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Journal articles on the topic 'Textual Authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Vayntrub, Jacqueline. "Before Authorship: Solomon and Prov. 1:1." Biblical Interpretation 26, no. 2 (2018): 182–206. http://dx.doi.org/10.1163/15685152-00262p03.

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How should we understand the naming of legendary figures like Solomon in biblical titles? The ancient practice of attribution is often obscured by scholars committed to the modern construction of authorship. Texts such as 11QPsa XXVII (“David’s Compositions”) demonstrate an altogether different understanding of this ancient practice. Using Prov. 1:1 as a test case, this essay examines how biblical authors and editors assigned texts to legendary figures, and how this kind of attribution evokes a set of imagined associations in the broader literary tradition. The essay presents a description and

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2

Silverman, G. "Textual Sentimentalism: Incest and Authorship in Melville's Pierre." American Literature 74, no. 2 (2002): 345–72. http://dx.doi.org/10.1215/00029831-74-2-345.

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3

Litvinova, Tatyana, and Anastasiya Gromova. "Current Problems of Forensic Authorship Analysis and the Possibility of Their Solution with the Use of Computer Methods: Problems and Prospects." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 1 (March 2020): 77–88. http://dx.doi.org/10.15688/jvolsu2.2020.1.7.

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Active development of Internet communication in recent years caused an increase in the number of forensic text examinations aimed at identifying and profiling (i.e. inferring gender, age, personality, etc. of the author from textual analysis) the author of written texts. Despite the availability of proven methodological recommendations for the production of such examinations, in this area there are many unresolved problems associated mainly with the emergence of new research objects. In addition, the existing expert practice does not fully utilize the achievements of corpus, computer, and quan

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4

Aspinall, Dana E., and Jeffrey Masten. "Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama." Sixteenth Century Journal 29, no. 3 (1998): 816. http://dx.doi.org/10.2307/2543705.

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5

Labbé, Cyril, and Dominique Labbé. "Inter-Textual Distance and Authorship Attribution Corneille and Molière." Journal of Quantitative Linguistics 8, no. 3 (2001): 213–31. http://dx.doi.org/10.1076/jqul.8.3.213.4100.

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6

Sousa, Claudemir. "Produção textual e autoria em ambiente virtual de aprendizagem: uma escrita dialógica / Textual production and authorship in virtual learning environment: a dialogical writing." Texto Livre: Linguagem e Tecnologia 10, no. 2 (2017): 308–23. http://dx.doi.org/10.17851/1983-3652.10.2.308-323.

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RESUMO: As possibilidades oferecidas pelas ferramentas tecnológicas para a produção de texto afetam sobremaneira a concepção que temos de escrita e de autoria. Neste artigo, objetivamos discutir uma concepção dialógica de escrita e de autoria, tendo como objeto de análise uma interação virtual escrita realizada por estudantes de uma universidade pública do estado de São Paulo. Essa discussão está ancorada nos pressupostos teóricos de Mikhail Bakhtin e seus interlocutores contemporâneos acerca das categorias teóricas autor e dialogismo, bem como em estudos sobre os impactos do uso de ferramenta

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7

Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en vari

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8

Montinaro, Federico, and Lisa Neumann. "Eusebius was the author of the Contra Hieroclem." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 22, no. 2 (2018): 322–26. http://dx.doi.org/10.1515/zac-2018-0034.

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9

SAITO, Akira. "Remarks on the Authorship and Textual Development of the Akutobhaya." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 51, no. 2 (2003): 869–63. http://dx.doi.org/10.4259/ibk.51.869.

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10

Parrinder, Patrick, Martha Woodmansee, and Peter Jaszi. "The Construction of Authorship: Textual Appropriation in Law and Literature." Modern Language Review 92, no. 1 (1997): 140. http://dx.doi.org/10.2307/3734691.

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11

Radel, Nicholas F. "Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama (review)." Shakespeare Quarterly 52, no. 4 (2001): 524–27. http://dx.doi.org/10.1353/shq.2001.0065.

