Academic literature on the topic 'The 1970s, Seventies'
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Journal articles on the topic "The 1970s, Seventies"
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Griffiths, Andrew. "Sociotechnical Interventions and Teams in Australia: 1970s-1990s." Economic and Labour Relations Review 6, no. 1 (1995): 73–93. http://dx.doi.org/10.1177/103530469500600106.
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This paper sets out to highlight some of the major sociotechnical and team interventions in Australia from the seventies through to the nineties. The review notes that teamwork interventions have changed over the last two decades and argues that this may be attributed partly to the popularity and influence of Japanese management approaches during the eighties along with changes to the industrial relations institutions. Team interventions associated with earlier sociotechnical and participant design approaches, undertaken in the seventies, concentrated on changing work and jobs as a way to address quality of work life concerns. In contrast, many Australian organisations which are presently implementing teams are linking them to broader organisational design issues, taking into account product flows, customer and supplier focus, product innovation and support systems. It is noted that later-style team interventions are linked closer to an organisation's strategic goals.
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CONFORD, PHILIP. "‘Somewhere Quite Different’: The Seventies Generation of Organic Activists and their Context." Rural History 19, no. 2 (2008): 217–34. http://dx.doi.org/10.1017/s0956793308002501.
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AbstractThis paper takes as its starting-point different perspectives on the organic movement's history since the 1940s. It identifies the polarised views of those who see a linear continuity in its development and of others who claim that a new generation of ‘counter-urbanites’ in the 1970s introduced an entirely distinct element. Drawing on recorded interviews with several of the leading figures in the seventies generation, the article argues that this generation was not as independent of its forebears as some of its members have claimed. It also throws light on the experiences of those who were inspired by the ‘self-sufficiency’ philosophy of John Seymour. The Steinerian Bio-Dynamic movement is identified as an important thread of continuity, as is the role played by two long-lived organic farmers, Dinah Williams and Mary Langman. While the seventies generation indeed affected the organic movement's direction from the 1970s onward, particularly through the Organic Growers Association, the case for a complete disjunction between different phases of organic history remains inadequate.
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Waldrep, Shelton. "The Golden Ages of Porn: the 1970s (Translation into Russian)." Corpus Mundi 2, no. 2 (2021): 57–82. http://dx.doi.org/10.46539/cmj.v2i2.44.
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This essay focuses on the brief moment in early seventies filmmaking when the porn industry made narrative-based films such as Deep Throat (1972) and Behind the Green Door (1972). This attempt to fuse porn with mainstream culture has come back into vogue in the present, when we see a new legitimization of porn. One might say that recent representations of sex on the screen have attempted to go back to the early seventies to restart a trajectory that was never able to complete itself. The essay begins with a consideration of the origins of porn films in nineteenth-century European art before moving on to the discussion of the seventies porn films and the complex way in which European art cinema influenced mainstream porn. Related to this topic are how cultural differences within countries influence the approach to sex that is expressed on the screen. In the US, the seventies full-length porn films legitimized certain sexual acts for their audiences and centered some of the pleasure on the screen on female desire as a way to expand the audience for porn. The essay concludes with a coda on the gay male cinematic equivalents of straight seventies porn films.
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Tittizer, Thomas, Franz Schöll, and Maria Dommermuth. "The Development of the Macrozoobenthos in the River Rhine in Germany during the 20th Century." Water Science and Technology 29, no. 3 (1994): 21–28. http://dx.doi.org/10.2166/wst.1994.0053.
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The development of the zoobenthic biocoenosis in the River Rhine in Germany during the 20th century has been documented in literature and by own investigations. The diversity of species and the structure of zoocoenosis are the elements of comparison. They show a drastic and continuing impoverishment in the benthic macroinvertebrate fauna throughout the 1950s, 1960s, and in the early 1970s. Since the raid-seventies a steady recovery of the communities has been observed. Causal dependencies between the development of the zoocoenosis and environmental factors like water pollution, river training, navigation and invasion of alien species (Neozoa) are discussed. Actions for improving the ecological situation are proposed.
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Schnadt Poberaj, C., J. Staehelin, D. Brunner, V. Thouret, and V. Mohnen. "A UT/LS ozone climatology of the nineteen seventies deduced from the GASP aircraft measurement program." Atmospheric Chemistry and Physics Discussions 7, no. 2 (2007): 3451–517. http://dx.doi.org/10.5194/acpd-7-3451-2007.
