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Journal articles on the topic 'The chronotope of crisis'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Iman, Iman Ali, and Galina N. TROFIMOVA. "THE CHRONOTOPE OF EVENTS IN ONLINE NEWS STORIES (COVERAGE OF THE SYRIAN CRISIS IN THE RUSSIAN MEDIA)." Historical and social-educational ideas 10, no. 6/1 (January 18, 2019): 109–16. http://dx.doi.org/10.17748/2075-9908-2018-10-6/1-109-116.

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The article is devoted to the study of the problem of formation of space-time coordinates of the media image of the event presented in the news reports on the online feeds of online media. The authors rely on the research of scientists from around the world devoted to the problem of changing and identifying such a thing as a chronotope in a literary text. Considering the theory of the chronotope, put forward by M.M.Bakhtin through the prism of journalistic activity, the authors reveal significant correspondences and the possibility to apply the main provisions of this theory to the study of the features of the event coverage in journalistic texts. Thus, in their opinion, the chronotope of the crisis event at its initial presentation in the online media space at the information and news alert level has specific characteristics, to which the author refers multifragmentary media reflection, representativeness, narrative and semantics. As a result, the authors come to the conclusion that the time component of the chronotope of the media image of this event is stable, but the intensity of its development is confirmed by the number of publications per unit time. The spatial component of the chronotope of this event is formed through the information resources that report the event. The maximum expansion of the space (25 sources) was on the 2nd and 8th hours, and the most stable wide boundaries of the space had from the 8th to the 12th hours (18-20 sources). According to the Bakhtin’s theory, the supertext essence of the chronotope, namely, “the impression that is fixed in the reader’s consciousness in the process of perceiving the author’s narrative strategies”, is essentially nothing more than an image of the event formed by a journalist or journalists in the process of covering the event in the media.

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Procházka, Ondřej. "Chronotopic representations as an effect of individuation: The case of the European migrant crisis." Language in Society 49, no. 5 (November 12, 2019): 717–43. http://dx.doi.org/10.1017/s0047404519000812.

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AbstractThis article discusses internet memes in their capacity to prompt affective responses on social media in the aftermath of the migrant crisis. The focus is on Facebook pages devoted to geopolitical satire meme-comics known as countryballs and their uptake with regard to the proposed migrant relocation mechanisms. Engagement with internet memes reveals a multilayered complexity behind what is often simplistically portrayed as pro- or anti-migrant sentiment. In order to account for this complexity, the paper combines Gilbert Simondon's theory of individuation with Mikhail Bakhtin's notion of the chronotope currently developed in interactional sociolinguistics along the lines of symbolic interactionism. Finally, this article shows that memes are not a mere product of participatory culture, but rather a powerful instigator of technosocial and often heteroglossic practices that co-organize social life in the new polycentric collectivities appearing on social media. (Chronotope, individuation, internet memes, countryballs, Facebook, identity)*

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Landau, Loren B. "A Chronotope of Containment Development: Europe's Migrant Crisis and Africa's Reterritorialisation." Antipode 51, no. 1 (August 10, 2018): 169–86. http://dx.doi.org/10.1111/anti.12420.

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Vukčević, Nemanja. "Geopolitical Aspect of Migration in the Post-Yugoslavian Chronotope: a Historical Sociology Approach." Bulletin of Kemerovo State University. Series: Political, Sociological and Economic sciences 2020, no. 4 (January 12, 2021): 454–67. http://dx.doi.org/10.21603/2500-3372-2020-5-4-454-467.

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Migration processes are complex phenomena. They are consequences of international political movements and power redistribution, which makes it possible to study them in their geopolitical aspect. The article contains a detailed review of historical sociology, substantiated by geopolitical examples from Ancient Rome, Byzantium, Ottoman Empire, World Wars I and II, etc., against the post-Yugoslavian chronotope. The research was based on the methods of historical sociology, as well on the principle of unity of logic and history. The author drew analogies between the abovementioned historical events and the contemporary migration crisis in post-Yugoslavian countries in order to forecast its possible outcome and prevent a social collision. The paper focuses mostly on the case of the Republic of Serbia. Migration management should take into account that history repeats itself: if certain conditions always produce the same result, it is only logical to expect this result next time the same conditions occur. In sociology, this approach remains poorly represented, even though it can produce reliable and long-term solutions in migration management, unlike short-term and superficial ad hoc measures. Previous decisions have led to the ghettoization of migrants, which threatens to escalate into a social conflict. Therefore, achievements of historical sociology can offer a new approach to this problem.

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Jereza, Rachelle, and Sabina Perrino. "“They are just a danger”." Journal of Language and Politics 19, no. 5 (May 4, 2020): 809–30. http://dx.doi.org/10.1075/jlp.19073.jer.