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12

Hazan, Haim. "The Ethnographer's Textual Presence: On Three Forms of Anthropological Authorship." Cultural Anthropology 10, no. 3 (1995): 395–406. http://dx.doi.org/10.1525/can.1995.10.3.02a00050.

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13

Carringer, Robert L. "Collaboration and Concepts of Authorship." Publications of the Modern Language Association of America 116, no. 2 (2001): 370–79. http://dx.doi.org/10.1632/s0030812900105255.

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It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in t

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14

Carringer, Robert L. "Collaboration and Concepts of Authorship." PMLA/Publications of the Modern Language Association of America 116, no. 2 (2001): 370–79. http://dx.doi.org/10.1632/pmla.2001.116.2.370.

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It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in t

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15

Alterkavı, Suleyman, and Hasan Erbay. "Design and Analysis of a Novel Authorship Verification Framework for Hijacked Social Media Accounts Compromised by a Human." Security and Communication Networks 2021 (January 23, 2021): 1–12. http://dx.doi.org/10.1155/2021/8869681.

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Compromising the online social network account of a genuine user, by imitating the user’s writing trait for malicious purposes, is a standard method. Then, when it happens, the fast and accurate detection of intruders is an essential step to control the damage. In other words, an efficient authorship verification model is a binary classification for the investigation of the text, whether it is written by a genuine user or not. Herein, a novel authorship verification framework for hijacked social media accounts, compromised by a human, is proposed. Significant textual features are derived from

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16

Blair, Ann. "Authorship in the Popular "Problemata Aristotelis"." Early Science and Medicine 4, no. 3 (1999): 189–227. http://dx.doi.org/10.1163/157338299x00148.

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AbstractThis article examines the complex fortuna of the "Problemata Aristotelis" which circulated widely in early modern Europe in a textual tradition independent of the better-known ancient problems attributed to Aristotle. A study of the editions of this text (designated "Omnes homines") and its various add-ons, spanning four languages (Latin, German, French and English) and four centuries (late 15th-19th centuries), brings to light the otherwise obscure editorial practices that fueled its remarkable success. The authority of the text rests at first on its presentation of a collective wisdo

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17

Washbourne, Kelly. "Revised Translations: Strategic Rationales and the Intricacies of Authorship." Translation and Literature 25, no. 2 (2016): 151–70. http://dx.doi.org/10.3366/tal.2016.0244.

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Abstract: The ‘reprocessed’ text, in Paloposki and Koskinen's (2010) term, often eludes critical attention, as it is part of the textual evolution of a work's pre-history. This study takes up the revised translation as process and product for closer examination, particularly in its assertions of authority, and in its uncertain relationship to its ecology of predecessor translations and retranslations. The motivations for revision are explored, as is the sometimes misleading role of peritexts in shaping the identities of the revised translation, and the types of revisers and revision distinguis

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18

Avdeeva, N. V., and I. V. Sus’. "«Antiplagiat. RSL» - Verification System of Text Authorship." Bibliotekovedenie [Library and Information Science (Russia)], no. 4 (August 28, 2014): 41–44. http://dx.doi.org/10.25281/0869-608x-2014-0-4-41-44.

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For handling the problem of falsification in science and combating the intellectual plagiarism there is required verification system of document texts originality. The «Antiplagiat.RSL» system can serve as an example of such a system, for it is an independent expertise tool, performing comparative semantic and stylistic assessment of textual matching content. Expert Certificate on the Originality of Text, issued by the Russian State Library, is an official document, containing information on presence/absence of plagiarism in scientific texts.

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19

Fortier, John C. "Hobbes and “A Discourse of Laws”: The Perils of Wordprint Analysis." Review of Politics 59, no. 4 (1997): 861–88. http://dx.doi.org/10.1017/s0034670500028357.