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Abstract. The knowledge of historical ozone in the upper troposphere/lower stratosphere (UT/LS) region is mostly confined to regular measurements from a number of ozonesonde stations. We present ozone measurements of the Global Atmospheric Sampling Program (GASP) performed from four commercial and one research aircraft during 1975 to 1979. Using GASP data, a UT/LS ozone climatology of 1975–1979 was built. Seasonality and concentrations of GASP UT ozone in the middle, subtropical and tropical regions of the northern hemisphere (NH) are generally in agreement with other published observations, derived from ozonesondes or aircraft campaigns. In regions where both GASP (1970s) and MOZAIC (1990s) data are available, similar ozone concentrations are found and seasonal cycles agree well confirming the reliability of GASP ozone. GASP provides unique large-scale climatological information on UT/LS ozone above the NH Pacific region. Agreement is found with observations from individual ozonesonde sites and aircraft campaigns carried out over this region. Tropical UT ozone is seen to be lower near the dateline than further east, presumably related to uplift of ozone poor air within convection. Over the west coast of the United States, summer UT ozone is higher than over the adjacent Pacific, probably caused by air pollution over southern California in the 1970s. GASP offers an unprecedented opportunity to link to European, Canadian and U.S. American ozonesonde observations of the 1970s. For the quantitative comparison, an altitude offset was applied to the sonde data to account for the slow response time of the sensors. In the LS, the European and Canadian Brewer-Mast (BM) sensors then agree to ±10% with the GASP instruments in all seasons. In the UT, the European BM sondes record similar to slightly less average ozone than GASP, however, with large variability overlaid. Over the eastern United States, systematic positive deviations of the Wallops Island ECC sondes from GASP of +20% are found. The comparisons over Europe and the eastern United States corroborate earlier findings that the early ECC sensors may have measured 10 to 25% more ozone than the BM sensors. Our results further indicate that applying the correction factor to the 1970s BM ozonesondes is necessary to yield reliable ozone mixing ratios in the UT/LS.
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Schnadt Poberaj, C., J. Staehelin, D. Brunner, V. Thouret, and V. Mohnen. "A UT/LS ozone climatology of the nineteen seventies deduced from the GASP aircraft measurement program." Atmospheric Chemistry and Physics 7, no. 22 (2007): 5917–36. http://dx.doi.org/10.5194/acp-7-5917-2007.
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Abstract. We present ozone measurements of the Global Atmospheric Sampling Program (GASP) performed from four commercial and one research aircraft in the late 1970s. The GASP quality assurance and control program was reviewed, and an ozone climatology of the upper troposphere and lower stratosphere (UT/LS) of the years 1975–1979 was built. The data set was estimated to have an overall uncertainty of 9% or 3 ppb whichever is greater for the first two years and 4% or 3 ppb for the remaining years, i.e. after implementation of silicone rubber membranes in the pumps. Two cases of nearly coincident flights of two GASP airliners along the same flight route, and the comparison with independent observations from the literature, including ozonesondes and aircraft campaigns, indicate that the ozone measurements are of high quality. The UT/LS climatology of the GASP data set is in general agreement with that derived from MOZAIC in the 1990s in regions covered by both programmes. GASP provides unique large-scale climatological information on UT/LS ozone above the northern hemisphere Pacific region, which is not covered by MOZAIC. There, the GASP climatology confirms several characteristic features derived from individual research aircraft campaigns and from ozone soundings. In particular, summertime ozone in the UT over the midlatitude eastern Pacific Ocean was significantly lower in the 1970s than over the American continent. The generally lower ozone concentrations in the tropics near the dateline as compared to farther east are indicative of convective uplifting of ozone poor air from the marine boundary layer.
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Radović, Srđan. "Урбана истраживања у етнологији и антропологији у Србији – од „удаљеног погледа“ до „субдисциплине“". Issues in Ethnology and Anthropology 12, № 2 (2017): 583. http://dx.doi.org/10.21301/eap.v12i2.11.
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This paper discusses urban research in Serbian ethnology (later on also anthropology). The era from the formal institutionalization of ethnology at the turn of the twentieth century until present day is segmented into five consecutive periods: the period before 1945, years between the end of World War II and the 1970s, from the seventies until the dissolution of Yugoslavia, the 1990s and the early 2000s, and the most recent contemporary period. This approximate timeline is made having in mind the state of urban research in Serbian ethnology and anthropology in the last more than hundred years, and prevalent periodizations of the overall disciplinary history; the paper gives a chronological discussion of dominant tracks and themes of ethnological/anthropological research of the cities.
