Relevant bibliographies by topics / Textiles en Bolivia

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Textiles en Bolivia'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Textiles en Bolivia"

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Ibáñez-CaleroIbáñez-Calero, Sandra L., and Kelly E. Loayza Afonso. "COLORANTES NATURALES DEL VALLE DE ZONGO (BOLIVIA) Y SUS APLICACIONES TEXTILES." INVESTIGACION & DESARROLLO 20, no. 1 (July 31, 2020): 5–22. http://dx.doi.org/10.23881/idupbo.020.1-1i.

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Knobloch, Patricia J. "Wari Ritual Power at Conchopata: An Interpretation of Anadenanthera Colubrina Iconography." Latin American Antiquity 11, no. 4 (December 2000): 387–402. http://dx.doi.org/10.2307/972003.

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AbstractIconographic studies often provide evidence to interpret ritual activities of archaeologically known cultures. Recent excavations at the site of Conchopata near Ayacucho, Peru, led to a re-analysis of the ritual behavior of Middle Horizon (A. D. 750-1000) Wari society. The identification of a hallucinogenic plant design, Anadenanthera colubrina, depicted on Conchopata offering pottery contributes a crucial understanding of a previously unknown artistic icon. This icon was discerned as depicted in various abstract renditions on Middle Horizon textiles, snuff paraphernalia, ceramics, and stone sculpture, including the Gate of the Sun at Tiwanaku, Bolivia. Based on historic and ethnographic evidence, the plant's prehistoric use as a hallucinogen is discussed with regard to suggested chicha drinking ceremonies, and the transitional role of Wari leaders from shamans to priests.
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Antaki, Berea, and Katalin Medvedev. "Bolivian textile crafts and the subversion of institutionalized sustainability." Clothing Cultures 7, no. 1 (March 1, 2021): 91–100. http://dx.doi.org/10.1386/cc_00031_1.

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This article describes the tensions between institutionalized and grassroots forms of sustainability and their subsequent effects on textile artisans in La Paz, Bolivia. Principles of the indigenous cosmology Suma Qamaña are applied to the twenty-first-century challenge of environmental degradation and governmental corruption in the description of craft practices at two artisan collectives in La Paz. Suma Qamaña is an expression of the harmonious and respectful coexistence of humans with nature, which entails communal values and reciprocal resource management principles. The study highlights grassroots, practical solutions that encourage economic and environmental sustainability for textile cooperatives in Bolivia. Through extensive participant observation and in-depth interviews, this study seeks to understand how the lives of artisans are affected by the Bolivian government’s appropriation of the Suma Qamaña cosmology. The current political party, the Movimiento al Socialismo, has gained popular support in Bolivia partly by institutionalizing the inherent rights of nature in the national constitution. Despite this, the government continues to pursue extractive natural resource policies. To counter this, Bolivian textile artisans practise their own version of bottom-up sustainability, which does not rely on government institutions to enforce change. The artisans’ situated practices, traditional knowledge base and the inherently sustainable characteristics of craft production ‐ flexible, small-scale, localized and resilient ‐ reflect potential trends and alternatives for apparel production.
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Arnold, Denise Y., and Elvira Espejo Ayca. "A Comparison of War Iconography in the Archaeological Textiles of Paracas-Topará (in Southern Peru) and in the Weavings of Ayllu Qaqachaka (Bolivia) Today." TEXTILE 7, no. 3 (November 2009): 272–95. http://dx.doi.org/10.2752/147597509x12541451109794.

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Paterson, Robert K. "Bolivian Textiles in Canada." International Journal of Cultural Property 2, no. 2 (July 1993): 359–70. http://dx.doi.org/10.1017/s0940739193000372.

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Mora, Aura Isabel. "Elvira Espejo: una mujer de resistencias y re-existencias en los Andes." Nómadas, no. 49 (December 2018): 207–18. http://dx.doi.org/10.30578/nomadas.n49a12.

