Relevant bibliographies by topics / Thai Artists

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Thai Artists'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Thai Artists"

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Bayani Rahmawati, Betha, Erik Saut H Hutahaean, and Adi Fahrudin. "Obsesi Terhadap Artis Pada Remaja Thai Enthusiast." Jurnal Syntax Fusion 3, no. 10 (2023): 1050–58. http://dx.doi.org/10.54543/fusion.v3i10.367.

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Teenagers currently looking for their identity are fond of idol artists to be used as role models. This makes teenagers have a love or obsession with their idol artists so that they imitate their idol artists in living their daily lives. Increased focus influences adolescent behavior; this study aims to analyze the obsession with artists in Thai enthusiast youth with 133 respondents in adolescents who experience obsession with their idol artists based on availability to fill out a questionnaire. This study used the Celebrity Worship Scale (CWS) data analysis by analyzing obsession categories a
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Panjinda, Wipawee. "The Importance of Thai Christian Art: An Analysis of Three Artists and Their Impact on Society." International Bulletin of Mission Research 48, no. 1 (2024): 76–89. http://dx.doi.org/10.1177/23969393231204225.

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In this article, three differing approaches to faith representation will be presented. Sawai Chinnawong uses a traditional Thai art form, while Arnan Moontrakorn utilizes an amalgamated approach to Thai and Modern art. Jompol Puatawee, while using Thai imagery in his contemporary art style, does not reference traditional symbols. The artists featured, while all representing their Christian faith, do not use obvious Christian symbolism. As this article shows, Thai Christians can accept Thai traditional art as a useful medium for presenting Christian ideas, and these works of art are understood
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Damrhung, Pornrat. "Exploring Partnerships with Common Roots: Two New Ways of Combining Classical Dance Tranditions in Mainland Southest Asian Performances." MANUSYA 14, no. 2 (2011): 36–52. http://dx.doi.org/10.1163/26659077-01402003.

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This article explores two different attempts to make partnerships for the today’s stage with teams of classically-trained Southeast Asian dancers in the last three years. Working in different conditions and toward different ends, the Cambodian and Thai dancers discussed in this paper combined their classical artistic training and interests into performances differently directed toward today’s diverse dance audiences. In particular, this paper will reflect on two classically-grounded partnering projects I helped to bring into being as a contemporary theatre artist and producer: the masked dance
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Damrhung, Pornrat. "Working Between two Worlds: New Roles for Traditional Thai Dance and Dancers." MANUSYA 8, no. 2 (2005): 44–57. http://dx.doi.org/10.1163/26659077-00802004.

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Thailand’s financial collapse and new constitution in 1997 brought issues of commercialization, education reform, and decentralization to the forefront of arts and culture. The paper focuses on three aspects of the current situation of the traditional arts and artists in Thailand.
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Croom, Adam M. "Muay Thai, Psychological Well-Being, and Cultivation of Combat-Relevant Affordances." Philosophies 7, no. 3 (2022): 65. http://dx.doi.org/10.3390/philosophies7030065.

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Some philosophers argue that martial arts training is maladaptive, contributes to psychological illness, and provides a social harm, whereas others argue that martial arts training is adaptive, contributes to psychological wellness, and provides a social benefit. This debate is important to scholars and the general public since beliefs about martial arts training can have a real impact on how we evaluate martial artists for job opportunities and career advancement, and in general, how we treat martial artists from different cultures in our communities. This debate is also important for childre
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Chansanam, Wirapong, Kulthida Tuamsuk, Kanyarat Kwiecien, and Sam Gyun Oh. "Korean-popular Facebook fan page analytics in Thailand." International Journal of Electrical and Computer Engineering (IJECE) 12, no. 5 (2022): 5291. http://dx.doi.org/10.11591/ijece.v12i5.pp5291-5303.

