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Dissertations / Theses on the topic 'Thai Artists'

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1

Brooks, Queen E. "The ties that bind : art of an African American artist." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1144433506.

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Brooks, Queen E. Schwartz Robert Fredrick. "The ties that bind : art of an African American artist /." Connect to resource, 1992. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1144433506.

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3

Eriksson, Edward, Mohammed Hindi, and Marcus Michaylov. "”More Than a Feeling” : En kvalitativ studie om hur synkronisering kan stärka en artists varumärke." Thesis, Linnéuniversitetet, Institutionen för marknadsföring (MF), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-51937.

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Syfte Syftet med denna uppsats är att genom en kvalitativ studie förstå hur artister och dess representanter inom den svenska musikbranschen kan stärka en artist varumärke genom synkronisering av musik, samt vilka aspekter som borde beaktas vid synkroniseringen. Metod Denna uppsats är genomförd med en kvalitativ metod med deduktiv ansats, med vissa inslag av induktiv ansats. Detta metodval blev en självklarthet då samtliga hade ett intresse och ambition att titta närmare på ämnet och gå in på djupet. Genom teorin och litteraturen har vi skapat oss en stabil grund med hjälp av marknadsföringsmä
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4

Levi, Uriel. "Waterworks : an artist's inquiry into the development of spaces that promote creative interaction." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/75969.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Includes bibliographical references (leaves 105-106).<br>"To Function In His Fullest Scope, Man Must Restore The Unity Of His Experiences So That He Can Register Sensory, Emotional And Intellectual Dimensions Of The Present In An Indivisible Whole." [Kepes] The objective of this thesis will be to begin to formalize an artist's inquiry into the development of environments that promote creative interaction. The term "creative interaction" as it will be use
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Bell, Pamela. "Art that never was : representations of the artist in twentieth-century Australian fiction." Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.

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This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other co
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Raksawong, Boon-arak. "The effects of creolisation on Thai fashion consumers, retailers and their supply chain." Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/4258/.

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This research aims to investigate the effects of creolisation (in a manifestation of cultural change, cultural mixing and ethnicity) on consumer behaviour and fashion supply chain management in a Thai retailing context. In this study, creolisation is the process of cultural crossover that appears when local culture has been influenced and integrated with foreign culture. This doctoral study develops a theoretical and conceptual framework that addresses the main question of how creolisation impacts on Thai fashion consumers, retailers and their supply chain. Based on reviewing literature, there
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Tolley, Rebecca. "Review of Latin American and Caribbean Artists of the Modern Era: A Biographical Dictionary of More than 12,7000 Persons, by Steve Shipp." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5720.

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von, Essen Sabina. "Trust the Artist and the Painting : Factors that can enhance the Experience of Viewing Art in 3D Environments." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279490.

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Buying and viewing art has gone from being a traditionally physical experience to becoming digital. Due to limitations in today's two-dimensional e-commerce websites, 3D technology can be used to simulate the physical experience as much as possible. This thesis studies which factors can potentially play an important role in online art purchases, of which trust on the artist, familiarity to the artist and understanding more in depth the painting techniques were found to be the most influential on enhancing the viewers experience and engagement with a painting viewed online. These factors were l
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Maree, Christine Fae. "That-has-been a discussion on the body cast as that which fixes a subject in time, in relation to notions surrounding the photograph." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002208.

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Much like a photograph, a casts creates a replica of its referent, thereby immobilising the subject in time. While the subject continues in time and hence ages and inevitably dies the replica does not. With this basic notion of fixing a subject, I have built an argument to contextualise my sculptures, which are made using casts of elderly people. In this discussion I have looked at my works through the ideas of different theorists. The main theorist I have cited is Roland Barthes, specifically with regards to his notion of the photograph as discussed in his book Camera Lucida. I have also refe
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Spicer, Frank G. III. ""Just What Was It That Made U.S. Art So Different, So Appealing?": Case Studies of the Critical Reception of American Avant-Garde Painting in London, 1950-1964." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1231265965.

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Thesis (Ph.D.)--Case Western Reserve University, 2009<br>Includes abstract Department of Art History and Art Title from PDF (viewed on 21 July 2009) Includes bibliographical references [and appendices] Available online via the OhioLINK ETD Center
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Rundall, Shane. "Artistic Action and Contemplation: Recapturing The Elements of Mystery That Make Every Round of Golf A Voyage of Discovery." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32376.