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Este artículo presenta los encuentros con Elvira Espejo Ayca, aymara, sabedora, artista plástica, cantadora, narradora, cuentista, poeta, ensayista, textilera, investigadora y directora del Museo Nacional de Etnografía y el Folclore de la Paz (Bolivia). Indaga sobre su propuesta decolonial en torno a las mujeres en la ciencia, a partir de los conocimientos y técnicas del textil andino que realizan las mujeres. Resalta la importancia que la artista da al trabajo colectivo y a las luchas milenarias de sus antepasados, en defensa de su territorio, como alternativa a las políticas globales.
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Schevill, Margot Blum. "Books Received and Noted:A Quillwork Companion: An Illustrated Guide to Techniques of Porcupine Quill Decoration;Ancient Peruvian Textiles;Northern Athapaskan Art: A Beadwork Tradition;Gravelle Andean Folk Knitting: Traditions and Techniques from Peru and Bolivia;Salish Indian Sweaters." Museum Anthropology 15, no. 2 (May 1991): 40–41. http://dx.doi.org/10.1525/mua.1991.15.2.40.

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Colque Romero, Alejandro Gustavo. "Concreto reforzado con textil para el refuerzo y rehabilitación de columnas de hormigón armado." Revista Ingeniería 5, no. 11 (January 1, 2021): 59–77. http://dx.doi.org/10.33996/revistaingenieria.v5i11.74.

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Los avances tecnológicos proponen nuevas tecnologías en la rehabilitación de columnas estructurales, algunas de ellas incorporan textil como material de refuerzo. En este sentido, el objetivo de esta investigación es aplicar concreto reforzado con textil para reforzar y rehabilitar columnas de hormigón armado, con materiales existentes en Bolivia. Se describen 6 escenarios bajo normas Euro-código y ACI, para evaluar la relación costo-eficiencia de combinar concreto reforzado con 3 materiales diferentes: textil de fibra de vidrio, textil de fibra de carbono y manta de carbono. Como resultado se comprueba que la mejor combinación es “concreto de grano fino con fibra textil de vidrio o carbono”, dado que incrementa la capacidad de carga y eleva la resistencia a fallas por pandeo, cortante, deformación y traslape. Asimismo, reduce el precio. Se concluyó que, en condiciones bolivianas, es posible reducir costos y elevar eficiencia usando concreto reforzado con textil para reforzar y rehabilitar columnas de hormigón armado.
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Goldberg, Alejandro. "La parte invisibilizada de la migración transnacional boliviana hacia Argentina." Andamios, Revista de Investigación Social 13, no. 32 (September 1, 2016): 357. http://dx.doi.org/10.29092/uacm.v13i32.537.

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Este artículo es producto de distintas investigaciones etnográficas realizadas desde 2007 en adelante. Parte de una definición relacional, sociopolítica y cultural del concepto de violencia para abordar un caso específico de estudio, dentro de los procesos migratorios regionales contemporáneos hacia Argentina: el de los trabajadores inmigrantes bolivianos de ambos sexos, víctimas de redes transnacionales de tráfico de personas, que fueron reclutados en origen y reducidos a la servidumbre en condiciones próximas a la esclavitud, en talleres textiles clandestinos de la ciudad de Buenos Aires y su área metropolitana. En este contexto de vulnerabilidad social, aumentan las situaciones de riesgo para la salud de estas personas, que van desde el sufrimiento de padecimientos graves y accidentes hasta la muerte.
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LONGINO, JOHN T. "Additions to the taxonomy of New World Pheidole (Hymenoptera: Formicidae)." Zootaxa 2181, no. 1 (August 6, 2009): 1–90. http://dx.doi.org/10.11646/zootaxa.2181.1.1.

