Academic literature on the topic 'The chronotope of crisis'

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Journal articles on the topic "The chronotope of crisis"

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Iman, Iman Ali, and Galina N. TROFIMOVA. "THE CHRONOTOPE OF EVENTS IN ONLINE NEWS STORIES (COVERAGE OF THE SYRIAN CRISIS IN THE RUSSIAN MEDIA)." Historical and social-educational ideas 10, no. 6/1 (January 18, 2019): 109–16. http://dx.doi.org/10.17748/2075-9908-2018-10-6/1-109-116.

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The article is devoted to the study of the problem of formation of space-time coordinates of the media image of the event presented in the news reports on the online feeds of online media. The authors rely on the research of scientists from around the world devoted to the problem of changing and identifying such a thing as a chronotope in a literary text. Considering the theory of the chronotope, put forward by M.M.Bakhtin through the prism of journalistic activity, the authors reveal significant correspondences and the possibility to apply the main provisions of this theory to the study of the features of the event coverage in journalistic texts. Thus, in their opinion, the chronotope of the crisis event at its initial presentation in the online media space at the information and news alert level has specific characteristics, to which the author refers multifragmentary media reflection, representativeness, narrative and semantics. As a result, the authors come to the conclusion that the time component of the chronotope of the media image of this event is stable, but the intensity of its development is confirmed by the number of publications per unit time. The spatial component of the chronotope of this event is formed through the information resources that report the event. The maximum expansion of the space (25 sources) was on the 2nd and 8th hours, and the most stable wide boundaries of the space had from the 8th to the 12th hours (18-20 sources). According to the Bakhtin’s theory, the supertext essence of the chronotope, namely, “the impression that is fixed in the reader’s consciousness in the process of perceiving the author’s narrative strategies”, is essentially nothing more than an image of the event formed by a journalist or journalists in the process of covering the event in the media.
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Procházka, Ondřej. "Chronotopic representations as an effect of individuation: The case of the European migrant crisis." Language in Society 49, no. 5 (November 12, 2019): 717–43. http://dx.doi.org/10.1017/s0047404519000812.

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AbstractThis article discusses internet memes in their capacity to prompt affective responses on social media in the aftermath of the migrant crisis. The focus is on Facebook pages devoted to geopolitical satire meme-comics known as countryballs and their uptake with regard to the proposed migrant relocation mechanisms. Engagement with internet memes reveals a multilayered complexity behind what is often simplistically portrayed as pro- or anti-migrant sentiment. In order to account for this complexity, the paper combines Gilbert Simondon's theory of individuation with Mikhail Bakhtin's notion of the chronotope currently developed in interactional sociolinguistics along the lines of symbolic interactionism. Finally, this article shows that memes are not a mere product of participatory culture, but rather a powerful instigator of technosocial and often heteroglossic practices that co-organize social life in the new polycentric collectivities appearing on social media. (Chronotope, individuation, internet memes, countryballs, Facebook, identity)*
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Landau, Loren B. "A Chronotope of Containment Development: Europe's Migrant Crisis and Africa's Reterritorialisation." Antipode 51, no. 1 (August 10, 2018): 169–86. http://dx.doi.org/10.1111/anti.12420.

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Vukčević, Nemanja. "Geopolitical Aspect of Migration in the Post-Yugoslavian Chronotope: a Historical Sociology Approach." Bulletin of Kemerovo State University. Series: Political, Sociological and Economic sciences 2020, no. 4 (January 12, 2021): 454–67. http://dx.doi.org/10.21603/2500-3372-2020-5-4-454-467.

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Migration processes are complex phenomena. They are consequences of international political movements and power redistribution, which makes it possible to study them in their geopolitical aspect. The article contains a detailed review of historical sociology, substantiated by geopolitical examples from Ancient Rome, Byzantium, Ottoman Empire, World Wars I and II, etc., against the post-Yugoslavian chronotope. The research was based on the methods of historical sociology, as well on the principle of unity of logic and history. The author drew analogies between the abovementioned historical events and the contemporary migration crisis in post-Yugoslavian countries in order to forecast its possible outcome and prevent a social collision. The paper focuses mostly on the case of the Republic of Serbia. Migration management should take into account that history repeats itself: if certain conditions always produce the same result, it is only logical to expect this result next time the same conditions occur. In sociology, this approach remains poorly represented, even though it can produce reliable and long-term solutions in migration management, unlike short-term and superficial ad hoc measures. Previous decisions have led to the ghettoization of migrants, which threatens to escalate into a social conflict. Therefore, achievements of historical sociology can offer a new approach to this problem.
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Jereza, Rachelle, and Sabina Perrino. "“They are just a danger”." Journal of Language and Politics 19, no. 5 (May 4, 2020): 809–30. http://dx.doi.org/10.1075/jlp.19073.jer.