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Artists think differently. They challenge the practical and apply their ideas to the contemporary world creating many journeys and excitement along the way. Without them, the world would have remained flat and as unique as black and white. This thesis investigation is grounded in phenomenological theories of aesthetics proposed by Maurice Merleau-Ponty and John Dewey, the artistic approach of Jackson Pollock and Yves Klein, and my own perceptions of the process of creating art. The objective is to apply aesthetic concepts and principles derived from these sources to the practice of golf cours
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Doria, Ariel Barbara <1998&gt. "The transformation of historic industrial buildings into highly innovative museums : Analysis of cultural centers that have welcomed current artistic innovations." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21989.

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The thesis intends to analyze some cases of good practices of recovery of former industrial buildings for cultural purposes. Starting from the historical reasons for the abandonment and recovery of former industrial buildings, the study will continue with the explanation of current trends in the field of exhibitions (immersive shows, interactive exhibitions, digital innovations). Some Italian and European cases will be analyzed to better understand the new artistic tendencies and how industrial buildings have been able to meet their architectural needs.
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Marti, Cécile Marie. "Shakespeare on film : film editing and authorship : 'It is only in the editing room that the director has the power of a true artist'." Thesis, University of Sheffield, 2006. http://etheses.whiterose.ac.uk/14705/.

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The purpose of the thesis is to question the hegemony of auteurist, director-based criticisms of Shakespearean films by rescuing the film-editor from anonymity. By drawing my attention to the determining, yet largely disregarded work of editorial creation, I offer a reading of a selection of Shakespearean films that acknowledges the centrality of collaborative work in representing Shakespeare on film. In order to recreate the editor as a 'collaborative auteur', I propose to trace the authorial signature(s) of the editore(s) by examining and identifying in which ways and according to which spec
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Archer-Straw, Petrine. "Negrophilia : Paris in 1920's; a study of the artistic interest in and appropriation of, negro cultural forms in Paris during that period." Thesis, Courtauld Institute of Art (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244852.

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Archer-Straw, Petrine. "Negrophilia Paris in the 1920's : a study of the artistic interest in and appropriation of, Negro cultural forms in Paris during that period." Online version, 1994. http://bibpurl.oclc.org/web/34427.

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Souliman, Victoria. "“The remoteness that pains us” : National identity, expatriatism and women’s agency in the artistic exchanges between Australia and Britain in the 1920s and 1930s." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCC097.

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Cette thèse explore l’influence artistique et culturelle de la Grande-Bretagne en Australie, ou les caractéristiques britanniques de l’identité australienne, depuis les années suivant la fin de la Première Guerre Mondiale jusqu’à 1941. La culture australienne de cette période a souvent été décrite comme isolée, voire même « en quarantaine », caractérisée par son acceptation tardive du modernisme. Bien qu’à cette époque la Grande-Bretagne accorde davantage d’indépendance et d’autonomie à ses dominions, l’Australie cherche à maintenir des liens culturels et impériaux en s’identifiant exclusiveme
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Souliman, Victoria. "“The remoteness that pains us” — National Identity, Expatriatism and Women’s Agency in the Artistic Exchanges between Australia and Britain in the 1920s and 1930s." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21336.

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This thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness of the Australian character, from the years directly following the end of World War I until 1941. Australia during this period was often described as an isolated, or a “quarantined”, culture characterised by its delay in accepting modernism. Despite Britain ceding more independence and autonomy to its dominions at the time, Australia sought to maintain its cultural and imperial bond, identifying exclusively with Britain in a number of ways. For instance, many Australians still considered Britai
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Chapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings." Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.

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“In the decomposition of organic/botanic materiality, decayed and decaying exotic weeds are printed and imprinted on the host vessel: The surviving trace becomes a code - a sign - a semiotic map = disjecta membra: being there ... then destroyed... but still remaining.” THE BODY OF VISUAL AND WRITTEN RESEARCH, 'DECOMPOSE', is a cross-disciplinary interrogation, interpreting overlapping meanings in the Botanical Biodegradation of Weeds through Visual Art/Science practices and processes expressed as Text +Paintings. DECOMPOSE validates the Act of Art, Botanical Biodegradation of Weeds, as both: I
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Chapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings /." View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.

