Relevant bibliographies by topics / The BBC

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The BBC'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 June 2025

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Journal articles on the topic "The BBC"

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Medhurst, Jamie. "What a Hullabaloo! Launching BBC Television in 1936 and BBC2 in 1964." Journal of British Cinema and Television 14, no. 3 (2017): 264–82. http://dx.doi.org/10.3366/jbctv.2017.0373.

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The aim of this article is to reflect on the opening of the BBC television service in 1936 and the opening of the BBC2 service in 1964. I explore the background of the two services and focus on the opening ceremonies before drawing together points of comparison or contrast at the end. The article draws on original archive material from the BBC Written Archives in Caversham and the British Postal Museum and Archive in London.
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Hussein, Ersin, and Ersin Hussein. "Michael Scott." Exchanges: The Interdisciplinary Research Journal 2, no. 2 (2015): 206–23. http://dx.doi.org/10.31273/eirj.v2i2.111.

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Associate Professor Michael Scott is a researcher and lecturer based in the department of Classics and Ancient History at the University of Warwick. He is also President of the Lytham St Annes Classical Association. Prior to his appointment at Warwick, Michael was the Moses and Mary Finley Research Fellow in ancient history at Darwin College, as well as an Affiliated Lecturer in the Faculty of Classics, at Cambridge University.Michael's research and teaching engages with interdisciplinary approaches to the literary, epigraphic and material evidence to investigate ancient Greek and Roman society, particularly focusing on Delphi and Olympia as religious spaces.While Michael has contributed significantly to the field of classics and ancient history by publishing extensively, he has also enjoyed great success in engaging wider audiences with the ancient world. He regularly talks in schools around the country, writes books intended for the popular market as well as articles for national and international newspapers and magazines. Michael's experience in writing and presenting a range of programmes intended for TV and radio audiences has made him a household name. He has written and presented programmes for the National Geographic, History Channel, Nova, and the BBC including Delphi: bellybutton of the ancient world (BBC4); Guilty Pleasures: luxury in the ancient and medieval words (BBC4); Jesus: rise to power (Natural Geographic); Ancient Discoveries (History Channel); Who were the Greeks? (BBC2); The Mystery of the X Tombs (BBC2/Nova); The Greatest Show on Earth (BBC4, in conjunction with the Open University). He has also presented a radio series for BBC Radio 4, Spin the Globe. Michael's most recent programme, Roman Britain from the Air, was aired on ITV in December 2014.In this interview, I talk to him about his engagement with other disciplines within the humanities, his forthcoming book project, and his experiences writing and presenting TV and radio documentaries.
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Liu, Wen-Ying, and Hua-Xing Chen. "Hadronic Molecules with Four Charm or Beauty Quarks." Universe 11, no. 2 (2025): 36. https://doi.org/10.3390/universe11020036.

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We apply extended local hidden-gauge formalism to study meson–meson interactions with the quark constituents ccc¯c¯, ccc¯b¯/c¯c¯cb, ccb¯b¯/c¯c¯bb, bbc¯b¯/b¯b¯cb, and bbb¯b¯, in which the exchanged mesons are the fully heavy vector mesons J/ψ, Bc* and Υ. We solve the coupled-channel Bethe–Salpeter equation to derive two poles in the bbc¯b¯ system and two poles in the ccc¯b¯ system. There are also four charge-conjugated poles in the b¯b¯cb and c¯c¯cb systems. In the bbc¯b¯ system, one pole corresponds to a sub-threshold bound state when the cutoff momentum is set to Λ>850MeV. The other pole in this system corresponds to a sub-threshold bound state when Λ>1100MeV. In the ccc¯b¯ system, the two poles correspond to sub-threshold bound states only when Λ>1550MeV and Λ>2650MeV. This makes them difficult to identify as deeply bound hadronic molecules. We propose investigating the two poles of the bbc¯b¯ system in the μ+μ−Bc−channel at the LHC.
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Havas, Júlia, Anna Mártonfi, and Gábor Gergely. "Beasts from the East." Race and European TV Histories 10, no. 20 (2021): 48. http://dx.doi.org/10.18146/view.265.