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The hyperdiverse ant genus Pheidole has its center of diversity in the New World, where over 600 species occur. In spite of recent revisonary work (Wilson 2003) new species continue to be discovered and understanding of geographic variation of named species continues to improve. In this report new species and taxonomic changes are proposed for the Central American fauna. The following new species are described: P. bigote, P. branstetteri, P. carinote, P. debilis, P. eowilsoni, P. epiphyta, P. fossimandibula, P. gymnoceras, P. janzeni, P. karolmorae, P. karolsetosa, P. lagunculinoda, P. leoncortesi, P. mesomontana, P. pararugiceps, P. phanigaster, P. picobarva, P. purpurea, P. rhinomontana, P. sebofila, P. sparsisculpta, P. synanthropica, and P. tenuicephala. The following new synonymy is proposed, with the senior synonym listed first and the junior synonym(s) in parentheses: P. angusticeps Wilson (= P. gradifera Wilson); P. arachnion Wilson (= P. iracunda Wilson); P. bilimeki Mayr (=P. rectiluma Wilson); P. boliviana Wilson (= P. mincana Wilson, P. scitula Wilson); P. boltoni Wilson (= P. humida Wilson); P. deceptrix Forel (=P. chiapasana Wilson, P. variceps Wilson); P. erratilis Wilson (= P. petersoni Wilson); P. exarata Emery (= P. grantae Forel); P. harrisonfordi Wilson (= P. prolixa Wilson, P. ruida Wilson, P. tenebra Wilson); P. laselva Wilson (=P. ebenina Wilson); P. mooreorum Wilson (= P. fariasana Wilson); P. nebulosa Wilson (= P. scabriventris Wilson); P. nitidicollis Emery (= P. sagana Wheeler); P. perpusilla Emery (= P. breviscapa Forel); P. pubiventris Mayr (= P. variegata Emery, P. indistincta Forel); P. radoszkowskii Mayr (= P. medialis Wilson); P. sculptior Forel (= P. tayrona Wilson); P. susannae Forel (= P. obscurior Forel and its synonym P. partita Mayr); P. texticeps Wilson (= P. perdiligens Wilson); P. vorax (Fabricius) (= P. cephalica F. Smith and its synonyms P. opaca Mayr, P. incrustata Forel, P. sarrita Forel, P. apterostigmoides Weber); P. walkeri Mann (= P. arietans Wilson, P. glyphoderma Wilson, P. triumbonata Wilson). Pheidole innupta Menozzi is removed from synonymy under P. alfaroi and revalidated.
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Dissertations / Theses on the topic "Textiles en Bolivia"

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Mamani, Apaza Juan Claudio. "Mejoramiento de un proceso de tintura para fibra de algodón tejido, en la fabrica Universaltex S.A." Universidad Mayor de San Andrés. Programa Cybertesis BOLIVIA, 2008.

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De las necesidades nacen las ideas, estas necesidades requieren soluciones que la mayoría de las veces son determinadas por medio de un plan de acción para una mejora continua, esto es, un proyecto de mejoramiento. En el ámbito textil existen muchas de éstas posibilidades de mejora; una de ellas está enfocada al proceso tintóreo en sus diferentes modalidades. El presente proyecto toma como objeto de mejora el replanteamiento del proceso tintóreo para la fibra de algodón hilada y tejida; proponiendo como principal objetivo el de mejorar las condiciones de transferencia de masa en éste proceso, garantizando así la obtención de un producto que reúna las condiciones exigidas por los consumidores. Para lograr éste objetivo se realizará un análisis teórico del proceso tintóreo, de la materia prima y del color, tomando en cuenta para cada uno de ellos sus principales características
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Simmons, Kathryn Elizabeth. "Textiles in Rural Bolivia: Where Does the Art of Traditional Textile Making Fit Into Today's World?" University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1418306303.

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Crickmay, Lindsey. "Space, time and harmony : symbolic aspects of language in Andean textiles with special reference to those from Bolivar Province (Cochabamba, Bolivia)." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/2876.

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The thesis investigates how the designs woven in Andean textiles make up a symbolic language which both communicates information about those who wear them and demonstrates their desire to balance the opposing forces which are believed to govern their world. All textile elements share this communicative function and the thesis examines the significance of spin, colour and layout in the textile as a whole and in the individual designs. Textile terminology is drawn from fieldwork, the literature and from early Aymara and Quechua lexicons. The contemporary designs examined were personally observed in Bolivar in 1982/3 and 1986; the thesis suggests their derivation from colonial designs and discusses their possible iconographic content. Part one shows the significance of clothing as a statement of identity and describes briefly the weaving techniques and figures typical of the Bolivar area. Part two shows how cloth is seen as a vital, three-dimensional object and how in weaving as in the other plastic arts designs are encoded with abstract concepts fundamental to the traditions of a social group. Part three examines how certain colour combinations represent social, political or cosmic tensions and how their arrangement attempts to manipulate and control the energy generated by them. In particular it investigates how colour represents the circulation of suerte, or fortune, many of the names of which are also terms for colour combinations similar to those used in textiles. It also shows how specific elements such as stripes and figured designs act as metaphors through which the textile becomes a map or record of social, ritual and cosmic space.
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Zegarra, Mendizabal Rolando Rody. "Producción y comercialización de las prendas de Alpaca, una alternativa para el desarrollo del Altiplano Boliviano." Universidad Mayor de San Andrs. Programa Cybertesis BOLIVIA, 2008. http://www.cybertesis.umsa.bo:8080/umsa/2008/zegarra_mr/html/index-frames.html.

