Relevant bibliographies by topics / Thackeray

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  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Thackeray'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 June 2025

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Journal articles on the topic "Thackeray"

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Mykhed, T. "WILLIAM MAKEPEACE THACKERAY: IRONIC CONTEXT OF HIS “KYIV TEXT”." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 33 (2018): 72–81. http://dx.doi.org/10.17721/2663-6530.2018.33.05.

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The article is devoted to the analysis of the parody ballad by W. M. Thackeray "The Legend of St. Sophia of Kioff" (1839). An attempt was made to indicate the source of information about Kyiv, which could be found in Jane Porter’s historical novel "Thaddeus of Warsaw", written according to the testimonies of Polish emigrants. The ballad is interpreted as a traditional for English oral and written literature genre, which has acquired formal signs of printed text. All these signs are present in Thackeray's ballad, including the division into chapters, a functionally significant paratext, topical
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Garcha, Amanpal. "FORGETTING THACKERAY AND UNMAKING CAREERS." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 531–45. http://dx.doi.org/10.1017/s1060150318000128.

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One of the peculiar challengesfacing scholars who wish to write about Thackeray's fiction is locating a dominant critical account to argue against. TheMLA Bibliographycontains a great number of examples of scrupulously argued, compelling research into Thackeray's body of writing, but few if any of them have reached any kind of canonical status as the (or even one of the) interpretive accounts that define how critics understand his fiction. It can seem, for example, that Thackeray is either consciously or unconsciously evaded by many scholars seeking to develop overarching, defining accounts of
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Farina, Jonathan. "Recent Thackeray Studies: 2009–2022." Dickens Studies Annual 53, no. 2 (September 1, 2022): 322–45. http://dx.doi.org/10.5325/dickstudannu.53.2.0322.

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ABSTRACT Thackeray’s presence in recent scholarship, on present-day syllabi, and on present-day nightstands still pales in comparison to his popularity in the Victorian period and to the relative investments we have in Dickens, Eliot, and other Victorians. But the last twelve or so years nevertheless feel like something of a Thackeray resurgence, at least in scholarship. This article reviews here more than twenty-five pieces of scholarship, a fifth of what we might typically see on Dickens in the same period, but that scholarship includes some exciting, insightful, and transformative thinking,
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COLE, SARAH ROSE. "The Aristocrat in the Mirror: Male Vanity and Bourgeois Desire in William Makepeace Thackeray's Vanity Fair." Nineteenth-Century Literature 61, no. 2 (September 1, 2006): 137–70. http://dx.doi.org/10.1525/ncl.2006.61.2.137.

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39 Alexis de Tocqueville, The Old R´´gime and the French Revolution, trans. Stuart Gilbert (Garden City, N.Y.: Doubleday and Doubleday, 1955), pp. 88-89.Taking their cue from Thomas Carlyle's Sartor Resartus (1833-34), scholars of Regency and early-Victorian dandyism have focused on a supposed opposition between the dandyism of a declining aristocracy and the moral earnestness of a rising bourgeoisie. This historical model obscures the full complexity of relations between the nineteenthcentury British bourgeoisie and aristocracy, a complexity that can be illuminated by a closer examination of
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Schramm, Jan-Melissa. "“THE ANATOMY OF A BARRISTER'S TONGUE”: RHETORIC, SATIRE, AND THE VICTORIAN BAR IN ENGLAND." Victorian Literature and Culture 32, no. 2 (September 2004): 285–303. http://dx.doi.org/10.1017/s1060150304000506.

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IN THE HISTORY OF PENDENNIS(1848–50), William Thackeray calls upon the binary model of Victorian intellectualism in order to define the status and responsibilities of an author of fiction. For Thackeray, himself an initiate of the Middle Temple, the antagonist which permitted such a clarification of artistic privilege was the law, as conceived in utilitarian and mechanistic terms. Perhaps inspired by the ensign of the Inner Temple, the Winged Horse – suggestive of Thackeray's favorite trope for his own creativity, Pegasus-in-Harness – Thackeray effects a deft appropriation of the humanist hist
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Thomas, Deborah A. "THACKERAY, CAPITAL PUNISHMENT, AND THE DEMISE OF JOS SEDLEY." Victorian Literature and Culture 33, no. 1 (March 2005): 1–20. http://dx.doi.org/10.1017/s1060150305000707.