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John Hilton, Noel Reynolds, and Arlene Saxonhouse have employed statistical authorship analysis to claim that Hobbes authored three anonymously published works. But the authors of the study were not aware of close textual parallels between one discourse and a recently discovered work of Francis Bacon which argue against this attribution and call attention to deficiencies in the method of proof. Compounding this difficulty, they could not determine the stylistic pattern of Bacon, who is a candidate for authorship of the three discourses. It can be concluded that the authorship of at least one o

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20

Haubenreich, Jacob. "The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies." New German Critique 47, no. 3 (2020): 141–78. http://dx.doi.org/10.1215/0094033x-8607647.

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Abstract This article examines the persistence of the notion of the immaterial text in literary studies, now decades into the so-called material turn. Digitization of manuscripts increasingly confronts us with the facts of textual materiality and material authorship, yet many scholars remain ill-equipped to engage these traces in order to expand the possibilities of textual interpretation. The journeys of Peter Handke’s notebooks serve as a case study on how to interrogate various definitions of text and methodological approaches that reinforce an understanding of texts as immaterial. This art

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21

Kerr, Paul. "Authorship, Autobiography and the Archive." VIEW Journal of European Television History and Culture 4, no. 8 (2015): 67. http://dx.doi.org/10.18146/2213-0969.2015.jethc094.

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In 2004, documentary theorist Michael Renov described ‘the recent turn to filmic autobiography’ as ‘the defining trend of “post-verite” documentary practice...’ In 2008 Renov went further still, suggesting that ‘the very idea of autobiography challenges/reinvents the VERY IDEA of documentary.’ Archive based autobiographical filmmaking, meanwhile, is even more problematic for documentary theory. Indeed, a number of recent documentaries, because of their status somewhere in the spectrum between biography and autobiography, have prompted the construction of an entirely new conceptual category, de

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22

Marcuson, Hannah, and Theo van den Hout. "Memorization and Hittite Ritual: New Perspectives on the Transmission of Hittite Ritual Texts." Journal of Ancient Near Eastern Religions 15, no. 2 (2016): 143–68. http://dx.doi.org/10.1163/15692124-12341272.

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Scholarly discussion of Hittite ritual texts in recent years has centered around scribal context and textual transmission. Using the method already demonstrated by Paul Delnero for Sumerian literary texts, the authors show that certain Hittite rituals were memorized, and that the variations among some exemplars resulted from errors in memory. The influence of conscious redaction on these texts must therefore be reassessed, and the questions of textual purpose, authorship, and context cast into new light.

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23

Gómez-Adorno, Helena, Grigori Sidorov, David Pinto, Darnes Vilariño, and Alexander Gelbukh. "Automatic Authorship Detection Using Textual Patterns Extracted from Integrated Syntactic Graphs." Sensors 16, no. 9 (2016): 1374. http://dx.doi.org/10.3390/s16091374.

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24

Greer, Jane. "Refiguring Authorship, Ownership, and Textual Commodities: Meridel Le Sueur's Pedagogical Legacy." College English 65, no. 6 (2003): 607. http://dx.doi.org/10.2307/3594273.

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25

VanHaitsma, Pamela. "Textual Curation: Authorship, Agency, and Technology in Wikipedia and Chambers’s Cyclopædia." Quarterly Journal of Speech 106, no. 1 (2020): 95–97. http://dx.doi.org/10.1080/00335630.2020.1709733.

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26

Koenig, Abby. "Textual curation: authorship, agency, and technology in Wikipedia and Chambers’s Cyclopædia." Technical Communication Quarterly 28, no. 3 (2019): 284–86. http://dx.doi.org/10.1080/10572252.2019.1618111.

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27

VON MÜÜCKE, DOROTHEA. "Goethe's Metamorphosis: Changing Forms in Nature, the Life Sciences, and Authorship." Representations 95, no. 1 (2006): 27–53. http://dx.doi.org/10.1525/rep.2006.95.1.27.

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ABSTRACT This article explores both Goethe's description of changing forms in nature and his deployment of different textual and generic forms in his scientific writings. The form and format in which he collected and published his morphological writings are analyzed as a reflection on scientific and literary authorship and originality.

