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1

1930-, Brunius Jan, ed. Svenska textilier: 1890-1990. Lund: Signum, 1994.

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2

Berggrén, Gunnel. Prästens kläder och kyrkans textilier. Stockholm: Verbum, 2002.

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3

Berggrén, Gunnel. Prästens kläder och kyrkans textilier. Stockholm: Verbum, 2002.

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4

Palm, David Althoff, Eva Himmelstrup Dahl, Therese Holmgren, Therese Holmgren, Sanna Moliis, Marianne Bigum, and David McKinnon. Miljöpåståenden för textilier på den Nordiska marknaden. Copenhagen: Nordic Council of Ministers, 2019. http://dx.doi.org/10.6027/tn2019-506.

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Aldman, Lili-Annè. En merkantilistisk början: Stockholms textila import 1720-1738. Uppsala: Acta Universitatis Upsaliensis, 2008.

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6

Austria) North European Symposium for Archaeological Textiles (12th 2014 Hallstatt. Aspects of the design, production and use of textiles and clothing from the Bronze Age to the early modern era: NESAT XII : the North European Symposium of Archaeological Textiles 21st-24th May in Hallstatt, Austria. Budapest: Archaeological Alapítvány, 2015.

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7

Rättssekretariatet, Sweden Civildepartementet. Märkning av textilier: En EG-anpassning till följd av EES-avtalet : en promemoria från Civildepartementets rättssekretariat. [Stockholm]: Civildepartementet, 1992.

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8

Gonseth-Favre, Pierrette. Pierrette Gonseth-Favre: Textiles = Textilien. Lausanne: Ed. Vie Art Cite, 1987.

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9

Jørgensen, Lise Bender. Forhistoriske textiler i Skandinavien =: Prehistoric Scandinavian textiles. København: Det Kongelige Nordiske oldskriftselskab, 1986.

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10

Institution, British Standards. Textiles: Determination of thickness of textiles and textile products. London: B.S.I., 1987.

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11

Wang, Hsueh-Pei. Interactive home textiles: MA Textile Design 2003. London: Central Saint Martins College of Art & Design, 2003.

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12

Marianne, Aav, and Taideteollisuusmuseon (Helsinki), eds. Textiles in space: Four Finnish textile artists. Helsinki: Taideteollisuusmuseon, 1986.

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13

Gallery, Peter Scott, ed. Contemporary textiles: Work of thirteen textile makers . [Lancaster?]: Peter Scott Gallery, 1988.

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14

Marín-Aguilera, Beatriz, and Stefan Hanß. In-Between Textiles, 1400–1800. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729086.

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In-Between Textiles is a decentred study of how textiles shaped, disrupted, and transformed subjectivities in the age of the first globalisation. The volume presents a radically cross-disciplinary approach that brings together world-leading anthropologists, archaeologists, art historians, conservators, curators, historians, scientists, and weavers to reflect on the power of textiles to reshape increasingly contested identities on a global scale between 1400 and 1800. Contributors posit the concept of “in-between textiles,” building upon Homi Bhabha’s notion of in-betweenness as the actual material ground of the negotiation of cultural practices and meanings; a site identified as the battleground over strategies of selfhood and the production of identity signs troubled by colonialism and consumerism across the world. In-Between Textiles establishes cutting-edge conversations between textile studies, critical cultural theory, and material culture studies to examine how textiles created and challenged experiences of subjectivity, relatedness, and dis/location that transformed social fabrics around the globe.
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15

M, Rudy Kathryn, and Baert Barbara, eds. Weaving, veiling, and dressing: Textiles and their metaphors in the late Middle Ages. Turnhout: Brepols, 2007.

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16

M, Rudy Kathryn, and Baert Barbara, eds. Weaving, veiling, and dressing: Textiles and their metaphors in the late Middle Ages. Turnhout: Brepols, 2007.

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17

Institution, British Standards. Burning behaviour of textiles and textile products: Vocabulary. London: BSI, 1997.

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18

Institution, British Standards. Textiles - domestic washing and drying procedures for textile testing. London: BSI, 1994.

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19

Institution, British Standards. Textiles: Domestic washing and drying procedures for textile testing. London: B.S.I., 1999.

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20

Sarah, Whitley, and United States. Department of Agriculture. Economic Research Service, eds. Fiber use for textiles and China's cotton textile exports. Washington, D.C.]: U.S. Dept. of Agriculture, Economic Research Service, 2009.

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21

Confederation of Indian Textile Industry., ed. Textiles & beyond: Commemorative volume, Confederation of Indian Textile Industry. New Delhi: Confederation of Indian Textile Industry, 2006.

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22

Institute, Textile. Specifying technical textiles: Textile Institute Industrial, Technical and Engineering Textiles Group Seminar : selected seminar proceedings. [Manchester?]: Textile Institute, 1991.