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Meehan, Ciara. "Towards a ‘modern progressive society’: the National Coalition and social reform, 1973–7." Irish Historical Studies 38, no. 151 (2013): 457–75. http://dx.doi.org/10.1017/s0021121400001590.
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The 1970s was a time of crisis internationally, when governments struggled to cope with rising inflation and public indebtedness in the aftermath of the first oil shock. It was also a period of social change, of demands for divorce and abortion, and second-wave feminism campaigned for greater rights for women. But as many of the contributors toThe shock of the globalhave shown, amidst the political, social and economic turmoil, there was development and transformation. Ireland was not isolated from many of these trends that marked the 1970s. This article is concerned with the Fine Gael–Labour government of 1973 to 1977, in particular with the social reform agenda pursued by a coalition of one party (Fine Gael) that had advocated a ‘Just Society’ in the 1960s, and another (Labour) that had declared that the seventies would be socialist. They presented themselves at the 1973 general election as the socially progressive parties in the political system, attempting to outflank Fianna Fáil, which, in contrast, emphasised the Northern Ireland security question during the campaign. As the National Coalition grappled with fiscal expansion and the effects of stagflation, important changes occurred in the realm of social policy. Legislation affecting the status of women, recognising female heads of household and offering support to families of physically and mentally disabled children were all indicators of change.
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Chaudhry, M. Ghaffar, and Shamim A. Sahibzada. "Agricultural Input Subsidies in Pakistan: Nature and Impact." Pakistan Development Review 34, no. 4II (1995): 711–22. http://dx.doi.org/10.30541/v34i4iipp.711-722.
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Pakistan has a history of subsidising agricultural inputs. Although none of the agricultural inputs were subsidised during the early 1950s, the process was initiated in the second half of the decade by subsidising chemical fertilisers in order to popularise their use [Niaz (1984)]. The list of subsidised inputs and the rate structure of the subsidies were expanded considerably throughout the Sixties. Towards the end of the Sixties, it was noted that almost all the agricultural inputs including fertilisers, insecticides, seeds, irrigation water, tubewell installations, and the operation and purchase of tractors and tractor-related equipment were subsidised in one form or another [Aresvik (1967) and Kuhnen (1989)]. In the 1970s, some curtailment of subsidies occurred as a result of input price increases which followed the worldwide recession, a major oil shock, the credit crunch, the war with India, and the consequent steep devaluation of Pakistani Rupee [Chaudhry (1982)]. Although the subsidies had survived the onslaught of the Seventies and tended to persist on most inputs, the government became totally committed to their removal beginning with the 1980s, under pressures from the IMF and the World Bank [Government of Pakistan (1980)]. As a consequence, there was a total withdrawal of subsidy from seeds, insecticides, tubewells, and tractors. A phased-out withdrawal of fertiliser subsidy, culminating in 1984-85 in the case of nitrogenous fertilisers and in 1989-90 in the case of phosphatic and potash fertilisers, was also to be undertaken [World Bank (1986)].
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De Aragón, Julia. "Boricua Cultural Nationalism and Community Development Through The Young Lords Organization." Iris Journal of Scholarship 1 (May 12, 2019): 7–15. http://dx.doi.org/10.15695/iris.v1i0.4660.
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This paper pulls from historical accounts of the activities of the Young Lords Organization and draws connections to theories on nationalism, community, and Black Radicalism in the 20th century. Addressing the development, triumphs, and limitations of the Young Lords Organization (also known in New York City as the Young Lords Party) in the late 1960s and early 1970s, the authors examines the assumptions that lead to the rise of the Young Lords, and the political environment that resisted their agenda. As Puerto Ricans living on the mainland, the Young Lords held a unique position as a colonized multiracial people, despite borrowing ideologically from the Black Panthers and contributing as members of the Rainbow Coalition. The author discusses the radical and nationalist social movement discourse the Young Lords engaged with, which was accessible to many disenfranchised groups but uniquely targeted for the Puerto Rican experience. Lastly, the authors explores how the Young Lords implemented community development techniques in order to navigate the political and social climate of the United States in the sixties and seventies, and the conditions that would need to exist today in order for their programs to succeed in our modern world.
Dissertations / Theses on the topic "The 1970s, Seventies"
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Huber, Aimee M. "Reviving the Seventies." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1491.