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28

Hellwig, Oliver. "Stratifying the Mahābhārata." Indo-Iranian Journal 60, no. 2 (2017): 132–69. http://dx.doi.org/10.1163/15728536-06002001.

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Disputed authorship and text transfer are notorious problems in the textual transmission of Sanskrit, especially for large anonymous texts such as the Mahābhārata. Stratification methods for such texts have so far mainly relied on manuscriptology, higher textual criticism, and scattered historical evidence. This paper introduces a quantitative method for text stratification that uses frequent linguistic features for inducing authorial layers in Sanskrit texts. The proposed method is tested with texts whose authorial composition is known, and then applied to the Bhīṣmaparvan of the Mahābhārata.

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29

Cerbino, Ana Beatriz. "Dance, Reconstruction, and Intellectual Property." Congress on Research in Dance Conference Proceedings 2016 (2016): 50–53. http://dx.doi.org/10.1017/cor.2016.9.

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The objective is to initiate a investigation between dance, authorship, intellectual property, and choreography. For this, a look at what is meant by authoring in dance with the publication of Chorégraphie, ou l'art de décrire la danse par caracteres (1700) by Raoul-Auger Feuillet and the dispute with Pierre Beauchamp for the authorship of dance notation and recent discussions about copyright and choreography will be made; I will also discuss some cases of revival/reconstruction. It's not only understanding such procedures as “embodied textual practices” (Thomas 2004), from the perspective of

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30

Neidorf, Leonard. "The composite authorship of The Dream of the Rood." Anglo-Saxon England 45 (December 2016): 51–70. http://dx.doi.org/10.1017/s0263675100080224.

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AbstractScholarship on The Dream of the Rood has long entertained the suspicion that the poem might be the product of composite authorship. Recent criticism has tended to reject this possibility on aesthetic grounds, but the present article identifies new metrical and lexical reasons to believe that The Dream of the Rood contains contributions from at least two poets. It reconstructs the poem's textual history and contends that lines 1–77 represent an original core to which a later poet added lines 78–156.

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31

Iqbal, Farkhund, Hamad Binsalleeh, Benjamin C. M. Fung, and Mourad Debbabi. "A unified data mining solution for authorship analysis in anonymous textual communications." Information Sciences 231 (May 2013): 98–112. http://dx.doi.org/10.1016/j.ins.2011.03.006.

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32

Schneiders, Sandra M. "‘Because of the Woman's Testimony …’: Reexamining the Issue of Authorship in the Fourth Gospel." New Testament Studies 44, no. 4 (1998): 513–35. http://dx.doi.org/10.1017/s0028688500016702.

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This article combines historical, literary, theological, and feminist criticism to inquire into the identity of the Beloved Disciple (BD) in the Fourth Gospel attempting to mediate between the theory of the BD as pure literary construct and the BD as a single historical individual. It proposes that the BD is a textual paradigm of ideal discipleship which is realized diversely in several characters in the text. This has ramifications for the textual identity of the evangelist and of the foundational Easter witness of the Johannine community. It suggests that women were more significant in leade

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33

Schachter, Bony B. "Material Apotheosis: The Editions of the Divine Pivot Ready to Hand and the Ritual Underpinnings of Zhu Quan’s Divine Authorship." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 3 (2020): 467–99. http://dx.doi.org/10.1556/062.2020.00021.

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ABSTRACTThis contribution argues that Zhu Quan’s (1378–1448) apotheosis must be interpreted as a paratextual discourse on authorship. Substantiating this claim, this article discusses how the extant editions of the Divine Pivot Ready to Hand construct the king’s divine authorship. In its three sections, the article examines the physical, paratextual and ritual dimensions of his apotheosis. Focusing on the last chapter of the Pivot, it demonstrates that calendars serve as a material cum textual media through which to posit Zhu Quan’s divine status. In a dialogue with the field of ritual studies

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34

Greenwood, Emily. "Thucydideses: authorship, anachrony, and anachronism in Greek historiography." Classical Receptions Journal 12, no. 1 (2020): 32–45. http://dx.doi.org/10.1093/crj/clz020.