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23

Vryzidis, Nikolaos. The hidden life of textiles in the medieval and early modern Mediterranean: Contexts and cross-cultural encounters in the Islamic, Latinate and Eastern Christian worlds. Turnhout, Belgium: Brepols, 2020.

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24

Joanna, Marschner, Sykas Philip A, and Brooks Mary M, eds. Textiles revealed: Object lessons in historic textile and costume research. London: Archetype Publications, 2000.

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25

W, Brokerhof Agnes, Berg Saskia van den, and Tegelaers Judith, eds. Unravelling textiles: A handbook for the preservation of textile collections. London: Archetype, 2007.

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26

Fråne, Anna, Cecilia Askham, Stefán Gíslason, Nikola Kiørboe, Hanna Ljungkvist, David McKinnon, and Synnøve Rubach. The Nordic textile reuse and recycling commitment – a certification system for used textiles and textile waste. Copenhagen: Nordic Council of Ministers, 2017. http://dx.doi.org/10.6027/tn2017-545.

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27

Korwin, Laurence. Textiles as art: Selecting, framing, mounting, lighting and maintaining textile art. Chicago: [The Author], 1990.

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28

Watson, David, and Rikke Fischer-Bogason. Hållbarare textilier på sjukhus. Nordic Council of Ministers, 2017. http://dx.doi.org/10.6027/anp2017-739.

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29

World textiles atlas: Includes the world textiles thesaurus ; world textiles list of journals indexed. Amsterdam: Elsevier, 2005.

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30

Sweden. Markning av textilier: En EG-anpassning till foljd av EES-avtalet : En promemoria fran Civildepartementets rattssekretariat. Allmanna forlaget, Kundtjanst [distributor, 1992.

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31

Textile Arts (Textiles). A & C Black Publishers Ltd, 2000.

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32

(Translator), Inger Harrison, ed. Textile Design Book (Textiles). A & C Black Publishers Ltd, 2000.

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33

Automotive Textiles (Textile Progress). CRC Press, 1999.

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34

Udale, Jenny. Textiles and Fashion. 3rd ed. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350094901.

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Textiles and Fashion explores the integration of textile design with fashion, showing the many ways designers use fibre, fabric construction and surface treatments within a garment and on the body. It begins with a brief history of textiles in fashion, showing the links with technical innovation and social developments. You’ll then briefly learn about the processes of textile design, including ethical and environmental considerations, as well as fibre production, dyeing and finishing techniques, before moving on to making the most of different surface treatments and the ways in which colour and trend influence fashion and textiles. This 3rd edition includes updated coverage of emerging technologies, including smart textiles and 3D printing, and interviews with fashion designers to offer insight into how they use textiles in their work. Overall, this is the ideal introduction to using textiles within a fashion context.
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35

Elsasser, Virginia Hencken, and Julia Ridgway Sharp. Textiles. 4th ed. Bloomsbury Publishing Inc, 2022. http://dx.doi.org/10.5040/9781501366499.

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Textiles: Concepts and Principles, Fourth Edition provides a thorough approach to the fundamentals of textiles in a readable, non-technical style, focusing on the interrelationship of textile components to help students understand and predict textile properties and performance to ultimately choose the best textile for their final product. With new co-author Julia Sharp, Virginia Elsasser covers the global textile industry and components of textile products, summarizes laws and regulations affecting the textile industry, and looks into career possibilities, properties, care instructions, end uses of natural and manufactured fibers, yarns, fabrics, coloration and finishes, and the overall impact of textiles on the environment. New to this Edition -Updated information on sustainability, laws and regulations, and technological advancements - New Did you know? feature in each chapter provides thoughtful insights into new developments in the textile industry -Inclusion of imperial and metric measurements for a more global scope STUDIO Features Include -Study smarter with self-quizzes featuring scored results and personalized study tips -Review concepts with flashcards of essential vocabulary -Download laboratory activities to aid comprehension Instructor Resources -Instructor's Guide with Test Bank provides suggestions for planning the course and using the text in the classroom, supplemental assignments, and lecture notes -PowerPoint® presentations include images from the book and provide a framework for lecture and discussion
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36

Cook, Amber Marisa. Digital Design for Custom Textiles. Routledge, 2019. http://dx.doi.org/10.5040/9781351380485.

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Digital Design for Custom Textiles: Patterns as Narration for Stage and Film is a beginner’s guide for creating custom textile patterns for performing arts production, with an emphasis on storytelling through design using hand and digital design techniques. The book offers essential information for the beginning digital designer, such as: methods of designing patterns, appliqués, and unique textures for custom textiles;custom textile examples including various styles of pattern repeats, digital embroidery, and cut and sew textiles;full-color, step-by-step instructions and practice exercises;production timelines;a textiles and patterns glossary. Digital Design for Custom Textiles will allow students and design professionals to embrace digital media to enhance their work, apply digital alternatives to find the perfect fabrics and embellishments, and create more meaningful and personalized designs for the stage.
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37

Hong, J. Friction in Textiles (Textile Progress). Technomic Pub Co, 2003.

