Relevant bibliographies by topics / The Birds of Auschwitz

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The Birds of Auschwitz'

Author: Grafiati
Published: 24 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'The Birds of Auschwitz.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "The Birds of Auschwitz"

1

Waldman, Berta. ""Sobrevoando Auschwitz: 'As aves da noite' "." Remate de Males 27, no. 2 (November 13, 2012): 171–82. http://dx.doi.org/10.20396/remate.v27i2.8636002.

Full text
Abstract:
The following text analyses the play The Night Birds, by Hilda Hilst, whose action, set at the concentration camp in Auschwitz, focuses on prisoners from different origins held till their death in a concrete cell, with the Priest Maximilian Kolbe. The play dates from 1968, when Brazil is under a military dictatorship; the reference to Auschwitz can thus, as I see it, be also understood as hinting at the political situation in Brazil, through the use of an allegory based on a double reference structure, that points to terrible events that plague a clearly asymmetrical world of aggressors and victims, and from which coherence, order, and logic have been subtracted. A lyric intensification that explodes in extreme situations and functions as an amplifying dynamo of despair and death runs through the whole text.
APA, Harvard, Vancouver, ISO, and other styles
2

Terpe, Sylvia. "Negative Hopes: Social Dynamics of Isolating and Passive Forms of Hope." Sociological Research Online 21, no. 1 (February 2016): 188–96. http://dx.doi.org/10.5153/sro.3799.

Full text
Abstract:
This article critically questions the popular idea of hope as a motivating emotion as well as the more specific idea of hope as engendering solidary ties. Both notions can be found in social movement research and will be introduced in the first section. The idea that hope is such an activating force that binds people together is challenged by reports of some survivors of Nazi concentration camps. In the second part I will turn to a selection from the writings of Tadeusz Borowski and Ruth Klüger, both of whom survived Auschwitz. They emphasize that it was (besides other factors) the prisoners’ hope that isolated them from each other and which prevented them from undertaking acts of resistance against their tormentors. In the third and main section a close reading of Friedrich Torberg's novel Vengeance is Mine will help to identify particular features of such numbing forms of hope. Although fictitious, this novel broadens our understanding of hope by revealing two social dynamics encouraging hopes that have isolating effects and that induce passivity. I will close with reflections on how these negative accounts of hope can be integrated into a general conception of hope. I suggest differentiating between two meanings of hope: the one refers to ideas of a better future, the other one to the ways by which such futures may be achieved. It is useful to distinguish these two meanings analytically in order to understand the empirically different forms of hope.
APA, Harvard, Vancouver, ISO, and other styles
3

Mazor, Yair, Edith Covensky, Ed Codish, Edith Covensky, and Ed Codish. "Acharey Auschwitz / After Auschwitz." World Literature Today 73, no. 3 (1999): 593. http://dx.doi.org/10.2307/40155036.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dupin, Mylène. "Auschwitz." Le Coq-héron 169, no. 2 (2002): 118. http://dx.doi.org/10.3917/cohe.169.0118.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Guccini, Francesco. "Auschwitz." Revista de Italianística 4, no. 4 (December 30, 1996): 149. http://dx.doi.org/10.11606/issn.2238-8281.v4i4p149-151.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Myant, Maureen. "Auschwitz." European Journal of English Studies 13, no. 1 (April 2009): 109–10. http://dx.doi.org/10.1080/13825570802673606.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Keiser, Thorsten. "Law after Auschwitz – Law in Auschwitz?" Rechtsgeschichte - Legal History 2005, no. 07 (2005): 189–90. http://dx.doi.org/10.12946/rg07/189-190.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Weil, Éva. "« Mes » Auschwitz." Les cahiers Irice 7, no. 1 (2011): 81. http://dx.doi.org/10.3917/lci.007.0081.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Czapliński, Przemysław. "Wirus Auschwitz." Zagłada Żydów. Studia i Materiały, no. 10 (December 1, 2014): 874–84. http://dx.doi.org/10.32927/zzsim.556.