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Abstract This article revisits the theme of temporality in ancient Greek historiography through the lens of the Byzantine Histories of Laonikos Chalkokondyles, who fastened onto the device of the anachronic, proleptic future in Herodotus and Thucydides to license his apparently anachronistic device of writing in the language and persona of both, eighteen centuries after they wrote. In Laonikos’ account, his narrative is part of the future of ‘Greek’ history anticipated by Herodotus and Thucydides. Laonikos’ clever assimilation of Herodotus and Thucydides sheds new light on Thucydides’ own redu

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35

Qu, Shuwen, and Jian Xiao. "The Making of Singer-songwriters." Journal of Popular Music Studies 32, no. 1 (2020): 78–105. http://dx.doi.org/10.1525/jpms.2020.32.1.78.

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This paper addresses the importance of singer-songwriters to understanding China's contemporary folk music ethos. Instead of considering singer-songwriters as those who perform their own material, this paper examines them as a discursive field that involves the notion of authorship. The first part of the paper revisits the history of singer-songwriters as a thickening process of the aesthetic and sociological voices in their singular authoritarian role. Drawing on Negus's “unbundling” concept, the myth of singer-songwriters' heightened investment of authorship is deconstructed via analysis of

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36

Wallace, Vesna A. "Thoughts on Originality, Reuse, and Intertextuality in Buddhist Literature Derived from the Contributions to the Volume." Buddhist Studies Review 33, no. 1-2 (2017): 233–39. http://dx.doi.org/10.1558/bsrv.31648.

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Studies in originality, authorship, and intertextuality in the contexts of the South Asian and Tibetan Buddhist literature are indispensible for uncovering the direct and indirect referential connections and the diverse modes of their production in an extensive mosaic of Buddhist texts. They also highlight the multifarious functions of textual reuses and re-workings in cultural productions and religious and literary reinvigorations. Moreover, a reintegration of explicit and silent citations and creative paraphrases and a recirculation of narrative adaptations, which have been often sidelined i

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37

Nason, C. M. "The mass commentary Dominus vobiscum. Its textual transmission and the question of authorship." Revue Bénédictine 114, no. 1 (2004): 75–91. http://dx.doi.org/10.1484/j.rb.5.100606.

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38

Osiewicz, Marek. "Zróżnicowanie tekstowe, zakres i stopień normalizacji wariantywności fonetycznej w Księgach o gospodarstwie (Kraków 1549, Helena Unglerowa)." Poznańskie Studia Polonistyczne. Seria Językoznawcza 23, no. 2 (2016): 135–58. http://dx.doi.org/10.14746/pspsj.2016.23.2.9.

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The article summarize a number of analysis of the phonetic variance acknowledged in the first Polish edition of Księgi o gospodarstwie by Piotr Krescentyn (Kraków 1549, H. Unglerowa). Investigated issues included: textual differentiation, scope and degree of normalization of the particular alternations. In a sample of 11 analyzed phonetic oppositions the biggest textual differentiation demonstrate: mdl- || -mgl-, jestli || jesli, biał- || białł- oraz miedzy || między. The most clearly seen border of textual forms differentiation runs between column 384 and 381a and is already known from the gr

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39

Álvarez Barrientos, Joaquín. "El astrólogo y su gabinete. Autoría, ciencia y representación en los almanaques del siglo XVIII." Cuadernos de Estudios del Siglo XVIII, no. 4 (June 24, 2020): 1–180. http://dx.doi.org/10.17811/cesxviii.4.2020.1-180.