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This article interrogates the figure of the Eastern European itinerant in contemporary prestige BBC drama to highlight the figure’s role in mobilizing ideas of nationhood and foreignness in Brexit-era Britain. Our critical analyses of Dracula (BBC1, 2020), Killing Eve (BBC America, 2018–), and Call the Midwife (BBC1, 2012–) show that programming that putatively celebrates British multiculturalism and diversity configures the Eastern European foreigner as a threat to idea(l)s of Britishness, by deploying this figure in strikingly similar imaginaries of contagion, deviance, and savagery. Such treatment embeds these portrayals in discourses of white nationalism that seek to manage national belonging by articulating the limits and rules of the national community as implicitly racialized terms of culture and space.
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Cass, Philip. "REVIEW: Media must build and retain trust." Pacific Journalism Review : Te Koakoa 26, no. 2 (2020): 293–94. http://dx.doi.org/10.24135/pjr.v26i2.1140.

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A Day Like Today, by John Humphrys. London, UK: William Collins, 2019. 400 pages. ISBN 9780007415595 400pp.
 JOHN HUMPHRYS will be less well known outside the UK than his contemporary from BBC World, John Simpson, but his autobiography is an entertaining and informative recounting of his career and well worth reading. For more than three decades he presided over BBC Radio 4’s flagship early morning current affairs programme, Today. Like Jeremey Paxman on BBC2’s Newsnight, he built a reputation for taking no prisoners in interviews and for having a keen sense of what makes good radio journalism.
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Kaplan-Weinger, Judith, and John Sinclair. "BBC English Dictionary." Modern Language Journal 79, no. 4 (1995): 575. http://dx.doi.org/10.2307/330022.

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Gaies, Stephen J., and John Sinclair. "BBC English Dictionary." Modern Language Journal 77, no. 3 (1993): 379. http://dx.doi.org/10.2307/329117.

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Hermida, Alfred. "THE BLOGGING BBC." Journalism Practice 3, no. 3 (2009): 268–84. http://dx.doi.org/10.1080/17512780902869082.

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BBC TV editors. "The BBC response." Index on Censorship 16, no. 3 (1987): 9–15. http://dx.doi.org/10.1080/03064228708534217.

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Maher, Mary Z. "Hamlet's BBC Soliloquies." Shakespeare Quarterly 36, no. 4 (1985): 417. http://dx.doi.org/10.2307/2870305.

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Dissertations / Theses on the topic "The BBC"

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Alexander, Fran, Kathryn Stickley, Vicky Buser, and Libby Miller. "UDC at the BBC." UDC Consortium, 2010. http://hdl.handle.net/10150/200634.

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The BBC Archive is one of the world’s largest multimedia archives, held in 27 locations across the UK. The Archive contains over 2 million items of TV and video, 300,000 hours of audio, 6 million still photographs, over 4 million items of sheet music, and over half-a-million documents and records. It is a working media library, fulfilling some 4,000 loans per week, as well as preserving content as part of the UK’s national cultural heritage. A team of cataloguers and media managers classify a selection of current content, as well as enhancing cataloguing and classification of legacy content. There are two major classification schemes used in the Archive, both numerical, and one based on UDC. Lonclass, based on UDC, was developed first, then Telclass, which is used by the Natural History Unit in Bristol. In addition, there are many and various controlled vocabularies that have been developed to tag content in the different nations (Scotland, Wales, and Northern Ireland) and the English regions.
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Garnham, Alison Mary. "Hans Keller and the BBC." Thesis, Goldsmiths College (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312713.

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Campbell, Greg Scott. "BBC and the Troubles, 1968-1998." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22018.

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In 1985, Prime Minister Margaret Thatcher declared publicity to be the ‘oxygen’ of terrorism. Speaking from within a climate of domestic terrorism, such a statement draws into question the nature of contemporary media coverage. The British Broadcasting Corporation, existing as a public sector broadcaster, occupies a unique position in the context of 20th and 21st century mass media. The BBC is central to the creation and direction of national and international news agendas, in the formation of worldwide public opinion, and the brand name and reputation hold connotations of honesty, accuracy and impartiality. It can therefore be positioned as a ‘a microcosm of some larger system or a whole society' (Gomm et al., 2000, p.99). Yet, the historical visual output of the organisation in relation to domestic terrorism emanating from the environment of the Troubles — a significant period in social, cultural, political, and media history — has never been subject to rigorous academic scrutiny. Grounded in the field of media and cultural studies, and drawing upon extensive archival research, this thesis investigates the representation of domestic terror by the BBC in news and documentary format over the three-decade period of 1968-1998 through two interpretive modes of textual analysis: content analysis and semiotics. Throughout, the representation of events is contextualised in relation to media theory, with the words and pictures broadcast by the BBC analysed. The framing of acts of terror as image events is considered, as well as the visual aesthetic, codes, and values, of news reports. Ultimately, this work argues that BBC coverage of the Troubles has clear and identifiable patterns and symbols. Initial outbreaks of violence, where no corresponding representational referents existed, trended towards the vivid and graphic. Gradually, however, there was an overt movement away from this form; with the notable exception of moments where a method of perception created a disjuncture to established means, coverage was dominated by generic media templates, the rhetoric of euphemism, a concerted lack of contextualisation, and empty symbolism of the absent image.
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Chignell, Hugh. "BBC Radio 4's 'Analysis', 1970-1983 : a selective history and case study of BBC current affairs radio." Thesis, Bournemouth University, 2004. http://eprints.bournemouth.ac.uk/335/.