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Design Analysis of the VCU Mainstage production process for The Nerd The comedic farce, The Nerd, written by Larry Shue and directed by Drew Fracher here at VCU, is the production I intend to analyze in terms of the scenic design process. From the initial conception of ideas, to their development through collaboration, to completion of construction, and ultimately, opening night, I plan to breakout my process step by step. I'd like to communicate the transformation of a literary play into the three-dimensional world in my mind.I. Introduction A. Overall description of process as it applies to this particular interaction with director and designers B. Each person involved in process and their specific roleII. Body A. Process breakdown B. Each insinuated step defined in a more concrete manner 1. play analysis by scenic designer 2. initial meeting with director to understand his/her interpretation and conceptual plans for play 3. research begins with previous steps in mind begins the collaborative effort 4. research presentation meeting with director 5. initial design ideas developed with input from director and interpreted into a floor plan or three-dimensional representation of the set 6. feedback from director 7. redesign or adjustments based on director's comments as well as functional and aesthetic developments 8. the build of the final design begins with the knowledge that contingencies remain that will create hopefully only small adjustments C. Although this breakdown may be somewhat matter of fact, the intricacies of the process I went through in designing the set for The Nerd will hopefully flush out the details into a more authentic realityIII. Conclusion A. My opinion of the process B. Personal feedback on the resulting design C. Positive experiences D. Negative experiences and how I would change them E. In the end, what I learned from the process and collaboration
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Jiménez, Botta Felix A. "Embracing Human Rights: Grassroots Solidarity Activism and Foreign Policy in Seventies West Germany." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:108145.
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Thesis advisor: Devin O. Pendas<br>This dissertation shifts our understanding of 1970s human rights activism from a minimalist politics of salvation to a maximalist commitment to kindred spirits. Scholars see the 1970s as the time when the internationalist dreams of the 1960s disappeared to be supplanted by the salvation of a few over the transformation of the root causes of society's ills. By contrast, this dissertation examines West German activism on behalf of Latin Americans chaffing under military rule in the 1970s as a campaign of international political solidarity by different means. Faced with an environment hostile to transnational solidarity at home and abroad, West Germans of varying political doctrines and Christian confessions, as well as exiles from Latin America, embraced a common language of human rights as they pursued their political agendas. Its neutralist and humanitarian overtones made "human rights" discourses appealing to activists with diverging political goals. This dissertation reinterprets human rights activism as a continuation of internationalist commitments at a time when the foundations for transnational solidarity eroded. Grassroots embrace of human rights occurred during a tense state of securitization provoked by left-wing terrorism in West Germany. With the West German state increasingly unwilling to stand up for human rights on the international stage, especially for leftist victims, or accept them as refugees, grassroots solidarity activists were compelled to embrace a discourse that the state would accept. The Chilean and Argentinean cases--the most prominent instances of state-perpetrated abuses in 1970s Latin America--prompted leftists, left liberals, trade unionists, and Christians to advocate for the admission of political refugees and the imposition of economic embargoes and sanctions. Chilean and Argentinean exiles advocated for political change in their countries, but were forced to utilize human rights rhetoric to escape the stigma accorded to left-wing politics. Conservatives embraced human rights argumentation against the military regime in Chile when the wave of repression reached their political partners of the Christian Democratic Party in Chile. Lacking similar partners in Argentina, West German Christian Democracy did not demonstrate interest in conditions there. The West German government responded to grassroots advocacy with a minimalist vision for human rights protection that emphasized private negotiations on behalf of select individuals, which was abhorrent to many grassroots activists. The embrace of human rights by grassroots activists occurred in a highly contested process of political defeats and realignments. It was not a turn to a new utopia. Drawing on research in state and civil society repositories in Europe and the Americas, as well as oral interviews, this dissertation offers a window into transnational political activism between West Germany and Latin America in the 1970s. It shows how activists from the left and the right, as well as government officials, arrived at different definitions of human rights and diverging strategies for protecting them<br>Thesis (PhD) — Boston College, 2018<br>Submitted to: Boston College. Graduate School of Arts and Sciences<br>Discipline: History
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Goodnough, Michael Daniel. "“Shifting Faster Than the Colors of a Spinning Mirrored Globe:” Health, Fitness, Dieting, and Antimodernism in American Culture and Thought, 1973-1984." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556224821560688.
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Nicodemo, Thaís Lima 1981. "Começar de novo : a trajetória musical de Ivan Lins de 1970 a 1985." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285232.