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Thesis (Ph.D.)--University of Western Sydney, 2004.<br>A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Contemporary Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy, Contemporary Arts. Includes bibliographies. Electronic version minus appendices 2, 3, 4 is also available online at: http://handle.uws.edu.au:8081/1959.7/29745.
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Baptista, Maria Emília Moreira Tavares Samora. "João Martins (1898-1972)-imagens de um tempo "descritivo desolador"." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2000. http://dited.bn.pt:80/29482.

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Leleisi'uao, Andy. "My Samoan accent an investigation discussing issues that emanate out of my identity as a New Zealand born Samoan artist : [an exegesis [thesis] submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2004.]." Full thesis. Abstract, 2004.

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Webb, Aleksandra. ""We need arts as much as we need food. Our responsibility is for that to be possible" : insights from Scottish cultural leaders on the changing landscape of their work." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21478.

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The analysis of cultural policy in the last decade suggests that creativity and the arts in general are extensively used in political agendas as means of capitalizing on the forecasted socio-economic potential of creative/artistic activities (e.g. Flew, 2005; Garnham, 2005; Hartley, 2005; Hesmondhalgh, 2007). Although some critical studies have highlighted instrumentalism, short-sidedness and practice/practitioners’ averse policy-making and intervention planning (Belfiore, 2004, 2009; Caust, 2003; Oakley, 2009; Newman, 2013), so far only very few studies have exposed the experiences and voices
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Costa, Ivonete Ferreira da. "INTERTEXTUALIZAÇÃO NA OBRA DE MARINA COLASANTI: O TEAR E O TECIDO." Pontifícia Universidade Católica de Goiás, 2016. http://tede2.pucgoias.edu.br:8080/handle/tede/3563.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2016-12-12T17:45:59Z No. of bitstreams: 1 IVONETE FERREIRA DA COSTA.pdf: 1144206 bytes, checksum: 112aea88b52fbaed3f56007447beaf47 (MD5)<br>Made available in DSpace on 2016-12-12T17:46:00Z (GMT). No. of bitstreams: 1 IVONETE FERREIRA DA COSTA.pdf: 1144206 bytes, checksum: 112aea88b52fbaed3f56007447beaf47 (MD5) Previous issue date: 2016-03-23<br>The text brings the analysis of aspects of the literary discourse as the processes of construction of the scenes and the magical universe, in which the narratives of Marina Colasanti are realized, ha
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Coppalle, Renaud. "Mise en lumière des capacités préservées d'apprentissage des personnes malades d'Alzheimer à un stade modéré à sévère à l'aide de l'art : un autre regard pour un autre accompagnement New long-term encoding in severely amnesic Alzheimer’s disease patients revealed through repeated exposureto artistic items Does multiple format presentation of songs increase encoding in patients with Alzheimer’s disease at a moderate to late stage? Preserved familiarity-based recognition for music and paintings in patients with Alzheimer’s disease at a moderate to late stage with extensive damages to the medial temporal lobe L’accompagnement des aidants depersonnes atteintes de maladies d’Alzheimerou apparentées : renouveler les approchesthéoriques de l’accompagnement en France Suivi de la situation et des ressentis des proches aidants de personnes avec maladie d’Alzheimer et troubles apparentés: Le cas particulier du confinement lié au Covid 19 Apports respectifs de la clinique et de la rechercheà la neuropsychologie Preservation of musical memory throughout the progression of Alzheimer’s disease? Toward a reconciliation of theoretical, clinical, and neuroimaging evidence Do musicians have better mnemonicand executive performance than actors? Influence of regular musical or theater practice in adults and in the elderly." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMC018.

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La maladie d’Alzheimer (MA) est considérée depuis plus de 30 ans comme une pathologie de la mémoire empêchant l’apprentissage d’informations nouvelles en mémoire déclarative. Cependant, l’Histoire de la neuropsychologie rapporte des cas de patients présentant des capacités d’encodage résiduelles malgré une amnésie non-dégénérative avec des lésions pourtant proches de celles de la MA. Si les tâches de laboratoire échouent à montrer ces capacités dans la MA dès les stades légers en utilisant des stimuli verbaux et picturaux neutres, nous avons étudié dans quelle mesure la musique et d’autres typ
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Jamuni, Pairoj. "Modern Thai painting a study of twelve Thai painters in the context of Thai tradition and changing art education /." 1988. http://books.google.com/books?id=tffVAAAAMAAJ.

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"Electronic Resources on Art in Thailand (ERA)." 1999. http://www.era.su.ac.th/index%5Feng.html.

