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Journal articles on the topic 'The barber paradox'

Author: Grafiati

Published: 5 June 2025

Last updated: 15 July 2025

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1

Albert, Wang. "THE INEQUIVALENCE OF THE BARBER'S PARADOX AND RUSSELL'S PARADOX AND THE SOLUTION TO THE BARBER'S PARADOX." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 6, no. 2 (2020): 41–47. https://doi.org/10.5281/zenodo.4293300.

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The Barber's Paradox and Russell's Paradox have existed and been discussed for many years. Some argue that the two paradoxes are equivalent. This article proves that they are not equivalent. Some mathematicians believe that the solution to the barber's paradox is "there is no such barber." This article proves that this solution is wrong. Some other people want to solve the paradox by proposing to redefine the rule of the barber to exclude the barber from being considered and therefore to avoid contradictions. But this is not to solve the problem, but to avoid the problem.

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2

Xue, Yang. "Reflection on Set theory: Is the barber example a genuine illustration of Russell's paradox?" Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 427–32. http://dx.doi.org/10.54097/ehss.v8i.4283.

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Since the formulation of Russell’s paradox, many people have created more accessible models while trying to understand and solve the paradox. The Barber paradox is the most famous one, but it is not the case that this paradox was not proposed by Russell. This paper will demonstrate the nature of both paradoxes through truth-functional language and propose possible solutions (theory of types) for Russell’s paradox. The reason why the Barber paradox is a pseudo paradox will also be illustrated with a possible solution. There is a huge difference between the paradoxes due to the fundamental diffe

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3

Gillon, Brendan S. "Contraposition and Lewis Carroll's Barber Shop Paradox." Dialogue 36, no. 2 (1997): 247–52. http://dx.doi.org/10.1017/s0012217300009495.

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RésuméCet article démontre qu'un exemple cité par Ernest Adams pour montrer que l'implication matérielle n'est pas l'interprétation correcte de la sémantique de la conjonction de subordination si, n'est rien d'autre qu'un corollaire d'une observation d'jà faite par Lewis Carroll, il y a cent ans, dans l'exposition de son paradoxe du salon de coiffure.

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4

Hills, D. A., A. Sackfield, and C. M. Churchman. "Discussion: “A Paradox in Sliding Contact Problems With Friction” (Adams, G. G., Barber, J. R., Ciavarella, M., and Rice, J. R., 2005, ASME J. Appl. Mech., 72, pp. 450–452)." Journal of Applied Mechanics 73, no. 5 (2006): 884–86. http://dx.doi.org/10.1115/1.2201886.

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In this interesting paper, the authors address an anomaly which arises when a rigid, square-ended block is pressed against a linear elastic half plane and slid along. The authors note that, within the framework of linear elasticity, the singularity in the contact pressure, and hence shearing traction, produces, adjacent to the edges, regimes in which the implied local relative slip direction dominates the rigid-body sliding velocity, and hence produces a violation of the Coulomb friction law. They seek to resolve the paradox by appealing to a more sophisticated strain definition. All of this i

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5

Stallinga, S., and G. Vertogen. "Solution of the Oldano-Barbero paradox." Physical Review E 53, no. 2 (1996): 1692–700. http://dx.doi.org/10.1103/physreve.53.1692.

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6

Matsui, William. "Origin of the Myeloma Stem Cell." Blood 116, no. 21 (2010): SCI—4—SCI—4. http://dx.doi.org/10.1182/blood.v116.21.sci-4.sci-4.

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Abstract Abstract SCI-4 Increasing evidence suggest that most human cancers consist of phenotypically and functionally heterogeneous cell types. Moreover, in some tumors, phenotypic-functional relationships exist and the capacity for clonogenic growth and self-renewal may be restricted to specific cell types. In multiple myeloma, malignant plasma cells make up the vast majority of tumor cells, phenotypically characterize the disease, and are responsible for clinical symptoms. However, myeloma plasma cells also appear terminally differentiated similar to their normal counterparts and incapable

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7

Major, Alice. "Barbers and big ideas: paradox in math and poetry." Journal of Mathematics and the Arts 8, no. 1-2 (2014): 54–58. http://dx.doi.org/10.1080/17513472.2014.943999.

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8

Barba, Eugenio. "The Paradox of the Sea." New Theatre Quarterly 22, no. 2 (2006): 107–12. http://dx.doi.org/10.1017/s0266464x06000340.

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Eugenio Barba delivered this address when he received the title of Doctor Honoris Causa from the University of Plymouth on 27 October 2005. Eugenio Barba founded the Odin Teatret in Oslo in 1964, taking it to Holstebro in Denmark in 1966 where, ever since, he and his collaborators have explored and reinvented the vocal and corporeal possibilities of performance. In the speech which follows, he explores anew several images for the theatre that recur in his writings, notably Beyond the Floating Islands (1986, a new version of The Floating Islands, 1979) and The Paper Canoe (1994). Here they resu

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9

Machtorlatti, Jennifer A. "There’s No Place Like Home the Paradox of Embodiment in the Work of Annette Barbier." Afterimage 34, no. 3 (2006): 24–28. http://dx.doi.org/10.1525/aft.2006.34.3.24.