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Abstract In recent years, there has been much discussion about the role of social media platforms in the reproduction of exclusionary rhetoric leveled against social “others” in far-right contexts across the globe. While scholars have examined the ideologies underpinning exclusionary discourses, few have analyzed the discursive mechanisms through which such ideologies and “othered” social types become meaningful to ordinary citizens. In this article, we extend this conversation by analyzing digital discourses on Facebook and YouTube that pertain to Philippine “drug users” and racialized remarks against migrants in Italy through a chronotopic lens. We demonstrate that despite the historical, economic, and social differences, far-right ideologies are ordered through chronotopes of national crisis in both cases. Through these chronotopic worlds, despicable, “othered” social types such as “extracomunitari” in Italy and drug users in the Philippines, acquire coherence.
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Halchuk, Oksana. "“Apple Blossoms” and “The Apple Tree”: Two Perspectives Typological and Ideological Similarities in Short Stories by Mykhailo Kotsiubynsky and John Galsworthy." Respectus Philologicus, no. 38(43) (October 19, 2020): 150–62. http://dx.doi.org/10.15388/respectus.2020.38.43.64.

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The article provides comparative analysis of Apple Blossoms by Mykhailo Kotsiubynsky and The Apple Tree by John Galsworthy. Both authors explore human morality in a crisis of confrontation between sensuality and death, the beauty of life and the beauty of art. At the structural level, the works share an element of paratext, novelistic nature, polysemic images-landscapes, and methods of psychologization. Galsworthy engages the antinomy of the city – province, resorts to irony, and combines elements of impressionist writing with the traditions of realistic socio-psychological prose. In contrast, Kotsiubynsky systematically implements the impressionist fragmentary nature of the composition, symbolism of visual and auditory images, in-depth psychoanalysis, and the conventionality of the chronotope. The issues of short stories are diversified and aesthetic – as is distinct for modernist literature – implicitly in Kotsiubynsky’s work, and most explicitly through the connections with the Antiquity and English intertext in Galsworthy’s prose.
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Pilshchikov, Igor. "Gogol’s “The Nose”: Between Linguistic Indecency and Religious Blasphemy." Religions 12, no. 8 (July 24, 2021): 571. http://dx.doi.org/10.3390/rel12080571.

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Focused on Nikolai Gogol’s absurdist tale, “The Nose” (1835), this article is an investigation into the concealed representation of suppressed and marginalized libertine and anti-religious discourses in nineteenth-century Russian literature. The author identifies overlooked idiomatic phraseology, forgotten specificities of the Imperial hierarchy (the Table of Ranks), and allusions to religious customs and Christian rituals that would have been apparent to Gogol’s readers and shows how some were camouflaged to escape censorship in successive drafts of the work. The research builds on the approaches to Gogol’s language, imagery and plot developed earlier by the Russian Formalists, Tartu-Moscow semioticians, and a few other scholars, who revealed the latent obscenity of Gogol’s “rhinology” and the sacrilegious meaning of the tale’s very specific chronotope. The previous scholars’ observations are substantially supplemented by original findings. An integrated analysis of these aspects in their mutual relationship is required to understand what the telling details of the story reveal about Gogol’s religious and psychological crisis of the mid-1830s and to demonstrate how he aggregated indecent Shandyism, social satire, and religious blasphemy into a single quasi-oneiric narrative.
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Zitzelsberger, Florian. "The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis." Humanities 8, no. 2 (May 19, 2019): 99. http://dx.doi.org/10.3390/h8020099.