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RESUMENEn estas páginas se estudian los almanaques desde su perspectiva textual e iconográfica, se atiende al marco científico de la época, al público; al sentido y valor de los instrumentos que aparecen en los frontispicios y a su tipología; a las formas de componer los pronósticos, es decir, a las estrategias y a la conciencia autoral que muestran; al papel que la melancolía desempeña en el retrato de los autores, y, finalmente, se centran en el espacio del astrólogo, su gabinete al aire libre, entendido como lugar simbólico de estudio, representación y autoridad.PALABRAS CLAVEAlmanaque, pro

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40

Helgeson, James. "Poetic Deictics and Extra-Textual Reference (Mallarmé, Scève, Ronsard, Du Bellay)." Nottingham French Studies 56, no. 3 (2017): 351–65. http://dx.doi.org/10.3366/nfs.2017.0196.

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This study considers the effects of deictics, which are among the expressions called, in recent linguistics, and particularly cognitive pragmatics, ‘procedural’ expressions, in poetic expression in the first person. It examines a variety of examples drawn primarily from the early modern period (Scève, Ronsard, Du Bellay, Muret's and Belleau's commentaries on Ronsard), but with several modern points of comparison (Keats, Mallarmé). The article studies, in particular, the question of extra-textual reference in poetry and poetic commentary, arguing against an anachronistic understanding (based in

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41

Cobley, Paul. "Analysing narrative genres." Sign Systems Studies 29, no. 2 (2001): 479–502. http://dx.doi.org/10.12697/sss.2001.29.2.05.

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There can be little doubt that human consciousness is now suffused with narrative. In the West, narrative is the focus of a number of lucrative industries and narratives proliferate as never before. The importance of popular genres in current narrative is an index of the demise of authorship in the face of new media and has necessitated the renewal of the term "genre" in narrative analysis over the last hundred years or so. However. this article attempts to make clear that the concept of genre and the notion of a textual formula in narrative are not the same thing. Genre, in contrast to formul

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42

Besamusca, Bart, Gareth Griffith, Matthias Meyer, and Hannah Morcos. "Author Attributions in Medieval Text Collections: An Exploration." Amsterdamer Beiträge zur älteren Germanistik 76, no. 1 (2016): 89–122. http://dx.doi.org/10.1163/18756719-12340004.

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This article examines the role and function of author attributions in multi-text manuscripts containing Dutch, English, French or German short verse narratives. The findings represent one strand of the investigations undertaken by the cross-European project ‘The Dynamics of the Medieval Manuscript’, which analysed the dissemination of short verse narratives and the principles of organisation underlying the compilation of text collections. Whilst short verse narratives are more commonly disseminated anonymously, there are manuscripts in which authorship is repeatedly attributed to a text or cor

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43

Phelan, Owen M. "Textual Transmission and Authorship in Carolingian Europe: Primo Paganus, Baptism, and Alcuin of York." Revue Bénédictine 118, no. 2 (2008): 262–88. http://dx.doi.org/10.1484/j.rb.5.100572.

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44

Schmidt, Gabriela. "Of Travellers, Messengers and Foundlings – Fictionality, Authorship, and Textual Property in Thomas More’s Paratexts." Moreana 53 (Number 205-, no. 3-4 (2016): 17–44. http://dx.doi.org/10.3366/more.2016.53.3-4.4.

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Paratexts have attracted increasing attention in recent scholarship as an especially privileged tool for managing the reception of a text in early print culture, and Thomas More was certainly an exceptionally versatile user of this strategic publishing device. Not only does he make ample use of conventional paratextual techniques such as prefaces, marginal glosses and commendatory poems, he also takes the medium one step further by making his paratexts part of the narrative setting of his works, especially in the literary dialogues. In creating a plethora of (semi-)fictional voices and context

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Biagioli, Mario. "Recycling Texts or Stealing Time?: Plagiarism, Authorship, and Credit in Science." International Journal of Cultural Property 19, no. 3 (2012): 453–76. http://dx.doi.org/10.1017/s0940739112000276.