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Previous issue date: 2014<br>Resumo: O trabalho propõe um estudo sobre a obra e a trajetória do compositor Ivan Lins por meio da investigação de suas escolhas profissionais e poético-musicais entre os anos de 1970 e 1985. Buscamos compreender os sentidos que desprendem de sua produção e atuação em relação ao cenário cultural brasileiro, em um momento marcado por intensas transformações econômicas, políticas e sociais, durante o governo autoritário no país. A trajetória de Ivan Lins ajuda a iluminar uma nova dinâmica de atuação e de produção que passou a se estabelecer no meio artístico a partir da expansão capitalista promovida por um Estado de exceção, que levou a uma substancial reorganização das indústrias da cultura no período focalizado<br>Abstract: This work proposes a study about the production and trajectory of the songwriter Ivan Lins through an investigation of his professional and poetic-musical choices between 1970 and 1985. We aim to understand the meanings that may be extracted from his production and performance in relation to Brazil¿s cultural scene, in a moment marked by the intense economic, political and social transformations of the authoritarian regime period in the country. Ivan Lins¿ trajectory contributes to illuminate a new dynamic of action and production that was established in artistic circles in reaction to a capitalist expansion promoted by a Estate of exception, which led to a substantial reorganization of the cultural industries of that period<br>Doutorado<br>Fundamentos Teoricos<br>Doutora em Música
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Keiser, Justin Bruce. "Where did the band come from? student protest at Miami University in April 1970 /." Oxford, Ohio : Miami University, 2003. http://www.ohiolink.edu/etd/view.cgi?miami1057759237.
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LUCIANI, PATRIZIA. "ALBINO LUCIANI PATRIARCA DI VENEZIA (1970-1978)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/11130.
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L’obiettivo della tesi è di indagare gli anni trascorsi a Venezia da Albino Luciani, anni non esaurientemente approfonditi dalla storiografia e sui quali la memoria storica è ancora divisa. L’evidenza principale che ne scaturisce è la difficoltà non solo di Luciani, ma di tutte le personalità che avevano ruoli di guida e di responsabilità all’interno della Chiesa, nel misurarsi con l’attuazione del Concilio Vaticano II.
L’ipotesi interpretativa proposta è che il filo conduttore di tutta l’opera pastorale del presule bellunese sia stato uno sforzo di fedeltà alla tradizione romana e all’autorità papale seppur attraverso l’ammodernamento dei metodi pastorali utilizzati. Il patriarca di Venezia è risultato particolarmente rappresentativo di tutto un episcopato nazionale montiniano che ha attuato in Italia le ricezione conciliare secondo l’ermeneutica di Paolo VI.
L’indagine, avendo cura di confrontare sempre il piano dell’omiletica e il piano delle reali scelte pastorali attuate, analizza a tutto campo l’operato di Luciani, dalle attività diocesane al suo apporto alla vita ecclesiale a livello regionale, nazionale e internazionale; ha inoltre il pregio di aver utilizzato come fonte importante materiale inedito reperito nei nove archivi storici utilizzati e in vari archivi personali. Infine, è corredato di un’ampia e interessante appendice che racchiude le testimonianze orali di venti testimoni scelti.<br>The aim of the thesis is to investigate the years passed in Venice by Albino Luciani, years not exhaustively studied by historiography and on which historical memory is still divided. The main evidence is the difficulty not only of Luciani, but also of all personalities who had leadership roles and responsibilities within the Church, in measuring itself with the realization of the Second Vatican Council.
The interpretative hypothesis is that the main theme of all the pastoral work of the patriarch of Venice was an effort of fidelity to the Roman tradition and papal authority even through the modernization of the pastoral methods. The patriarch of Venice was particularly representative of a whole national Montinian episcopate which carried out in Italy the Council reception according to the hermeneutic proposed by Paul VI.
The survey, comparing the plan of homiletics and the plan of the real pastoral options implemented, examines entirely Luciani’s work, from the diocesan activities to his contribution to regional, national and international Catholic Church. The thesis uses as sources important unpublished material retrieved in nine historical archives and in various personal archives. Finally, the thesis is accompanied with a wide and interesting appendix that contains the interviews with twenty chosen witnesses.
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Vicente, Andreia Maria Farah. "A morte da pintura em questão : a obra de João Camara e Siron Franco nas decadas de 1960/1970." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284066.