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This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. The film advocates a cosmopolitan model of cultural hybridity and the plurality of identities by shedding light on the faultlines of nationalist essentialism.
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Ashjan Mohamed Hindi, Ashjan Mohamed Hindi. "Self and the Other in the Poem “Qira’a fi Wajh London” by The Poet Gazi Al-Gusaibi." journal of king abdulaziz university arts and humanities 26, no. 3 (March 12, 2018): 279–317. http://dx.doi.org/10.4197/art.26-3.12.

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The theme of (Self and the other) may be considered as one of the important topics concerned in modern western and Arabic critical studies. Relationship connects (Self) to the (Other) is not a marginal issue in which can be ignored because the (Other) whether a person or environment or things may be understood as a basis of subjectivity. This study examines the relationship related (Self) to the (Other) in the poem of the Saudi poetry Gazi Al-Gusaibi titled (Qira’a fi Wajh London). It is based on argument indicates crisis leads to debate or controversy accured between the (Self) and the (Other) in this poem. In this poem, themes represent the idea of (the root, the nucleus or the cell) from which the self-consciousness of the other arises, an idea on which the French critic Jean-Paul Weber relied in his critique of subjects (theme). However, this study is based on analytical approach considers themes that focus on main and pivotal points of literary work and explain its central issue, which plays a major role throughout the work. Thus, the thematic approach is employed to illustrate the relationship connected (Self/the poet) to the (Other/the chronotope) and to interpret intertwining of this relationship with the theme of (love and woman) in this poem.
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Chatzidakis, Andreas. "Chronotopic dilemmas: Space–time in consumer movements of the Greek crisis." Environment and Planning D: Society and Space 38, no. 2 (August 28, 2019): 325–44. http://dx.doi.org/10.1177/0263775819871301.

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This paper explores the spatio-temporal dimensions of consumer activism during the Greek crisis. Existing work has provided valuable insights into the figure of the political consumer and the socio-spatial contexts in which consumer activism is enacted. The paper presents original six-year ethnographic work that extends current knowledge through exploring how the spatial and temporal dimensions of consumer activism are unsettled and reconfigured during an acute economic crisis. It builds on the concept of chronotopic dilemmas to illustrate the ideological tensions and contradictions between old and new spatio-temporal logics and practices. In doing so, the current study complements prior research focused on how distinct cultural and institutional settings mediate discourses and actions of consumer activism, by highlighting their inherently spatio-temporal (chronotopic) nature.
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Dissertations / Theses on the topic "The chronotope of crisis"

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Lindgren, Fanny. "Upp och ned, hit och dit : En romananalys av Haruki Murakamis Fågeln som vrider upp världen utifrån Michail Bachtins kronotopteori." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-66699.

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In this essay Murakami Haruki’s novel The Wind Up Bird Chronicle was analysed from the perspective of Mikhail Bakhtin’s theory of the chronotope. The aim was to explore the concept of time and space as presented in the novel. In particular, the analysis focused on how Bakhtin’s chronotopes can be applied to The Wind Up Bird Chronicle, how the chronotopes can enhance our understanding of the novel, and finally how the chronotope theory can be applied to the concept of ‘magic realism’ that is often used to describe Murakami’s authorship. Four chronotopes, presented by Bachtin, were selected and applied to the novel: every-day life, the road, crisis and the castle. The concept of the chronotope allows analysis of how time and space work together in literature and how they form patterns of correlation in the sujet. Results showed that the four chronotopes were found in the novel, and that they also interacted with each other. The chronotope of everyday-life was apparent throughout the novel, and the narrator was under its control. The narrator also seemed to create every-day life out of the chronotopes of the road and crisis by re-living the crises in the road. These three chronotopes seemed inseparable in The Wind Up Bird Chronicle. Finally, the fourth chronotope, the castle, illustrated how a concrete room in the novel, a house, became a part of time and space through a character who, by his presence, gave the impression of slowing down time. When this character disappeared, time made its way through space, making the chronotope of the castle visible. The essay concludes that the chronotope theory was a relevant way to analyse The Wind Up Chronicle as it provided a concept of how time and space appeared together in a novel where time and space is always present. The analysis helped creating a way of understanding the patterns in the novel, which were not always clear, thereby also increasing the understanding of The Wind Up Bird Chronicle.
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LIU, Jingya. "Chronotope and regional Chinese independent films." Digital Commons @ Lingnan University, 2010. https://commons.ln.edu.hk/cs_etd/2.