Full text
Abstract:
Artykuł przedstawia – na kanwie recenzji książki Sławomira Buryły Tematy (nie)opisane – polemikę z ujmowaniem Zagłady jako cząstki procesu historycznego, którą można wydzielić z nowoczesności i której można przyporządkować wzniosłość. Autor przeciwstawia temu koncepcję „wirusa Auschwitz”, zgodnie z którą moralność, ekonomia i nauka po Zagładzie nie mogą już od niej się oddzielić
APA, Harvard, Vancouver, ISO, and other styles
10

Forges, Jean-François. "Visiter Auschwitz." Témoigner. Entre histoire et mémoire, no. 116 (September 1, 2013): 42–47. http://dx.doi.org/10.4000/temoigner.301.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "The Birds of Auschwitz"

1

Grunebaum-Ralph, Heidi Peta. "Tracing memory : representation and the Auschwitz experience in Charlotte Delbo's Auschwitz et après." Master's thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/18703.

Full text
Abstract:
This study aims to examine the ways in which memory is represented in Auschwitz survivor, Charlotte Delbo's literary trilogy, Auschwitz et Apres, (Auschwitz and After) (1970a;1970b;1971). Its examination of memory is premised on the understanding of survivor narrative as testimonial narrative and testimony as the telling of the memory of historical events which strain or exceed conventional frameworks of representation. As such, the aim of this study is to demonstrate the way that representations of memory of a limit-experience problematise the certainty of its own testimonial transmission. By attempting to theorise the dynamics of narrating personal memory and then by analysing key extracts in each volume of the trilogy, this examination attempts to demonstrate how the event of the Holocaust, the difficulty of being a survivor and an unwilling reception of the survivor's story are collectively implicated in the way that memory contests its own representation. By examining the discontinuities of memory, this study intends to show how, in very different ways, the silences and ruptures of memory which are produced in these readings are a remembering of a different form. Bibliography: pages 138-150.
APA, Harvard, Vancouver, ISO, and other styles
2

Griffiths, Claire. "The Lagermuseum (creative manuscript), and, Encountering Auschwitz : touring the Auschwitz-Birkenau State Museum." Thesis, University of East Anglia, 2015. https://ueaeprints.uea.ac.uk/59210/.

Full text
Abstract:
The Lagermuseum - my creative manuscript (an extract of a longer novel) - seeks to illuminate a little known aspect of the history of the Auschwitz concentration and death camp complex, namely the trade and display of prisoner artworks. However, it is also concerned with exposing the governing paradigms inherent to contemporary encounters with the Holocaust, calling attention to the curatorial processes present in all interrogations of this most contentious historical subject. Questions relating to ownership, display and representational hierarchies permeate the text, characterised by a shape-shifting curator figure and artworks which refuse to adhere to the canon he creates for them. The Lagermuseum is thus in constant dialogue with my critical thesis, examining the fictional devices which often remain unacknowledged within established modes of historical discourse, specifically museums and tours. What emerges, I hope, is an ethically-sensitive work, which interrogates two key questions: Who is in charge of history? How do the ways in which history is curated affect our interpretations of it? ‘Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum’ In the mid-1990s, as the Auschwitz-Birkenau State Museum cemented its status as one of Europe’s most popular memorial destinations, critical conversation revolved around the potential implications and ramifications of Holocaust tourism. My thesis, however, aims to address an apparent gap within this still-evolving field of research. Thus I examine not visitor motivations for going to such sites, but the types of historical encounters available to those who seek them. Taking a personal, theoretical and strongly narrative approach, I critique the guided group tours provided by the museum, evaluating them in terms of both form and content. Particular emphasis is placed on representative tropes which can be connected to ethical concerns regarding the ‘museumification’ of Auschwitz, as well as wider issues within contemporary trauma theory and dark tourism research.
APA, Harvard, Vancouver, ISO, and other styles
3

Yoon, Hye Jung. "Birds, Birds, Bluebirds." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wüstefeld, Katharina. "Erziehung nach oder über Auschwitz?" Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-124068.