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Previous issue date: 2009<br>Resumo: Este trabalho analisa o processo de inserção no cenário artístico nacional dos artistas plásticos João Câmara e Siron Franco - que, através da linguagem da pintura oriunda da técnica em óleo sobre tela, se destacaram no cenário artístico nas décadas de 60 e 70, época em que se discutia intensamente - tanto no Brasil como no exterior - a crise do suporte artístico tradicional em detrimento das novas linguagens artísticas. Como fator importante neste processo, destacamos a criação de Salões competitivos em outras capitais do Brasil nos quais as obras desses dois artistas foram selecionadas ou premiadas. A representação da figura humana é o principal eixo condutor da trajetória das obras de João Câmara e Siron Franco, sendo o corpo espaço metafórico para reflexões sobre os problemas humanos, críticas à sociedade e/ou ao momento político em que o país se encontrava no período acima citado.<br>Abstract: This dissertation analyses the insertion of the artists João Câmara and Siron Franco - artists that through the language of painting build up from the technique oil painting over canvas have appeared into the artistic scenario in the decades of 1960 and 1970. In this time it was discussed - in Brazil and abroad - the crisis of the traditional artistic support, taking only in consideration the new artistic languages. As an important factor of this process we point out the creation of competitive Art Salons in others main cities of Brazil, in which the works of those two artists were selected and won thefirst prizes. The representation of the human figure is the main axis of the trajectory of the works of João Câmara and Siron Franco, taking into account that the body is the metaphorical space for the reflections upon human problems, critics to the society and/or, to the political moment of the country related to the aforementioned decades.<br>Mestrado<br>Artes<br>Mestre em Artes
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Moreira, Maria Beatriz Cyrino 1985. "Fusões de gêneros e estilos na produção musical da banda Som Imaginário." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284415.
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Previous issue date: 2011<br>Resumo: O Som Imaginário foi um grupo que surgiu no Brasil em 1969 com o intuito de acompanhar o músico Milton Nascimento em sua turnê realizada em 1970. A partir da reunião de diversos músicos vindos de formações diferentes e com influências distintas, criou uma obra musical cheia de hibridismos fruto também de um contexto social-político e cultural específico. Através da análise musical dos três discos do grupo, Som Imaginário (1970), Som Imaginário (1971) e Matança do Porco (1973), buscou-se observar os aspectos de forma, gêneros e estilos presentes na sonoridade do grupo, instrumentação utilizada, harmonia e letra, com o objetivo de relacionar as formas de expressão musical do grupo com o contexto cultural e político do Brasil no período em que atuou, a transição da década de 60 para os anos 70. Ao se construir a narrativa da trajetória do grupo, procurou-se também relacioná-la à crescente indústria fonográfica no Brasil e associar elementos da produção musical do grupo com os traços comportamentais e maneiras de pensar relacionadas à contracultura e à vigência do regime ditatorial militar na sua fase mais repressiva<br>Abstract: The Brazilian group "Som Imaginário" emerged in 1969 with the purpose of accompanying the musician Milton Nascimento in his tour of 1970. The group gathered different musicians from differents music backgrounds and influences, and created a musical work full of hybridism as a result of the specific social, political and cultural context. Through the musical analysis of their three albuns, Som Imaginário (1970), Som Imaginário (1971), this study tried to identify many musical aspects such as form, genres and styles present in the sonority of the group, instrumentation used, harmony and lyrics, in order to relate these forms of musical expression with the cultural and political context of Brazil in that period, the transition between the 60's and 70's. By developing the narrative trajectory of the group, we tried to relate it to the growing phonographic industry in Brazil and associate elements of the musical production of the group with behavioral traits and ways of thinking related to the counterculture and to the term of military dictatorship in it most repressive stage<br>Mestrado<br>Fundamentos Teoricos<br>Mestre em Música
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Tosatti, Ada. "L’ extrémisme littéraire et politique pendant les années soixante-dix. Le cas exemplaire de Nanni Balestrini." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030045.
