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1

Beverland, Michael. Building Brand Authenticity. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250802.

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2

Building brand authenticity: 7 habits of iconic brands. New York: Palgrave Macmillan, 2009.

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3

The painted king: Art, activism, and authenticity in Hawaiʻi. Honolulu: University of Hawaiʻi Press, 2011.

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4

Authenticity. London: Faber and Faber, 2002.

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5

Brüntrup, Godehard, Michael Reder, and Liselotte Gierstl, eds. Authenticity. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29661-2.

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6

Exhibiting authenticity. Manchester: Manchester University Press, 1997.

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7

Lacoste, Véronique, Jakob Leimgruber, and Thiemo Breyer, eds. Indexing Authenticity. Berlin, München, Boston: DE GRUYTER, 2014. http://dx.doi.org/10.1515/9783110347012.

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8

Leppard, Raymond. Authenticity in music. Edited by Pauly Reinhard G. Portland, Or: Amadeus Press, 1988.

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9

Searching for authenticity. Charlotte, NC: Information Age Publishing Inc., 2015.

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10

Authenticity in music. London: Faber Music in association with Faber & Faber, 1988.

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11

Lindholm, Charles. Culture and authenticity. Malden, MA: Blackwell Pub., 2008.

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12

Leppard, Raymond. Authenticity in music. London: Faber, 1988.

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13

Lindholm, Charles. Culture and authenticity. Malden, MA: Blackwell Pub., 2008.

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14

Potter, Andrew. The Authenticity Hoax. New York: HarperCollins, 2010.

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15

Steinvorth, Ulrich. Pride and Authenticity. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-34117-0.

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16

Lionel, Trilling. Sincerity and authenticity. Cambridge, Mass: Harvard University Press, 2000.

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17

Humphries, Lund, and Sotheby's (Firm). Institute of Art, eds. Art and authenticity. Farnham, UK: Lund Humphries, 2012.

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18

Chen, Xunwu. Being and authenticity. Amsterdam: Rodopi, 2004.

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19

Guilar, Joshua D. The power of authenticity. Camarillo, CA: DeVorss Publications, 2007.

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20

David, Holbrook. The novel and authenticity. London: Vision, 1987.

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21

The power of authenticity. Camarillo, CA: DeVorss Publications, 2007.

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22

Holbrook, David. The novel and authenticity. London: Vision, 1987.

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23

Authenticity: Building a Brand in an Insincere Age. ABC-CLIO, LLC, 2020.

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24

Beverland, M. B. Building Brand Authenticity: 7 Habits of Iconic Brands. Palgrave Macmillan, 2009.

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25

Authenticity: Living a Spiritually Healthy Life (Building Character Together). Zondervan, 2008.

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26

Chris, Miele, and Paul Mellon Centre for Studies in British Art, eds. From William Morris: Building conservation and the arts and crafts cult of authenticity, 1877-1939. New Haven, Conn: Yale University Press, 2005.

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27

Authentic Reconstruction: Authenticity, Architecture and the Built Heritage. Bloomsbury Academic, 2017.

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28

Baugher, John Eric, and Lena Lid-Falkman. Leading with Spirit, Presence, and Authenticity: A Volume in the International Leadership Association Series, Building Leadership Bridges. Wiley & Sons, Incorporated, John, 2014.

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29

Baugher, John Eric, and Lena Lid-Falkman. Leading with Spirit, Presence, and Authenticity: A Volume in the International Leadership Association Series, Building Leadership Bridges. Wiley & Sons, Incorporated, John, 2014.

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30

Wharton, Glenn. Painted King: Art, Activism, and Authenticity in Hawai'i. University of Hawaii Press, 2011.

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31

Miele, Chris. From William Morris: Building Conservation and the Arts and Crafts Cult of Authenticity, 1877-1939 (Studies in British Art). Paul Mellon Center BA, 2005.

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32

Fakes, Forgeries, and Frauds. Rowman & Littlefield Publishers, Incorporated, 2020.

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33

Boyle, David. Authenticity. HarperPerennial, 2004.

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34

Authenticity. Zondervan Publishing Company, 1996.

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35

Finney, Patrick. Authenticity. Taylor & Francis Group, 2018.

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36

Authenticity. Graywolf Press, 2005.

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37

Pasquini, John J. Authenticity. Xlibris Corporation, 2005.

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38

Vivian, Bradford. Authenticity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0003.

