Relevant bibliographies by topics / The Cave of Forgotten Dreams

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'The Cave of Forgotten Dreams'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "The Cave of Forgotten Dreams"

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Klinger, Barbara. "Cave of Forgotten Dreams: Meditations on 3D." Film Quarterly 65, no. 3 (2012): 38–43. http://dx.doi.org/10.1525/fq.2012.65.3.38.

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Werner Herzog's Cave of Forgotten Dreams features the oldest known art in the world—Paleolithic-era paintings in France's Chauvet Cave. His documentary not only reveals the cave's wonders, but offers a subtle commentary on 3D and its relationship to cinematic space, spectacle, science, art, and older media techniques and forms.
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Evans, Georgina. "Deep time in Cave of Forgotten Dreams." Screen 61, no. 2 (2020): 306–14. http://dx.doi.org/10.1093/screen/hjaa025.

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Wright, Amy. "Cave of Forgotten Dreams, and: Seven-Second Meditation." Appalachian Heritage 47, no. 1 (2019): 34–35. http://dx.doi.org/10.1353/aph.2019.0022.

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Poskett, James. "Forgotten Dreams: Recalling the Patient in British Psychotherapy, 1945–60." Medical History 59, no. 2 (March 13, 2015): 241–54. http://dx.doi.org/10.1017/mdh.2015.4.

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AbstractThe forgotten dream proved central to the early development of Sigmund Freud’s psychoanalytic technique inThe Interpretation of Dreams(1900). However, little attention has been paid to the shifting uses of forgotten dreams within psychotherapeutic practice over the course of the twentieth century. This paper argues that post-war psychotherapists in London, both Jungian and Freudian, developed a range of subtly different approaches to dealing with their patients’ forgotten dreams. Theoretical commitments and institutional cultures shaped the work of practitioners including Donald Winnicott, Melanie Klein, Anna Freud, and Edward Griffith. By drawing on diaries and case notes, this paper also identifies the active role played by patients in negotiating the mechanics of therapy, and the appropriate response to a forgotten dream. This suggests a broader need for a detailed social history of post-Freudian psychotherapeutic technique, one that recognises the demands of both patients and practitioners.
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McCall, Grant. "Cave of Forgotten Dreams (film) Directed by Werner Herzog." Lithic Technology 37, no. 1 (March 2012): 61–62. http://dx.doi.org/10.1179/lit.2012.37.1.61.

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Cook, Roger F. "CINEMA RETURNS TO THE SOURCE Werner Herzog’s Cave of Forgotten Dreams." Film International 11, no. 1 (January 1, 2013): 26–41. http://dx.doi.org/10.1386/fiin.11.1.26_1.

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Christopher Johnson. "SCIENCE IN THREE DIMENSIONS: WERNER HERZOG'S CAVE OF FORGOTTEN DREAMS." Modern Language Review 109, no. 4 (2014): 915. http://dx.doi.org/10.5699/modelangrevi.109.4.0915.

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Lord. "Only connect: ecology between ‘late’ Latour and Werner Herzog’s Cave of Forgotten Dreams." Global Discourse 6, no. 1 (January 2, 2016): 119–32. http://dx.doi.org/10.1080/23269995.2015.1011865.

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Soares, Lilian. "Gesto Furtivo." Revista Prumo 5, no. 8 (April 23, 2020): 76–81. http://dx.doi.org/10.24168/revistaprumo.v0i8.1252.

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The article was part of the thesis Indelible Horizon, a research in which writing, and its fables are confused with the materiality of artistic practice. This article-essay seeks to initiate a reflection on the act of drawing and its gesture, having as a background the language of the works of Cy Twombly and the film “Cave of forgotten dreams” by Werner Herzg. Authors such as Badiou, Barthes, Blanchot are interlocutors in this writing.
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Steinbach, Katherine. "Werner Herzog and the Posthuman in encounters at the end of the world and cave of forgotten dreams." Studies in Documentary Film 11, no. 1 (December 12, 2016): 16–27. http://dx.doi.org/10.1080/17503280.2016.1266902.

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Dissertations / Theses on the topic "The Cave of Forgotten Dreams"

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Leão, Rita de Cássia da Silva. "Werner Herzog em busca da compreensão humana." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2549.