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La thèse, par le concept opératoire d’extrémisme, propose l’étude du rapport entre engagement politique et expérimentalisme littéraire en Italie au cours des années soixante-dix, en explorant les liens entre l’aspiration révolutionnaire des mouvements socio-politiques d’extrême gauche et la recherche d’une relation renouvelée entre littérature et réalité. Le poète et romancier Nanni Balestrini [1935-], membre de la Néo-avant-garde des années soixante et militant de la gauche extra-parlementaire dans la décennie suivante, apparaît comme un auteur exemplaire de cette tension. Par l’analyse de sa production littéraire des années soixante-dix, un corpus riche qui n’a été que partiellement exploré jusqu’ici, il s’agit de démontrer la mise en œuvre d’un engagement dans et par le langage littéraire, l’élaboration d’une pratique subversive de l’écriture qui puisse revêtir en même temps une fonc! tion politique. En suivant un parcours chronologique rendant compte des évolutions inhérentes à cette problématique, l’on passe ainsi de la recherche d’une littérature « interne à la classe ouvrière » avec le roman Vogliamo tutto [1971], qui préfigure d’autres expériences de « littérature sauvage », à la mise en œuvre d’une fonction heuristique et de contre-information de la littérature avec Vivere a Milano [1976] et La violenza illustrata [1976]. L’analyse des Ballate della signorina Richmond [1977] rend compte des influences croisées de la poétique balestrinienne avec le dernier mouvement contestataire de la décennie, le Mouvement de 1977, qui place au coeur de sa réflexion et de sa pratique politique la subversion du langage ainsi que l’élaboration de nouvelles formes de communication<br>This work studies the relationship between political commitment and experimentalism in literature using the conceptual tool of extremism. It looks at how the revolutionary aspirations of the social political movements of the extreme left interconnected with the quest for a renewed liaison between literature and reality. A fitting example is the poet and novelist Nanni Balestrini [1935-] who was part of the new avant-garde movement during the 1960s and of the extreme left movements in the years that followed. His writings of that period hold a richness that has not yet been fully tapped. His use of language demonstrates his commitment to the practice of subversive writing as well as his political motivation. When the evolution of these works is followed, the emergence of an “interior working class” literature is observed. An example is the Vogliamo tutto [1971] novel, which foreshadows experiences from the “savage literature”. In addi! tion, works such as Vivere a Milano [1976] and La violenza illustrata [1976] exemplify heuristic and counter-information functions of the literature, while the analysis of Ballate della signorina Richmond shows how Balestrini’s poetics and those of the 1977 political movement significantly influenced each other. The subversion of the language and the production of new forms of communication appear thus to be at the core of political beliefs and reflections
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Tribbe, Matthew David. "The rocket and the tarot : the Apollo moon landings and American culture at the dawn of the seventies." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1584.
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Although the Apollo 11 moon landing was one of the most remarkable events of the twentieth century, it was also among the most abstruse—what did it mean, after all? With implications ranging from the everyday benefits of “spinoff” to the cosmic questions of existence, it seemed like it had to signify something important. But the United States was undergoing a profound cultural shift as the 1960s gave way to the 1970s, a transformative moment when the rationalist, technological optimism of the high Space Age began losing traction to the more intuitive, relativistic, neo-romantic cultural aura of the 1970s. This turn left many Americans who reckoned that Apollo should be important—somehow, in some way—unable to adequately integrate the event into their worldviews, their American mythologies.
This study examines how Americans attempted to make sense of Apollo in the 1960s and 1970s. This period saw a noticeable retreat from the faith in science and rationalism that had driven American thought and culture in the decades following World War II, and which formed the foundation of the successful space program. In its stead emerged a new understanding of “progress” that was divorced from its previous equation with technological advancement for its own sake and reconsidered in terms of its impact on sustainability and personal fulfillment. In this environment, Apollo—an endeavor that that ultimately seemed to offer no deeper meaning that itself—provided bold evidence that the crucial answers to life’s quandaries would not be discovered through technological journeys to the near planets; indeed, that the prolonged emphasis on these sorts of materialist endeavors had only obscured humanity’s quest for true meaning and its continued sustenance on what Apollo made abundantly clear was the only planet it would inhabit for a long time to come. This cultural turn spelled doom for a space program that for all its futuristic trappings was actually firmly rooted in the past, in a mindset that had flourished throughout the middle of the twentieth century but was now falling under wide suspicion.<br>text
Books on the topic "The 1970s, Seventies"
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Wo men de 1970 nian dai: Our times 1970s, 1970-1979. Zhongguo you yi chu ban gong si, 2006.
Find full textBook chapters on the topic "The 1970s, Seventies"
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Hunter, I. Q. "Take an Easy Ride: Sexploitation in the 1970s." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_1.
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Dupin, Christophe. "The BFI and British Independent Cinema in the 1970s." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_15.
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Chapman, James. "From Amicus to Atlantis: The Lost Worlds of 1970s British Cinema." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_6.
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Leggott, James. "Nothing to do around Here: British Realist Cinema in the 1970s." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_9.
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Barton, Ruth. "When the Chickens Came Home to Roost: British Thrillers of the 1970s." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_5.
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Smith, Justin. "Glam, Spam and Uncle Sam: Funding Diversity in 1970s British Film Production." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_7.
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Monk, Claire. "‘Now, what are we going to call you? Scum!… Scum! That’s commercial! It’s all they deserve!’: Jubilee, Punk and British Film in the Late 1970s." In Seventies British Cinema. British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92282-6_8.