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10

Rancière, Jacques. "Politiques de l’écriture." Cahiers de recherche sociologique, no. 26 (April 29, 2011): 19–37. http://dx.doi.org/10.7202/1002340ar.

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Selon Barbey d’Aurevilly, la prose de Flaubert est celle d’un « casseur de pierres ». Comment comprendre la complicité ainsi dénoncée entre le style comme « manière absolue de voir les choses » et la banalité du geste ouvrier et de la prose démocratique? L’article cherche à répondre à ce paradoxe en revenant à la solidarité première dénoncée par Platon entre la démocratie et la lettre muette/bavarde. À partir de là se définit la littérarité, en tant qu’opération spécifique de l’écriture dans le partage du sensible qui structure l’ordre des activités humaines. La littérature, comme absolutisati

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11

Vignjevic, Danijela, Defne Yarar, Matthew D. Welch, John Peloquin, Tatyana Svitkina, and Gary G. Borisy. "Formation of filopodia-like bundles in vitro from a dendritic network." Journal of Cell Biology 160, no. 6 (2003): 951–62. http://dx.doi.org/10.1083/jcb.200208059.

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We report the development and characterization of an in vitro system for the formation of filopodia-like bundles. Beads coated with actin-related protein 2/3 (Arp2/3)–activating proteins can induce two distinct types of actin organization in cytoplasmic extracts: (1) comet tails or clouds displaying a dendritic array of actin filaments and (2) stars with filament bundles radiating from the bead. Actin filaments in these bundles, like those in filopodia, are long, unbranched, aligned, uniformly polar, and grow at the barbed end. Like filopodia, star bundles are enriched in fascin and lack Arp2/

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12

Gesché, Adolphe. "Sur un paradoxe : le «Et si Deus non daretur» en théologie." Bulletin de la Classe des lettres et des sciences morales et politiques 12, no. 1 (2001): 91–114. http://dx.doi.org/10.3406/barb.2001.23399.

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13

Johnson, Elizabeth Allen, M. Elliot Smith, Gary L. Gianniny, and Paul J. Umhoefer. "Photogrammetry of sequence and bioherm morphology in the Paradox Formation, Utah, U.S.A.: A test of the coherence of Pennsylvanian (Moscovian) glacio-eustatic sea-level change." Journal of Sedimentary Research 91, no. 8 (2021): 833–46. http://dx.doi.org/10.2110/jsr.2021.03.

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ABSTRACT Despite long-standing recognition of high-amplitude, high-frequency sea-level variation resulting from repeated glaciations of Gondwanaland, recorded as “cyclothems” in late Paleozoic strata worldwide, major questions remain concerning their precise timing and expression in the stratigraphic record. A deep meandering canyon in southern Utah cut by the San Juan River exposes cyclic Pennsylvanian (Moscovian) carbonate strata of the Paradox Formation of the Hermosa Group in three dimensions. These peritidally to subtidally deposited strata archive a long record of Pennsylvanian sea-level

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14

Alsoud, Tariq Jameel. "Torn between Determinism and Freewill: Self-alienation and Hiding of Identity in Barbery’s The Elegance of the Hedgehog." World Journal of English Language 12, no. 8 (2022): 28. http://dx.doi.org/10.5430/wjel.v12n8p28.

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This essay explores the influence of discourses of determinism and free will on the major heroines’ decisions and behavior when trying to comprehend and apply these philosophies to themselves. The conflicting ideologies of the philosophers create a state of confusion, which in turn has led to the decisions of self-isolation and hiding the real identities to avoid a possible clash with members of the other social classes. The major heroines, Renée and Paloma, hide their intelligence as well because of their firm conviction in the futility of cultural discussions with narrow-minded people who be

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15

Johnson, David. "The Barber Paradox, Russell's Paradox, And Some Suggestions For An Alternative To Set Theory." December 10, 2021. https://doi.org/10.5281/zenodo.5771610.

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The title is pretty self-explanatory. This version includes additions as well as some significant revisions. Here is one of the issues discussed: You may have heard before that the empty set is a subset of every set. I disagree with this claim. It leads to a self-contradiction. If the empty set is a subset of every set then it must be a subset of itself, since it is a set. But if the empty set has a member or subset (itself) then it is not really empty. This is verified by the fact that in math {} is treated differently than {{}}; one is compared to an empty container, the other is like an emp

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16

Barber, Charles. "Charles Barber. Review of "The Holy Face and the Paradox of Representation: Papers from a Colloquium at the Bibliotheca Hertziana, Rome and the Villa Spelman, Florence, 1996" by Herbert L. Kessler and Gerhard Wolf." caa.reviews, September 24, 1999. http://dx.doi.org/10.3202/caa.reviews.1999.106.

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17

Manzoni, Filipe. "Leonardo Gandolfi, cafona de vanguarda." Fórum de Literatura Brasileira Contemporânea 8, no. 16 (2018). http://dx.doi.org/10.35520/flbc.2016.v8n16a17320.

