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Books on the topic 'Textual silence'

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1

Back to Freud's texts: Making silent documents speak. Yale University Press, 1996.

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2

Trybiarz, Fiszel. Villa Lynch en silencio: Inmigrantes judíos de Bialystock, Belchatow y Lodz y la industria textil. Editorial Milá, 2006.

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3

Textual Silence: Unreadability and the Holocaust. Rutgers University Press, 2017.

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4

Lang, Jessica. Textual Silence: Unreadability and the Holocaust. Rutgers University Press, 2017.

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5

(Editor), Peter Freebody, Sandy Muspratt (Editor), and Bronwyn Dwyer (Editor), eds. Difference, Silence, and Textual Practice: Studies in Critical Literacy. Hampton Press, 2001.

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6

(Editor), Peter Freebody, Sandy Muspratt (Editor), and Bronwyn Dwyer (Editor), eds. Difference, Silence, and Textual Practice: Studies in Critical Literacy. Hampton Press, 2001.

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7

Nabokov's Women: The Silent Sisterhood of Textual Nomads. Lexington Books/Fortress Academic, 2017.

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8

The Silent Word: Textual Meaning and the Unwritten. Singapore University Press, 1998.

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9

1950-, Young Robert, Ban Kah Choon, and Goh, Robbie B. H., 1964-, eds. The silent word: Textual meaning and the unwritten. Singapore University Press, National University of Singapore, 1998.

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10

Geue, Tom, and Elena Giusti, eds. Unspoken Rome. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108913843.

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Latin literature is a hotbed of holes and erasures. Its sensitivity to politics leaves it ripe for repression of all sorts of names, places and historical events, while its dense allusivity appears to hide interpretative clues in a network of texts that only the reader's consciousness can make present. This volume showcases innovative approaches to the field of Latin literature, all of which are refracted through this prism of absence, which functions as a fundamental generative force both for the hermeneutics and the ongoing literary aftermath of these texts. Reviewing and working with variou
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11

Menzer, Paul. Lines. Edited by Henry S. Turner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.013.6.

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This chapter examines the importance of the ‘line’ in the composition, reading, editing, interpretation, and performance of early modern drama. It considers the gradual emergence of the poetic verse that is characteristic of early modern drama and one of the most obviously ‘textual’ units of early modern theatre. It shows that the line, before it became a formal verse element, persisted as a graphic mark, a technology of performance shared by musicians and singers as well as actors and playwrights. It explains how the line, through the printing of plays and poems, became the immaterial metaphy
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12

Çalı, Başak, Ledi Bianku, and Iulia Motoc, eds. Migration and the European Convention on Human Rights. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895196.001.0001.

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This book investigates where the European Convention on Human Rights (ECHR) as a living instrument stands on migration and rights of migrants. Individual chapters in the volume address how the tension between the textual silence of the Convention concerning migrant rights and the significant number of cases that the ECHR have addressed concerning migration and rights migrants are resolved or left to the discretion of European states. This book offers a comprehensive analysis of cases brought by migrants in different stages of migration covering the right to flee, who is entitled to enter and r
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13

Lombardi, Elena. Bea(ta Lec)trix. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198818960.003.0005.

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This chapter looks at Dante’s great textual invention, Beatrice, as both the empowered beloved turned addressee as discussed in Chapter 2 and a powerful textual construct as seen in Chapter 3. I argue that Beatrice’s unique trait is what I call her ‘lyric irreducibility’—a rather resistant aspect of her character, which follows her all the way to the vision of God. Such a trait is posited already in a figure that lays in the archaeology of Beatrice, the unsteady joining of the lyrical and the doctrinal in Dante’s first and failed rendition of his woman interlocutor: the donna gentile-Lady Phil
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14

Richards, Jennifer. Voices and Books in the English Renaissance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198809067.001.0001.

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Two ideas lie at the heart of this study and its claim that we need a new history of reading: that voices in books can affect us deeply; that printed books can be brought to life with the voice. Voices and Books offers a new history of reading focused on the oral and voice-aware silent reader, rather than the historical reader we have privileged in the last few decades, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers th
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15

Turnock, Bryan. Studying Horror Cinema. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.001.0001.

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Aimed at teachers and students new to the subject, this book is a comprehensive survey of the genre from silent cinema to its twenty-first century resurgence. Structured as a series of thirteen case studies of easily accessible films, it covers the historical, production, and cultural context of each film, together with detailed textual analysis of key sequences. Sitting alongside such acknowledged classics as Psycho and Rosemary's Baby are analyses of influential non-English language films as Kwaidan, Bay of Blood, and Let the Right One In. The book concludes with a chapter on 2017's blockbus
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16

Malinar, Angelika, and Helene Basu. Ecstasy. Edited by John Corrigan. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170214.003.0014.

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Among the many emotions that may be evoked and sought after in religious practice, ecstasy is an emotional state reserved by definition for extraordinary occasions and fields of performance and discourse. Religious ecstasy is not only expressed in poetic language using erotic metaphors or at least metaphors of desire but also evoked in the context of textual recitations and musical performances. This inclusion of erotic and aesthetic aspects can be regarded as enhancing the potential attraction of this emotion for those who practice a religion. On the other hand, this is also one reason why th
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17

Daw, Sarah. Writing Nature in Cold War American Literature. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430029.001.0001.

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Writing Nature is the first full-length ecocritical study of Cold War American literature. The book analyses the function and representation of Nature in a wide range of Cold War texts, and reveals the prevalence of portrayals of Nature as an infinite, interdependent ecological system in American literature written between 1945 and 1971. It also highlights the Cold War’s often overlooked role in environmental history, and argues for the repositioning of Rachel Carson’s Silent Spring (1962) within what is shown to be a developing trend of ecological presentations of Nature in literature written
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