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This thesis aims to re-categorize Chinese independent films from a region-based perspective as a critical response to existing literature on Chinese independent films. This thesis analyzes three independent films made in three different regions of China in order to investigate regional Chinese independent cinema as a recently rising phenomenon: respectively, Jia Zhangke’s Xiaowu (1997) made in Shanxi Province, Ying Liang’s Taking Father Home (Bei yazi de nanhai, 2006) in Sichuan Province, and Robin Weng’s Fujian Blue (Jinbi huihuang, 2007) in Fujian Province. By using Bakhtin’s concept of chronotope (literally time-space) as the fundamental framework and exploring the many aspects of it, I will develop three major theoretical points to study selected regional Chinese independent films: first, chronotope enables the evaluation of texts of Chinese independent films; second, the documentary impulses prevailing Chinese independent films serve as the chronotopic linkage between the world in the film text and the world the film text represents; three, the mediation function as one aspect of chronotope is characterized by the negotiation between regional Chinese independent films and many social relations, for example, filmmakers, casting, audiences. This thesis also explores many issues related to Chinese independent films, for example: How do we value the unique film practice of Chinese independent filmmakers instead of viewing them as a unified whole? How do we relate Chinese independent films as aesthetic practices to the region-specific reality they are embedded in? How can Chinese independent cinema as a social practice play an effective role in society? The exploration of these questions does not only enlighten new research perspectives on Chinese independent films, but also provide reflections on the geographical, cultural and social diversity of Chinese regions.
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Larsen, M. D. H. "The Bakhtinian chronotope : origins, modifications and additions." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244340.

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Elmgren, Charlotta. "The Chronotope of Immigration in Jeffrey Eugenides' Middlesex." Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-61587.

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Jeffrey Eugenides‟ Middlesex can be ascribed to many genres, one of which is the novel of immigration. Mikhail Bakhtin has suggested that each genre, indeed any literary motif, can be defined by its own chronotope, literally “time space,” “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature.” The essay discusses the chronotope of immigration in Middlesex, and looks at how four specific intersections of time and space, embodied by the four houses inhabited by the Stephanides family, contribute to the unfolding of this particular immigration saga. The four houses can thus be seen to represent the key elements of this novel‟s instance of a chronotope of immigration, which brings up concepts such as assimilation, hybridity and “third space.” The essay also examines the relations of central characters to time, space and each other; the upstairs/downstairs and inside/outside dichotomies within each house providing interesting keys to inter-gender and inter-generational alienation within this chronotope of immigration.
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Montgomery, Michael Vincent. "Bakhtin's chronotope and the rhetoric of Hollywood film." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185758.

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This dissertation considers Hollywood film locales rhetorically, as the site of many different kinds of community activities and perspectives. In particular, my focus will be on locales and mise-en-scene elements that replicate certain "chronotopic" patterns of time and space organized by our culture in its literature. These special patterns, along with their signifying functions, were first outlined by Mikhail Bakhtin during the period 1937-1938. As a first step, I begin with a broad survey, outlining the salient features of Bakhtin's individual chronotopes ancient and modern, and considering fundamental connections between these chronotopes and classical Hollywood genres of the 1940s. I devote my second chapter to the exploration of other important theoretical bases of Bakhtin's work; in particular, to the belief in the rejuvenating power of folk language and the carnivalesque. My argument is that the "idyllic chronotope" is given the same position of centrality in Bakhtin's discussions of space and time as carnivalesque speech genres are in his discussions of language. The appearance of an "idyllic interlude" in a work of literature or in a film can suddenly throw the rest of the represented world into moralizing "perspective" just as a carnivalesque insult or quip can "degrade" a high-sounding speech. My third theoretical problem will be the reception and processing of the film text. How does the audience of a film apply their socially-formed schema and knowledge of the characters' "situations" to a film text in order to construct meaning? Here I demonstrate how the "high-lighting" of a film text with recognizable chronotopes can help an audience to form judgments about characters and to construct analogies between character situations and situations arising in their own communities. In my fourth and final chapter, I branch out from Bakhtin's models to consider new chronotopes as they may develop during a particular historical decade. Specifically, I examine the representation of the "shopping mall" as it appears throughout a dozen or so 1980s films in order to show how the spatiotemporal worlds suggested by these films can be "opened out" into a study of teen culture and social mores across the decade as a whole.
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Georgieva, Natalia. "The Chronotope in John Updike's Novel The Centaur." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334779401.