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VANITY FAIRIS A NOVEL OF ENIGMAS. In particular, after finishing the book, readers have often wondered why Thackeray refuses to tell us clearly whether or not Becky actually kills Joseph Sedley in chapter 67–a question recently given prominence by John Sutherland as one of the “Great Puzzles in Nineteenth-Century Literature” (66–72). The explanation most commonly given for Thackeray's evasiveness on this point is that such unanswered questions inVanity Fairare part of the artistry of this unconventional work of fiction, a book that A. E. Dyson has described as “surely one of the world's most d
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Fielding, K. J. "THACKERAY AND “THE GREAT MASTER OF CRAIGENPUTTOCH”: A NEW REVIEW OF THE LIFE OF JOHN STERLING — AND A NEW UNDERSTANDING." Victorian Literature and Culture 27, no. 1 (March 1999): 307–14. http://dx.doi.org/10.1017/s1060150399271161.

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TWO OF THE BEST accounts of the relations between Thackeray and Carlyle are those by Gordon N. Ray in his great life and letters of the novelist, and the well-informed essay by C. R. Sanders “The Carlyles and Thackeray” in his Carlyle’s Friendships and Other Studies. Yet both of them are crucially and entirely wrong in attributing a review of a work by Carlyle in the Times to Thackeray when we now find it was obviously by a regular reviewer Samuel Phillips.1 So they are mistaken in several conclusions that go well beyond biographical detail and bear on the way both writers represent mid-Victor
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Chesterton, G. K. "Thackeray." Chesterton Review 32, no. 1 (2006): 17–19. http://dx.doi.org/10.5840/chesterton2006321/256.

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Dieguez, Sebastian. "Thackeray." Cerveau & Psycho N° 113, no. 8 (January 8, 2019): 94–97. http://dx.doi.org/10.3917/cerpsy.113.0094.

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Murphy, Ryan Francis. "The Puppet Narrator of Vanity Fair." Victoriographies 5, no. 1 (March 2015): 36–53. http://dx.doi.org/10.3366/vic.2015.0182.

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My essay sheds new light on the perceived shortcomings of Thackeray's narrator in Vanity Fair. There exists, I maintain, a level of narratological sophistication for which Thackeray is not adequately praised, and his dramatised narrator – a character long misunderstood and often maligned – is the key to our renewed understanding. In addition to thoroughly canvassing the ‘puppet’ narrator's dramatic evolution, I examine the ways in which previous scholars have both rejected and misrepresented ‘Before the Curtain’, Thackeray's introduction to the complete novel – what I call the novel's ‘surpris
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Dissertations / Theses on the topic "Thackeray"

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Harland-Lang, Antonia Louise. "Thackeray and Bohemia." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/279098.

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Whether as a counter-cultural phenomenon or a sociological myth, Bohemia has long eluded concrete definitions. In the last thirty years, however, there has been a noticeable contrast between the ambitious theoretical concerns of cultural historians of nineteenthcentury Continental Bohemianism and the more staunchly biographical approaches of critics concerned with Bohemian writers in mid-Victorian England. In the absence of the Latin Quarter, attempts to define the English Bohemianism of Thackeray's era have been somewhat reductive, revolving around London establishments such as the Garrick Cl
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Amoroso, Angelica Anna. "W.M. Thackeray and the tradition of English comedy." Thesis, University of Leicester, 2004. http://hdl.handle.net/2381/30279.

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This thesis is about Thackeray and the comic tradition in the plays and novels of the seventeenth and eighteenth centuries. It aims at showing that a study of Thackeray's fiction and its connection with the comedy of the past contributes to an understanding of the sophistication and subtlety of his comic vision. In his fiction Thackeray takes some of the comedic conventions of the tradition, though in some respects he also departs from them, expanding, developing and applying them to his time to make ironic comments on the inconsistencies and follies of English society from the eighteenth to t
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Richards, Mary. "Picture and vision in the novels of W.M. Thackeray." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367543.

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Chrétien, Maurice. "Individu et société dans l'oeuvre de W. M. Thackeray." Paris 3, 1987. http://www.theses.fr/1987PA030004.

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La premiere partie de cette these etudie le snobisme comme relation triangulaire et comme mode original de quete des valeurs. Sont ensuite recherchees les causes du snobisme, la these soutenue etant que le snob est l'individu typique d'un monde sans dieu, incapable d'assumer sa liberte. La seconde partie defend la these que les personnages principaux des grands romans de thackeray apres vanity fair sont des "individus problematiques", a la recherche de valeurs authentiques dans un monde dont la degradation prend la forme du snobisme et de la valeur d'echange. Les romans de thackeray visent don
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Milne, Kirsty. "Vanity Fair from Bunyan to Thackeray : transformations of a trope." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560553.