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<span lang="EN-US">The purpose of this study was to gather, analyze, and elaborate big data on Facebook’s essential information, with a specific focus on the information obtained from Korean-popular (K-Pop) fan pages on the social networking site. For this analysis, a total of 3,531,736 comments by Korean-pop fans were gathered from various K-pop Facebook pages. In order to interpret how 11 extremely popular Facebook pages shape Thai fans’ enthusiasm for the South Korean music industry, descriptive statistics and visualization analysis were employed. Finally, data analytics and correlati
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Wirapong, Chansanam, Tuamsu Kulthida, Kwiecien Kanyarat, and Gyun Oh Sam. "Korean-popular Facebook fan page analytics in Thailand." International Journal of Electrical and Computer Engineering (IJECE) 12, no. 5 (2022): 5291–303. https://doi.org/10.11591/ijece.v12i5.pp5291-5303.

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The purpose of this study was to gather, analyze, and elaborate big data on Facebook’s essential information, with a specific focus on the information obtained from Korean-popular (K-Pop) fan pages on the social networking site. For this analysis, a total of 3,531,736 comments by Korean-pop fans were gathered from various K-pop Facebook pages. In order to interpret how 11 extremely popular Facebook pages shape Thai fans’ enthusiasm for the South Korean music industry, descriptive statistics and visualization analysis were employed. Finally, data analytics and correlation analysis w
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Prasetyo, Yogi Tri, Maela Madel L. Cahigas, Eugene Patrick, Michael Rodney, Reny Nadlifatin, and Satria Fadil Persada. "Indonesian martial artists’ preferences in martial arts schools: Sustaining business competitiveness through conjoint analysis." PLOS ONE 19, no. 4 (2024): e0301229. http://dx.doi.org/10.1371/journal.pone.0301229.

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The popularity of martial arts in the present times has become apparent, therefore, it is necessary to explore martial artists’ preferences and the schools’ competitiveness. The purpose of this study was to assess martial artists’ preferences concerning the services offered by martial arts schools. Conjoint analysis was utilized to analyze the responses of fifty-five (55) martial artists based on the seven (7) martial arts schools’ attributes. The results showed that the type of martial arts was found to be the most important attribute (30.449%) followed by distance (27.970%), price range (22.
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Visutsak, Porawat, Jirayut Loungna, Siraphat Sopromrat, Chanwit Jantip, Parunyu Soponkittikunchai, and Xiabi Liu. "Mood-Based Music Discovery: A System for Generating Personalized Thai Music Playlists Using Emotion Analysis." Applied System Innovation 8, no. 2 (2025): 37. https://doi.org/10.3390/asi8020037.

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This study enhances the music-listening experience and promotes Thai artists. It provides users easy access to Thai songs that match their current moods and situations, making their music journey more enjoyable. The system analyzes users’ emotions through text input, such as typing their current feelings, and processes this information using machine learning to create a playlist that resonates with their feelings. This study focuses on building a tool that caters to the preferences of Thai music listeners and encourages the consumption of a wider variety of Thai songs beyond popular trends. Th
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Santiworarak, Weerin, Sangpetch Srinim, Vereese Chiansirikraiwut, Charothorn Tipuppathum, and Patcha Utiswannakul. "Soft Power Strategies for Lifestyle Fashion Brands: A Case Study Comparing Fashion Brands in South Korea and Thailand." Asian Creative Architecture, Art and Design 37, no. 2 (2024): 1–23. https://doi.org/10.55003/acaad.2024.273994.

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The soft power strategies for fashion lifestyle brands are examined in this comparative case study between South Korean and Thai fashion brands, using the 5P’s framework: Product, Price, Place, Promotion, and People. The study reveals that a critical factor contributing to the success of South Korean fashion brands is the strong collaboration between the public and private sectors. The government allocates budgets and establishes central agencies to support brand image building through entertainment media, such as music, films, and TV dramas. By using well-known artists and actors to promote p
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Dissertations / Theses on the topic "Thai Artists"

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Brooks, Queen E. "The ties that bind : art of an African American artist." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1144433506.

