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Journal articles on the topic 'Thanatological motif'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Naser, Mukhamed Talkha. "Multi-layered scenario of the novel “Earth” by Mikhail Elizarov." Litera, no. 11 (November 2021): 141–51. http://dx.doi.org/10.25136/2409-8698.2021.11.36749.

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This article discusses the novel &ldquo;Earth&rdquo; by the contemporary Russian writer Mikhail Elizarov. The plot of the novel develops in the context of philosophical views of the writer with postmodernist idea of thanatological concept of the world. The goal consist in analysis of the plot through organizing power of the &ldquo;motifs&rdquo; and their modifications. The relevance of this research lies in the fact that this article is first to carry out the motivic analysis of multi-layered scenario of the novel &ldquo;Earth&rdquo;. The author explores the thanatologi

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2

Гармаш, Людмила Вікторівна. "ТАНАТОЛОГИЧЕСКИЕ МОТИВЫ В ИСТОРИЧЕСКИХ РОМАНАХ В.Я. БРЮСОВА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 43–52. https://doi.org/10.5281/zenodo.32940.

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The article is devoted to the analysis of thanatological motifs in V. Bryusov’s historical novels. The state of the problems of studying the thanatological motifs in literary theory is characterized. It is noted that the goal of the analysis of the thanatological motifs is to seek opportunities that will contribute to a better understanding of Bryusov’s ideological position and to a better comprehending the originality of his art style. It helps to define specific features of his poetics. The basic functions of the thanatological motifs in Bryusov’s prose (plotmaking, sensema

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3

Korbankova, Darya Sergeevna. "Thanatological images and motifs in A. K. Tolstoy’s and J. W. von Goethe’s creative work (based on the ballads “The Blind Man” and “The Singer”)." Philology. Issues of Theory and Practice 17, no. 1 (2024): 126–31. http://dx.doi.org/10.30853/phil20240019.

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The aim of the study is to identify specific typological similarities in the realization of thanatological images and motifs in the ballads by A. K. Tolstoy and J. W. von Goethe (using the example of the ballads “The Blind Man” and “The Singer”). Although literary critics have already analysed similarities between certain aspects of A. K. Tolstoy’s creative work and Western European literature (in particular, German Romanticism), the identification of typological similarities at the level of such poetological categories as the thanatological motif and the thanatological image has not yet been

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4

Korbankova, D. S. "The Motif of "Werewolf" in the Ballads "The Gypsy Song" by J. V. Goethe and "Wolves" by A. K. Tolstoy." Art Logos – The Art of Word 2, no. 27 (2024): 94–106. https://doi.org/10.35231/25419803_2024_2_94.

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The article is devoted to the analysis of the specifics of the representation of the thanatological motifs in the A. K. Tolstoy’s ballad "Wolves" and I. V. Goethe’s "Gypsy Song". The presence of A. K. Tolstoy's literary contacts with the representatives of the German culture suggests an influence on the poet's poetic work at the ideological-thematic, plot, character, genre, latent-semantic and spatial-temporal levels. The hypothesis is put forward about the tendency in the writer's appeal to the thanatological motifs and images, both original and culturally and historically conditioned. The ma

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5

Гармаш, Людмила Викторовна. "ТАНАТОЛОГИЧЕСКИЕ МОТИВЫ В РОМАНЕ АНДРЕЯ БЕЛОГО «МОСКВА»". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 36–41. https://doi.org/10.5281/zenodo.33567.

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<em>The article examines Andrey Bely’s novel ―Moscow‖ from the point of view of the development and functioning of thanatological motifs associated with the images of the main characters of the final works of the writer – scientist-mathematician Ivan Ivanovich Korobkin and his antagonist Eduard von Mandro. Thanatological component of the names of the heroes is considered. The change of the ideological position of the main character from his attempts through scientific practice to isolate himself from the ―vagueness of life‖ to his blindness and metaphysical death is disclosed. His

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6

Petrov, A. V., and O. Yu Kolesnikova. "Poetization of the Topoi of the Genre of Vision in P. Buslaev's Visionary Poem «Spiritual Vision...» (1734)." Язык и текст 10, no. 2 (2023): 91–99. http://dx.doi.org/10.17759/langt.2023100208.