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Abstract In recent years, there has been much discussion about the role of social media platforms in the reproduction of exclusionary rhetoric leveled against social “others” in far-right contexts across the globe. While scholars have examined the ideologies underpinning exclusionary discourses, few have analyzed the discursive mechanisms through which such ideologies and “othered” social types become meaningful to ordinary citizens. In this article, we extend this conversation by analyzing digital discourses on Facebook and YouTube that pertain to Philippine “drug users” and racialized remarks against migrants in Italy through a chronotopic lens. We demonstrate that despite the historical, economic, and social differences, far-right ideologies are ordered through chronotopes of national crisis in both cases. Through these chronotopic worlds, despicable, “othered” social types such as “extracomunitari” in Italy and drug users in the Philippines, acquire coherence.

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Halchuk, Oksana. "“Apple Blossoms” and “The Apple Tree”: Two Perspectives Typological and Ideological Similarities in Short Stories by Mykhailo Kotsiubynsky and John Galsworthy." Respectus Philologicus, no. 38(43) (October 19, 2020): 150–62. http://dx.doi.org/10.15388/respectus.2020.38.43.64.

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The article provides comparative analysis of Apple Blossoms by Mykhailo Kotsiubynsky and The Apple Tree by John Galsworthy. Both authors explore human morality in a crisis of confrontation between sensuality and death, the beauty of life and the beauty of art. At the structural level, the works share an element of paratext, novelistic nature, polysemic images-landscapes, and methods of psychologization. Galsworthy engages the antinomy of the city – province, resorts to irony, and combines elements of impressionist writing with the traditions of realistic socio-psychological prose. In contrast, Kotsiubynsky systematically implements the impressionist fragmentary nature of the composition, symbolism of visual and auditory images, in-depth psychoanalysis, and the conventionality of the chronotope. The issues of short stories are diversified and aesthetic – as is distinct for modernist literature – implicitly in Kotsiubynsky’s work, and most explicitly through the connections with the Antiquity and English intertext in Galsworthy’s prose.

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Pilshchikov, Igor. "Gogol’s “The Nose”: Between Linguistic Indecency and Religious Blasphemy." Religions 12, no. 8 (July 24, 2021): 571. http://dx.doi.org/10.3390/rel12080571.

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Focused on Nikolai Gogol’s absurdist tale, “The Nose” (1835), this article is an investigation into the concealed representation of suppressed and marginalized libertine and anti-religious discourses in nineteenth-century Russian literature. The author identifies overlooked idiomatic phraseology, forgotten specificities of the Imperial hierarchy (the Table of Ranks), and allusions to religious customs and Christian rituals that would have been apparent to Gogol’s readers and shows how some were camouflaged to escape censorship in successive drafts of the work. The research builds on the approaches to Gogol’s language, imagery and plot developed earlier by the Russian Formalists, Tartu-Moscow semioticians, and a few other scholars, who revealed the latent obscenity of Gogol’s “rhinology” and the sacrilegious meaning of the tale’s very specific chronotope. The previous scholars’ observations are substantially supplemented by original findings. An integrated analysis of these aspects in their mutual relationship is required to understand what the telling details of the story reveal about Gogol’s religious and psychological crisis of the mid-1830s and to demonstrate how he aggregated indecent Shandyism, social satire, and religious blasphemy into a single quasi-oneiric narrative.

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Zitzelsberger, Florian. "The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis." Humanities 8, no. 2 (May 19, 2019): 99. http://dx.doi.org/10.3390/h8020099.

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This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. The film advocates a cosmopolitan model of cultural hybridity and the plurality of identities by shedding light on the faultlines of nationalist essentialism.

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Ashjan Mohamed Hindi, Ashjan Mohamed Hindi. "Self and the Other in the Poem “Qira’a fi Wajh London” by The Poet Gazi Al-Gusaibi." journal of king abdulaziz university arts and humanities 26, no. 3 (March 12, 2018): 279–317. http://dx.doi.org/10.4197/art.26-3.12.

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The theme of (Self and the other) may be considered as one of the important topics concerned in modern western and Arabic critical studies. Relationship connects (Self) to the (Other) is not a marginal issue in which can be ignored because the (Other) whether a person or environment or things may be understood as a basis of subjectivity. This study examines the relationship related (Self) to the (Other) in the poem of the Saudi poetry Gazi Al-Gusaibi titled (Qira’a fi Wajh London). It is based on argument indicates crisis leads to debate or controversy accured between the (Self) and the (Other) in this poem. In this poem, themes represent the idea of (the root, the nucleus or the cell) from which the self-consciousness of the other arises, an idea on which the French critic Jean-Paul Weber relied in his critique of subjects (theme). However, this study is based on analytical approach considers themes that focus on main and pivotal points of literary work and explain its central issue, which plays a major role throughout the work. Thus, the thematic approach is employed to illustrate the relationship connected (Self/the poet) to the (Other/the chronotope) and to interpret intertwining of this relationship with the theme of (love and woman) in this poem.