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Made available in DSpace on 2016-04-25T20:21:26Z (GMT). No. of bitstreams: 1 Rita de Cassia da Silva Leao.pdf: 5297903 bytes, checksum: 365d1ce161ffb73142a6ebc13ab0e302 (MD5) Previous issue date: 2015-05-18
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All movie-making has an anthropological character, as it is as open-ended as humankind itself. The works of Werner Herzog run parallel with fundamental anthropology, which seeks to understand the process of penetration of man into the world and the inseparable process of penetration of the world into man. The first movie that is analyzed, Wodaabe: Herdsman of the Sun, deals with love of beauty among beings who feel despised by neighboring peoples. The second, Grizzly Man, is about a man who wanted to be a bear, as he could not stand living among humans. The third, The Cave of Forgotten Dreams, tells us how humankind dreamed 32 thousand years ago; how it projected its double on cave walls and small statues. Paintings and statues feature at the same time a penchant for both the fantastic and the reality of shapes and forms. It is not Herzog´s movie settings or themes which are anthropological; it is his view of the world and his way of making movies, which transmutes real into imaginary, and imaginary into real
Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas. Não são os locais de filmagem e tampouco os temas de Herzog que são antropológicos, mas sim a sua visão de mundo e o modo de fazer cinema, que transmuta o real em imaginário e o imaginário em real
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2

Bolte, Jason L. "Forgotten dreams : an electro-acoustic composition for double bass, eight-channel digital audio, and interactive electronics." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1265460.

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This creative project explores the technical and musical possibilities associated with the composition of an electro-acoustic work, scored for double bass, eight-channel digital audio, and interactive electronics, that integrates the uniqueness and spontaneity of live performance with the textural, timbral, and spatial complexity that can be achieved through the use of prerecorded digital audio. The most significant compositional idea that is explored in this work is the interactions between the double bass, digital audio, and interactive electronics. These three components interact with one another on several levels. This is not limited to harmonic, melodic, or rhythmic components, but also includes such attributes as timbre, texture, dynamics, timing, improvisation, and sound projection. To create this interaction, several computer applications are used for the realization of the digital audio and score notation, and in live performance.
School of Music
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Keith, Zackary. "The Dreams of Metanoia: The Advent Foreigner: A Creative Thesis Based on a True Narrative of the Forgotten American War of Racist Imperialism." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/630.

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This creative project’s ambition is to craft an original novel called The Dreams of Metanoia: The Advent Foreigner. The Dreams of Metanoia is initially influenced by The Immortal Life of Henrietta Lacks, a true narrative by Rebecca Skloot. Henrietta and her family were subjected to Jim Crow scientific racism. Henrietta, a black woman with cervical cancer, had her cells removed and cultivated by John Hopkins doctors without any consent. The doctors discovered that Henrietta’s cells continued to divide relentlessly outside her body. They then sold them to other researchers without their knowledge. However, the gap in literature occurs within a mysterious hallucination that happened within the nonfiction narrative. Henrietta’s cousin, Hector Henry, had a hallucination that may be connected to the obscure Philippine-American War and Filipino Folklore. The Philippine-American War was a somber conflict of racism and white American imperialism from 1899-1902. It is a war shrouded from most American textbooks; it was a war that tested American soldier’s ethical morality and allegiance to a 20th century Jim Crow United States. It is a war where enemies found a common strife within their woes. Because of how unknown these narratives are in today’s racial and politically divided world, it is essential to review and learn from these tragedies that united races as humans rather than individual racial identities. This research aims to repurpose these narratives to craft an original story relevant to modern America’s racial strife. Thus, The Dreams of Metanoia: The Advent Foreigner is an original piece that seeks to find the intersectionality in the meaning of being human.
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Books on the topic "The Cave of Forgotten Dreams"

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Forgotten dreams. Bath, England: Windsor/Paragon, 2007.

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Cave of mystic dreams. Place of publication not identified]: Telemachus Press, 2014.

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LeVine, Wayne Allen. Forgiveness for forgotten dreams. Thousands Oaks, CA: Center Press, 2003.

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Sanford, John A. Dreams: God's forgotten language. San Francisco: Harper & Row, 1989.

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Warnell, Norman. Mammoth Cave: Forgotten stories of it's [sic] people. [Brownsville, Ky.]: N. Warnell, 1997.

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6

Looking into the eyes of my forgotten dreams. Wiarton, Ont: Kegedonce Press, 1998.

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Toomey, Thomas. Forgotten dreams: The life and times of Major J.G. "Ged" O'Dwyer. Limerick [Ireland]: O'Brien-Toomey Publishers, 1995.