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Contains information on Thai art and artists in various techniques such as ceramic art, ceramic industry, graphic arts, mixed media, painting and sculpture. Pictures of art objects and artists are also included.
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"Rama IX Art Museum Foundation." 1999. http://www.rama9art.org.

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徐承誼. "Artist-residence revived:the experience of Kio-A-Thau artist-residence." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/28591609712509566931.

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Alarcon, Natalie. "A Reflective Investigation of Pivotal Moments That Open New Ways of Thinking for Artists Leading to Creative Change." Thesis, 2019. https://doi.org/10.7916/d8-6t2c-hb45.

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An integration of the researcher’s own experience as a creative professional with that of other artists suggested that there are occasions in a creative practice that are experienced as pivotal, moments when something opens up and an apparent change takes place. Looking beyond art practice, researchers such as Land et al. (2010), Mezirow (1997), and Cranton (2016) have addressed the concept and importance of transformational learning in adults, leading toward a significant shift in the perception of a subject. In order to understand the moments that trigger pivotal experiences for
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Young, AH. "Painting a visual language that interprets my personal world." Thesis, 2005. https://eprints.utas.edu.au/22155/1/whole_YoungAlanHenry2005_thesis.pdf.

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This research project is based on the pursuit of a new personal visual language that interprets my immediate world. My paintings and drawings are grounded in my immediate environment and evolve directly out of personal experience. Central to my investigation is the development of a new set of symbols and an examination of how they have evolved. Recording these experiences in an autobiographical and diaristic way is a fundamental part of my process. Journal sketching and independent drawing is critical to the evolution of the paintings, particularly their combination of pictograms and tex
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Lin, Ching Hui, and 林敬惠. "The Development of Scale for Determining Factors That Influence Pupils’Visual Artistic Creativity." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/08650487721084947549.

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碩士<br>國立臺中教育大學<br>數位內容科技學系碩士班<br>100<br>Cultivating student’s creativity has become an important part of education. Developing teaching models for stimulating students’ creativity has been regarded as the trend and research priority for each education phase. The objective of this study was to develop a creativity scale that can be used to measure influence factors of pupils’ visual artistic creativity. The research is based on the confluence approach, to investigate the person and environmental factors which influence the development of visual artistic creativity. This study reviewed literatu
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Caldareri, Vincenza. "Artist, art-educator and reflective inquiry : a phenomenological research that investigates creative and pedagogical experiences." Thesis, 1996. http://spectrum.library.concordia.ca/146/1/MM18377.pdf.

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This thesis is based on the assumption that there are significant relationships between my art making process and my art teaching practice. While I am able to implicitly incorporate my feelings and intuition as subjective experiences within my holistic sense of my "self", I am using the systematic and disciplined process of reflective inquiry to make the relationships explicit--that is, to document them, describe them, and make them consciously available for communication and analysis by me and by readers of the thesis. Through self-reflection, I explore how my inner, private meanings are mani
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HWANG, YUAN-YEONG, and 黃源勇. "Secrets that spring up from my soul -Yuan-Yeong Hwang's artistic creation discussion." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/32246325205785773724.

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碩士<br>國立臺灣藝術大學<br>造形藝術研究所<br>96<br>Abstract That’s the topic that the writer intended to deep into quest. This text is mainly searching the presentation of internal emotion of “secrets that spring up from my soul” as the study target. The art performance is the affective of inside emotion. Therefore, art creator should make deep searching in many ways by subjective and objective factors. The writer make deep analysis and search by the research of creations treatise, with rational research attitude, research content mainly with the writer’s painting work, assist with eastern and western estheti
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"Process-Driven Collaboration: Capacities from Teaching Artistry That Enrich the Work of Collaborative Pianists." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.57407.

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abstract: The work of collaborative pianists can vary widely, requiring a large spectrum of musical and foreign language skills. In addition, many non-musical skills are required of collaborative pianists in order to adapt to various types of work, the roles they assume, and the needs of the people they encounter professionally. Collaborative pianists usually develop good habits for survival on the job, but rarely receive preliminary training in capacities such as facilitation, maintaining objectivity in collaboration, asking good questions, and giving feedback effectively. The emerging field
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Fleming, Tyler. ""King Kong, bigger than Cape Town" : a history of a South African musical." 2009. http://hdl.handle.net/2152/21553.