Full text
Abstract:
Die vorliegende Arbeit geht der Frage nach, inwieweit in Veröffentlichungen der (grundschul)pädagogischen Diskussion um die Vermittlung der Geschichte des Holocaust und Nationalsozialismus seit Ende der 1980er Jahre auf Adornos berühmte Radioansprache "Erziehung nach Auschwitz" von 1966 zugegriffen wird und in welcher Weise bzw. zu welchem Zweck dies geschieht. Anhand von vier typischen Bezugnahmen auf Adornos Vortrag wird gezeigt, dass ein solcher Zugriff nicht immer dem Inhalt des Vortrages gerecht wird, und dieser zum einen sehr unterschiedlich und zum zweiten häufig auf fragwürdige Weise ausgelegt und für die eigene Argumentation herangezogen wird. Um den Hintergrund für die pädagogische Rezeption von Adornos Ansprache zu erhellen, liefert die Arbeit einen historischen Überblick über die Entwicklung der grundschulpädagogischen Diskussion um die Frage, ob und wenn ja wie der Holocaust Gegenstand des Unterrichts in der Grundschule sein kann, und diskutiert dabei kritisch vier verschiedene Zielstellungen, die mit einer solchen Thematisierung verbunden werden: Demokratielernen, Gedenken, Fragen der Kinder bedienen sowie geschichtsdidaktische Absichten. Die inhaltliche Analyse jener Interpretationen von Adornos "Erziehung nach Auschwitz", die innerhalb der pädagogische Diskussion um eine Vermittlung der Geschichte des Holocaust vorgenommen werden, zeigt, dass die Zielvorstellungen des historisch-politischen Lernens häufig Leitmotiv für das Verständnis von Adornos Rede sind und sich dieses Verständnis vom Gegenstand einer „Erziehung nach Auschwitz“ bei den allermeisten Autor_innen auf eine „Erziehung über Auschwitz“ beschränkt.
APA, Harvard, Vancouver, ISO, and other styles
5

Wandres, Thomas. "Die Strafbarkeit des Auschwitz-Leugnens /." Berlin : Duncker & Humblot, 2000. http://www.gbv.de/dms/spk/sbb/recht/toc/31209843X.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Carter-White, Richard. "Outside Auschwitz: History, responsibility, witnessing." Thesis, University of Essex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506085.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Duteil, Marylène. "Auschwitz du témoignage à l'écriture /." Lille : A.N.R.T, Université de Lille III, 1998. http://bibpurl.oclc.org/web/21091.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Duteil, Marylène. "Auschwitz : du témoignage à l'écriture." Paris 4, 1999. http://www.theses.fr/1998PA040160.

Full text
Abstract:
Comment témoigner d’Auschwitz ? Comment témoigner d’Auschwitz par l'écriture ? Parmi la masse des témoignages écrits par des survivants des camps, seuls quelques-uns ont acquis une valeur littéraire. Leurs auteurs ont rencontré dans l'écriture un moyen de dire leur expérience qui semblait indicible et d'amener les non-témoins à l'écoute de leur récit inouï. Dès les premières formes de témoignages, l'écriture est apparue dans sa dimension littéraire, comme le tiers permettant au déporté devenu, dans le camp, étranger à lui-même, de témoigner. Notre thèse tente de comprendre le rapport complexe que le témoignage d’Auschwitz entretient avec l'écriture. Elle cherche ainsi à étudier d'autres formes de témoignages que les premiers récits des survivants : a ainsi été analysée la théorie du romanesque lazaréen de Jean Cayrol, l'un des premiers à avoir articulé l'expérience des camps à une réflexion profonde sur la littérature. Les derniers livres de Maurice Blanchot ont également été étudiés car ils proposent une réflexion sur une forme de témoignage comme l'écoute et l'accueil de la parole d'autrui, ce « sujet déporté » qui n'est plus sujet, réflexion qui rejoint l'éthique d’Emmanuel Levinas, et certains aspects de la poétique de Paul Celan, qui écrivait que « nul ne témoigne pour le témoin ». Au regard de ces nouveaux témoignages, l'écriture d'après Auschwitz apparait comme une écriture qui recherche l'impuissance ou plutôt l'abandon de toute forme de maitrise afin de s'ouvrir à la passivité d'une écoute de ce qui échappe à la langue. L'écriture s'ouvre à l'exigence fragmentaire, à la rature, qui ne cesse de dédire ce qui est dit, au paradoxe ; le sujet de l'écrivain s'efface dans un « il » impersonnel. . . De ces revendications d'impuissance aux premiers constats des témoins face à l'inimaginable, le témoignage d’Auschwitz s'est transmis dans le corps littéraire, non pas comme un défi à l'indicible mais comme l'acceptation et la prise de conscience d'un pouvoir à céder.
APA, Harvard, Vancouver, ISO, and other styles
9

Musolino, Adrian. "The bombing of Auschwitz : an examination /." Title page, table of contents and introduction only, 2004. http://web4.library.adelaide.edu.au/theses/09AR/09arm9879.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Gaunt, Bethany Sarah Gaunt. "Poetry after Auschwitz : an Italian perspective." Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10055775/.

