Relevant bibliographies by topics / The barber paradox

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  2. Dissertations / Theses
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Academic literature on the topic 'The barber paradox'

Author: Grafiati
Published: 5 June 2025
Last updated: 15 July 2025

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Journal articles on the topic "The barber paradox"

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Albert, Wang. "THE INEQUIVALENCE OF THE BARBER'S PARADOX AND RUSSELL'S PARADOX AND THE SOLUTION TO THE BARBER'S PARADOX." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 6, no. 2 (2020): 41–47. https://doi.org/10.5281/zenodo.4293300.

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The Barber's Paradox and Russell's Paradox have existed and been discussed for many years. Some argue that the two paradoxes are equivalent. This article proves that they are not equivalent. Some mathematicians believe that the solution to the barber's paradox is "there is no such barber." This article proves that this solution is wrong. Some other people want to solve the paradox by proposing to redefine the rule of the barber to exclude the barber from being considered and therefore to avoid contradictions. But this is not to solve the problem, but to avoid the problem.
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Xue, Yang. "Reflection on Set theory: Is the barber example a genuine illustration of Russell's paradox?" Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 427–32. http://dx.doi.org/10.54097/ehss.v8i.4283.

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Since the formulation of Russell’s paradox, many people have created more accessible models while trying to understand and solve the paradox. The Barber paradox is the most famous one, but it is not the case that this paradox was not proposed by Russell. This paper will demonstrate the nature of both paradoxes through truth-functional language and propose possible solutions (theory of types) for Russell’s paradox. The reason why the Barber paradox is a pseudo paradox will also be illustrated with a possible solution. There is a huge difference between the paradoxes due to the fundamental diffe
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Gillon, Brendan S. "Contraposition and Lewis Carroll's Barber Shop Paradox." Dialogue 36, no. 2 (1997): 247–52. http://dx.doi.org/10.1017/s0012217300009495.

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RésuméCet article démontre qu'un exemple cité par Ernest Adams pour montrer que l'implication matérielle n'est pas l'interprétation correcte de la sémantique de la conjonction de subordination si, n'est rien d'autre qu'un corollaire d'une observation d'jà faite par Lewis Carroll, il y a cent ans, dans l'exposition de son paradoxe du salon de coiffure.
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Hills, D. A., A. Sackfield, and C. M. Churchman. "Discussion: “A Paradox in Sliding Contact Problems With Friction” (Adams, G. G., Barber, J. R., Ciavarella, M., and Rice, J. R., 2005, ASME J. Appl. Mech., 72, pp. 450–452)." Journal of Applied Mechanics 73, no. 5 (2006): 884–86. http://dx.doi.org/10.1115/1.2201886.

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In this interesting paper, the authors address an anomaly which arises when a rigid, square-ended block is pressed against a linear elastic half plane and slid along. The authors note that, within the framework of linear elasticity, the singularity in the contact pressure, and hence shearing traction, produces, adjacent to the edges, regimes in which the implied local relative slip direction dominates the rigid-body sliding velocity, and hence produces a violation of the Coulomb friction law. They seek to resolve the paradox by appealing to a more sophisticated strain definition. All of this i
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Stallinga, S., and G. Vertogen. "Solution of the Oldano-Barbero paradox." Physical Review E 53, no. 2 (1996): 1692–700. http://dx.doi.org/10.1103/physreve.53.1692.

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Matsui, William. "Origin of the Myeloma Stem Cell." Blood 116, no. 21 (2010): SCI—4—SCI—4. http://dx.doi.org/10.1182/blood.v116.21.sci-4.sci-4.

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Abstract Abstract SCI-4 Increasing evidence suggest that most human cancers consist of phenotypically and functionally heterogeneous cell types. Moreover, in some tumors, phenotypic-functional relationships exist and the capacity for clonogenic growth and self-renewal may be restricted to specific cell types. In multiple myeloma, malignant plasma cells make up the vast majority of tumor cells, phenotypically characterize the disease, and are responsible for clinical symptoms. However, myeloma plasma cells also appear terminally differentiated similar to their normal counterparts and incapable
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Major, Alice. "Barbers and big ideas: paradox in math and poetry." Journal of Mathematics and the Arts 8, no. 1-2 (2014): 54–58. http://dx.doi.org/10.1080/17513472.2014.943999.

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Barba, Eugenio. "The Paradox of the Sea." New Theatre Quarterly 22, no. 2 (2006): 107–12. http://dx.doi.org/10.1017/s0266464x06000340.

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Eugenio Barba delivered this address when he received the title of Doctor Honoris Causa from the University of Plymouth on 27 October 2005. Eugenio Barba founded the Odin Teatret in Oslo in 1964, taking it to Holstebro in Denmark in 1966 where, ever since, he and his collaborators have explored and reinvented the vocal and corporeal possibilities of performance. In the speech which follows, he explores anew several images for the theatre that recur in his writings, notably Beyond the Floating Islands (1986, a new version of The Floating Islands, 1979) and The Paper Canoe (1994). Here they resu
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Machtorlatti, Jennifer A. "There’s No Place Like Home the Paradox of Embodiment in the Work of Annette Barbier." Afterimage 34, no. 3 (2006): 24–28. http://dx.doi.org/10.1525/aft.2006.34.3.24.