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Brooks, Queen E. Schwartz Robert Fredrick. "The ties that bind : art of an African American artist /." Connect to resource, 1992. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1144433506.

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Eriksson, Edward, Mohammed Hindi, and Marcus Michaylov. "”More Than a Feeling” : En kvalitativ studie om hur synkronisering kan stärka en artists varumärke." Thesis, Linnéuniversitetet, Institutionen för marknadsföring (MF), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-51937.

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Syfte Syftet med denna uppsats är att genom en kvalitativ studie förstå hur artister och dess representanter inom den svenska musikbranschen kan stärka en artist varumärke genom synkronisering av musik, samt vilka aspekter som borde beaktas vid synkroniseringen. Metod Denna uppsats är genomförd med en kvalitativ metod med deduktiv ansats, med vissa inslag av induktiv ansats. Detta metodval blev en självklarthet då samtliga hade ett intresse och ambition att titta närmare på ämnet och gå in på djupet. Genom teorin och litteraturen har vi skapat oss en stabil grund med hjälp av marknadsföringsmä
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Levi, Uriel. "Waterworks : an artist's inquiry into the development of spaces that promote creative interaction." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/75969.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Includes bibliographical references (leaves 105-106).<br>"To Function In His Fullest Scope, Man Must Restore The Unity Of His Experiences So That He Can Register Sensory, Emotional And Intellectual Dimensions Of The Present In An Indivisible Whole." [Kepes] The objective of this thesis will be to begin to formalize an artist's inquiry into the development of environments that promote creative interaction. The term "creative interaction" as it will be use
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Bell, Pamela. "Art that never was : representations of the artist in twentieth-century Australian fiction." Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.

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This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other co
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Raksawong, Boon-arak. "The effects of creolisation on Thai fashion consumers, retailers and their supply chain." Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/4258/.

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This research aims to investigate the effects of creolisation (in a manifestation of cultural change, cultural mixing and ethnicity) on consumer behaviour and fashion supply chain management in a Thai retailing context. In this study, creolisation is the process of cultural crossover that appears when local culture has been influenced and integrated with foreign culture. This doctoral study develops a theoretical and conceptual framework that addresses the main question of how creolisation impacts on Thai fashion consumers, retailers and their supply chain. Based on reviewing literature, there
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Tolley, Rebecca. "Review of Latin American and Caribbean Artists of the Modern Era: A Biographical Dictionary of More than 12,7000 Persons, by Steve Shipp." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5720.

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von, Essen Sabina. "Trust the Artist and the Painting : Factors that can enhance the Experience of Viewing Art in 3D Environments." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279490.

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Buying and viewing art has gone from being a traditionally physical experience to becoming digital. Due to limitations in today's two-dimensional e-commerce websites, 3D technology can be used to simulate the physical experience as much as possible. This thesis studies which factors can potentially play an important role in online art purchases, of which trust on the artist, familiarity to the artist and understanding more in depth the painting techniques were found to be the most influential on enhancing the viewers experience and engagement with a painting viewed online. These factors were l
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Maree, Christine Fae. "That-has-been a discussion on the body cast as that which fixes a subject in time, in relation to notions surrounding the photograph." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002208.

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Much like a photograph, a casts creates a replica of its referent, thereby immobilising the subject in time. While the subject continues in time and hence ages and inevitably dies the replica does not. With this basic notion of fixing a subject, I have built an argument to contextualise my sculptures, which are made using casts of elderly people. In this discussion I have looked at my works through the ideas of different theorists. The main theorist I have cited is Roland Barthes, specifically with regards to his notion of the photograph as discussed in his book Camera Lucida. I have also refe
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Spicer, Frank G. III. ""Just What Was It That Made U.S. Art So Different, So Appealing?": Case Studies of the Critical Reception of American Avant-Garde Painting in London, 1950-1964." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1231265965.