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O longo debate sobre a tensão entre vanguarda e kitsch é resumido neste texto com base em ideias de Clement Greenberg, Jesús Martín-Barbero, Peter Bürger e outros autores. A pavimentação teórica leva à poesia do carioca Leonardo Gandolfi, apresentado como “cafona de vanguarda”. O aparente paradoxo da curiosa expressão se desfaz na lida com os poemas, expostos no tocante à recriação de fragmentos do universo da música dita brega. Exigente de consciência literária, a operação rende versos que, belos em si, promovem desde a aproximação entre vida e arte até a articulação entre cita e trauma.

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18

Savino, Daniela. "“Liquid” Identity and Otherness in the Phenomenon of Religious Alienation: The Loss of Critical Thinking and the “Barter” of the Self in the System of Communion." Elementa. Intersections between Philosophy, Epistemology and Empirical Perspectives 1, no. 1-2 (2022). http://dx.doi.org/10.7358/elem-2021-0102-savi.

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The “interior space” (Guardini, 1997) is inevitably influenced by the “external space”, which can be the mother, the inter-personal relationships, the local community with all its particular declinations (community of peers, scholastic, academic, working, etc.) or society in general; yet the educational relationship (Kanitsa & Mariani, 2017), in particular in the parental and religious sphere, has the main function of “forming” the pupil, as a child or adult, student, or faithful; in the same way, also the whole society in which one is immersed is understood as an “external environment” wh

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19

Hjorth, Larissa, and Olivia Khoo. "Collect Calls." M/C Journal 10, no. 1 (2007). http://dx.doi.org/10.5204/mcj.2586.

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   Synonymous with globalism, the mobile phone has become an integral part of contemporary everyday life. As a global medium, the mobile phone is a compelling phenomenon that demonstrates the importance of the local in shaping and adapting the technology. The adaptation and usage of the mobile phone can be read on two levels simultaneously – the micro, individual level and the macro, socio-cultural level. Symbolic of the pervasiveness and ubiquity of global ICTs (Information and Communication Technologies) in the everyday, the mobile phone demonstrates that the experiences of

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20

Brown, Malcolm David. "Doubt as Methodology and Object in the Phenomenology of Religion." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.334.

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Photograph by Gonzalo Echeverria (2010)“I must plunge again and again in the water of doubt” (Wittgenstein 1e). The Holy Grail in the phenomenology of religion (and, to a lesser extent, the sociology of religion) is a definition of religion that actually works, but, so far, this seems to have been elusive. Classical definitions of religion—substantive (e.g. Tylor) and functionalist (e.g. Durkheim)—fail, in part because they attempt to be in three places at once, as it were: they attempt to distinguish religion from non-religion; they attempt to capture what religions have in common; and they a

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21

Arps, Arnoud. "Performative Memories." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2924.

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Introduction Indonesian cultural productions use the Indonesian War of Independence (1945-1949) as inspiration for the war’s remembrance in popular culture such as in films (Arps; Irawanto), music, and mobile games, while a special emphasis on wearing historical costumes is made during the anniversary of Indonesia’s declaration of independence. Nowhere is this clearer than in Indonesian historical re-enactment. Although Indonesia has seen a rise in historical re-enactment groups for the last couple of years, the absence of scholarly research on the topic reflects how Indonesian historical re-e

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22

Madison, Nora. "The Bisexual Seen: Countering Media Misrepresentation." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1271.

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IntroductionJohn Berger provides a compelling analysis in Ways of Seeing on how we’ve been socialized through centuries of art to see women as objects and men as subjects. This way of seeing men and women is more than aesthetic choices but in fact shapes our ideologies of gender. As Berger asserts: “The art of the past no longer exists as it once did… In its place there is a language of images. What matters now is who uses that language for what purpose” (33).What happens when there are no historical images that represent your identity? How do others learn to see you? How do you learn to repre

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23

Dabek, Ryszard. "Jean-Luc Godard: The Cinema in Doubt." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.346.

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Photograph by Gonzalo Echeverria (2010)The Screen would light up. They would feel a thrill of satisfaction. But the colours had faded with age, the picture wobbled on the screen, the women were of another age; they would come out they would be sad. It was not the film they had dreamt of. It was not the total film each of them had inside himself, the perfect film they could have enjoyed forever and ever. The film they would have liked to make. Or, more secretly, no doubt, the film they would have liked to live. (Perec 57) Over the years that I have watched and thought about Jean-Luc Godard’s fi

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24

Fineman, Daniel. "The Anomaly of Anomaly of Anomaly." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1649.

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‘Bitzer,’ said Thomas Gradgrind. ‘Your definition of a horse.’‘Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.’ Thus (and much more) Bitzer.‘Now girl number twenty,’ said Mr. Gradgrind. ‘You know what a horse is.’— Charles Dickens, Hard Times (1854)Dickens’s famous pedant, Thomas Gradgrind, was not an anomaly. He is the pedagogical manifestation of the rise of quantification in modernism that was t

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