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AbstractScientific plagiarism is as sui generis as the author function in science. A study of the specificity of scientific plagiarism and the ways in which it diverges from appropriation in other disciplines allows us to question traditional definitions that focus on the copying of published copyrighted materials. The form of plagiarism that is most damaging to scientists does not involve publications, is largely outside the scope of copyright law, and is unlikely to be detected by textual-similarity algorithms. The same features that make this kind of plagiarism difficult to identify and con

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Kern, Martin. "The “Masters” in the Shiji." T’oung Pao 101, no. 4-5 (2015): 335–62. http://dx.doi.org/10.1163/15685322-10145p03.

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The intellectual history of the ancient philosophical “Masters” depends to a large extent on accounts in early historiography, most importantly Sima Qian’s Shiji which provides a range of longer and shorter biographies of Warring States thinkers. Yet the ways in which personal life experiences, ideas, and the creation of texts are interwoven in these accounts are diverse and uneven and do not add up to a reliable guide to early Chinese thought and its protagonists. In its selective approach to different thinkers, the Shiji under-represents significant parts of the textual heritage while develo

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Alonso Veloso, María José. "Una suelta "olvidada" del entremés El marido fantasma de Quevedo = A forgotten manuscript Quevedo’s entremés El marido fantasma." Estudios Humanísticos. Filología, no. 39 (December 15, 2017): 171. http://dx.doi.org/10.18002/ehf.v0i39.4819.

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<p><em>El marido fantasma</em> es uno de los trece entremeses de Quevedo que la crítica ha considerado auténticos. Este trabajo pretende recuperar una de las cinco fuentes textuales del entremés, la integrada en una suelta incluida en un volumen facticio de una biblioteca alemana, que también contiene una comedia de autoría discutida, <em>Los achaques de Leonor</em>: mencionada fugazmente en un artículo hace casi un siglo, la suelta ha pasado desapercibida y no ha sido utilizada en ninguna de las ediciones críticas del entremés. Además de enumerar el contenido del

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Taylor-Batty, Juliette. "‘Everything's been done before’: Jean Rhys, Translation, and the Politics of Originality." Modernist Cultures 14, no. 4 (2019): 498–521. http://dx.doi.org/10.3366/mod.2019.0269.

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This article explores questions of ‘originality’ and textual ‘ownership’ in the work of Jean Rhys and argues that her fiction presents a pervasive and unsettling challenge to the post-Romantic notion of ‘original’ literary production as organically ‘rooted’ in ‘national’ culture. I first focus on Rhys's treatment of questions of authorship and appropriation in ‘Again the Antilles’ and ‘Let Them Call It Jazz’ in the light of archival documents which indicate a pervasive anxiety of originality. I then move on to examine the relationship between authorship and translation that is revealed in an e

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Wright, Peter. "A New Attribution to Dunstaple." Music and Letters 100, no. 2 (2019): 196–232. http://dx.doi.org/10.1093/ml/gcz031.

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Abstract Since the publication of Bukofzer’s edition of John Dunstaple’s complete works in 1953, not one anonymous piece has been firmly attributed to the composer conjecturally. Scholars have understandably been reluctant to speculate on questions of authorship on the basis of style alone. At the same time it would be surprising if works by the most productive English composer of the period had not survived among the numerous anonymi that constitute such a high proportion of the fifteenth-century insular repertory. This article makes a case for Dunstaple’s authorship of an anonymous Credo bea

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McKay, Trever. "IDENTIFYING THE TEXTUAL SOURCES OF SHI JI: REVIEWING PAST RESEARCH FOR A MORE ENCOMPASSING METHODOLOGY." Early China 41 (2018): 375–413. http://dx.doi.org/10.1017/eac.2018.10.

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AbstractWhile many aspects of Shi ji authorship are either unknown or speculative, the source texts of Shi ji and Sima Qian's use of them are viable yet underexplored paths to a deeper understanding of this monumental work. From the 1920s to the present, seven scholars from China, Japan, and Taiwan have attempted to ascertain the extent of Sima Qian's textual perusals and adaptations by compiling bibliographies of Shi ji source texts. This article compiles some of their results for comparison and analysis. From this, principles are highlighted for generating a more comprehensive methodology.

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