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Thesis (Ph.D.)--Case Western Reserve University, 2009<br>Includes abstract Department of Art History and Art Title from PDF (viewed on 21 July 2009) Includes bibliographical references [and appendices] Available online via the OhioLINK ETD Center
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Books on the topic "Thai Artists"

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Pombhejara, Vichitvong Na. Nakkhīan, sinlapin, læ sangkhom Thai. Samnakphim Sǣng Dāo, 1999.

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Sasiwimon. Čhakkraphan Pōtsayakrit, sinlapin hǣng chāt. Plō̜i kǣm Phet, 2001.

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Phinitsuwan, Chalō̜ng. ʻAhangkān salā Lānnā. Samnakphim Rit, 2008.

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Mahāwitthayālai Chīang Mai. Khana Wičhitsin., ed. 5 Northern artists, July-August 1998 at Art Museum, Chiangmai University. Khana Wičhitsin, Mahāwitthayālai Chīang Mai, 1998.

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Piyawit, Narưmon, Rattanā Ručhirakun, and Witthayālai Khrū Nakhō̜n Rātchasīmā. Sūn Sinlapa Watthanatham., eds. Kānsư̄ksā khō̜mūn bukkhalākō̜n thāng watthanatham phư̄nbān. Sūn Sinlapa Watthanatham, Witthayālai Khrū Nakhō̜n Rātchasīmā, 1992.

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Sasiwimon and Sasiwimon. Khitthưng khrū. Sī Sārā, 2008.

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Kānsadǣng Sinlapakam Rūamsamai khō̜ng Sinlapin Runyao (12th 1995 Mahāwitthayālai Sinlapākō̜n). Kānsadǣng Sinlapakam Rūamsamai khō̜ng Sinlapin Runyao, khrang thī 12 =: The 12th Exhibition of Contemporary Art by Young Artists. Mahāwitthayālai Sinlapākō̜n, 1995.

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(Indonesia), Wisma Seni Nasional. Pathways: Works by Indonesian and Thai artists. Indonesia National Gallery, 2009.

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Yensabāi, ʻAmnāt. Sinlapaphičhān. Tonʻō̜, 1989.

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Yensabāi, ʻAmnāt. Sīsan læ khwāmngām. Tonʻō̜, 1988.

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Book chapters on the topic "Thai Artists"

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Herrero-Matoses, Fernando. "Alberto Greco’s Vivo-Dito, Lettrism, and the Prophecies of the Proper Name." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_5.

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AbstractThis chapter explores the legacy of Lettrism in the practices of Argentine artist Alberto Greco as a means of investigating the self-proclaimed prophetic narrative of neo-avant-garde artists in Paris in the late 1950s and early 1960s. It examines how Greco’s ephemeral public actions (Vivo-Dito) in the streets of Paris, Buenos Aires, or Madrid, in which he repeatedly proliferated his own name as both signature and work of art, opened up exploratory avenues in which the artistic self was both inscribed and dispossessed. This text builds on Andrew Hussey’s interpretation of Isidore Isou’s
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Shirey, Heather. "19. Art in the Streets." In Play in a Covid Frame. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0326.19.

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Drawing on photographic documentation of street art, contextual analysis and artist interviews, this essay examines the work of two prolific street artists: The Velvet Bandit, a wheatpaste artist in the Bay Area (California, USA) and SudaLove, a muralist working in Khartoum (Sudan). Both The Velvet Bandit and SudaLove create artistic interventions in the street as a means of engaging with Covid-19 in a manner that is light and playful but also serious and political. As is typical of street art, their work is highly accessible, using simple visual language. At the same time, each piece requires
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Bell, Desmond. "The research that artists actually do." In Research in the Creative and Media Arts. Routledge, 2019. http://dx.doi.org/10.4324/9780429491948-3.

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Bakas, Fiona Eva. "Connecting local artisans to tourism in extra-metropolitan areas: the importance of social embeddedness." In Creative tourism: activating cultural resources and engaging creative travellers. CABI, 2021. http://dx.doi.org/10.1079/9781789243536.0028.