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Rancière, Jacques. "Politiques de l’écriture." Cahiers de recherche sociologique, no. 26 (April 29, 2011): 19–37. http://dx.doi.org/10.7202/1002340ar.

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Selon Barbey d’Aurevilly, la prose de Flaubert est celle d’un « casseur de pierres ». Comment comprendre la complicité ainsi dénoncée entre le style comme « manière absolue de voir les choses » et la banalité du geste ouvrier et de la prose démocratique? L’article cherche à répondre à ce paradoxe en revenant à la solidarité première dénoncée par Platon entre la démocratie et la lettre muette/bavarde. À partir de là se définit la littérarité, en tant qu’opération spécifique de l’écriture dans le partage du sensible qui structure l’ordre des activités humaines. La littérature, comme absolutisati
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Dissertations / Theses on the topic "The barber paradox"

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Wrobel, Michel. "Le paradoxe de la sirène chez Barbara." Valenciennes, 2008. http://ged.univ-valenciennes.fr/nuxeo/site/esupversions/e6f2217d-d470-47f9-8b37-3e286bfc04a3.

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La thèse "Le paradoxe de la sirène chez Barbara" se compose de deux parties et étudie les chansons de Barbara à réception. La première partie intitulée Rondes et sirènes parle des phénomènes caractéristiques de ronde dans la musique, le vocabulaire, les répétitions, la thématique amoureuse (manège des amants), la danse et les rimes dans l’œuvre de Barbara. Ils contribuent à rapprocher la chanteuse des sirènes de par leur envoûtement et alimentent particulièrement leur côté néfaste dans le manège amoureux par les images de femmes intrigantes s’y rapportant. D’autres éléments permettent de quali
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Kelly, Mary Ann. "Lithologies, carbonate buildups, and cyclicity of the lower Desmoinesian Barker Creek interval, Paradox Basin, SE Utah." 1994. http://digital.library.wisc.edu/1793/21478.

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Thesis (M.S.)--University of Wisconsin--Madison, 1994.<br>Typescript. Title from title screen (viewed Nov. 8, 2007). Includes bibliographical references (leaves 146-148). Online version of the print original.
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Books on the topic "The barber paradox"

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Applebaum, Barbara. White Educators Negotiating Complicity. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781978738751.

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While there is a proliferation of research on white educators who teach courses around anti-racism, White Educators Negotiating Complicity: Roadblocks Paved with Good Intentions focuses on white educators who teach about whiteness to racially diverse groups of students, and who acknowledge and attempt to negotiate their complicity in systemic injustice. Scholars continue to remind white people of the paradox through which their endeavors to disrupt systemic white supremacy often reproduce it. In this book, Barbara Applebaum explores what it means to teach against whiteness while living that pa
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Harrison, Douglas. Southern Gospel in the Key of Queer. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036972.003.0006.

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This chapter brings together the different facets of southern gospel's surreptitious modernity as developed in the book, consolidating them in the experience of nonheterosexuals in gospel music. For at least a generation, the fact of queer contributions to the music at all levels has operated as an open secret in southern gospel. Fundamentalism's absolute prohibition on homosexuality makes acceptance of their contributions impossible, of course. Nevertheless, the psychodynamic structure of the music invites nonconformists to identify with southern gospel's emphasis on the sojourning soul's sol
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Kellerhals, Andreas, ed. Europa in turbulenten Zeiten. buch & netz, 2022. http://dx.doi.org/10.36862/eiz-486.

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Die vorliegenden Vorträge wurden im Rahmen der öffentlichen Vortragsreihen des Europa Instituts der Universität Zürich gehalten. Aufgegriffen wurden eine Vielzahl aktueller politischer Entwicklungen, so etwa „Armenia and the Velvet Revolution“ (Tatevik Bahdassarian), „Hat Russland eine Zukunft?“ (Michail Chodorkowski), „Brexit: new realities and lessons learned for Europe“ (Michel Barnier), „Why the Innocent Plead Guilty and the Guilty Go Free: And Other Paradoxes of the Broken US Legal System“ (The Hon. Jed S. Rakoff), „Zuwanderung und europäische Leitkultur“ (Prof. Dr. Günter Krings), und „D
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Aloi, Giovanni. I'm Not an Artist. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350417960.

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Romanticized notions of how one becomes an “artist” have long been questioned, so why do we still fetishize them in popular culture, turning a blind eye to the politics of exclusionism that characterize the art world and conforming our creative potential to well-trodden stereotypes? I'm Not an Artistis a critical appraisal of the role of the artist through time and an account of how successful artists have conquered their spot in the history of art, from the rise of the Renaissance artist star to the multiplicity of artistic identities we see in the creative landscape today. Entertaining, info
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Johansen, Bruce, and Adebowale Akande, eds. Nationalism: Past as Prologue. Nova Science Publishers, Inc., 2021. http://dx.doi.org/10.52305/aief3847.