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Chatzidakis, Andreas. "Chronotopic dilemmas: Space–time in consumer movements of the Greek crisis." Environment and Planning D: Society and Space 38, no. 2 (August 28, 2019): 325–44. http://dx.doi.org/10.1177/0263775819871301.

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This paper explores the spatio-temporal dimensions of consumer activism during the Greek crisis. Existing work has provided valuable insights into the figure of the political consumer and the socio-spatial contexts in which consumer activism is enacted. The paper presents original six-year ethnographic work that extends current knowledge through exploring how the spatial and temporal dimensions of consumer activism are unsettled and reconfigured during an acute economic crisis. It builds on the concept of chronotopic dilemmas to illustrate the ideological tensions and contradictions between old and new spatio-temporal logics and practices. In doing so, the current study complements prior research focused on how distinct cultural and institutional settings mediate discourses and actions of consumer activism, by highlighting their inherently spatio-temporal (chronotopic) nature.

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Sirotkin, Oleg, Raisa Chumicheva, Irina Kulikovskaya, and Liudmila Kudinova. "Social reproduction of generations in the face of digital challenges." E3S Web of Conferences 273 (2021): 10022. http://dx.doi.org/10.1051/e3sconf/202127310022.

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The article describes the global processes that are transforming the world (migration and integration processes, inclusive education, digitalization of education, socio-psychological gap between generations, etc.). Global tendencies have changed the social space of people's life - “cultural gaps”, “social bottom”, “spiritual crisis of parent-child relations and intergenerational ties”, etc. have appeared, as modern challenges of society, affecting the social reproduction of generations. The problem of social reproduction, the significance of which is associated with the need for the development of sociality, the construction of the social world in the event chronotope, has been actualized; preservation of the social and historical memory of the people, the self-identity of the national community, the “core” of the spiritual image of the nation, etc. A powerful challenge in modern society is digitalization, which has changed the forms of communication and social roles, created a new virtual space for self-presentation, self-expression, while the risk is the loss of cultural identity, blurring the lines between generations, etc. The article presents the mechanisms of integration of traditional and digital technologies of social reproduction of generations, the difference of which lies in the actualization of children's interest in the historical and cultural values of the people, in the organization of joint activities to create virtual historical museums, etc. Social reproduction of generations is a complex and long-term process, the success of which depends on the unity of activities in the professional, parenting and children's community.

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Ostrowska, Dorota. "“The migrant gaze” and “the migrant festive chronotope”- programming the refugee crisis at the European human rights and documentary film festivals. The case of the One World International Human Rights Documentary Film Festival (2016)." Studies in European Cinema 16, no. 3 (August 8, 2019): 266–81. http://dx.doi.org/10.1080/17411548.2019.1631532.

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13

Brandão, Luis Alberto. "Chronotope." Theory, Culture & Society 23, no. 2-3 (May 2006): 133–34. http://dx.doi.org/10.1177/0263276406023002113.

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Tygstrup, Frederik. "The Debt Chronotope." differences 31, no. 3 (December 1, 2020): 29–47. http://dx.doi.org/10.1215/10407391-8744469.

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When literature engages in portraying the contemporary rule of finance and its impact on our lives, it also entails a transformation of the forms through which literature represents our lives. Over the last decades, as debt has become an ever more important motive in contemporary literature, we have thus also seen the contours of a new debt chronotope: a particular organization of narrative time and space that can gauge and expound on the working of debt-driven financial capitalism. This essay’s argument hinges partly on an analysis of the spatiotemporal logic of contemporary financial capitalism and partly on the historical transformation of representations of debt from nineteenth-century realism to European literature of the present.

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Sokolova, Galina Aleksandrovna. "The semantic connection of time and space in literary text." Interactive science, no. 8 (42) (August 19, 2019): 28–30. http://dx.doi.org/10.21661/r-497998.

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The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.

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Bottos Jr, Norival, and Pedro Carlos Louzada Fonseca. "Symptoms and Anachronisms in the Contemporary Scenery of Portuguese Lyric Poetry." Guará 7, no. 2 (November 30, 2017): 15. http://dx.doi.org/10.18224/gua.v7i2.6187.