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Abstract This chapter presents highlights from recent research into the emergence of artisan entrepreneurmediators who link artisans to creative tourism initiatives in extra-metropolitan areas (i.e. rural areas and small cities) in Portugal (Bakas et al., 2018). Creative tourism is aligned with contemporary trends to revive local crafts and traditions in rural areas as it stimulates artisan entrepreneurs to co-create and co-preserve local traditions (Duxbury and Richards,2019) while engaging with the local community (Landry, 2010). In extra-metropolitan regions, economies are often fragile and
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Berg, Linda, and Anna Sofia Lundgren. "We Were Here, and We Still Are: Negotiations of Political Space Through Unsanctioned Art." In Pluralistic Struggles in Gender, Sexuality and Coloniality. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47432-4_3.

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Abstract In this chapter, we examine the work of the Sámi artist Anders Sunna and the Egyptian artist Bahia Shebab in order to address strategies of artistic criticism of the relations between states and their citizens. Both artists are protesting against contemporary processes relating to space, state and nation, and they express themselves in ways that are embedded in the aesthetics of unsanctioned street art. This expression constitutes an interesting form of politics, situated somewhere in-between, or alongside, party politics and the practices of civil society. Our aim is to describe and
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Pollock, Tiffany Rae. "The Energy of Artists." In Fire Dancers in Thailand's Tourism Industry. Cornell University Press, 2024. http://dx.doi.org/10.7591/cornell/9781501774928.003.0003.

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This chapter discusses the concept of phalang or energy as a central theme in the lives and performances of Thai fire dancers. Fire dancers, such as Som and Nu, emphasize the importance of creating, feeling, and transmitting energy to others, which forms the foundation of their skill-building and performance ethos. The chapter highlights Som and Nu’s view of their roles as affective laborers that are responsible for conjuring and controlling energies to impact the feelings and experiences of tourists. The chapter explains how the work of fire dancers emphasizes the porousness of bodies and the
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"Chapter 5: Artistic Perspective." In The Reflexive Teaching Artist: Collected Wisdom from the Drama/Theatre Field. Intellect, 2014. http://dx.doi.org/10.1386/9781783202232_8.

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Artistic Perspective encompasses three ‘A’s’ of theatre: artwork, artistry and aesthetic perception. The term synthesizes the characteristics of an artist: the technical skills of creating art; the dispositions and habits that form and inform personal artistry; and the ways in which the artist perceives the purpose, practice and impact of her work and the work of other artists. Artistic perspective embodies an artist’s propensity to observe, engage with, analyze, interpret and express opinion about the world around him. Intrinsically motivated to give voice to his insight or inspiration throug
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Wue, Roberta. "Picturing the Shanghai Artist." In Art Worlds. Hong Kong University Press, 2014. http://dx.doi.org/10.5790/hongkong/9789888208463.003.0005.

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Looks at portraits of the art world produced by Shanghai’s best-known artist, Ren Bonian (1840-1896). Unique for their near-exclusive focus on art world sitters, these are portraits in which the artist collaborated with their subjects to investigate an array of artistic identities, from conventional renderings of the artist as scholar and gentleman, to unexpected depictions of artists as men about town, failures, sell-outs and beggars. These are images that exceed portraiture’s usual purpose of documenting likeness and social status, instead seeking to comment on the modern Chinese artist’s en
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Koplowitz, Stephan. "Collaboration and Collaborative Elements." In On Site. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197515235.003.0012.

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This chapter outlines four possible artistic collaborative relationships: One artistic director, with the lead artist responsible for creating and establishing the creative vision from which all collaborators work to realize the work. Equal partnership involving two collaborators, in which two collaborative partners share all the responsibilities of creating the artistic vision, making decisions together and assigning tasks to any additional collaborating artists. Cooperative with three or more collaborators, which involves more than two people who form a collaborative group to create the arti
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Petersen, Anne Ring. "The artist as migrant worker." In Migration Into Art. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526121905.003.0004.