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Chapter 2 investigates a case in which large segments of the public praised a deeply suspect act of witnessing without critical scrutiny. Questions of historical authenticity (as well as authorship and authority) attend the rhetorically inventive nature of witnessing in Binjamin Wilkomirski’s fraudulent Holocaust memoir, titled Fragments. The author’s alleged childhood memories during his fictional imprisonment at Auschwitz were hailed as an instant classic in the genre for its apparent historical authenticity, and subsequently lauded with international literary awards, but historians and journalists who eventually questioned its historical accuracy proved, in the end, that the book was fake. The chapter examines why even actual Holocaust survivors celebrated Fragments as an authentic work of testimony insofar as Wilkomirski borrowed and recycled numerous tropes and images characteristic of postwar survivor memoirs, including the ethos of the survivor, fragmented memories, and recollections focused on trauma. Wilkomirski’s book illustrates potential dangers that attend the extensive public receptiveness for commonplace, and oftentimes unquestioned, tropes of authenticity in witnessing.
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39

Authenticity. HarperPerennial, 2004.

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40

Authenticity. Faber & Faber, Limited, 2014.

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41

Finney, Patrick, ed. Authenticity. Routledge, 2020. http://dx.doi.org/10.4324/9780429440588.

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42

Pasquini, John J. Authenticity. Xlibris Corporation, 2005.

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43

Pan stwowe Muzeum Os wie ·cim-Brzezinka, ed. Zachowac autentyzm: Konserwacja dwo ch bloko w dawnego KL Auschwitz I = To preserve authenticity : the conservation of two blocks at the former KL Auschwitz I. 2013.

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44

Authenticity Project. Penguin Canada, 2020.

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45

Authenticity Project. Transworld Publishers Limited, 2020.

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46

Ferrara, Alessandro. Reflective Authenticity. Routledge, 2002. http://dx.doi.org/10.4324/9780203005422.

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47

Mock, Steven J. Mapping Authenticity. Edited by Angela M. Labrador and Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.15.

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Debates in the study of public heritage are rooted in the field’s inherently interdisciplinary nature. Heritage is about both the past and the present; about tangible objects and intangible myths; about individuals, groups, institutions, and nations. Cutting through these challenges requires approaching heritage as the emergent product of dense interaction between diverse systems that operate on multiple levels of analysis. This chapter explores the utility of a method known as Cognitive-Affective Mapping, capable of tracking the interaction between tangible and intangible elements of the past and present where they must, by necessity, meet on common ground: as emotionally loaded representations in the human mind. Drawing from the examples of Switzerland and Israel, we examine how such a method can be used both to explain the authenticity of a given object to a national heritage, and to illuminate the emotional significance of this property in situations of inter-group conflict.
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48

Gallagher, Shaun, Ben Morgan, and Naomi Rokotnitz. Relational Authenticity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190460723.003.0008.

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In Chapter 8, the authors explore the notion of relational authenticity, arguing that to understand existential authenticity we must not return to the individuality celebrated by classical existentialism nor look for a reductionist explanation in terms of neuronal patterns or mental representations that would simply opt for a more severe methodological individualism and a conception of authenticity confined to proper brain processes. Rather, they propose, we should look for a fuller picture of authenticity in what they call the “4Es”—the embodied, embedded, enactive, and extended conception of mind. They argue that one requires the 4Es to maintain the 4Ms—mind, meaning, morals, and modality—in the face of reductionistic tendencies in neurophilosophy. The 4E approach, they contend, gives due consideration to the importance of the brain, taken as part of the brain-body-environment system, incorporating neuroscience and integrating phenomenological-existentialist conceptions that emphasize embodiment and the social environment.
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49

Kucinskas, Jaime. Collective Authenticity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881818.003.0008.

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With the rising popularity of mindfulness and other contemplative practices, a backlash has emerged. Critics have suggested that the contemplative movement has abandoned its Buddhist ethical roots, has lost authenticity, has been coopted by corporate interests, and has failed to initiate deep, structural social reform. This chapter shows how movement leaders have responded to such claims by performing collective authenticity in their meetings. They hearkened back to Buddhist sacred texts, teachers, and ethics and affirmed their sense of social responsibility and their commitment to social reform. The contemplatives showed how, as a movement, central organizations can enact authenticity as a process to confront external and internal threats, to reflect on and connect to their ideological roots, and to strengthen their collective identity.
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50

Pantuchowicz, Agnieszka, and Anna Warso, eds. Interpreting Authenticity. Peter Lang D, 2017. http://dx.doi.org/10.3726/b11653.

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