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Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The original idea was to examine how the damaging roots of nationalism have been corroding political systems around the world, and creating dangerous obstacles for necessary international cooperation. Since I (Bruce E. Johansen) has written profusely about climate change (global warming, a.k.a. infrared forcing), I suggested a concerted effort in that direction. This is a worldwide existential threat that affects every living t
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Book chapters on the topic "The barber paradox"

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Dupré, Ben. "Das Barbier-Paradoxon." In 50 Schlüsselideen Philosophie. Spektrum Akademischer Verlag, 2010. http://dx.doi.org/10.1007/978-3-8274-2395-5_29.

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Emion, Maxime. "Rome brûle-t-elle ? Détruire ou reconstruire la Ville pendant la Guerre gothique." In Reconstruire Rome : la restauration comme politique urbaine, de l'Antiquité à nos jours. Publications de l’École française de Rome, 2024. http://dx.doi.org/10.4000/12790.

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Procope de Césarée rapporte les nombreuses destructions qui frappèrent Rome au milieu du VIe siècle durant la Guerre gothique, mais évoque aussi plusieurs épisodes de restauration et de reconstruction. Bélisaire, général de Justinien, s’attacha notamment à reconstruire dans l’urgence les murailles pour résister aux assauts des Goths. La mise en récit par Procope de cette restauration, dont on peine à identifier des traces archéologiques, participe à l’écriture du portrait d’un général héroïque protecteur de la Ville au moment où Constantinople espère restaurer l’Empire romain. De la même manière, Procope mobilise le thème de la restauration de Rome pour caractériser et apprécier le règne de Totila (541-552). Qu’un chef « barbare » renonce à détruire Rome et mette en œuvre un programme de reconstruction de la Ville apparaît comme un paradoxe et octroie à Totila une forme de romanité qui légitime son pouvoir politique en Italie. Entre ces deux protagonistes du récit procopien, les Romains eux-mêmes ne se laissent pas déposséder de leur cité, dont le bâti monumental maintient un rapport étroit avec leur passé. La description de l’insaisissable navire d’Énée résonne alors comme une métaphore des interrogations tardo-antiques sur l’identité d’une Rome sans cesse réinventée.
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"TRUMP’S BARBER PARADOX." In Heaven in Disorder. OR Books, 2021. https://doi.org/10.2307/jj.29895233.22.

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Goldstein, Laurence. "The Barber, Russell's Paradox, Catch-22, God and More: A Defence of a Wittgensteinian Conception of Contradiction." In The Law of Non-Contradiction. Oxford University Press, 2004. http://dx.doi.org/10.1093/acprof:oso/9780199265176.003.0019.

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Krause, Elizabeth L. "“Toys and Perfumes”: Imploding Italy’s Population Paradox and Motherly Myths." In Barren States. Routledge, 2020. http://dx.doi.org/10.4324/9781003084761-8.

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Berry, Jason. "The Last Days of Danny Barker." In City of a Million Dreams. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469647142.003.0013.

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Danny Barker was a musician, writer, and storyteller who reveled in narration: written, sung, or spoken. He grew up in a storied family of New Orleans music. Four of Danny’s uncles were musicians, and Danny himself worked at a dime-a-dance place. He courted Louisa Dupont, a Tremé-born Creole, when he was eighteen and she was thirteen. They married three years later in 1930. Well-paying gigs in New Orleans were evaporating during the Great Depression, so Danny and Louisa went to live with Danny’s uncle, Paul Barbarin, and his friend, Red Allen, in New York. Danny found success as a musician, writer, and songwriter, and learned the art of storytelling from his role model Jelly Roll Morton. Louisa, taking on the stage name Blue Lu, made a name for herself as a singer. The couple had a daughter, Sylvia. The two eventually moved back to New Orleans. Danny died on March 13, 1994. He had told Louisa that he didn’t want a jazz funeral, feeling that burial parades were getting too wild, but his band members and friends persuaded her otherwise. The 1994 funeral parade for Danny was among the most beautiful in recent memory.
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Sharf, Robert H. "4 • PARADOX IN THE GATELESS BARRIER." In Readings of the Gateless Barrier. Columbia University Press, 2025. https://doi.org/10.7312/yu--20736-007.

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Séginger, Gisèle. "Barbey d’Aurevilly, lecteur de Balzac." In Barbey d’Aurevilly et l’esthétique : les paradoxes de l’écriture. Presses universitaires de Franche-Comté, 2011. http://dx.doi.org/10.4000/books.pufc.42380.

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Glaudes, Pierre. "Barbey d’Aurevilly et le sublime." In Barbey d’Aurevilly et l’esthétique : les paradoxes de l’écriture. Presses universitaires de Franche-Comté, 2011. http://dx.doi.org/10.4000/books.pufc.42395.

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Kligman, Gail. "A Reflection on Barren States: The Demographic Paradoxes of Consumer Capitalism." In Barren States. Routledge, 2020. http://dx.doi.org/10.4324/9781003084761-12.

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