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En el presente trabajo de investigación veremos como las prendas de alpaca son demandadas por casi todo el mundo, si esta demanda internacional se incrementara y se continua trabajando en mejorar la producción además de proyectar políticas de ESTADO que permitan al productor trabajar en mejores condiciones, la producción de prendas de vestir de alpaca se constituirá en una fuente importante de generación de recursos que servirán para disminuir los índices de pobreza en las regiones mas deprimidas del país. Dichas prendas son un bien muy apreciado por sus propiedades, al mismo tiempo nuestro país es después de Perú el segundo a nivel mundial en tener materia prima disponible que puede ser empleada en la producción y elaboración para su exportación, al presente existe una gran demanda por países como E.E.U.U., JAPÓN, CHINA, AUSTRALIA y el continente EUROPEO, por esta razón es muy importante el desarrollo de la industria en este sector a través de un alto nivel de producción , calidad, competitividad y una promoción exagerada de las exportaciones para el desarrollo de todas estas prendas y de las respectivas regiones que la producen. Por la existencia de una gran demanda es que se debe mejorar, incentivar y sobre todo fomentar la industria de este sector para el desarrollo del país, ya que las exportaciones de prendas de alpaca son muy cotizadas aun más que las prendas de cachemira y las prendas de piel de camello por su alto grado de termosidad.
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Campos, Geraldo Adriano Godoy de. "Entre devires e pertencimentos: a produção da subjetividade entre imigrantes bolivianos em São Paulo." Pontifícia Universidade Católica de São Paulo, 2009. http://tede2.pucsp.br/handle/handle/2941.

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Made available in DSpace on 2016-04-25T20:22:49Z (GMT). No. of bitstreams: 1 Geraldo Adriano Godoy de Campos.pdf: 823036 bytes, checksum: 5361a0d8654a8e9dcfd3a49b314e3088 (MD5) Previous issue date: 2009-06-16
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This research aims at answering the follow question: how does the production of subjetivity happen in the context of bolivian immigrant labor in the sweatshops in São Paulo? The theme is relevant, considering the conditions of labor exploitation of the bolivian immigrants. The sweatshops in which the exploitation takes places are hired by large brands of the textile industry, through the process of outsourcing. The element of differentiation of this research is present in the theoretical approach itself, since it does not take the concept of identity as an analytical reference. The proposal of this work is to develop the perspective in which the production of subjectivity is not something given a priori, as an immutable essence. Neither is it individual. The subjectivity, composed by heterogeneous elements, is produced in the social sphere. The four plans that are considered as the variables of the research are: labor conditions; legal and political dimension; sociospatial dynamics of the textile production in the city; the functionality of the exploitation of immigrant labor em relation to the selective permeability of the national borders. The methodological approach is qualitative. The techniques used in the research were the interviews and participant-observation, that happen in São Paulo, La Paz (2007 and 2008) and Buenos Aires. The research has also benefit itself from the ethnographic experience from the past years. The results announced suggests that the reproduction of the situation of irregularity, determined by the anachronism of the brazilian legislation, strengthens the construction of an immigrant-illegal-slave-identity that directely affects the production of subjectivity of the bolivian immigrants in São Paulo
Este trabalho busca responder à seguinte questão-problema: de que forma se dá a produção de subjetividade no contexto do trabalho de imigrantes bolivianos nas oficinas de costura em São Paulo? O tema é relevante, considerando as condições de exploração de trabalho às quais estão submetidos os imigrantes. As oficinas nas quais a exploração ocorre são subcontratadas por grandes marcas da indústria têxtil, por meio de práticas terceirizadas. O diferencial da pesquisa demonstra-se na própria abordagem, que não assume o conceito de identidade como referencial de análise. Trabalha-se com a perspectiva de que a subjetivação (ou produção de subjetividade) não é algo dado a priori, essência imutável e tampouco é individual. A subjetividade, composta por elementos heterogêneos, é fabricada no registro do social. Os quatro planos considerados como as variáveis da pesquisa são: condições de trabalho, plano político-jurídico, dinâmica sócio-espacial da produção têxtil na cidade e a funcionalidade da exploração de mão-de-obra imigrante face à porosidade seletiva das fronteiras nacionais. Utiliza-se metodologia de vertente qualititativa. As técnicas utilizadas foram entrevistas e observação-participante, realizadas em São Paulo, na Bolívia (em 2007 e 2008) e em Buenos Aires. A pesquisa também beneficiou-se da experiência etnográfica realizada nos últimos anos. Os resultados anunciados sugerem que a reprodução da situação de irregularidade, condicionada pelo anacronismo da legislação brasileira, reforçam a construção de uma identidade-imigrante-escravo-ilegal que afeta diretamente a produção de subjetividade dos bolivianos
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Richardson, Natalie Lila. "Bolivian Andean textiles, commercialization and modernity." 2013. http://hdl.handle.net/2152/22187.