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Chapter 3 addresses an issue directly related to the institutional transformation of the art world explored in Chapter 2, namely how globalisation and migration have also changed the role and work of artists by providing many artists with new conditions of possibility for developing cross-cultural artistic practices. The chapter unpacks the issue of artists on the move today and seeks to answer the questions that the title implies: Have artists in demand on the global exhibition circuit become a kind of migrant workers in the international labour market of the global art world? If so, what kin
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Conference papers on the topic "Thai Artists"

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Suwannik, Worasait, and Therdpong Daengsi. "AI and Visual Art: A Concise Review and Perspectives of Senior Thai Artists on Its Impacts." In 2025 IEEE 15th Symposium on Computer Applications & Industrial Electronics (ISCAIE). IEEE, 2025. https://doi.org/10.1109/iscaie64985.2025.11081149.

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Lan, Xingyu, Yifan Wang, Lingyu Peng, and Xiaofan Ma. "More Than Beautiful: Exploring Design Features, Practical Perspectives, and Implications of Artistic Data Visualization." In 2025 IEEE 18th Pacific Visualization Conference (PacificVis). IEEE, 2025. https://doi.org/10.1109/pacificvis64226.2025.00039.

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Wright, Dr Angela. "Artist Graduates: Are they ready to do Business?" In HEAd'16 - International Conference on Higher Education Advances. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/head16.2016.2493.

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Businesses must expose their products and services to customers so as to make sales and be heard. The world of the artist[1] is no different, and, in the words of the late Luciano Pavarotti, the artist must ‘be heard and be seen’. The aim of this paper is to examine if there is a need to ensure that our artistic graduates are ‘market ready’. The paper specifically examines this concept in the context of an Irish Institute of Technology (IT). Artists generally do not view the world in terms of business &amp;amp; commerce, only as a creative space. This research study investigates if there is a
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Adascalița-Crigan, Lucia. "Nicolae Macarenco - representative artist of satirical graphics." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.01.

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A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, es
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Nasyrov, Robert, Janina Bach, and Pascal Laube. "Evaluating Glaze's Effectiveness: A Critical Analysis of AI Art Protection Through Non-Artist Perspectives and Common Image Transformations." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006086.

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This paper presents a systematic evaluation of Glaze 2.1, a tool designed to protect artists' styles from AI mimicry. We examine its effectiveness against common image transformations typically applied by social media platforms and assess its protection capabilities through the perspective of non-artist users. Our methodology combines technical analysis of how transformations like JPEG compression, scaling, blurring, and sharpening affect Glaze's protective perturbations with a comprehensive user study involving participants without specific artistic expertise. Results indicate that Glaze exhi
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Liu, Ruixue, Baoyang Chen, Meng Chen, Youzheng Wu, Zhijie Qiu, and Xiaodong He. "Mappa Mundi: An Interactive Artistic Mind Map Generator with Artificial Imagination." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/951.

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We present a novel real-time, collaborative, and interactive AI painting system, Mappa Mundi, for artistic Mind Map creation. The system consists of a voice-based input interface, an automatic topic expansion module, and an image projection module. The key innovation is to inject Artificial Imagination into painting creation by considering lexical and phonological similarities of language, learning and inheriting artist’s original painting style, and applying the principles of Dadaism and impossibility of improvisation. Our system indicates that AI and artist can collaborate seamlessly to crea
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Mullaxo'jayeva, Karomat. "ACKNOWLEDGING A LIFETIME THAT SETS AN EXAMPLE FOR RULERS AND INSPIRES THE WORLD'S SCIENTISTS." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/swri4869.

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This article explores the historical significance of Babur and the Babur dynasty in shaping world culture. It delves into the acknowledgment and examination of their contributions by Indian, European, and Russian scholars. Additionally, it highlights the influence of the Babur dynasty's life narratives on artistic endeavors, underscoring their importance as source material for artists.
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Correia, Nuno N., Debora Souza, Inês Nêves, and Jaime Lobato. "Bio Elektron - A Multisensory Approach to Augmenting Dance, Combining: Biosignals, Drawing, Sound and Electrical Feedback." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-49-full-correia-et-al-bio-elektron.