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38

Material Atlantic: Clothing the New World, 1650-1800. Cambridge University Press, 2015.

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39

Yates, MaryPaul, and Adrienne Concra. Textiles for Residential and Commercial Interiors. 6th ed. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501389726.

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Learn how to choose the right type of textile for your residential and commercial interior design. This book includes important information about fiber and fabrics for household and institutional textiles, and commercial and residential textiles. It also touches on specific design techniques such as the latest textile printing methods and technologies, the newest performance-related finishes, proper window treatment, and the best environmentally conscious sustainability approaches. The line drawings and photographs show yarns, weaving, manufacturing equipment, fibers, fabrics used in a variety of interior spaces, and many more.
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40

McIntyre, J. E., Z. J. Shen, and I. Holme. Electrostatic Charging of Textiles (Textile Progress,). Hyperion Books, 1996.

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41

Sarkar, Ajoy K., Ingrid Johnson, and Allen C. Cohen. J.J. Pizzuto’s Fabric Science. 12th ed. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501367816.

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The twelfth edition of J.J. Pizzuto’s Fabric Science provides the most current and comprehensive overview and introduction to the textile industry--from fibers and finishes to applications in fashion design, fashion business, fashion merchandising, apparel product development, textile production management, and interior design. With an increased emphasis on textile sustainability, this best-selling book continues to meet the needs of both students and professionals in the textile, fashion, and related industries. Based on their combined experience in both education and the industry, the authors provide readers with a comprehensive text about the design, structure, and application of textiles. The range of information is broad and deep, and includes basic fiber chemistry, fiber innovations, the fabrication of fabrics, quality assurance, and laws that regulate textiles; updated topics include bio-based fibers, circularity and sustainability, wearable textiles, and revised and updated chapters on fibers, yarns, non-wovens, dyeing, printing, and finishing. The authors also provide readers with information regarding textile-related trade and professional associations and career opportunities in design, production, marketing, merchandising, apparel, and home products. STUDIO Features Include: - Study smarter with self-quizzes featuring scored results and personalized study tips - Review concepts with flashcards of terms and definitions and image identification - Watch videos that bring chapter topics and concepts to life Instructor Resources - Instructor’s Guide with teaching suggestions, activities, lecture notes, and a guide to Swatch Kit assignments - Test Bank with over 600 multiple choice, short answer, and true or false questions - PowerPoint® presentations include full-color images from the book and provide a framework for lecture and discussion
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42

Kreže, Tatjana, and Lidija Fras Zemljič, eds. Book of Scientific Research Achievements of Program Group P2-0118 Textile Chemistry and Advanced Textile Materials: P2-0118, 1st Annual Meeting 2024. University of Maribor Press, 2024. http://dx.doi.org/10.18690/um.fs.3.2024.

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The publication presents an overview of the research achievements of Program Group P2-0118 Textile chemistry and advanced textile materials from 2021 to 2023 in the field of development of smart and multifunctional textiles and composite materials as well as circular economy concepts. Members of the program group present their research innovations and progress achieved within the framework of the program group's activities.
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43

Anand, Subhash C., and A. R. Horrocks. Handbook of Technical Textiles: Technical Textile Processes. Elsevier Science & Technology, 2015.

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44

Anand, Subhash C., and A. Richard Horrocks. Handbook of Technical Textiles: Technical Textile Applications. Elsevier Science & Technology, 2016.

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45

Anand, Subhash C., and A. Richard Horrocks. Handbook of Technical Textiles: Technical Textile Applications. Elsevier Science & Technology, 2016.

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46

Textile innovation: Traditional, modern and smart textiles. London: Line, 2001.

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47

Handbook of Technical Textiles: Technical Textile Processes. Elsevier Science & Technology, 2015.

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48

Parthasarathi, Prasannan, and Giorgio Riello. From India to the World: Cotton and Fashionability. Edited by Frank Trentmann. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561216.013.0008.

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Since at least the nineteenth century, cotton has been the most important textile fibre in the world. In 1913, cotton accounted for 80 per cent of global fibre consumption: cotton consumption for textile uses was about 4 billion kilograms, while that of wool, the second most important fibre, was about 700 million kilograms. In 1990, even after the rise of synthetic fibres, which accounted for 38 per cent of global fibre use in textiles, cotton accounted for 48 per cent of world fibre share and wool had slumped to the low proportion of 4.9 per cent. The appeal of cotton lay in its fashionability, which was often associated with the exotic, the hard to get, the item that came from afar. Cotton textiles, many from the Indian subcontinent, satisfied these fashion desires for the rare and the unusual. This article explores cotton and fashionability in India. After discussing cotton textiles, it looks at the diffusion of Indian cottons in Africa and Asia, as well as in Europe and the Atlantic world.
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49

Sustainable Fashion and Textiles: Design Journeys. Earthscan Publications Ltd., 2008.

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50

Sustainable Fashion and Textiles: Design Journeys. Routledge, 2014.

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