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Salema, Ricardo Elias. "Hitler in America: a study of chronotope in alternate history novels." Universidade Federal de Minas Gerais, 2013. http://hdl.handle.net/1843/ECAP-94LKKJ.

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Nos romances 'O homem do castelo alto', de Philip K. Dick, e 'O complô contra a América', de Philip Roth, Adolf Hitler derrota seus oponentes e inicia seu plano de dominação mundial. Nazistas e japoneses governam o mundo e alteram sua organização política e social. Estas são histórias alternativas que ilustram como as consequências políticas e econômicas desta nova organização afeta os indivíduos. A presente dissertação analisará as possibilidades hipotéticas nos romances referentes aos dilemas morais e aos sacrifícios que seriam impostos ao povo americano. A linha teórica está baseada no conceito de cronotopo de Bakhtin, e embasada na visão histórica de Rosenfeld. Será feita uma análise de como a privação da liberdade interfere nos julgamentos morais das personagens e das consequências do regime totalitário nas vidas de uma minoria perseguida.
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Newell, Marilee. "The wyvern's tale : a thought experiment in Bakhtinian dual chronotope occupation." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/2154.

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The non-fiction introduction to The Wyvern’s Tale: A Thought Experiment in Bakhtinian Dual Chronotope Occupation documents the evolution of the novel, The Wyvern’s Tale, from the ideas that inspired it to its current incarnation as a full-length novel intended for an adult audience. It comprises an explanation of the novel’s main concept, Bakhtinian dual chronotope occupation, as well as an idea-focused account of the creative-writing process. Detailed in the introduction’s theoretical premise is the relationship between Mikhail Bakhtin’s theories of chronotope and the carnivalesque and the ideal of the divided union in Chalcedonian Christology. This relationship revolves around the state of existing in two time-spaces at once. The novel, The Wyvern’s Tale, explores this dual existence imaginatively using the setting of parallel worlds – the every-day world and a fictional world called Wyvern – as well as a protagonist, who functions in the fictional world as a Christ-figure. Particular thematic emphasis is placed on differing perceptions of truth and reality, and on the transformative power of costumes. The novel’s outcome, dependent on the reader’s decision as to whether dual chronotope occupation is possible or impossible, is respectively either hopeful or tragic. It attempts to reflect the outcome of the life and death of Christ depending on whether his co-existence as God and man was real or imagined.
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Macapagal, Katrina Angela R. "The slum chronotope and imaginaries of spatial justice in Philippine urban cinema." Thesis, Queen Margaret University, 2017. https://eresearch.qmu.ac.uk/handle/20.500.12289/8975.

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This dissertation proposes that Philippine independent urban cinema reveals imaginaries of spatial justice. The works approached as Philippine urban cinema are independently produced and internationally circulated films that heavily feature or reference Philippine slums as setting, with narratives that centre on the lives of the urban poor. The theory of spatial justice as defined by leading urban theorists argues that social justice has spatio-temporal dimensions. Grounded on this foundational premise, this study approaches Philippine urban cinema in its capacity to foreground and represent the complexities of social justice as contextualised in Philippine urban conditions, with local and global trajectories. Alongside the theory of spatial justice, the dissertation draws from Mikhail Bakhtin’s theory of the “chronotope” (literally meaning time-space) to formulate a theory of the “slum chronotope” as a foundational concept for analysing the ways by which films are able to imagine issues of spatial justice, with emphasis on character configuration and narrative formation. The chapters are structured according to genres and modalities, where other chronotopes that dialogue with the slum chronotope are identified and examined. In the comingof- age chapter, the study locates “chronotopes of passage”; in the melodrama chapter, the study locates “affective chronotopes” configured by the spatial practice of walking; in the Manila noir chapter, the study locates “chronotopes of mobility”; and in the final chapter, the study locates “chronotopes of in/visibility” in the Overseas Filipino Worker genre. This study offers a novel interdisciplinary framework for analysing Philippine urban cinema, and in the process, makes a case for Philippine urban history as crucial grounds for understanding the global urbanisation of poverty.
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Lopez, Mikael. ""Where the Trails All Cross" : Chronotopes, Cyclic Time and Recycled Mythology in Pauline Melville's The Ventriloquist's Tale." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100147.

