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Books on the topic 'Textual Authorship'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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1

Whinnom, Keith. The textual history and authorship of Celestina. Department of Hispanic Studies, Queen Mary and Westfield College, University of London, 2007.

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2

Textual intercourse: Collaboration, authorship, and sexualities in Renaissance drama. Cambridge University Press, 1997.

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3

Leader, Zachary. Revision and romantic authorship. Clarendon Press, 1996.

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4

Kort, Wesley A. Textual intimacy: Autobiography and religious identities. University of Virginia Press, 2012.

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5

Textual intimacy: Autobiography and religious identities. University of Virginia Press, 2012.

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6

Atkinson, Paul. The ethnographic imagination: Textual constructions of reality. Routledge, 1990.

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7

Shakespeare's additions to Thomas Kyd's The Spanish tragedy: A fresh look at the evidence regarding the 1602 additions. Edwin Mellen Press, 2008.

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8

Illing, Robert. Berchtolds garden musick: A study of the early texts of the piece popularly known in England as Haydn's Toy symphony and in Germany as Haydns Kindersinfonie, and of a cassation attributed to Leopold Mozart which embodies the Kindersinfonie. R. Illing, 1994.

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9

Machiavelli e la novella di Belfagor: Saggio di filologia attributiva. Salerno, 2007.

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10

Golovnin, Alekseĭ. Za chertoĭ dvadt͡s︡atʹ pervogo--. "Topaz", 1993.

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11

Zagadki i taĭny "Tikhogo Dona": Dvenadt︠s︡atʹ let poiskov i nakhodok. AIRO-XXI, 2010.

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12

Bashō no bunboku: Sono shingi. Shibunkaku Shuppan, 1997.

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13

Schück, Herman. Engelbrektskrönikan: Tillkomsten och författaren. Kungl. Vitterhets- historie och antikvitets akademien, 1995.

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14

Fisher, Leona Mae Weaver. Lemon, Dickens, and Mr. Nightingale's diary: A Victorian farce. English Literary Studies, University of Victoria, 1988.

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15

Paul, Atkinson. The ethnographic imagination: Textual constructions of reality. Routledge, 1990.

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16

López-Vázquez, Alfredo Rodríguez. Lope, Tirso, Claramonte: La autoría de las comedias más famosas del Siglo de Oro. Edition Reichenberger, 1999.

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17

Dickens, family, authorship: Psychoanalytic perspectives on kinship and creativity. Ashgate, 2008.

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18

The pleasures of contamination: Evidence, fact, and voice in textual studies. Indiana University Press, 2010.

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19

Merriam, Thomas. The identity of Shakespeare in Henry VIII. Renaissance Institute, Sophia University, 2005.

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20

Merriam, Thomas. The identity of Shakespeare in Henry VIII. Renaissance Institute, Sophia University, 2005.

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21

Analyzing discourse: Textual analysis for social research. Routledge, 2003.

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22

La mise en oeuvre: Itinéraires génétiques. CNRS éditions, 2008.

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23

Across property lines: Textual ownership in writing groups. Southern Illinois University Press, 2000.

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24

Svorai, Rachel. Sheloshah she-ḥibru: Mabaṭ ḥadash ʻal yotsre ha-Tanakh = The three authors : a new perception on the authors of the Bible. Tamuz, 2012.

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25

Paule, Gabriela. Der Tanhûser: Organisationsprinzipien der Werküberlieferung in der Manesseschen Handschrift. M & P Verlag für Wissenschaft und Forschung, 1994.

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26

Vašák, Pavel. Autor, text a spolecnost. Academia, 1986.

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27

author, Amphoux Christian-Bernard, ed. Synoptiques et Actes: Quel texte original? J. Gabalda et Cie, 2014.

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28

Canfora, Luciano. Il papiro di Artemidoro e un saggio del nuovo papiro. Laterza, 2008.

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29

Luciano, Bossina, ed. Il papiro di Artemidoro e un saggio del nuovo papiro. Laterza, 2008.

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30

Marco, Gisi Lucas, Thüring Hubert, and Wirtz Irmgard, eds. Schreiben und Streichen: Zu einem Moment produktiver Negativität. Wallstein, 2011.

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31

The matter of the page: Essays in search of ancient and medieval authors. University of Wisconsin Press, 2011.

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32

Pontifical Institute of Mediaeval Studies, ed. Modes of authorship in the Middle Ages. Pontifical Institute of Mediaeval Studies, 2012.

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33

The commodification of textual engagements in the English Renaissance. Ashgate Pub., 2006.

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34

Von der Schrift zum Buch, vom Ich zum Autor: Zur Text- und Autorkonstitution in Überlieferung und Rezeption des "Fliessenden Lichts der Gottheit" Mechthilds von Magdeburg. Francke, 2010.

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35

Islam --its Koran and Hadith, and its leadership: An addendum to the True authorship of the New Testament. Vector Associates, 2005.

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36

Jensma, G. Th. De gemaskerde god: François HaverSchmidt en het Oera Linda-boek. Walburg Pers, 2004.

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37

Fordham, Finn. I do, I undo, I redo: The textual genesis of modernist selves in Hopkins, Yeats, Conrad, Forster, Joyce, and Woolf. Oxford University Press, 2010.

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38

Barokowy tekst i jego twórcy: Studia o edycji i atrybucji poezji "wieku rękopisów". Wydawn. Uniwersytetu Gdańskiego, 2003.

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39

I am a monument: On Learning from Las Vegas. MIT Press, 2008.

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40

The true history of the so-called Artemidorus papyrus: With an interim text. Edizioni di Pagina, 2007.

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41

W poszukiwaniu straconego dzieła: Studia z zakresu edytorstwa tekstów niezachowanych lub wydawniczo niespełnionych i inne szkice pokrewne. Księgarnia Akademicka, 2011.

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42

The true history of the so-called Artemidorus papyrus: A supplement. Edizioni di Pagina, 2008.

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43

Buchstabe und Geist, Geist und Buchstabe: Arbeiten zur Editionsphilologie. Lang, 2010.

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44

M. A. i dr Marusenko. V poĭskakh poteri︠a︡nnogo avtora: Eti︠u︡dy atribut︠s︡iĭ. S.-Peterburgskiĭ universitet, 2001.

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45

Quintilien, Le soldat de Marius: Grandes déclamations, 3. Edizioni dell'Università degli studi di Cassino, 2004.

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46

Kline, Mary-Jo. A guide to documentary editing. Johns Hopkins University Press, 1987.

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47

Purdue, Susan Holbrook. A guide to documentary editing. 3rd ed. University of Virginia Press, 2008.

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48

Kline, Mary-Jo. A guide to documentary editing. 2nd ed. Johns Hopkins University Press, 1998.

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49

Textual and visual selves: Photography, film, and comic art in French autobiography. University of Nebraska Press, 2011.

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50

La meravigliosa storia del falso Artemidoro. Sellerio, 2011.

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