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Although Vanity Fair is just one episode in The Pilgrim's Progress, taking up barely a dozen pages in the first edition of 1678, it has had a potent and versatile afterlife. My thesis examines how the Vanity Fair trope is transformed between its appearance in The Pilgrim's Progress and the publication of Thackeray's novel Vanity Fair (1847-1848). Canvassing a range of printed material, from pamphlets and periodicals to canonical texts, my research contributes to literary scholarship in two ways. First, I show how the idea of Vanity Fair, which in Bunyan is a place of trial and terror, was tame
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Thornton, Sara M. "La vanité du texte : l'oeuvre de W.M. Thackeray 1837-1848." Paris 3, 1992. http://www.theses.fr/1992PA030118.

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Dans l'oeuvre de thackeray ecrire est depeint comme une activite malsaine. Le lecteur remarque que tous ceux qui ecrivent, lisent, trafiquent ou contribuent de quelle maniere que ce soit a la fabrication et a la distribution de textes sont en quelque sorte souilles par ce contact impur. Afin d'eclaircir l'attitude de thackeray envers le texte, ce travail considere le statut du texte dans le texte thackerayen ainsi que la position de l'auteur vis-avis de l'ecriture comme mode de representation. Le texte de thackeray est examine a travers et a l'aide des differentes definitions du mot "vanite":
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Kellett, Sue. "Trollope : second-rate Dickens, a lesser Thackeray or first-rate artist? /." Title page and topic only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09ark291.pdf.

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Crossley, Alice Charlotte. "Male adolescence in the novels of George Meredith and W.M. Thackeray." Thesis, University of Leeds, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534758.

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Moya, Ana. "La Mujer y el matrimonio en las principales novelas de William Makepeace Thackeray." Doctoral thesis, Universitat de Barcelona, 1989. http://hdl.handle.net/10803/1673.

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El objetivo principal de este tesis doctoral es el poner de relieve le evolución que se de en W. M. Thackeray en cuanto al tratamiento de la mujer y del matrimonio en sus noveles, evolución que nos lleva a pensar en un Thackeray progresista y reformista respecto de la sociedad de su tiempo. Los temas "mujer" y "matrimonio" han sido estudiados conjuntamente por considerar que en la obra de Thackeray el matrimonio aparece como la vertiente social de la mujer (el papel da ésta en la sociedad que Thackeray describe es el matrimonio), constituyendo ambos temes de este modo un todo inseparable en la
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Beidler, Paul Gorman. "From empiricism to Bohemia, the idea of the sketch from Sterne to Thackeray." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ27603.pdf.

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Books on the topic "Thackeray"

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Taylor, D. J. Thackeray. London: Chatto & Windus, 1999.

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K, Chesterton G. Thackeray. Toronto: Copp, Clark, 1996.

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Anthony, Trollope. Thackeray. London: Routledge/Thoemmes Press, 1996.

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Harden, Edgar F. Thackeray the Writer. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230377417.

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Harden, Edgar F. Thackeray the Writer. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287204.

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Salmon, Richard. Thackeray in Time. Burlington, VT : Ashgate, 2016. | Series: The nineteenth: Routledge, 2016. http://dx.doi.org/10.4324/9781315612232.

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James, Kenneth. Inspector Thackeray arrives. Harlow: Longman, 1986.

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Harden, Edgar F. Thackeray the writer. New York: St. Martin's Press, 1998.

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James, Kenneth. Inspector Thackeray investigates. Harlow: Longman, 1997.

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Harden, Edgar F. Thackeray the writer. Houndmills: Macmillan Press, 1998.

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Book chapters on the topic "Thackeray"

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Dickens, Charles, and Corinna Russell. "Thackeray." In Lives of Victorian Literary Figures, Part I, Volume 2, 221–28. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003512950-11.

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Winnifrith, Tom. "Thackeray." In Fallen Women in the Nineteenth-Century Novel, 71–91. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1057/9780230377721_5.

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Tillotson, Geoffrey. "The Content of the Authorial ‘I’." In Thackeray, 55–70. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-4.

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Tillotson, Geoffrey. "‘To Define the Thackerayan Oneness’." In Thackeray, 1–4. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-1.

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Tillotson, Geoffrey. "The Authors Truthfulness of Personage and Action." In Thackeray, 115–74. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-6.