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The 'historical turn' in British Media Studies has yielded new histories of television but little work on the history of post-television radio. This thesis hopes to contribute to that neglected area. The research, based on radio and written archives and interviews with former BBC staff, examines the BBC Radio 4 current affairs programme, Analysis between the years 1970 and 1983. It addresses a number of questions about the programme, including the precise reasons for its creation, how it evolved, and how it covered a range of current affairs topics. In addition, this history of current affairs radio provides useful, new insights into the rise of professionalism in the BBC, the existence of informal networks, impartiality and bias, the tension between elitism and populism and the specificity of current affairs. The thesis includes a full discussion of the history of current affairs radio from 1927 to 1960. In this section the relationship of the literary elite to the BBC in the 1930s is addressed and the evolution of the 'topical talk' and the post-war 'talks magazine' are described. The precise origins of Analysis in the late 1960s are explained with reference to the tension between the more journalistic and populist 1960s news sequences and the elitist and anti-journalistic talks tradition from which Analysis emerged following the publication of Broadcasting in the Seventies. The role of individual presenters of Analysis is examined and the evolution of the form of 'broadcast talk' employed on the programme. There is a chapter on Analysis in Africa and a concluding chapter which evaluates the relationship between Analysis and the emerging political ideology of Thatcherism. By focussing on one programme over a period of time, and following the careers of named individuals who worked in BBC radio, it is possible to reveal conflicting broadcasting values and ideals of professionalism and current affairs and to trace these back to their antecedents in the pre-war BBC.
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Kidd, Jenny. "Capture Wales : digital storytelling and the BBC." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/55399/.

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The research shows that the actuality of being 'captured' as a part of Capture Wales is neither standard to all participants, nor easy to evaluate in terms of measures of success. Most participants display a positive attitude to the process that is often explained by the perceived therapeutic nature of the workshop, and as a result of the experience, many participants enjoy a relationship with technology that is vastly advanced from their prior use. But on the whole the project has not changed Wales into a nation of Digital Storytellers. The limited numbers of people involved, coupled with the fairly limited space allowed by the BBC for the stories' display mean that the true public service'ness' of the project must be called into question.
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Irwin, Mary. "BBC television documentary 1960-70 : a history." Thesis, Glasgow Caledonian University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492389.

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In recent years British television drama of the 1960s has been the subject of significant academic scholarship and popular retrospective interest. The British television documentary of the period is, in contrast, markedly under researched. Initial investigation suggested that while the independent television network produced two very influential documentary series in Granada's World in Action (1963-1998) and ABC/Thames This Week (1956-1992), both of which have already been the subject of academic study, it was, in the main, at the BBC that the most critically acclaimed and popularly remembered documentaries of the period were produced. Beginning by tracing the televisual climate of the late 1950s and early 1960s out of which the documentaries developed, this thesis aims to construct the first scholarly narrative history of the development of the BBC television documentary between 1960 and 1970. It examines and re evaluates some of the most significant and influential BBC television documentaries or documentary series of the period, whilst examining the lack of status afforded other particular BBC television documentaries.
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Vedel, Bonnery Audrey. "La France de la BBC, 1938-1944." Dijon, 2005. http://www.theses.fr/2005DIJOA001.

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Cyzewski, Julie Hamilton Ludlam. "Broadcasting Friendship: Decolonization, Literature, and the BBC." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461169080.

