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Relevant bibliographies by topics / Thanatological motif

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Academic literature on the topic 'Thanatological motif'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Thanatological motif"

1

Naser, Mukhamed Talkha. "Multi-layered scenario of the novel “Earth” by Mikhail Elizarov." Litera, no. 11 (November 2021): 141–51. http://dx.doi.org/10.25136/2409-8698.2021.11.36749.

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This article discusses the novel &ldquo;Earth&rdquo; by the contemporary Russian writer Mikhail Elizarov. The plot of the novel develops in the context of philosophical views of the writer with postmodernist idea of thanatological concept of the world. The goal consist in analysis of the plot through organizing power of the &ldquo;motifs&rdquo; and their modifications. The relevance of this research lies in the fact that this article is first to carry out the motivic analysis of multi-layered scenario of the novel &ldquo;Earth&rdquo;. The author explores the thanatologi

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2

Гармаш, Людмила Вікторівна. "ТАНАТОЛОГИЧЕСКИЕ МОТИВЫ В ИСТОРИЧЕСКИХ РОМАНАХ В.Я. БРЮСОВА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 43–52. https://doi.org/10.5281/zenodo.32940.

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The article is devoted to the analysis of thanatological motifs in V. Bryusov’s historical novels. The state of the problems of studying the thanatological motifs in literary theory is characterized. It is noted that the goal of the analysis of the thanatological motifs is to seek opportunities that will contribute to a better understanding of Bryusov’s ideological position and to a better comprehending the originality of his art style. It helps to define specific features of his poetics. The basic functions of the thanatological motifs in Bryusov’s prose (plotmaking, sensema

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3

Korbankova, Darya Sergeevna. "Thanatological images and motifs in A. K. Tolstoy’s and J. W. von Goethe’s creative work (based on the ballads “The Blind Man” and “The Singer”)." Philology. Issues of Theory and Practice 17, no. 1 (2024): 126–31. http://dx.doi.org/10.30853/phil20240019.

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The aim of the study is to identify specific typological similarities in the realization of thanatological images and motifs in the ballads by A. K. Tolstoy and J. W. von Goethe (using the example of the ballads “The Blind Man” and “The Singer”). Although literary critics have already analysed similarities between certain aspects of A. K. Tolstoy’s creative work and Western European literature (in particular, German Romanticism), the identification of typological similarities at the level of such poetological categories as the thanatological motif and the thanatological image has not yet been

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4

Korbankova, D. S. "The Motif of "Werewolf" in the Ballads "The Gypsy Song" by J. V. Goethe and "Wolves" by A. K. Tolstoy." Art Logos – The Art of Word 2, no. 27 (2024): 94–106. https://doi.org/10.35231/25419803_2024_2_94.

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The article is devoted to the analysis of the specifics of the representation of the thanatological motifs in the A. K. Tolstoy’s ballad "Wolves" and I. V. Goethe’s "Gypsy Song". The presence of A. K. Tolstoy's literary contacts with the representatives of the German culture suggests an influence on the poet's poetic work at the ideological-thematic, plot, character, genre, latent-semantic and spatial-temporal levels. The hypothesis is put forward about the tendency in the writer's appeal to the thanatological motifs and images, both original and culturally and historically conditioned. The ma

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5

Гармаш, Людмила Викторовна. "ТАНАТОЛОГИЧЕСКИЕ МОТИВЫ В РОМАНЕ АНДРЕЯ БЕЛОГО «МОСКВА»". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 36–41. https://doi.org/10.5281/zenodo.33567.

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<em>The article examines Andrey Bely’s novel ―Moscow‖ from the point of view of the development and functioning of thanatological motifs associated with the images of the main characters of the final works of the writer – scientist-mathematician Ivan Ivanovich Korobkin and his antagonist Eduard von Mandro. Thanatological component of the names of the heroes is considered. The change of the ideological position of the main character from his attempts through scientific practice to isolate himself from the ―vagueness of life‖ to his blindness and metaphysical death is disclosed. His

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6

Petrov, A. V., and O. Yu Kolesnikova. "Poetization of the Topoi of the Genre of Vision in P. Buslaev's Visionary Poem «Spiritual Vision...» (1734)." Язык и текст 10, no. 2 (2023): 91–99. http://dx.doi.org/10.17759/langt.2023100208.