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This dissertation analyzes the South African musical, King Kong, and its resounding impact on South African society throughout the latter half of the twentieth century. A “jazz opera” based on the life of a local African boxer (and not the overgrown gorilla from American cinema), King Kong featured an African composer and all-black cast, including many of the most prominent local musicians and singers of the era. The rest of the play’s management, including director, music director, lyricist, writer and choreographer, were overwhelmingly white South Africans. This inter-racial collaboration
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Lai, Yu-chung, and 賴昱中. "The Development and Challenge of Non-Profit Organization: A Case Study of Kio-A-Thau Artist-in-Residence." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/54526423913424604951.

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碩士<br>義守大學<br>管理研究所碩士班<br>95<br>This research makes a study of Kio-A-Thau Artist-in-Residence. The association which is combined by local resident, meritocrat and professors study in artistic domain and it bases on local sugar culture. It not only executed the community development but founded the artist-in-residence successfully. Originally, Kio-A-Thau Artist-in-Residence was the one of seven artist-in-residences that was supported by Council for Cultural Affairs. Nowadays, it may exit only one of them. How to resolve the problem, shortage of budget, deficiency of human resource, noncooperati
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""King Kong, bigger than Cape Town" : a history of a South African musical." Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-08-203.

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This dissertation analyzes the South African musical, King Kong, and its resounding impact on South African society throughout the latter half of the twentieth century. A “jazz opera” based on the life of a local African boxer (and not the overgrown gorilla from American cinema), King Kong featured an African composer and all-black cast, including many of the most prominent local musicians and singers of the era. The rest of the play’s management, including director, music director, lyricist, writer and choreographer, were overwhelmingly white South Africans. This inter-racial collaboration
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Soulliere, Jacinthe. "The stone that cracked the wall between the institution and the First Nation artist : the National Gallery of Canada, 1980-2008." Thesis, 2008. http://spectrum.library.concordia.ca/976177/1/MR45477.pdf.

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The official mandate of the National Gallery of Canada's is to "develop, maintain, and make known, throughout Canada and internationally, a collection of works of art, both historic and contemporary, with special, but not exclusive, reference to Canada." 1 The broad inclusiveness of this mandate notwithstanding, it was not until 1986 that the National Gallery acquired its first contemporary Aboriginal work of art, Carl Beam's (1943-2005) The North American Iceberg (1985). This thesis outlines the National Gallery's history concerning the collection, display and dissemination of contemporary Ab
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MEI, TSAI CHING, and 蔡錦美. "The study of the life stories that the female ceramic artist Lien, Pao — Tsai in Taiwan Ceramic Life force Social culture." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/46722778623363320531.

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碩士<br>國立臺灣師範大學<br>社會教育學系在職進修碩士班<br>91<br>The study of the life stories that the female ceramic artist Lien, Pao — Tsai in Taiwan Ceramic Life force Social culture Abstract This study is aimed to explore the aspects that the ceramic female artist Lien, Pao-Tsai in Taiwan has influenced by way of her individual life forces based on some important life experiences of this subject. 1.Explore the life force that this artist has shown by establishing herself and other people up. 2.Explore how an artist shoul
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Buchan, Susan. "Music, marimbas and children : exploring the meaning that children make of playing marimbas and wacky instruments with Artist-In-Residence, Jon Madin." Thesis, 2012. https://vuir.vu.edu.au/21441/.

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This is a study of the meaning that a group of Year 4 primary school children made of their participation in playing marimbas and "wacky" instruments with Artist-In-Residence, Jon Madin. The approach to music-making of the Artist-In-Residence is one which is participatory, inclusive and accessible, and which places value on children's active engagement in music-making.
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Balla, Paola. "Disrupting Artistic Terra Nullius: The Ways that First Nations Women in Art & Community Speak Blak to the Colony & Patriarchy." Thesis, 2020. https://vuir.vu.edu.au/42147/.

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The concept of ‘artistic terra nullius’ refers to the violent erasure of First Nations peoples in colony Australia and highlights their absence – particularly Aboriginal Women – in the white-dominated arts world. This doctoral research by creative project and exegesis sets out to document and respond to the work of Aboriginal women in art and community. I have used practice-led inquiry as the main methodology, informed by my own roles as artist, writer, curator, community researcher and as a Wemba-Wemba & Gunditjmara, matriarchal and sovereign woman. Practising community ways of 'being, knowin
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Lima, Clarissa Faccini de. "A entrevista com o artista e a conservação de grandes formatos sobre papel : abordagens multidisciplinares na conservação e restauro da pintura contemporânea ‘Thais’, de Pedro Proença." Master's thesis, 2021. http://hdl.handle.net/10400.14/37166.