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Woods, Anne. "A critical survey of BBC films, 1988-2013." Thesis, University of Portsmouth, 2015. https://researchportal.port.ac.uk/portal/en/theses/a-critical-survey-of-bbc-films(da6b393f-c7fc-48f5-ac61-a9a2ee93f9fe).html.

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This thesis examines the arguments for the creation of a BBC feature film arm - BBC Films - and its development over a period of 25 years between 1988 and 2013. This followed the launch of Channel Four in 1982 and the formation of its own influential film strand Film on Four. As the role of public service broadcasters in supporting a national cinema became increasingly important, BBC Films became a key component of government film policy. Covering a period which saw increasing convergence between film and television, this historical investigation seeks to provide a greater understanding of the role of BBC Films as an alternative source of production funding, enabling a more complete picture of public support for British film to be drawn. The conflicted place of BBC Films within the corporation forms a primary focus. Including archival research, interviews and original primary sources - in the form of previously unseen internal strategy documents - this thesis contributes to existing gaps in literature. Examination of institutional influences upon the unit’s evolving strategy and its creative decisions - including individual creativity within organisational structures - brings together elements of previously distinct disciplinary fields, providing an important contribution to film and television studies. As a division of a PSB, funded by the licence fee, this study of BBC Films also adds significantly to discourses around the desirability of broadcaster involvement in British film production, and to the issue of commerce versus culture. Finally, this thesis will seek to assess BBC Films’ unique contribution to British film culture. This will be questioned by considering the output of BBC Films from the perspectives of its support for established and emerging UK talent, its depictions of Britishness, and its success in creating a complementary brand to Channel Four.
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Morriss, Agnieszka. "The BBC Polish Service during World War II." Thesis, City, University of London, 2016. http://openaccess.city.ac.uk/15839/.

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Despite considerable interest in the BBC European Service and the role of transnational broadcasting during the Second World War, surprisingly little attention has hitherto been paid to the BBC Polish language broadcasts. As the first full length academic study of the wartime BBC Polish Service, this thesis aims to provide an in-depth examination of previously unanalysed primary sources, both Polish and British, in order to establish the extent to which Polish Service broadcasts during World War II were considered as a significant and reliable source of information. The study is primarily based on the BBC Written Archives records, in particular, the scripts of the BBC Polish language bulletins, the European News Directives and Minutes of Meetings as well as the Political Warfare Executive (PWE) directives for the Polish Service from the National Archives at Kew. These directives are central in answering the principal research question, namely the extent to which the Polish Service was required to follow official British government policy. To this end, the analysis is supported by Polish government-in-exile documents and the Polish Underground reports stored at the Polish Institute and Sikorski Museum and the Polish Underground Movement Study Trust in London. These archives represent a valuable resource for studies of wartime broadcasting, censorship and propaganda. Together the various archives (in conjunction with other privately held documents) offer historians a rich source of material from which the organisation and functioning of the BBC Polish Service over this period can be constructed. Given the volume of material related to World War II, the scope of the study is concentrated upon Whitehall and BBC policy with regards to the Polish Service coverage of the Polish-Soviet affairs from the period when diplomatic relations between Poland and the USSR were re-established in 1941 to the withdrawal of recognition of the Polish government-in-exile by the Allies in 1945. The analysis demonstrates that, although the Polish Service attempted to be objective, impartial and neutral, this was achieved by selectiveness rather than by presenting both Polish and Soviet sides of the argument in territorial and political disputes. In particular, after the secret agreement between the Big Three was signed at Tehran in 1943, attempts were made by British officials to use the Polish Service as a platform to convince the Polish Underground and, by extension, the Polish population, to agree to Stalin’s demands. In general, any subjects which could be perceived by Stalin as offensive were labelled as ‘sensitive’ and expunged from the broadcasts. The evidence in this thesis therefore suggests that the overall output of the Polish service was at times subject to wider constraints determined by allied foreign policy goals and in particular the relationship between Britain and the Soviet Union in the defeat of Nazi Germany.
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Books on the topic "The BBC"

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CORPORATION, BRITISH BROADCASTING. BBC: Guide to the BBC. British Broadcasting Corporation, 1990.

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British Broadcasting Corporation. Engineering Training Department. BBC Broadcasting Centre, Newcastle: BBC Northeast. BBC Engineering Training Department, 1988.

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Scotland, BBC. BBC Scotland. BBC Scotland, 1988.