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In this paper, we investigate how to augment a dance performance using a multisensory approach in a way that communicates the dancing process as an embodied experience. We collaborated with a dancer and a media artist over an 8-week residency to prepare and present a multisensory dance performance and a spin-off installation. We present related work regarding key areas for this research: dance and technology in general; biosignal sensors; multisensory media (sound, drawing and haptics); and the relation between dance and installation. We also report on the artistic process, which was documente
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Kamiya, Taishi. "Fostering Corporate Innovation Activities through Artist-Created Boundary Media." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004731.

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Innovation activities in companies are essential for maintaining competitiveness in the market. In the early stages of innovation, which is known as “Fuzzy Front End”, diversity is crucial aspect. However, managing this diversity can be challenging due to conflicts caused by factors related to differences in positions or expertise. This paper introduce three types of Boundary Media (BM), which are panels explaining existing ideas, idea sketch sheets for activity participants to describe their ideas, and artist-created artworks, they were introduced into the early stages of two corporate innova
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Perez Martinez, Marta. "EROTICISM, FEMININITY AND CRAFTS, AN APPROACH TO CONTEMPORARY CERAMICS. THE ARTISTIC PRODUCTION OF PALOMA DE LA CRUZ." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs08.10.

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By the analysis of Paloma de la Cruz's work, this study seeks to approach contemporary ceramics from a gender perspective, exploring its potential as a container of visual metaphors with which to establish a current artistic discourse on the body. Although it is true that, historically, the female body has occupied a predominant role in the field of artistic representation rather than in the creative sphere, in recent decades certain changes have led artists to explore new artistic and craft genres, among which we will highlight, for the purposes of this study, the ceramic discipline. Thanks t
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Reports on the topic "Thai Artists"

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Gattenhof, Sandra, Ulvund Marit, and Cecilie Haagensen. #YoungArt and Future Skills Report. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244541.

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#Youngart &amp; Future Skills research project had two main foci. One was to develop and investigate models for collaboration between the art and education sectors, and the second to inquire whether the art programs and teacher/artist collaboration promotes the future skills of Creativity, Collaboration, Critical Thinking, and Communication. Two art programs were carried out in Norwegian secondary schools in 2022 and 2023. Art program A was developed by a theater company in collaboration with a teacher and four artists in a large secondary school class with 45 students in Trondheim. Art progra
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De Tolentino, Marianne, and Sara Hermann. Inside and Out: Recent Trends in the Arts of the Dominican Republic. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0006413.

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For many years the artistic movement in the Dominican Republic was a -best-kept secret. Their growing international contributions to contemporary visual arts have been changing that picture, but may also be characterized by even greater drive, selectivity, and regularity. We could say that of all the islands of the Caribbean, the Dominican Republic is, along with Cuba, Puerto Rico, and Haiti, the country most prolific in regard to modern and contemporary artists.
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Angel, Félix, and Cristina Rossi. Latin American Artists of Italian Descent. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0006441.

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This catalogue belongs to the exhibit that celebrates the 150th Anniversary of Italy's Unification. The exhibition includes a selection of art works by Latin American artists of Italian descent that constitutes a symbolic yet significant exploration of the Italian cultural presence and its influence in Latin America. Among the artists included are: Héctor Borla, Sergio Camporeale, Ricardo Crivelli, Eduardo Medici, Emilio Pettoruti, and Rogelio Polesello (Argentina), Lyria Palombini (Brazil), Roberto Sebastián Matta (Chile), Umberto Giangrandi (Colombia), Francisco Amighetti (Costa Rica), Javie
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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand begun in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and
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Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate, and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand began in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and
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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, 2021. http://dx.doi.org/10.23889/sureport.56822.

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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that spe
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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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