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D’Adda, Carlo, and Bruno Salituro. "The Italian Economy in the Seventies and Eighties." In Keynes and the Economic Policies of the 1980s. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-12815-0_11.
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McRobbie, Angela. "Jackie and Just Seventeen: Girls’ Comics and Magazines in the 1980s." In Feminism and Youth Culture. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21168-5_6.
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Argenti, John. "Trends in the 1970S." In A Management System for the Seventies. Routledge, 2018. http://dx.doi.org/10.4324/9781351200714-5.
Full textConference papers on the topic "The 1970s, Seventies"
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McKinnon, Mikal A., Judith M. Cuta, and Urban P. Jenquin. "Effect of Loading Pattern on Thermal and Shielding Performance of a Spent Fuel Cask." In ASME 2001 8th International Conference on Radioactive Waste Management and Environmental Remediation. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/icem2001-1216.
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Abstract As part of a cooperative program, the United States Department of Energy (DOE) has supported analyses to determine the effect of cask loading on the thermal and shielding performance of a cask containing spent nuclear fuel. Two considerations that must be addressed in licensing spent fuel storage casks are peak fuel temperature and cask surface dose rate. Generally, storage systems are approved for uniform loading of the cask with design basis fuel. The storage system design basis typically specifies maximum assembly enrichment, maximum burnup, and minimum cooling times for the design basis fuel. Some casks specify an enrichment/burnup table. These conditions set the maximum decay heat loads and maximum radioactive source terms for the design. Supportive analysis using conservative assumptions is then used to demonstrate that acceptable fuel storage temperatures and cask dose rates are maintained. This study analyzes the effect of non.-uniform load patterns on peak fuel cladding temperatures and cask surface dose rates using previously validated analytical methods. The study was performed using a spent fuel storage cask that was designed to hold 24 spent fuel assemblies with a decay heat load of 24 kW. The cask was assumed to have a forged steel body with an overall length of 5.0 m and a diameter of 2.3 m. The body was assumed to be surrounded by a resin layer for neutron shielding and a steel outer shell. The fuel was selected to have cooling times of 3.5 to 10 years and burnups of 20 to 60 GWd/MTU to bound the expected range of burnup for most of the fuel to be discharged from boiling water and pressurized water reactors from the mid-1970s through 2020. Three radial power distributions were considered in the study: uniform loading, hotter assemblies in the center of the cask, and hotter assemblies near the wall of the cask. Each load pattern resulted in a total decay heat output of 24 kW from the cask. Seventeen different load patterns were selected, and the thermal analysis was repeated for three backfill gases: helium, nitrogen, and vacuum. For a given decay heat load in the cask, loading assemblies with higher decay heat output around the outside of the cask results in lower peak fuel cladding temperatures than loading hotter assemblies in the center of the cask. Several of the load patterns resulted in a peak cladding temperature that was lower than for a uniformly loaded cask. For a helium backfill with an optimum load pattern in the cask (hot assemblies near the basket wall), the peak fuel clad temperature was 17°C lower than a uniformly loaded cask. Using the same assemblies from the optimum load pattern but reversing the load pattern so the hot assemblies are moved to the inside of the cask., increased the peak fuel clad temperatures by 35°C for a helium backfill. This is 18°C greater than for a uniform load pattern. Seven source terms were selected to provide the thermal output used in the thermal analysis. Source term calculations were completed using fuel burnups of 20 to 60 GWd/MTU and enrichments of 2.4 to 4.8%. A constant power density of 32 MW/MTU was used for all irradiation calculations. Cooling times were selected to provide the decay heat values used in the thermal analysis. Photon dose rates are dominated by the cobalt-60 in the bottom-end fittings, top-end fittings, and plenum and are proportional to fuel burnup. For short cooling times, photon dose rates on the side of the cask are somewhat higher due to short-lived fission products. Cask loadings with high decay heat assemblies near the periphery exhibit increased photon dose rates on the side surface and top and bottom surfaces away from the centerline. Near the centerline, on the top and bottom of the cask, the dose rates are reduced substantially. Neutron dose rates increase exponentially with burnup and are nearly independent of cooling time. Cask loadings with high decay heat assemblies impact the neutron dose rates minimally. The peak dose rates (neutron plus photon) for the short-cooled, higher-burnup fuel loaded around the outside of the cask’s basket are generally less than for a uniform loading of longer-cooled, higher-burnup spent fuel.