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BRITISH BROADCASTING CORPORATION. BBC handbook. British Broadcasting Corp., 1986.

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Harrison, Jeremy. BBC 1. BBC English, 1991.

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group), Led Zeppelin (Musical. BBC sessions. Atlantic, 1997.

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West, BBC North, ed. Children's BBC. BBC North-West, 1990.

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English, BBC. BBC English-Romanian dictionary: Dicționarul BBC englez-român. Editura Coresi, 1998.

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Johnston, Gordon, and Emma Robertson. BBC World Service. Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-31855-8.

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Madge, Tim. Beyond the BBC. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20163-1.

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Book chapters on the topic "The BBC"

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Garnham, Alison, and Susi Woodhouse. "The BBC." In Hans Keller (1919–1985). Routledge, 2018. http://dx.doi.org/10.4324/9781315586175-6.

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Woods, Faye. "BBC Three." In From Networks to Netflix. Routledge, 2018. http://dx.doi.org/10.4324/9781315658643-28.

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Mobberley, Martin. "The BBC." In It Came From Outer Space Wearing an RAF Blazer! Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-00609-3_6.

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Comber, Peter. "BBC News Online." In Practical Web Traffic Analysis. Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-5366-2_5.

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Lago, Mary. "The BBC Broadcasts." In E. M. Forster. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23795-1_4.

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Murphy, Kate. "BBC Woman's Hour." In The Routledge Companion to Radio and Podcast Studies. Routledge, 2022. http://dx.doi.org/10.4324/9781003002185-25.

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Griffiths, John. "‘BBC Radio Times’." In Empire and Popular Culture. Routledge, 2021. http://dx.doi.org/10.4324/9781351024785-57.

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Wang, Mingxin, Ning Wang, Boran Wang, et al. "The BBC News Hunter: A Novel Crawler for BBC News." In Communications in Computer and Information Science. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2098-8_26.

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Aujla-Sidhu, Gurvinder. "Future of the BBC Radio and the BBC Asian Network." In The BBC Asian Network. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65764-2_9.

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Potter, Jeremy. "Competition with the BBC." In Independent Television in Britain. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09907-8_19.

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Conference papers on the topic "The BBC"

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Singh, Pratik, Shivani Pandey, Abhinav Das Lodhi, Sonal Namdev, Pradeep Kumar Mishra, and Sanjay Kr Pandey. "Graph Based Automatic Text Summarization for Categorization of BBC News Articles." In 2025 2nd International Conference on Computational Intelligence, Communication Technology and Networking (CICTN). IEEE, 2025. https://doi.org/10.1109/cictn64563.2025.10932553.

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Samuell, Gemma. "BBC ident "Penguins"." In ACM SIGGRAPH 2008 computer animation festival. ACM Press, 2008. http://dx.doi.org/10.1145/1400468.1400478.

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Walsh, Darren. "BBC iPlayer "Penguins"." In ACM SIGGRAPH ASIA 2008 computer animation festival. ACM Press, 2008. http://dx.doi.org/10.1145/1504271.1504274.

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Walsh, Darren. "BBC iPLayer "Penguins"." In ACM SIGGRAPH 2009 Computer Animation Fesitval. ACM Press, 2009. http://dx.doi.org/10.1145/1596685.1596700.

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Libotte, Amanda. "BBC autumn on one." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. ACM Press, 1997. http://dx.doi.org/10.1145/259081.259331.

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MUNRO, A., and C. WALLS. "BBC GLASS STUDIO DESIGN." In Reproduced Sound 2010. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/17266.

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Kvassayova, Nika, Marek Mansell, Martin Capay, and Magdalena Bellayova. "The BBC micro:bit in Slovakia." In 2021 International Conference on Information and Digital Technologies (IDT). IEEE, 2021. http://dx.doi.org/10.1109/idt52577.2021.9497573.

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Witherow, D. "Launching DAB: a BBC perspective." In International Conference on 100 Years of Radio. IEE, 1995. http://dx.doi.org/10.1049/cp:19950811.

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MEARES, DJ. "ACOUSTIC DESIGN OF BBC STUDIOS." In Reproduced Sound 1985. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/22501.

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Climer, N., and M. Hawkesworth. "Post production and BBC news; scalability." In IEE Colloquium Post Production Workstations and Networking. IEE, 1998. http://dx.doi.org/10.1049/ic:19980948.

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Reports on the topic "The BBC"

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Seybold, Patricia. Outside Innovation at the BBC. Patricia Seybold Group, 2006. http://dx.doi.org/10.1571/i10-05-06cc.

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Antonov, Volodymyr. Natural history BBC documentaries: history and functions. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11402.

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This scientific article studies natural history documentaries produced by BBC and traces important stages of the development of the attitude towards such genre as natural history documentary. This research is about understanding why this kind of programmes is important, particularly for Ukrainians, and why we should study the genre thoroughly, including the BBC’s experience in the field. Accordingly, the main objectives of the study were: 1. To substantiate the necessity for Ukrainian scholars to study natural history documentaries and BBC’s experience in the field. 2. To trace back and describe the main stages of development in the sphere of producing natural history documentaries by British Broadcasting Corporation. 3. To analyze the obstacles which modern journalists, filmmakers are dealing with and to draw attention of Ukrainian specialists to those philosophical questions that modern era is searching for answers to. In the result of the research these main tasks which were outlined above were fulfilled. The author of this article concluded that natural history documentaries help to understand our place in the world we live in. In addition, through the shared environment we can feel unity with those who inhabit our region, country, inhabited it before, will inhabit in future. Documentaries help us understand who we are. And this function of identification is very important for contemporary Ukraine. To understand how to create proper natural history documentary it’s important to learn the global history of creating such programmes and especially that part which covers BBC’s achievements. The achievements of the corporation which gave birth to such prominent figure as David Attenborough. In addition to this, the article described some modern challenges which documentary makers face and those questions which contemporary society needs to have answered. Because you cannot create a proper natural history programme if you know past but do not know modern challenges. To sum up, the topic which is deeply connected with process of self-identification is very important and perspective for Ukrainian society which suffers hybrid war and endeavours of Russian Federation to assimilate Ukrainian people, Ukrainian culture.
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Medina, Mercedes, and Teresa Ojer. Valoración del servicio público de televisión. Comparación entre la BBC y TVE. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-823-275-299.

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Feres Junior, João, and Juliana Gagliardi. A BBC que a gente vê por aqui: a visita de Chomsky a Lula. Universidade do Estado do Rio de Janeiro, 2018. http://dx.doi.org/10.12957/manchetrometro.2018.0020.

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Altstein, Miriam, and Ronald Nachman. Rationally designed insect neuropeptide agonists and antagonists: application for the characterization of the pyrokinin/Pban mechanisms of action in insects. United States Department of Agriculture, 2006. http://dx.doi.org/10.32747/2006.7587235.bard.

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The general objective of this BARD project focused on rationally designed insect neuropeptide (NP) agonists and antagonists, their application for the characterization of the mechanisms of action of the pyrokinin/PBAN (PK-PBAN) family and the development of biostable, bioavailable versions that can provide the basis for development of novel, environmentally-friendly pest insect control agents. The specific objectives of the study, as originally proposed, were to: (i) Test stimulatory potencies of rationally designed backbone cyclic (BBC) peptides on pheromonotropic, melanotropic, myotropic and pupariation activities; (ii) Test the inhibitory potencies of the BBC compounds on the above activities evoked either by synthetic peptides (PBAN, LPK, myotropin and pheromonotropin) or by the natural endogenous mechanism; (iii) Determine the bioavailability of the most potent BBC compounds that will be found in (ii); (iv) Design, synthesize and examine novel PK/PBAN analogs with enhanced bioavailability and receptor binding; (v) Design and synthesize ‘magic bullet’ analogs and examine their ability to selectively kill cells expressing the PK/PBAN receptor. To achieve these goals the agonistic and antagonistic activities/properties of rationally designed linear and BBC neuropeptide (NP) were thoroughly studied and the information obtained was further used for the design and synthesis of improved compounds toward the design of an insecticide prototype. The study revealed important information on the structure activity relationship (SAR) of agonistic/antagonistic peptides, including definitive identification of the orientation of the Pro residue as trans for agonist activity in 4 PK/PBANbioassays (pheromonotropic, pupariation, melanotropic, & hindgut contractile) and a PK-related CAP₂b bioassay (diuretic); indications that led to the identification of a novel scaffold to develop biostbiostable, bioavailable peptidomimetic PK/PBANagonists/antagonists. The work led to the development of an arsenal of PK/PBAN antagonists with a variety of selectivity profiles; whether between different PKbioassays, or within the same bioassay between different natural elicitors. Examples include selective and non-selective BBC and novel amphiphilic PK pheromonotropic and melanotropic antagonists some of which are capable of penetrating the moth cuticle in efficacious quantities. One of the latter analog group demonstrated unprecedented versatility in its ability to antagonize a broad spectrum of pheromonotropic elicitors. A novel, transPro mimetic motif was proposed & used to develop a strong, selective PK agonist of the melanotropic bioassay in moths. The first antagonist (pure) of PK-related CAP₂b diuresis in flies was developed using a cisPro mimetic motif; an indication that while a transPro orientation is associated with receptor agonism, a cisPro orientation is linked with an antagonist interaction. A novel, biostablePK analog, incorporating β-amino acids at key peptidase-susceptible sites, exhibited in vivo pheromonotropic activity that by far exceeded that of PBAN when applied topically. Direct analysis of neural tissue by state-of-the-art MALDI-TOF/TOF mass spectrometry was used to identify specific PK/PK-related peptides native to eight arthropod pest species [house (M. domestica), stable (S. calcitrans), horn (H. irritans) & flesh (N. bullata) flies; Southern cattle fever tick (B. microplus), European tick (I. ricinus), yellow fever mosquito (A. aegypti), & Southern Green Stink Bug (N. viridula)]; including the unprecedented identification of mass-identical Leu/Ile residues and the first identification of NPs from a tick or the CNS of Hemiptera. Evidence was obtained for the selection of Neb-PK-2 as the primary pupariation factor of the flesh fly (N. bullata) among native PK/PK-related candidates. The peptidomic techniques were also used to map the location of PK/PK-related NP in the nervous system of the model fly D. melanogaster. Knowledge of specific PK sequences can aid in the future design of species specific (or non-specific) NP agonists/antagonists. In addition, the study led to the first cloning of a PK/PBAN receptor from insect larvae (S. littoralis), providing the basis for SAR analysis for the future design of 2ⁿᵈgeneration selective and/or nonselective agonists/antagonists. Development of a microplate ligand binding assay using the PK/PBAN pheromone gland receptor was also carried out. The assay will enable screening, including high throughput, of various libraries (chemical, molecular & natural product) for the discovery of receptor specific agonists/antagonists. In summary, the body of work achieves several key milestones and brings us significantly closer to the development of novel, environmentally friendly pest insect management agents based on insect PK/PBANNPs capable of disrupting critical NP-regulated functions.
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6

Pradeep Kumar, Kaavya. Climate Change Glossary. Indian Institute for Human Settlements, 2021. http://dx.doi.org/10.24943/ccgemthk02.2021.

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Climate change is a complex subject with terms and definitions that can seem overwhelming to non-specialists. What is ‘albedo’? What does ‘radiative forcing’ mean? What does ‘geoengineering’ entail? As climate change impacts grow more frequent and intense, it is critical that journalists, in particular, are equipped with the right information when they report. This set of open-access multilingual glossaries aim to bridge the gap between research and the general public by compiling this comprehensive list of most frequently-used terms related to climate change. A majority of these terms have been sourced from the different IPCC reports as well as public platforms such as the BBC and the Climate Reality Project.
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7

Willis, Craig. ECMI Minorities Blog. Could a new level of digitalisation offer minority language media outlets a strategy to attract a wider audience? European Centre for Minority Issues, 2022. http://dx.doi.org/10.53779/smpx1996.

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Minority language media (MLM) faced significant disruption resulting from the digitalisation processes which brought in increased competition and challenged traditional business models. With a new wave of technological advancements in auto-translation, however, there may be opportunities to grow audience within different speaker groups. This blogpost considers the model of Scottish Gaelic broadcaster BBC Alba, which is sustained by a two-pronged strategy of content for speakers and non-speakers, concluding that other outlets, including newspapers, could utilise auto-translation tools to grow their audience as readership habits evolve. Caution is also expressed towards the possibility of majority-language first practices creeping in out of convenience, serving as a reminder that regulation and public funding must ensure that minority language content is continuously produced, and that the current wave of digitalisation is advantageous for MLM.
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8

Porru, Sara. Portoscuso-Type Amphorae as an Indicator of a Commercial Circuit. Honor Frost Foundation, 2024. http://dx.doi.org/10.33583/mags2023.03.