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Pauline Melville’s The Ventriloquist’s Tale is an intricately layered novel in which the myths and folktales of the Amerindians of Guyana, as they are represented in Melville’s novel, are engaged in a dialogue with their reality. This narrative/mythical dialogue results in enactments and re-enactments of the myths and folktales, not only retelling them, but also recycling them, resulting in the Amerindians interpreting their myths and folktales nonmetaphorically. Mikhail Bakhtin’s concept of settings as chronotopes, “timespaces” in which time and space are inseparable from each other and from the theme, is used to define the distinct thematic qualities of the three narrative layers in the novel. I label these three chronotopes unfixed space, the juncture, and the interior. The interior is established as the chronotope in which the enactments and reenactments of myths and folktales primarily take place, re/enactments which add yet another layer to the novel. I argue that the reason the chronotope of the interior is the nexus of these myths and folktales is largely because the Amerindians adhere to a concept of time which is cyclical rather than linear. The enactments and reenactments are then unfolded as intentionally complex and contradictory threads, which are then untangled to show how the myths and folktales are recycled in the novel. This untangling reveals how the threads interconnect, and how they can all be traced back to the narrator, the trickster deity Macunaima, suggesting he is as unbound by temporal and spatial limitations as the narrative layer of myths and folktales from which he has emerged.
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Books on the topic "The chronotope of crisis"

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Montgomery, Michael V. Carnivals and commonplaces: Bakhtin's chronotope, cultural studies, and film. New York: P. Lang, 1993.

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Nele, Bemong, Borghart Pieter, De Dobbeleer Michel, and Demoen Kristoffel, eds. Bakhtin's theory of the literary chronotope: Reflections, applications, perspectives. Gent: Ginko, Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Kolbuszewska, Zofia. The poetics of chronotope in the novels of Thomas Pynchon. Lublin: Learned Society of the Catholic University of Lublin, 2000.

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The Carver chronotope: Inside the life-world of Raymond Carver's fiction. New York: Routledge, 2004.

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O'Sullivan, Brian. From Crisis to Crisis. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96698-4.

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Bird, Carmel. Crisis. Milsons Point, N.S.W: Vintage, 1999.

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Gunn, James E. Crisis! New York, N.Y: T. Doherty Associates, 1986.

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Book chapters on the topic "The chronotope of crisis"

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Robbe, Ksenia, Kristina Gedgaudaite, Hanneke Stuit, Kylie Thomas, and Oxana Timofeeva. "In and Out of Crisis: Chronotopes of Memory." In (Un)timely Crises, 51–76. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74946-0_4.

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Nogués-Pedregal, Antonio-Miguel. "Chronotope." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_246-1.

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Nogués-Pedregal, Antonio Miguel. "Chronotope." In Encyclopedia of Tourism, 153–54. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_246.

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Murrey, Lucas. "The Dionysiac Chronotope." In Hölderlin’s Dionysiac Poetry, 9–23. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_2.

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Murrey, Lucas. "The Visualised Chronotope." In Hölderlin’s Dionysiac Poetry, 25–36. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_3.

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van Eijck, Michiel, and Wolff-Michael Roth. "Place and Chronotope." In Cultural Studies of Science Education, 133–62. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5392-1_7.

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Fraser, Suzanne, and Kylie Valentine. "The Chronotope of the Queue." In Substance and Substitution, 91–112. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582569_4.

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Murrey, Lucas. "The Dionysiac Chronotope (1799–1802)." In Hölderlin’s Dionysiac Poetry, 107–20. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_8.

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Smith, Kevin Paul. "Metafictive Intertextuality: Defining the ‘Storyteller’ Chronotope." In The Postmodern Fairytale, 87–132. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591707_4.