Full text
Abstract:
This thesis offers a critical engagement with poetry about Auschwitz in all its various permutations, addressing issues such as why poetry is a particularly valuable form of Holocaust expression, and why different social groups have historically chosen to, and continue to, write poetry about Auschwitz. Adopting an analytical approach, this work foregrounds the poetical works themselves, in order to demonstrate how poetry facilitates an engagement with the past, for both the writer and reader (or indeed, singer and listener). Beginning with the work of those who experienced the Nazi camps first-hand, chapter one discusses the poetry of two survivors, Edith Bruck (b. 1932) and Primo Levi (1919-1987), identifying three driving motivations behind survivor-writing: to memorialise, to inform and to assist in the writer’s cathartic rehabilitation after Auschwitz. The second chapter offers a comparative analysis of two poems by Salvatore Quasimodo (1901-1968) and two of Francesco Guccini's (b. 1940) canzoni d'autore, exploring how these two artists introduced Auschwitz into their respective genres, and how they interpreted and enacted what they perceived as art's post-Holocaust imperative: to rebuild mankind. Chapter three engages with Italian translations of Paul Celan's (1920-1970) famous 'Todesfuge', exploring the significance of translators in the dissemination of Holocaust writing, and their role as expert intermediate readers. The chapter champions reading multiple translations in parallel, and demonstrates the ways in which different translators foreground different elements of the original work. Finally, chapter four offers an assessment of online poetry about Auschwitz. By focusing on Italian poetry website “Scrivere” and the work of Giorgia Spurio (b. 1986), this chapter discusses the democratisation of art online, the extra-textual possibilities the internet offers, and how these contemporary poems build upon previous Holocaust poems, perpetuating the poetical discussion of the Holocaust for a new generation of readers.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "The Birds of Auschwitz"

1

Surminski, A. The bird world of Auschwitz. Burgess Hill: Stephen C.J. Nicholls, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Surminski, Arno. The bird world of Auschwitz: A novella. Burgess Hill, West Sussex: Stephen C.J. Nicholls, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Esperimento Auschwitz =: Auschwitz experiment. Torino: Einaudi, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dwork, Deborah. Auschwitz. New York: W.W. Norton & Co., 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Shuter, Jane. Auschwitz. Chicago, Ill: Heinemann Library, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Auschwitz. New York: Harry N. Abrams, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Auschwitz. Montevideo: Trilce, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Auschwitz. Buenos Aires: Alfaguara, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lawton, Clive. Auschwitz. Cambridge, Mass: Candlewick Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Steinbacher, Sybille. Auschwitz. London: Penguin Group UK, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "The Birds of Auschwitz"

1

Roth, John K. "Double Binds: Ethics after Auschwitz." In The Double Binds of Ethics after the Holocaust, 5–23. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620940_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Benedix, Beth Hawkins. "Morality after Auschwitz? Haas, Nietzsche, and the Possibilities for Revaluation." In The Double Binds of Ethics after the Holocaust, 25–41. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620940_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pauer-Studer, Herlinde, and J. David Velleman. "Auschwitz." In Konrad Morgen, 86–101. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137496959_14.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Benz, Wolfgang. "Auschwitz." In Europäische Erinnerungsorte 2, edited by Pim den Boer, Heinz Duchhardt, Georg Kreis, and Wolfgang Schmale, 465–78. München: OLDENBOURG WISSENSCHAFTSVERLAG, 2012. http://dx.doi.org/10.1524/9783486704211-050.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Dundes, Alan, and Thomas Hauschild. "Auschwitz Jokes." In Humour in Society, 56–66. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19193-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Van de Putte, Thomas. "Renegotiating Auschwitz." In Contemporary Auschwitz/Oświęcim, 90–103. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003143017-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chare, Nicholas, and Dominic Williams. "Introduction: Representing Auschwitz — At the Margins of Testimony." In Representing Auschwitz, 1–10. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297693_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Pollock, Griselda. "Art as Transport-Station of Trauma? Haunting Objects in the Works of Bracha Ettinger, Sarah Kofman and Chantal Akerman." In Representing Auschwitz, 194–221. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297693_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