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The Portoscuso-type amphorae, identified for the first time in 1990 when the necropolis of San Giorgio was discovered, testify to a Phoenician presence in southwestern Sardinia starting from the eighth century B.C. This type of amphora is similar to the T-3.1.1.1. classification made by Ramon Torres and to the B2 described by Bartoloni. A new approach based on ceramic paste analysis through macrophotography will be necessary to better identify this pottery type and outline with more precision one of the commercial circuits in the Mediterranean during the eighth century BC.
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ปิ่นสุข, อุดมศิลป์. คำนวณเอนโทรปีการสั่นและอุณหภูมิการเปลี่ยนสถานะแบบ bcc-hcp ในเซอร์โคเนียมด้วยวิธีพลศาสตร์โมเลกุล : รายงานการวิจัยฉบับสมบูรณ์. จุฬาลงกรณ์มหาวิทยาลัย, 2003. https://doi.org/10.58837/chula.res.2003.38.

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พลศาสตร์โมเลกุลได้ถูกนำมาใช้ระบุค่าเอนโทรปีการลั่น และพลังงานอิสระของกิบบส์ ซึ่งเป็นฟังก์ชันของอุณหภูมิ ในเซอร์โคเนียมโครงสร้างเนื้อเดียวแบบ bcc และ hcp การเปลี่ยนสถานะแบบ bcc ไปเป็น hcp ถูกพบว่า 1754 เคลวิน ที่ซึ่งความแตกต่างพลังงานอิสระของกิบบส์ระหว่างสถานะทั้งสองมีค่าเป็นศูนย์ ความแตกต่างของเอนโทรปีการสั่นที่เกี่ยวข้องมีค่า 0.29kB ต่ออะตอม ด้วยการลดอุณหภูมิอย่างรวดเร็วจาก 1800 เคลวิน ถึง 1200 เคลวิน ในการจำลองสถานการณ์ด้วยคอมพิวเตอร์ในครั้งหนึ่ง ๆ โดยมีโครงสร้างเนื้อเดียวแบบ bcc เป็นรูปแบบเริ่มต้น ทำให้ทราบถึงความสัมพันธ์ระหว่างพลังงานศักย์กับอุณหภูมิ ความสัมพันธ์นี้แสดงถึงการเปลี่ยนสถานะเช่นเดียวกัน อย่างไรก็ตาม อุณหภูมิการเปลี่ยนสถานะที่ระบุด้วยวิธีนี้มีค่าต่ำกว่า 1350 เคลวิน เป็นเพราะว่าโครงสร้างเนื้อเดียวแบบ bcc เปลี่ยนสถานะเป็น โครงสร้างจุลภาคแบบมาร์เทนซิติก มากกว่าที่จะเป็น โครงสร้างเนื้อเดียวแบบ hcp การที่มีโครงสร้างจุลภาคทำให้ความแตกต่างพลังงานศักย์ระหว่าง โครงสร้างเนื้อเดียวแบบ bcc กับ โครงสร้างจุลภาคแบบมาร์เทนซิติก มีค่าลดลง เมื่อพิจารณาพลังงานอิสระของกิบบส์อีกครั้งพบว่า อุณหภูมิการเปลี่ยนสถานะมีค่า 1349 เคลวิน และความแตกต่างของเอนโทรปีการสั่นมีค่า 0.22KB ต่ออะตอม
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10

Revill, James, Alisha Anand, and Giacomo Persi Paoli. Exploring Science and Technology Review Mechanisms Under the Biological Weapons Convention. The United Nations Institute for Disarmament Research, 2021. http://dx.doi.org/10.37559/sectec/2021/sandtreviews/01.

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Since the Biological Weapons Convention (BWC) opened for signature in 1972, biology and other converging disciplines have advanced considerably. These changes could have profound implications for a science-based disarmament agreement like the BWC. To address changes in biology and biotechnology, BWC States Parties have established processes to review developments in science and technology (S&T), including annual expert meetings on this topic. However, shortcomings are evident in the current approaches and many BWC States Parties have expressed support for a more systematic review of science and technology under the Convention. This study seeks to inform discussions on establishing a dedicated and systematic S&T review process under the BWC through an examination of existing S&T review-type mechanisms employed in different regimes beyond the BWC, a survey of States Parties views on a possible review mechanism and a study of past and present discourse on this issue in the BWC. Based on the analysis conducted, this study also presents options for BWC States Parties to consider ahead of the Ninth BWC Review Conference.
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