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<p>The article examines the genetic and typological connections between the syllabic poem of the writer of Peter's time Petr Buslaev &laquo;Spiritual Vision...&raquo; and the medieval genre of vision. The main object of the study is the topoi of the genre and its eschatological and thanatological motif complex. The purpose of the work is to analyze the &laquo;transitional&raquo; poetics of the writing arising at the junction of two genre systems &mdash; the Middle Ages and early Modern Times. The phenomenon of visionary Buslaev transforms from the existential into the

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7

Pinaev, Sergei Mikhailovich, and Yulia Yurevna Dmitrieva. "“May the gates to paradise open for us…”: medial semantics in N. S. Gumilyov's poetry." Litera, no. 5 (May 2021): 15–24. http://dx.doi.org/10.25136/2409-8698.2021.5.35509.

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The subject of this research is the medial semantics in the poetry of Nikolay Stepanovich Gumilyov, which is inseparably associated with the pivotal for the poet motif of path, journey, and road. The corpus of N. S. Gumilyov's poems written from 1905 to 1921 serves as the material for this research. A certain constant can be traced in interpretation of medial semantics: even if the author speaks of the gates as a physical object (the gates of a castle or house), the image has a transcendental connotation. The gates are a path to another world, often to paradise; they are not open of everyone a

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8

Khetagurova, Dzerassa Kazbekovna. "Post mortem: The phenomenon of the image of the living dead in modernist poetry (V. I. Narbut, B. Yu. Poplavsky, B. Brecht, G. G. Maliev)." Philology. Theory & Practice 17, no. 8 (2024): 2583–90. http://dx.doi.org/10.30853/phil20240368.

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The paper aims to demonstrate the idea of transformation of traditional artistic motifs in the aesthetics of modernism using the example of the theme of the living dead in poems by V. Narbut, B. Poplavsky, B. Brecht and G. Maliev. The scientific novelty of the study lies both in the broad coverage of modernist texts: Russian literature (V. Narbut), Russian émigré literature (B. Poplavsky), German (B. Brecht) and Ossetian literature (G. Maliev), and in the chosen aspect of analyzing the archetypal plot of the returning dead in the context of the creative principles of art in the early 20th cent

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9

Moskovkina, Eugenia A. "Four suicides: Vasily Shukshin’s suicidological discourse." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 91 (2025): 235–54. https://doi.org/10.17223/19986645/91/12.

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Suicidology occupies a separate niche in modern thanatological research. The problematic of death is a programmatic component of Vasily Shukshin’s artistic picture of the world. Several reasons underlie the study of Shukshin’s thanatological and, in particular, suicidological discourse. Firstly, the study aims to expand the field of literary thanatology through the application of the thanatopoietics apparatus in the methodology of Shukshin studies. Secondly, the historical period of the writer’s work and the chronological context of his contemporary heroes is the twentieth century – an era bur

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10

DROZDOVSKYI, Dmytro. "THE SCORE OF PROBLEM-THEMATIC COMPLEXES IN I. MCEWAN’S NOVEL “LESSONS” (2022): THE TOPIC OF “THE WAY OF THE HERO”." Folia Philologica, no. 4 (2022): 17–24. http://dx.doi.org/10.17721/folia.philologica/2022/4/3.

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In the paper, the author explores the problem-thematic landscape explicated in Ian McEwan’s post-postmodern novel “Lessons” (2022). Philosophical aspects of the literary work by the British writer have been studied, in particular, the representation of environmental issues that shape the worldview of the protagonist (Roland). The genre specification of the novel has been clarified, and the genre forms exploited in the novel Lessons have been outlined. Emphasis is placed on the reinforcement of the topics of romantic discourse (with a focus on the metaphysical/transcendental phenomenon represen

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Conference papers on the topic "Thanatological motif"

1

Urys, T. Yu. "Thanatological motifs of M. Kholodnyi’s poetry: a dialogue with death." In PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES: EUROPEAN POTENTIAL. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-348-4-10.

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