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As obras de arte contemporânea oferecem aos profissionais de conservação-restauro desafios que vão desde suas poéticas artísticas até sua materialidade, que envolve técnica, materiais, dimensões, entre outras características. Estes desafios são evidentes neste trabalho, perante a necessidade de realizar uma intervenção de conservação-restauro da pintura contemporânea “Thais”, de Pedro Proença, realizada em 1984. As questões, relacionadas com a grande dimensão, de 199x275cm, e com a falta de documentação, tiveram claro impacto na a identificação dos materiais e intervenções anteriores, interven
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Chapman, Gaye, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings." 2004. http://handle.uws.edu.au:8081/1959.7/29745.

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“In the decomposition of organic/botanic materiality, decayed and decaying exotic weeds are printed and imprinted on the host vessel: The surviving trace becomes a code - a sign - a semiotic map = disjecta membra: being there ... then destroyed... but still remaining.” THE BODY OF VISUAL AND WRITTEN RESEARCH, 'DECOMPOSE', is a cross-disciplinary interrogation, interpreting overlapping meanings in the Botanical Biodegradation of Weeds through Visual Art/Science practices and processes expressed as Text +Paintings. DECOMPOSE validates the Act of Art, Botanical Biodegradation of Weeds, as both:
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TARTARI, MARIA. "The role of artistic and cultural practices in uneven urban development processes: a reasoning on a few different forms that power relationships between the agents of urban renewal and the local communities can take in processes mediated by cultural and artistic practices within the public sphere and the urban context." Doctoral thesis, 2019. http://hdl.handle.net/10808/28283.

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The present research work is aimed at facing a debate that embraces the realms of sociology, geography and cultural studies. It builds upon the gathering of three distinct papers which common purpose is to investigate how art and cultural practices, operating through social phenomena, relate to wider systems of power in contemporary cities. Each of the three papers specifically focuses on a different form that power relationships between the agents of urban renewal and the local communities can take in processes mediated by cultural and artistic practices within the public sphere and the urban
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Luo, Hui-Mei, and 羅惠美. "A study on the influence of involvement in artistic activity that school and foundation cooperate on promoting for primary school students on the aesthetic literacy: Take Guangda”Tour in the art” exhibition in Yunlin County as an example." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/7s598m.

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碩士<br>國立虎尾科技大學<br>休閒遊憩系碩士在職專班<br>105<br>The current study, based on Quanta’s “Immersed in Creativity” touring exhibition in Yunlin County, aimed to probe into the status quo of artistic activity co-promotion by schools and cultural and educational foundations. The study further examined the relationship between involvement in artistic activity co-promotion by schools and cultural and educational foundations and aesthetic cultivation among elementary school students with different background features, with the purpose of realizing the explanatory power of elementary school students’ involvement
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Holmstedt, Janna. "Are you ready for a wet live-in? : explorations into listening." Doctoral thesis, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-139510.

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Listen. If I ask you to listen, what is it that I ask of you—that you will understand, or perhaps obey? Or is it some sort of readiness that is requested? What occurs with a body in the act of listening? How do sound and voice structure audio-visual-spatial relations in concrete situations? This doctoral thesis in fine arts consists of six artworks and an essay that documents the research process, or rather, acts as a travelogue as it stages and narrates a series of journeys into a predominantly sonic ecology. One entry into this field is offered by the animal “voice” and attempts to teach ani
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Rosa, Michel Fernandes da. "Os Atingidos de Belo Monte: experiências de sofrimento e agravos à saúde no contexto de um megaprojeto hidroelétrico na Amazônia brasileira." Doctoral thesis, 2016. http://hdl.handle.net/10316/31193.

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Tese de doutoramento em Sociologia, apresentada à Faculdade de Economia da Universidade de Coimbra<br>A presente tese consiste em um estudo sociológico a partir do caso da Usina Hidroelétrica Belo Monte, em construção no Estado do Pará, na Amazônia brasileira. O objetivo deste estudo foi dedicar um olhar para a questão da saúde a partir da perspectiva das populações atingidas pelo megaprojeto hidroelétrico. O trabalho inicia com uma apresentação do histórico dos projetos de barramento do rio Xingu, em meados dos anos 1970. Dos primeiros estudos da bacia hidrográfica do Xingu até o início
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