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Murrey, Lucas. "The Dionysiac Chronotope (Pre-1799–1799)." In Hölderlin’s Dionysiac Poetry, 91–105. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_7.

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Conference papers on the topic "The chronotope of crisis"

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"Chronotope and real estate." In 19th Annual European Real Estate Society Conference: ERES Conference 2012. ERES, 2012. http://dx.doi.org/10.15396/eres2012_337.

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"POETICS OF CHRONOTOPE IN NOVELS BY NIKOLAY LUGINOV." In NORDSCI Conference on Social Sciences. SAIMA CONSULT LTD, 2018. http://dx.doi.org/10.32008/nordsci2018/b1/v1/34.

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Babintsev, Valentin Pavlovich. "Dynamics Of Social Chronotope Of Russian-Ukrainian Borderlands During Nonequilibrium Turbulent Chaos." In RPTSS 2017 International Conference on Research Paradigms Transformation in Social Sciences. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.02.9.

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Minasyan, Alla. "CHRONOTOPE IN ENGLISH, ARMENIAN AND RUSSIAN FOLK FAIRY TALES: LINGUO-CULTURAL PERSPECTIVES." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.6/s14.011.

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Yu, Angus G. "Software Crisis, What Software Crisis?" In 2009 International Conference on Management and Service Science (MASS). IEEE, 2009. http://dx.doi.org/10.1109/icmss.2009.5302061.

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Urazayevа, Kuralay B. "Chronotope In The Cycle Of J. Brodsky "A Part Of Speech" And Metaphysical Poetry." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.109.

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Fabian, Karol. "RANSOMWARE CRISIS MANAGEMENT AND CRISIS SCENARIO SIMULATION." In 17th International Multidisciplinary Scientific GeoConference SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgem2017/21/s07.068.

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Rich, Eliot, Jose M. Sarriegi, Ana Lauge, Josune Hernantes, Leire Labaka, and Jose J. Gonzalez. "Improving the Crisis to Crisis Learning Process." In 2013 46th Hawaii International Conference on System Sciences (HICSS). IEEE, 2013. http://dx.doi.org/10.1109/hicss.2013.264.

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Tomastik, Marek. "CAPACITY CRISIS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.5/s05.016.

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Rumsamrong, Maneerat, and Andrew Chiou. "CRISIS-Expert." In the 2018 International Conference. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3293475.3293478.

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Reports on the topic "The chronotope of crisis"

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Storck, Brian W. The Coming Crisis in Crisis Planning. Fort Belvoir, VA: Defense Technical Information Center, May 2000. http://dx.doi.org/10.21236/ada381620.

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Reid, D. Crisis communications. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1994. http://dx.doi.org/10.4095/193905.

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Babina, Tania, Asaf Bernstein, and Filippo Mezzanotti. Crisis Innovation. Cambridge, MA: National Bureau of Economic Research, September 2020. http://dx.doi.org/10.3386/w27851.

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Schulz, Donald E. Mexico in Crisis. Fort Belvoir, VA: Defense Technical Information Center, May 1995. http://dx.doi.org/10.21236/ada298298.

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Joskow, Paul. California's Electricity Crisis. Cambridge, MA: National Bureau of Economic Research, August 2001. http://dx.doi.org/10.3386/w8442.

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Morales, Juan Antonio, and Jeffrey Sachs. Bolivia's Economic Crisis. Cambridge, MA: National Bureau of Economic Research, June 1988. http://dx.doi.org/10.3386/w2620.

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Rickert, Timothy R. The Contractor Crisis. Fort Belvoir, VA: Defense Technical Information Center, March 2011. http://dx.doi.org/10.21236/ada543826.

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Chousakos, Kyriakos, and Gary Gorton. Bank Health Post-Crisis. Cambridge, MA: National Bureau of Economic Research, February 2017. http://dx.doi.org/10.3386/w23167.

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Chang, Roberto, and Andres Velasco. The Asian Liquidity Crisis. Cambridge, MA: National Bureau of Economic Research, November 1998. http://dx.doi.org/10.3386/w6796.

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Alles, Larissa. Yemen: Catastrophic cholera crisis. Oxfam, August 2017. http://dx.doi.org/10.21201/2017.0360.

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