White, Hayden. "Coda: Reading Witness Discourse." In Representing Auschwitz, 222–26. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297693_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Stone, Dan. "The Harmony of Barbarism: Locating the Scrolls of Auschwitz in Holocaust Historiography." In Representing Auschwitz, 11–32. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297693_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "The Birds of Auschwitz"

1

Winter, Victor, and Betty Love. "Two Birds." In SIGCSE '17: The 48th ACM Technical Symposium on Computer Science Education. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3017680.3017815.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chatzakou, Despoina, Nicolas Kourtellis, Jeremy Blackburn, Emiliano De Cristofaro, Gianluca Stringhini, and Athena Vakali. "Mean Birds." In WebSci '17: ACM Web Science Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3091478.3091487.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Frommholz, Ingo, Haiming Liu, and Massimo Melucci. "BIRDS 2021." In CHIIR '21: ACM SIGIR Conference on Human Information Interaction and Retrieval. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3406522.3446059.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nessel, Jochen. "Birds can fly…" In the eleventh annual conference. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/279943.279954.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Stephenson, Matthew, and Jochen Renz. "Deceptive angry birds." In FDG '18: Foundations of Digital Games 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3235765.3235775.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Chiang, Chen-Wei, Shu-Chuan Chiu, Anak Agung Gede Dharma, and Kiyoshi Tomimatsu. "Birds on paper." In TEI'12: Sixth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2012. http://dx.doi.org/10.1145/2148131.2148175.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Guo, Ziyu, Bo Wu, and Xipeng Shen. "One stone two birds." In the 26th ACM international conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2304576.2304583.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Slater, Donald J., Wanda P. Dann, and Steve Cooper. "Birds of a feather." In Proceeding of the 44th ACM technical symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2445196.2445465.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dewar, Robert. "Birds-of-a-feather." In the 2007 ACM international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1315580.1315603.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Dervieux-Lecocq, Thierry, David Gatenby, Mark Adams, and Justin Bisceglio. "Bats, birds, and boggans." In ACM SIGGRAPH 2013 Talks. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2504459.2504464.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "The Birds of Auschwitz"

1

Bruce, Kate. Birds of a Feather. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Cable, Ted T., Scott Seltman, and Kevin J. Cook. Birds of Cimarron National Grassland. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Forest and Range Experiment Station, 1996. http://dx.doi.org/10.2737/rm-gtr-281.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Heather Kopsco, Heather Kopsco. Do birds carry Lyme disease? Experiment, June 2013. http://dx.doi.org/10.18258/0698.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Buchanan, Joseph B. Nearshore Birds in Puget Sound. Fort Belvoir, VA: Defense Technical Information Center, May 2006. http://dx.doi.org/10.21236/ada477466.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Wunderle, Joseph M. Census Methods for Caribbean Land Birds. New Orleans, LA: U.S. Department of Agriculture, Forest Service, Southern Forest Experiment Station, 1994. http://dx.doi.org/10.2737/so-gtr-098.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wunderle, Joseph M. Census Methods for Caribbean Land Birds. New Orleans, LA: U.S. Department of Agriculture, Forest Service, Southern Forest Experiment Station, 1994. http://dx.doi.org/10.2737/so-gtr-98.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Finch, Deborah M., and Peter W. Stangel. Status and management of neotropical migratory birds. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Forest and Range Experiment Station, 1993. http://dx.doi.org/10.2737/rm-gtr-229.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Franzreb, Kathleen E., and Ricky A. Phillips. Neotropical Migratory Birds of the Southern Appalachians. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southeastern Forest Experiment Station, 1996. http://dx.doi.org/10.2737/se-gtr-096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Franzreb, Kathleen E., and Ricky A. Phillips. Neotropical Migratory Birds of the Southern Appalachians. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southeastern Forest Experiment Station, 1996. http://dx.doi.org/10.2737/se-gtr-96.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Phillips, Emily Marie, Maria A. Musgrave, and Tatiana N. Espinoza. Birds of a Feather: STEM Takes Flight. Office of Scientific and Technical Information (OSTI), March 2016. http://dx.doi.org/10.2172/1240804.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'The Birds of Auschwitz' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography