the temporal attributes of materials that exhibit dynamic qualities require that textile designers be able to perceive and manipulate domains of the textile that extend beyond its conventional forms of expression. Through these qualities, the textile becomes an interface to otherwise imperceptible phenomena of electromagnetism and thereby o

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4

TALMAN, RIIKKA. "Transient impressions : designing breaking and changing textile expressions." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18056.

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'Transient impressions' explores breaking and changing qualities in textiles. Sustainability and people’s relationship to textiles are discussed through decomposing and changing processes in textile material and through different life-spans of materials. The project proposes a way of working with textile material, where expressions are designed to change over different periods of time.<br>Program: Konstnärligt masterprogram i mode- oh textildesign

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5

Kim, Hye Eun. "Designing fashion with Qi energy." Thesis, Royal College of Art, 2015. http://researchonline.rca.ac.uk/1687/.

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This practice-led research explores the significance of Qi energy for fashion by materialising the East Asian culturally-specific concept of Qi. Qi features prominently in the traditional philosophy of everyday life in East Asia and my research aims to show how this philosophy can also provide an understanding of the relationship between body, garment and making, which is new to more Western concepts of fashion culture. This reflective journey unravels fashion practice in this context, focusing on the making process and the methods that were developed during that process. I engaged in signific

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6

Goldsworthy, Kate. "Laser-finishing : a new process for designing recyclability in synthetic textiles." Thesis, University of the Arts London, 2012. http://ualresearchonline.arts.ac.uk/11638/.

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The main aim of this project was to find new tools and finishing techniques for designing recyclable, aesthetic ‘surfaces’ within the context of a ‘closed cycle polyester economy’ (Livingston, 2003). This can be explained as a mechanism of industrial ecology where all waste can be reused in a perpetual material metabolism or system. Of the total textile fibre produced globally, up to 65% is lost, post-consumer, to landfill, incineration or composting. Of this, at least 50% is said to be recyclable (Laursen et al, 2005). In particular polyester, a synthetic fibre group derived from oil, is resp

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7

Siamwalla, Jamila Juzer. "Textile craft producer Jordan River Foundation’s collaborative design development with IKEA." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22071.

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Background: The production of textile crafts requires resources and skilled artisans. In modern times, textile crafts sold in the global market are often made through collaboration involving artisans and profit, social and non-profit enterprises with aim to globalize the aesthetic or styling, structural aspects, and marketability of the crafted product. Collaboration is understood here as two or more enterprises working together towards common profit ideologies, values or goals. Textile craft producer Jordan River Foundation’s (JRF) and IKEA’s Social Entrepreneurship Initiative; collaboration

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8

Hennerfors, Simon. "Flip the pattern : An exploration on designing adjustable printed textiles." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22063.

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How can a textile designer work in an exploratory way to find methods and taking advantage as much of a fabrics surfaces as possible? This work explores a combination of techniques as laser cutting and transfer printing, how they can be developed and combined to influence each other. The aim of this project is to explore the combined techniques of laser cutting and transfer printing, with a focus on designing adjustable printed textiles. Through a method in practical working, exploration was carried out in techniques like laser cutting and transfer print, as well as the combined visual exp

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9

Hansson, Moa. "Body based patterns. : The human body as a tool for designing surface patterns." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23827.

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This degree work places itself in the field of textile design, surface patterns and conceptual design. The aim of the work is to use the human body as a tool for designing conceptual surface patterns onto textiles. The methods of designing were done through practical workshops. Examples of workshops is shadow workshop, motif workshop and pattern workshop. For each workshop appropriate rules was decided based on analizis of preveous workshops. The outcome could be presented as two types of results; firstly, a design method for generating surface patterns, and secondly, heat transfer printed tex

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10

Vili, Yvonne Y. F. Chan. "Designing smart textiles based on shape memory materials." Thesis, Heriot-Watt University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444799.

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11

Prahl, Anne. "Designing wearable sensors for Preventative Health : an exploration of material, form and function." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/9077/.

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The financial burden on global healthcare systems has reached unprecedented levels and as a result, attention has been shifting from the traditional approach of disease management and treatment towards prevention (Swan, 2012). Wearable devices for Preventative Health have become a focus for innovation across academia and industry, thus this thesis explores the design of wearable biochemical and environmental sensors, which can provide users with an early warning, detection and monitoring system that could integrate easily into their existing lives. The research aims to generate new practical k

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12

Ståhlberg, Louise. "MusiCushions: Designing interactive cushions that integrate with the home environment." Thesis, KTH, Medieteknik och interaktionsdesign, MID, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-231389.

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This paper is about MusiCushions: Interactive cushions to control external speakers in a living room. The interactive cushions are made of smart and interactive textiles, which acceptance has been profoundly investigated. Several studies have come to the conclusion that the most important feature for acceptance of smart and interactive textiles is the aesthetics of the textile interface. Therefore, this study investigates the question: How is integration of interactive cushions in the home environment affected by design concepts with different levels of explicit interaction and types of use cu

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13

Thunstedt, Erika, and Ina Obernosterer. "Designing for the Circular Consumer : A design tool for clothing companies to engage consumers in the circular textiles economy." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-55339.

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The current prevailing take-make-waste economy has caused the global climate crisis, operating outside the Planetary Boundaries of our planet (Rockström et al., 2009), disrupting nature's balance and affecting all life on earth (WWF and Global Footprint Network, 2019). Both the European Commission and the European Environmental Agency (EEA) sees the transition to a circular economy (CE) within the product category: textiles, apparel and fabrics as a priority to address the climate impact of the textile and clothing industry (Manshoven et al., 2019). Even though there is much research done on

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14

Васильєва, Олена, та Яна Вароді. "Особливості використання орнаментів Закарпаття кінця XIX-XX ст. в текстильних виробах для сучасних інтер'єрів". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10278.

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Представлено результати дослідження особливостей народної вишивки Закарпаття XIX - XX ст. Визначено за етнічними групами українців різновиди вишивки Закарпаття, їх особливості (структура, елементи, колірна гама). Встановлено основні композиційні рішення домашнього текстилю Закарпаття Запропоновано рекомендації використання орнаментів і традиційних кольорів при розробці сучасних текстильних виробів в українському стилі.<br>The paper presents the results of the study of features of the national embroidery of the Zakarpattya XIX of the XX century. The types of embroidery in Zakarpattya, their fea

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15

Farhangpour, Yasaman. "DESIGNING DATABASE FOR ORIENTAL TEXTILES PRESENT IN TUSCAN PAINTINGS (1270-1370) BASED ON GENETTE’S THEORY." Doctoral thesis, 2022. https://hdl.handle.net/2158/1293102.

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The obtained results indicate that even though simultaneous with the creation of these paintings in the province of Tuscany, the country of Italy had made great progress in the creation of fabrics, painters have again referred to the iconography of eastern fabrics (both pre-Islamic and Islamic), which the thesis examines how this phenomenon occurs and examines the various ways of this multiplicity by considering Genette’s theory.

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16

郭駿漢. "Designing the Methodology of Evaluating Business Operation Performance - An Empirical Study of Listed Textile Companies in Taiwan." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/56758520693565133911.

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