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In research, we frequently position “modernity” against “tradition” to explain cultural changes within the indigenous realm. Such is the case of Andean textile studies, where commercialization and modernity are frequently attributed to the decline in Andean communities’ production and donning of hand-woven textiles. By doing this, we distance ourselves from the underlying issues causing these changes: poverty, discrimination, ethnic social stratification, etc. Also, by positioning “modernity” outside and against the indigenous realm, we contribute to the notion that modernity belongs to the western world alone and can only be achieved by Western influence. In doing so, we confine Andean textiles to a static notion of identity and ignore and antagonize the creative strategies that weavers’ use, moving outside of this notion. My work questions the “tradition” versus “modernity” binary by analyzing its history and first appearance in Bolivian Andean textile scholarship, and by analyzing changes within Andean textiles between the Inca and Colonial periods. My study also sheds light on the workings of internal colonialism within Andean textiles in the Bolivian regions of Jalq’a and Tarabuco.
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Katsuma, Makiko. "Women and the wool textile industry in Bolivia." 1997. http://catalog.hathitrust.org/api/volumes/oclc/37880759.html.

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Thesis (M.A.)--University of Wisconsin--Madison, 1997.
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 47-49).
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Books on the topic "Textiles en Bolivia"

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Schumann, Dagmar. De ovejas y mercados: Lanas y textiles de Tajzara en Bolivia. La Paz: Instituto Latinoamericano de Investigaciones Sociales, 1992.

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Barth, Kathy. Viajando por Bolivia a través de las maravillas del tejido =: Traveling Bolivia through the wonders of weaving. [Bolivia?]: Jackson International, 2001.

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Colectivo Situaciones (Buenos Aires, Argentina), ed. De chuequistas y overlockas: Una discusión en torno a los talleres textiles. Buenos Aires?]: Retazos, 2011.

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Mémoire textile et industrie du souvenir dans les Andes: Identités à l'épreuve du tourisme au Pérou, en Bolivie et en Equateur. Paris: L'Harmattan, 1996.

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T, Walter Delgadillo. Fabriles en la historia nacional: Testimonio y sistematización de una experiencia sindical. La Paz, Bolivia: Universidad Mayor de San Andrés, 1992.

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Textiles y confecciones de Bolivia =: Bolivian textiles and apparel. La Paz: ENTEL, 2002.

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Femenias, Blenda, Maryann Medlin, and Lynna Meisch. Andean Aesthetics: Textiles of Peru and Bolivia. University of Wisconsin-Madison, Elvejhem Mus, 1987.

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Cultura, Instituto Boliviano de, and Instituto Andino de Artes Populares., eds. Arte popular en Bolivia. La Paz: Instituto Boliviano de Cultura, 1988.

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Andean Folk Knits: Great Designs from Peru, Chile, Argentina, Ecuador & Bolivia. Lark Books, 2005.

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Lewandowski, Marcia. Andean Folk Knits: Great Designs from Peru, Chile, Argentina, Ecuador & Bolivia. Lark Books, 2006.

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