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<p>The article examines the genetic and typological connections between the syllabic poem of the writer of Peter's time Petr Buslaev &laquo;Spiritual Vision...&raquo; and the medieval genre of vision. The main object of the study is the topoi of the genre and its eschatological and thanatological motif complex. The purpose of the work is to analyze the &laquo;transitional&raquo; poetics of the writing arising at the junction of two genre systems &mdash; the Middle Ages and early Modern Times. The phenomenon of visionary Buslaev transforms from the existential into the

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7

Pinaev, Sergei Mikhailovich, and Yulia Yurevna Dmitrieva. "“May the gates to paradise open for us…”: medial semantics in N. S. Gumilyov's poetry." Litera, no. 5 (May 2021): 15–24. http://dx.doi.org/10.25136/2409-8698.2021.5.35509.

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The subject of this research is the medial semantics in the poetry of Nikolay Stepanovich Gumilyov, which is inseparably associated with the pivotal for the poet motif of path, journey, and road. The corpus of N. S. Gumilyov's poems written from 1905 to 1921 serves as the material for this research. A certain constant can be traced in interpretation of medial semantics: even if the author speaks of the gates as a physical object (the gates of a castle or house), the image has a transcendental connotation. The gates are a path to another world, often to paradise; they are not open of everyone a

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8

Khetagurova, Dzerassa Kazbekovna. "Post mortem: The phenomenon of the image of the living dead in modernist poetry (V. I. Narbut, B. Yu. Poplavsky, B. Brecht, G. G. Maliev)." Philology. Theory & Practice 17, no. 8 (2024): 2583–90. http://dx.doi.org/10.30853/phil20240368.

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The paper aims to demonstrate the idea of transformation of traditional artistic motifs in the aesthetics of modernism using the example of the theme of the living dead in poems by V. Narbut, B. Poplavsky, B. Brecht and G. Maliev. The scientific novelty of the study lies both in the broad coverage of modernist texts: Russian literature (V. Narbut), Russian émigré literature (B. Poplavsky), German (B. Brecht) and Ossetian literature (G. Maliev), and in the chosen aspect of analyzing the archetypal plot of the returning dead in the context of the creative principles of art in the early 20th cent

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9

Moskovkina, Eugenia A. "Four suicides: Vasily Shukshin’s suicidological discourse." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 91 (2025): 235–54. https://doi.org/10.17223/19986645/91/12.

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Suicidology occupies a separate niche in modern thanatological research. The problematic of death is a programmatic component of Vasily Shukshin’s artistic picture of the world. Several reasons underlie the study of Shukshin’s thanatological and, in particular, suicidological discourse. Firstly, the study aims to expand the field of literary thanatology through the application of the thanatopoietics apparatus in the methodology of Shukshin studies. Secondly, the historical period of the writer’s work and the chronological context of his contemporary heroes is the twentieth century – an era bur

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DROZDOVSKYI, Dmytro. "THE SCORE OF PROBLEM-THEMATIC COMPLEXES IN I. MCEWAN’S NOVEL “LESSONS” (2022): THE TOPIC OF “THE WAY OF THE HERO”." Folia Philologica, no. 4 (2022): 17–24. http://dx.doi.org/10.17721/folia.philologica/2022/4/3.

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In the paper, the author explores the problem-thematic landscape explicated in Ian McEwan’s post-postmodern novel “Lessons” (2022). Philosophical aspects of the literary work by the British writer have been studied, in particular, the representation of environmental issues that shape the worldview of the protagonist (Roland). The genre specification of the novel has been clarified, and the genre forms exploited in the novel Lessons have been outlined. Emphasis is placed on the reinforcement of the topics of romantic discourse (with a focus on the metaphysical/transcendental phenomenon represen

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11

Kulyapin, Alexander I. "Sleep of Reason: Existential Motifs in Vasily Shukshin’s Story “Thoughts”." Imagologiya i komparativistika, no. 17 (2022): 316–27. http://dx.doi.org/10.17223/24099554/17/15.

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Shukshin’s characters tend to reflect on problems that cannot be called otherwise than philosophical. For example, in the film There Is Such a Lad, the characters indulge in arguments about death, love, and the meaning of life more than once. So, already in Shukshin’s early works, two poles - love and death - that determine the themes of his characters’ philosophical reflections were identified. Despite the abundance of thanatological motifs and symbols in the film, the director rejects the philosophy of pessimism. The final phrase of the film is permeated with a life-affirming pathos: “So, we

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12

Krasilnikov, Roman. "Танатологические мотивы в контексте парадигм художественности на материале русской литературы". Slavica Wratislaviensia 167 (21 грудня 2018): 11–21. http://dx.doi.org/10.19195/0137-1150.167.1.

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Thanatological motifs and paradigms of artistryon materials of Russian literatureThe article is devoted to interaction of thanatological motifs and paradigms of artistry pre-reflective traditionalism, reflective traditionalism, aesthetic creativism, reflective communicativism and others as ways of representation of reality in different periods. On the one hand, paradigms and “subparadigms” of artistry are discursive principles, directed in the history of literature not only to the development of thanatosemantics and thanatopoetics, but also to their limitation. On the other hand, text elements

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13

Korol, Denys. "Mankind’s Socio-Cultural Development: Thanatological Perspective." NaUKMA Research Papers. History and Theory of Culture 6 (June 21, 2023): 15–23. http://dx.doi.org/10.18523/2617-8907.2023.6.15-23.

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The article substantiates some methods and perspectives of cultural thanatology as an integrative part of cultural history within the anthropological field. While general history is usually concerned with individual events, cultural (pre-)history uncovers common beliefs and everyday culture. Culture here is both a materialized form of the mass consciousness embodiment and a dynamic complex of creative information exchange between individuals and with the surrounding landscape. A common field for cultural (pre-)history is the worldview (mentality) of a particular society, its outlook, and commo

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14

Demchenko, Alla. "Міфопоетична танатологія у ліриці Сергія Жадана". Slavica Wratislaviensia 168 (18 квітня 2019): 165–72. http://dx.doi.org/10.19195/0137-1150.168.13.

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Mythopoetic thanatology in Serhiy Zhadan’s poetryThe article deals with the mythologem of death in Serhiy Zhadan’s poetry. The author argues that both traditional Ukrainian culture and the universal symbols of human consciousness are sources of thanatological images in Zhadan’s collections Life of Mariia 2015 and Knights of the Temple 2016. The author focuses on the implementation of thanatological themes through the motifs of family, memory, oblivion, loss, and return. Moreover, she claims that Zhadan uses the mythical semantics of the images of primordial elements, house, serpent, and bird t

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15

Zakharov, Vladimir. "“Death Itself May be Overcome…” (Thanatological Plot in “The Brothers Karamazov” by Dostoevsky)." Неизвестный Достоевский 9, no. 4 (2022): 30–43. http://dx.doi.org/10.15393/j10.art.2022.6361.

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The article reveals how the writer’s personal drama was reflected in his novel “The Brothers Karamazov.” The unexpected death of their three-year-old son on May 16, 1878 was a tragic shock for the Dostoevskys. The causes of his death have not yet been clarified: there is no critical analysis of documentary sources, no diagnosis has been made, the described symptoms (fever, diarrhea, vomiting) may be related to several childhood diseases, family legends about the disease are unreliable. Dostoevsky’s pilgrimage to the Optina Hermitage had a personal reason along with his creative interest in the

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16

Kaiyrbekova, A., S. Takirov, and K. Toleubayeva. "THE THANATOPOETICS OF M.MAGAUIN'S PROSE." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 30, 2025): 121–31. https://doi.org/10.55808/1999-4214.2025-1.12.

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The article is devoted to the study of thanatopoetics, the most important section of artistic thanatology and the consideration of the role of the term in world literature, the trend of penetration into Kazakh literature. In addition, the emphasis is on the concepts of existentialism, thanatological motive. Reviewing the works of scientists who have contributed to the study of thanatology (A.Hansen-Levet, R.L.Krasilnikov, M.Bakhtin, G.Baltabayeva, and others), the relevance of the topic of death in Kazakh literature is confirmed. The purpose of this study is to study and describe the artistic

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17

Korbankova, D. S. "The image of raven as a connecting thanatopoeic element in the ballads “Three Massacres” by Aleksey Tolstoy and “The Battlefield of Hastings” by Heinrich Heine." Issues of National Literature, no. 1 (March 28, 2025): 22–30. https://doi.org/10.25587/2782-6635-2025-1-22-30.

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The purpose of the presented article is to consider the specifics of the implementation of the thanatological motifs and images in the Aleksey Tolstoy's ballad “Three Massacres”; to identify the influence of the German romanticism on the Tolstoy's ballad work, comparing the ballad “Three Massacres” with Нeinrich Heine's ballad “«The Battlefield of Hastings”; to prove the typological similarities of the two works. The research focuses on the image of raven, which is supposed to serve a key poetical element providing a link between the two works. The analysis showed that the image of raven, whic

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18

Pavlenko, I. Yа. "“IS THAT THE ENTIRE RITE?”: THANATOLOGICAL MOTIFS AND TOPOS OF W. SHAKESPEARE’S “HAMLET” IN THE CONTEXT OF FOLK TRADITIONS." Language. Literature. Folklore, no. 1 (2023): 103–10. http://dx.doi.org/10.26661/2414-9594-2023-1-14.

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19

Rakhno, Kostyantyn. "THE THANATOLOGICAL MOTIFS OF A TERRIBLE VENGEANCE STORY BY MYKOLA GOGOL IN THE CONTEXT OF THE ETHNOCULTURAL CONNECTIONS OF THE UKRAINIANS." Studia mythologica Slavica 22 (September 5, 2019): 143. http://dx.doi.org/10.3986/sms20192208.

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20

Pokhalenkov, Oleg Evgen'evich, and Sof'ya Evgen'evna Nikulicheva. "Poetic Thanatology of the Novel by E.M. Remarque "Life on Loan or Heaven Knows no Favorites"." Litera, no. 12 (December 2022): 109–16. http://dx.doi.org/10.25136/2409-8698.2022.12.39144.

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The presented work examines the thanatological motifs in the work of the German writer E.M. Remarque. The influence of historical events is assumed not only on the plot and ideological levels of the novel, but also on the figurative. The hypothesis about the tendency in the work of E.M. Remarque to the widespread use of images traditionally associated with death is put forward and proved. The aim of the work is to prove the author's special understanding of the theme of death and its realization in the novel by E.M. Remarque "Life on loan or Heaven knows no favorites". The object of the study

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21

Maksinyaev, R. I. "“Death in Moscow” by Yuz Aleshkovsky: mortal images, narrative strategy, genre-thematic features." Neophilology 10, no. 4 (2024): 920–31. https://doi.org/10.20310/2587-6953-2024-10-4-920-931.

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INTRODUCTION. The research is devoted to the study of genre-thematic and narrative peculiarities of Yuz Aleshkovsky’s story “Death in Moscow”. The purpose of the work is to reveal the specifics of thanatological discourse and discourse of political and ethnic anecdote, which form a peculiar poetics and aesthetics of fantastic and mystical narrative.MATERIALS AND METHODS. The material of the study is the little-studied Yuz Aleshkovsky’s novella “Death in Moscow” (1985). The key method is the method of holistic analysis of the artwork, and we also used the motive and narrative approaches.RESULTS

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22

Kamińska-Maciąg, Sylwia. "Życie po śmierci. O psychologii marzeń sennych w prozie Władimira Odojewskiego." Slavica Wratislaviensia 167 (December 21, 2018): 99–110. http://dx.doi.org/10.19195/0137-1150.167.8.

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Life after death: About the psychology of dreamsin the works of Vladimir OdoyevskyThe way to abetter understanding of what happens to ahuman soul after death, Carl Gustav Jung saw in dreams, in which the death played aspecial role. The characteristic Jungian combination of dreams and death inspired the author of the article to look at the romantic synthesis of the same interpretations in nineteenth-century Russian literature from the perspective of depth psychology. The selection of short, fantastic prose by Odoyevsky for this type of research, more precisely: The tale of a dead body belongin

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23

Zinoveva, Regina V. "Archetypical images of a child and a cultural hero in the playwrights of Edward Franklin Albee and Sławomir Mrożek in the light of the generational problem." Vestnik of Kostroma State University 27, no. 1 (2021): 122–28. http://dx.doi.org/10.34216/1998-0817-2021-27-1-122-128.

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The article examines the place of archetypal images of a child and a cultural hero in the ideological and imaginative system of theatre of the absurd of Edward Franklin Albee and Sławomir Mrożek. It is stated that in Albee’s dramas ("The Sandpbox", "The American Dream", "Who's Afraid of Virginia Woolf", "A Delicate Balance") and Mrożek’s dramas ("Tango", "A Happy Event", "Racket-Baby") the archetypal images of a divine and demonic ("unruly") child, outlined in Carl Gustav Jung's psychoanalytic philosophy, enter into ambivalent relations. The thanatological motifs which accompany this archetypa

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24

Beley, M., and E. Fonova. "Poetics and Aesthetics of Ch. Baudelaire’s Work and His Communicative Dialogue Trough Ages with the XXI Century Postmodernist Writers F. Beigbeder and B. Werber." Scientific Research and Development. Modern Communication Studies 11, no. 4 (2022): 14–22. http://dx.doi.org/10.12737/2587-9103-2022-11-4-14-22.

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The article deals with the main features of poetics and aesthetics of Ch. Baudelaire's work, entering into communication with modern postmodernist writers through the centuries. These principles of cultural dialogue, poetics and aesthetics include dualism, supernaturalism, the principle of playing with the reader, escapism to the imaginary country of Icaria, oneiric and thanatological motifs, the peculiar chronotope of the city. The worldview principles of the work include romantic pessimism, sleepwalking, dandyism and escapism. Contemporary French postmodernist writers B. Werber and F.

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25

Shestakova, Elena. "CHILDHOOD IMAGE IN THE NOVEL “DAWN” BY B. K. ZAITSEV." Проблемы исторической поэтики 22, no. 2 (2024): 172–86. http://dx.doi.org/10.15393/j9.art.2024.13682.

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The purpose of the article is to consider the specifics of depicting the theme of childhood in the novel “Dawn” by B. K. Zaitsev. In modern literary studies, the theme of childhood in the works of Russian writers who found themselves in exile after the revolutionary events is actively being developed and studied. The relevance of the work is due to the fact that it explores one of the important topics in the literature of the Russian diaspora. The novelty of the research consists in comparing the novel by B. K. Zaitsev with 19th century Russian classical prose about childhood, in clarifying th

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26

Tyszkowska-Kasprzak, Elżbieta. "„Cмерти ведь — и дурак знает — нет, но есть разложение тканей”. Телесный аспект смерти в прозе Михаила Шишкина". Slavica Wratislaviensia 167 (21 грудня 2018): 561–85. http://dx.doi.org/10.19195/0137-1150.167.47.

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“After all — even a fool knows — death does not exist, but there is a decomposition of tissues”: The corporeal aspect of death in the proseof Mikhail ShishkinThe dominant theme in Mikhail Shishkin’s fiction is death, presented as considerations about the finiteness of existence, dying of oneself and others, posthumous existence, and immortality. A significant issue is also the description of the dying process and the existence of corpse after death. The article presents the theme of dying and corpse in the novels: The Taking of Izmail, Maidenhair, The Light and the Dark and Shishkin’s short st

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27

NEMTSOVA-AMBARYAN, S. "THANATOLOGICAL MOTIF IN MUSIC (ON THE EXAMPLE OF E. GLEBOV’S MUSICAL AND THEATRE HERITAGE)." South-Russian Musical Anthology 1 (2023). http://dx.doi.org/10.52469/20764766_2023_01_34.

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28

Kardava, Maia. "Thanatological Motifs in Fiction." Proceedings of Tskhum-Abkhazian Academy of Sciences, December 16, 2024. https://doi.org/10.52340/ptaas.2024.24.05.

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GARMASH, LUDMILA. "OPHITE MOTIFS IN BRUSOV’S NOVEL “THE ALTAR OF VICTORY”: THANATOLOGICAL ASPECT." Brusov Readings, October 25, 2018, 76–85. http://dx.doi.org/10.31377/brus.v0i0.150.

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The article is devoted to the analysis of interaction of ophite and thantological motifs in the Brusov’s novel “The Altar of Victory”, which focus on the figure of Rea, who was at the head of one of the gnostic sects existing in Rome at the end of the IV century and rebelled against the Roman Emperor together with the ophites.

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30

"Comparative Analysis of Victor Hugo’s The Last Day of a Condemned Man and Leonid Andreev’s The Seven Who Were Hanged: A Thanatological Study." Research result. Theoretical and Applied Linguistics 11, no. 2 (2025). https://doi.org/10.18413/2313-8912-2025-11-2-0-5.

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As the world modernizes, expectations for the enhanced enjoyment of basic rights often contrast with the reality of their contestation or reinterpretation. The right to life, one of the most fundamental rights, has increasingly been interpreted merely as the right not to be killed. Literature, as a reflection of societal values, offers a unique lens to explore this evolving interpretation of the right to life. This study examines Victor Hugo’s The Last Day of a Condemned Man and Leonid Andreev’s The Seven Who Were Hanged through comparative literature and thanatology, focusing on death and the

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31

Kitowska-Łysiak, Małgorzata. "Comments on the Canon. Bruno Schulz’s Adolescent Sketchbook and Frescoes in Landau’s Villa." Schulz/Forum, February 18, 2024, 57–72. https://doi.org/10.26881/sf.2024.s.03.

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Most likely, Schulz’s sketchbook comes from 1907-1908, when he was fifteen or sixteenyears old. Scholars claim that the drawings in the sketchbook are of no high artistic value. Certainly, in the context of Schulz’s canonical works, they are only attempts and anticipations of the future. Still, these early sketches deserve some more attention not only as part of a Great Artist’s heritage. Schulz’s sketchbook is not just a collection of drafts but, on the contrary, a set of final versions – final in the first phase of the artist’s formative evolution. On the other hand, the frescoes painted by

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