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Tillotson, Geoffrey. "The Oneness of the Materials." In Thackeray, 5–10. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-2.

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Tillotson, Geoffrey. "The Author's Philosophy." In Thackeray, 175–272. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-7.

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Tillotson, Geoffrey. "The Oneness of Form and Manner." In Thackeray, 11–54. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-3.

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Tillotson, Geoffrey. "The Author's Conduct of His Commentary." In Thackeray, 71–114. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003399629-5.

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Brosch, Renate. "Thackeray, William Makepeace." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17225-1.

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Conference papers on the topic "Thackeray"

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Burova, Irina. "Three guises of A. Thackeray, Lady Ritchie: a writer, literary critic and a prototype of two heroines of novels." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.4.

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Chi, Le Thi Giao, and Doan Phan Anh Truc. "Isolating Intensification in English Literary Discourse into Vietnamese." In The 4th Conference on Language Teaching and Learning. AIJR Publisher, 2022. http://dx.doi.org/10.21467/proceedings.132.19.

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Intensification is a category of language much discussed by a lot of linguistics, however, this category is specifically identified just in the position of Martin and White (2005). This is, it is divided into two infused and isolated lexical-grammatical classes, of which isolating intensification is known as the markers which raise or lower the level of intensity of a certain individual item as qualities or processes. How isolating intensification is explored through the lens of translation is still left untouched. This paper aims to find out the encoding of meaning embodied in isolating inten
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Chkheidze, Paata. "The Type of a Hero in Anglo-Saxon Epic and Georgian Folklore/Mythology." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8933.

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The hero, as the main constituent of fiction, experienced a palpable, almost absolute devaluation from medieval literary texts before William Thackeray declared the arrival of a novel without a hero and since then, with varying degrees of success, writers have tried to bring back the hero in fiction but mostly in vain. It should not be surprising that similar processes take place in the texts of geographically and culturally distant literatures. The current research is about the hero of Anglo-Saxon heroic epic “Beowulf” and the hero of the Georgian folk ballad Iakhsari. A comparative analysis
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Emproto, Christopher, Thomas Benson, Daniel Ibarra, Catherine Gagnon, and Adam Simon. "STABLE ISOTOPES FOR TRACKING ORE FORMATION AT THE THACKER PASS SEDIMENT-HOSTED LITHIUM DEPOSIT, NEVADA, USA." In GSA Connects 2022 meeting in Denver, Colorado. Geological Society of America, 2022. http://dx.doi.org/10.1130/abs/2022am-381382.

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Hampton, Rachel. "EXPLORATION AND DEVELOPMENT AT THE THACKER PASS LITHIUM CLAYSTONE DEPOSIT, NORTHERN NV: UNLOCKING A DOMESTIC ENERGY REVOLUTION." In GSA Connects 2023 Meeting in Pittsburgh, Pennsylvania. Geological Society of America, 2023. http://dx.doi.org/10.1130/abs/2023am-392470.

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Ingraffia, James T., and Michael Ressel. "LITHIUM AT THACKER PASS DEPOSIT, MCDERMITT CALDERA, NORTH-CENTRAL NEVADA: HYDROTHERMAL OR FOSSIL BRINE ORIGIN IN AN INTRACALDERA LACUSTRINE SETTING?" In 115th Annual GSA Cordilleran Section Meeting - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019cd-329775.

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Benson, Thomas. "GEOLOGY OF THE THACKER PASS DEPOSIT IN THE MCDERMITT CALDERA, NEVADA: THE LARGEST AND HIGHEST-GRADE KNOWN SEDIMENTARY LITHIUM RESOURCE IN THE UNITED STATES." In GSA Connects 2021 in Portland, Oregon. Geological Society of America, 2021. http://dx.doi.org/10.1130/abs/2021am-366596.

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VanDerHorn, E., B. Corbett, and A. Costa. "Establishing Credibility: Verification and Validation of Digital Twins." In Offshore Technology Conference. OTC, 2025. https://doi.org/10.4043/35756-ms.

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Digital twins are increasingly being developed and employed to support decision-makers across many industries, including in the offshore industry. The developers of digital twins, the decision makers considering the results of these digital twins, as well other individuals affected by the outcomes of these digital twins are focused on understanding whether a digital twin and its results can be trusted for their specific use case. Verification and validation (V&V) is a well-established methodology to ensure the accuracy and performance of models, simulations and complex systems (model-based
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