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Enquist, Per Olov. Three Cave Mountain, or, Grandfather and the wolves. Woodstock, NY: The Overlook Press/Peter Mayer Publishers, 2007.

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Moorcock, Michael. Stormbringer: Sleeping sorceress, Revenge of therose, Stealer of souls, Kings in darkness, Caravan of forgotten dreams. London: Millennium, 1993.

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1974-, López Espinoza Aníbal, and López Espinoza Aníbal 1974-, eds. Evocaciones del olvido: Pinturas rupestres de la región del Cabo = Reminders of a forgotten past : rock art of the Cape Region. [La Paz, Mexico?]: Baja California Sur, Gobierno del Estado, Instituto Sudcaliforniano de Cultura, 2013.

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Book chapters on the topic "The Cave of Forgotten Dreams"

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Ochsner, Beate. "Cave of Forgotten Dreams (Werner Herzog, 2010) oder: Zur Ko-Existenz (audio-)visueller Praktiken." In Die ästhetisch-narrativen Dimensionen des 3D-Films, 181–94. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-09422-5_12.

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Yilmaz, Gaye, and Sue Ledwith. "Dreams Dashed but Not Forgotten." In Migration and Domestic Work, 37–63. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51649-3_3.

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Stoker, Bram. "Where Hall Caine Dreams Out His Romances (1908)." In The Forgotten Writings of Bram Stoker, 157–65. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137330840_14.

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de, Federico Bernaldo, Pedro Castaños, Fernandéz Maíllo, Manuel José, and Ana Neira. "The Solutrean unit of El Castillo cave, Spain." In Forgotten times and spaces: New perspectives in paleoanthropological, paleoetnological and archeological studies., 410–17. Brno: Masaryk university, 2015. http://dx.doi.org/10.5817/cz.muni.m210-7781-2015-30.

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Shirokov, Vladimir N. "Some comparisons of the Paleolithic cave art between the Urals and Western Europe." In Forgotten times and spaces: New perspectives in paleoanthropological, paleoetnological and archeological studies., 347–60. Brno: Masaryk university, 2015. http://dx.doi.org/10.5817/cz.muni.m210-7781-2015-26.

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"Moses in the Cave of Forgotten Dreams." In Tzedek, Tzedek Tirdof: Poetry, Prophecy, and Justice in Hebrew Scripture, 159–73. BRILL, 2018. http://dx.doi.org/10.1163/9789004355743_010.

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Whissel, Kristen. "Digital 3D, Parallax Effects, and the Construction of Film Space in Tangled 3D and Cave of Forgotten Dreams 3D." In Screen Space Reconfigured. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089649928_ch03.

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This essay analyzes how parallax effects in Cave of Forgotten Dreams 3D (2010) and Tangled 3D (2010) effectively blur the boundaries between the past and present, sight and touch, and diegetic space and the space of reception in order to give form to themes concerning the dimensionality of the moving image. I show how these films function as ideal case studies for demonstrating digital 3D’s transformation of film space by organizing seeing, knowing, and feeling along the screen’s z-axis.
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Verhoeff, Nanna. "Surface Explorations: 3D Moving Images as Cartographies of Time." In Screen Space Reconfigured. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089649928_ch07.

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In this essay, I examine how the trope of navigation in 3D moving images can work towards an intimate and haptic encounter with other times and other places. The particular navigational construction of space in time in 3D moving images can be considered a cartography of time. This is a haptic cartography of exploration of the surfaces on which this encounter takes place. Taking Werner Herzog’s Cave of Forgotten Dreams (2010) as a theoretical object, the main question addressed is how the creative exploration of new visualization technologies—from rock painting and principles of animation to 3D moving images—entails an epistemological inquiry into, and statements about, the power of images, technologies of vision, and the media cartographies they make.
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Whissel, Kristen. "Digital 3D, Parallax Effects, and the Construction of Film Space in Tangled 3D and Cave of Forgotten Dreams 3D." In Screen Space Reconfigured, 77–104. Amsterdam University Press, 2020. http://dx.doi.org/10.2307/j.ctv12pnt9c.7.

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Whissel, Kristen. "3. Digital 3D, Parallax Effects, and the Construction of Film Space in Tangled 3D and Cave of Forgotten Dreams 3D." In Screen Space Reconfigured, 77–104. Amsterdam University Press, 2020. http://dx.doi.org/10.1515/9789048529056-005.

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