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Journal articles on the topic 'Thanatological motives'

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1

Netkachyova, Ekaterina D., and Oksana A. Hrushcheva. "Thanatological Motives in the Novel “The Book Thief” by Marcus Zusak." World Literature in the Context of Culture, no. 14 (20) (2022): 53–59. http://dx.doi.org/10.17072/2304-909x-2022-14-53-59.

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The article considers the problem of thanatological motives in modern foreign literature and namely in M. Zusak’s Book Thief. The study revealed that thanatological motives provide for the content and plot development of the novel. M. Zusak depicts Death as a living creature similar to humans, including it into the system of images and characters. Thanatological motives interpretation is dynamic, natural and bright in multiple shades.
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2

Nefagina, Galina. "Танатологические хронотопы в романе Евгения Водолазкина „Авиатор”". Slavica Wratislaviensia 167 (21 грудня 2018): 603–13. http://dx.doi.org/10.19195/0137-1150.167.49.

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Thanatological chronotopesin Eugene Vodolazkin’s novel The AviatorEugene Vodolazkin’s novel is based on thanatologic motives. Eternal literary theme enables to realize represent the author’s concept of death. The article deals with peculiar features of the plot, types of death representation and types of thanatologic chronotope connected with them. The plot is as an inverted parabola, the branch of which tends upwards and reaching its apogee to life resurrection and tends to death again. It is possible to define types of fictitious and real death, natural and brutal, physical and spiritual. Di
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3

Dzanumov, Seyran A. "THANATOLOGICAL MOTIVES IN A. PUSHKIN’S LITTLE TRAGEDIES." Bulletin of the Moscow State Regional University (Russian philology), no. 2 (2018): 97–106. http://dx.doi.org/10.18384/2310-7278-2018-2-97-106.

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4

NADEZHDA, GAYEVSKAYA. "EASTER RECYCLING: THANATOLOGICAL MOTIVES OF THE TEXTS OF CHRISTIANS OF THE NORTH." After Constantine: Stories from the Late Antique and Early Byzantine Era, no. 3 (May 31, 2024): 8–21. https://doi.org/10.5281/zenodo.8158466.

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The subject of the study is Easter recycling, understood in anthropological discourse as preparation for the Easter holiday in the daily life of Christian communities of the north, and the understanding of cultural memory and its symbolic expression in phenomenological discourse. The definition of recycling as symbolic processing and its definitions in culture are promising for the study of northern hagiography and culture. The analysis of the texts of the northern religious literature from the regions of Karelia and Ingermanland makes it possible to see the differences in the types of recycli
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5

Borodina, Ekaterina Yur’evna. "SLAVONICISMS AS MARKERS OF THANATOLOGICAL MOTIVES IN P. A. VYAZEMSKY’S LATE LYRICS." Philological Sciences. Issues of Theory and Practice, no. 10-1 (October 2018): 56–62. http://dx.doi.org/10.30853/filnauki.2018-10-1.12.

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6

Belyaeva, Irina. "Сюжет романа Ивана Тургенева „Отцы и дети” в свете художественной танатологии писателя". Slavica Wratislaviensia 167 (21 грудня 2018): 123–32. http://dx.doi.org/10.19195/0137-1150.167.10.

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The plot of Turgenev’s novel Fathers and Sonsin the light of the writer’s art thanatologyTurgenev’s novel Fathers and Sons is presented in the article as the most important stage in the development of the thanatological theme in the writer’s work, the significance of which is largely highlighted by the comparison of its key thanatological episode with the similar ones from Shakespeare and Cervantes analyzed by Turgenev in his article Hamlet and Don Quixote. Thinking about death became for him, according to Turgenev himself, a key impulse, which in many ways determined the structure of the nove
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7

Переяслов, Віталій Олександрович. "МЕТАФІЗИЧНІ ВИМІРИ В ФІЛОСОФСЬКІЙ ЛІРИЦІ В. МИСИКА". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 149–59. https://doi.org/10.5281/zenodo.32957.

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The article is devoted to exploring the philosophical lyrics, as one of the main lines in the works of the famous writer V.O. Mysyk. In the article the attention is focused on products with a strong metaphysical themes and issues. On the basis of lyrical works of the writer we studied his aesthetic and philosophical perception of the world, peculiarity of its refl ection in V. Mysyk’s lyrics, determined attitude of the master of a word to the metaphysical categories of memory, death and the meaning of life. The study showed that V. Mysyk sacralizes the memory – shows it like the em
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8

Pokhalenkov, Oleg Evgen'evich, and Sof'ya Evgen'evna Nikulicheva. "Poetic Thanatology of the Novel by E.M. Remarque "Life on Loan or Heaven Knows no Favorites"." Litera, no. 12 (December 2022): 109–16. http://dx.doi.org/10.25136/2409-8698.2022.12.39144.

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The presented work examines the thanatological motifs in the work of the German writer E.M. Remarque. The influence of historical events is assumed not only on the plot and ideological levels of the novel, but also on the figurative. The hypothesis about the tendency in the work of E.M. Remarque to the widespread use of images traditionally associated with death is put forward and proved. The aim of the work is to prove the author's special understanding of the theme of death and its realization in the novel by E.M. Remarque "Life on loan or Heaven knows no favorites". The object of the study
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9

Romanienkova, Marina. "Танатологическая тематика в книгах Макса Фрая „Сказки cтарого Вильнюса”". Slavica Wratislaviensia 167 (21 грудня 2018): 587–601. http://dx.doi.org/10.19195/0137-1150.167.48.

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Thanatology in the Tales Of Old Vilnius by Maks FraiThanatological motives of the Tales Of Old Vilnius are inherent to Vilnius, a place where the actual author of this literary work, Svetlana Martynchik known as Maks Frai by her pen name, now lives. This inherence is due to the tendency of works written in foreign languages on the ter­ritory of Lithuania to construct the so-called local identity. Its main construct is the phenomenon of Vilnius which in Maks Fraiʼs interpretation acquires a particularly fantastic and mythological character and appearance, on the verge of conscience. Utilizing t
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10

Halchuk, Oksana. "The reminiscences of Salome’s dance and the Danse Macabre in authors’ models of the late 19th — early 20th centuries literature." Synopsis: Text Context Media 27, no. 3 (2021): 128–35. http://dx.doi.org/10.28925/2311-259x.2021.3.1.

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The subject of the study is the topos of dance. The article identifies the factors of its actualization in the literature of the late 19th — early 20th centuries; considers the origins of its reading through the prism of Eros and Thanatos; analyses works with “dance” imagery, and clarifies its role in the texts poetics. These tasks aim to outline the author’s models that utilize “Dance of the Seven Veils” and “The Danse Macabre”. Comparative, mythological-archetypal, historical-cultural research methods have been applied to study the specifics of dance interpretation in the aesthetic coordinat
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11

YUDAKHIN, A. "HOLBEIN’S DEAD CHRIST IN F.M. DOSTOEVSKY’S NOVEL THE IDIOT: CHRISTOLOGICAL AND ANTI-CATHOLIC DISCOURSES." Lomonosov Journal of Philology, no. 6, 2023 (December 17, 2023): 102–11. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-06-9.

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The article analyzes the Christological and anti-Catholic discourse of Holbein Jr.’s canvas The Dead Christ in the context of F.M. Dostoevsky’s novel The Idiot. The conceptual analysis of the canvas is carried out in three directions. Firstly, various interpretations of the image of the Dead Christ, set by the artist himself within the framework of the pictorial narrative, are considered. First of all, we highlight the Christological motive of Christ Resurrecting or, conversely, of Christ who finally died, as well as the ecclesiological motive, which consists in criticizing the spiritually dec
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12

Kaiyrbekova, A., S. Takirov, and K. Toleubayeva. "THE THANATOPOETICS OF M.MAGAUIN'S PROSE." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 30, 2025): 121–31. https://doi.org/10.55808/1999-4214.2025-1.12.

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The article is devoted to the study of thanatopoetics, the most important section of artistic thanatology and the consideration of the role of the term in world literature, the trend of penetration into Kazakh literature. In addition, the emphasis is on the concepts of existentialism, thanatological motive. Reviewing the works of scientists who have contributed to the study of thanatology (A.Hansen-Levet, R.L.Krasilnikov, M.Bakhtin, G.Baltabayeva, and others), the relevance of the topic of death in Kazakh literature is confirmed. The purpose of this study is to study and describe the artistic
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13

Bondarieva, T. "Thanatology and terminal conditions in modern fiction and web literature: interdisciplinary discourse." Perioperaciina Medicina 5, no. 2 (2023): 32–35. http://dx.doi.org/10.31636/prmd.v5i2.5.

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The article analyzes the thanatological motive and terminal conditions in fiction and web literature in an interdisciplinary context. Features of the image of death and various mediocre conditions in the web literature on the example of the internet novel “The Age of Glory and Hope” by Yevhenii Litvak are considered. The textual analysis revealed that web literature is more distributed, so the image of clinical death, predagonism, agony, etc. in the text of internet works may have a broader and more diverse semantic load than traditional fiction. It was found that death as a concept is represe
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14

Maksinyaev, R. I. "“Death in Moscow” by Yuz Aleshkovsky: mortal images, narrative strategy, genre-thematic features." Neophilology 10, no. 4 (2024): 920–31. https://doi.org/10.20310/2587-6953-2024-10-4-920-931.

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INTRODUCTION. The research is devoted to the study of genre-thematic and narrative peculiarities of Yuz Aleshkovsky’s story “Death in Moscow”. The purpose of the work is to reveal the specifics of thanatological discourse and discourse of political and ethnic anecdote, which form a peculiar poetics and aesthetics of fantastic and mystical narrative.MATERIALS AND METHODS. The material of the study is the little-studied Yuz Aleshkovsky’s novella “Death in Moscow” (1985). The key method is the method of holistic analysis of the artwork, and we also used the motive and narrative approaches.RESULTS
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15

Гончаров, А. С., та Д. В. Пикалов. "Танаталогические мотивы в творчестве Ш. Бодлера (на примере цикла «Смерть»)". Вопросы устойчивого развития общества, № 1(7 МКПЦР) (24 лютого 2022). https://doi.org/10.34755/irok.2022.33.32.052.

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