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We'll observe and analyze some aspects of Brazilian and Portuguese contemporary lyric. Such review will be mainly based upon reflections of thinkers as Giorgio Agamben, Octavio Paz and Hans Ulrich Gumbrecht regarding the possible distinction between modernism, postmodernism and latency of complex temporality; as well as the insertion of such discussion in the perspective of the aesthetic paradigm crisis, insflated by the kairological temporality. We'll see the dynamic between possible temporalities, articulation contexts and enunciation implicated by chronotopes in constant progression. We'll also evaluate poems of Ana Luisa Amaral e José Tolentino, among the Portuguese poets, and Paulo Henrique Brito e Nuno Ramos among the Brazilian ones. Alongside pursuing distinctive features, and potential similarities of such literary endeavors with the temporalities in which they're inserted. Such observations and reflections aim specially the discussion about a picture of positive transformations in the contemporary Portuguese-Brazilian lyric. <b>Sintomas e Anacronismos no Cenário Contemporâneo da Poesia Lírica Portuguesa</b>Observaremos e analisaremos aqui alguns aspectos da lírica contemporânea portuguesa. Tal estudo será predominantemente baseado pelas reflexões teóricas de pensadores como Giorgio Agamben, Octávio Paz e Hans Ulrich Gumbrecht a respeito da possível diferenciação entre modernismo, pós-modernismo e latências de temporalidade complexa; bem como a inserção de tal discussão na perspectiva da crise de paradigmas estéticos, insuflada pela temporalidade kairológica. Acompanharemos, assim, a dinâmica entre temporalidades possíveis e os contextos de enunciação e de enunciados implicados por cronótopos em constante evolução. Analisaremos, ao lado das teorizações citadas, poemas de autores como Ana Luisa Amaral, Nuno Ramos e José Tolentino. Buscaremos tanto traços distintivos quanto possíveis semelhanças de tais agenciamentos literários com as temporalidades nas quais eles estão inseridos/incertos. Tais observações e reflexões visam, sobretudo, a discussão a respeito de um quadro de crises/transformações positivas da lírica contemporânea portuguesa.

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Ingemark, Camilla Asplund. "The Chronotope of Enchantment." Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology 43, no. 1 (January 2006): 1–30. http://dx.doi.org/10.2979/jfr.2006.43.1.1.

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Politov, Andrei V. "Artwork as the chronotope." Observatory of Culture, no. 5 (October 28, 2014): 44–51. http://dx.doi.org/10.25281/2072-3156-2014-0-5-44-51.

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Examines the ontological interpretation of artwork as the chronotope (of semantic world). The address to the work of art as the chronotope helps to reveal its historicity (as its proper history and belonging to a particular culturalhistorical epoch), meanings and values, the integral image, its links to other artworks and the cultural space on the whole.

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Tlostanova, Madina. "THE IMPERIAL-COLONIAL CHRONOTOPE." Cultural Studies 21, no. 2-3 (March 2007): 406–27. http://dx.doi.org/10.1080/09502380601162613.

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이재승. "Transitional Justice and Chronotope." Democratic Legal Studies ll, no. 64 (July 2017): 105–48. http://dx.doi.org/10.15756/dls.2017..64.105.

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Щітова, С. А., and Г. О. Юфимчук-Заворотна. "Chronotope features in monoopera." Музикознавча думка Дніпропетровщини, no. 16 (December 18, 2019): 53–64. http://dx.doi.org/10.33287/221922.

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In the process of a creative act from the sphere of extra-linguistic(semantic areas) to the sphere of intra-linguistic (literary text), thephenomenon of time turns into the category of a chronotope. The purposeof this scientific article is to highlight the characteristics of themanifestation of the category of chronotope in monoopera. The round ofmethods are including a set of musicology, psychological, art history,linguistic approaches, supplemented by individual provisions of aninterdisciplinary synergetic discourse. Primarily, the comparative,structurally analytical, axiological, generalizing methods are receiving thepractice employment into the represented scientifically investigative 56disquisition. The relationship of analysis and observation methods gets themost significance into this scientific exploration. The scientific noveltyand practical value of this article consists in the fact that the results of thestudy can be used in compiling the curriculum programs „Analysis ofmusical works”, „History of world musical culture”, „Musicalinterpretation”, „Opera class”, „History of vocal performance”, „Methodsof vocal performance” for bachelors and masters of higher musicaleducational institutions of Ukraine, as well as in creative practice.Conclusions. The main results of the study include the conclusion that inthe mono-opera the paradigm of subjective (psychological) time is ofparticular importance. In the framework of the chronotope, in contrast tothe real chronological sequence, the events in the story do not develop in astraight line, but unfold in leaps and bounds. Thus, the transformation ofthe real phenomenon of time into the textual category of the chronotope iscarried out.

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Malkina, Viktoria Ya. "VISUAL ASPECTS OF THE CHRONOTOPE: "THE ISLAND OF ISRAEL" AND "THE ROAD TO ISRAEL" BY A. GORODNITSKY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 82–91. http://dx.doi.org/10.28995/2686-7249-2020-9-82-91.

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The paper analyzes two works by A. Gorodnitsky – the poem “The Island of Israel” (1993) and the song “The Road to Israel” (2007), from the point of view of spatial and temporal organization, as well as visual imagery, with the help of which the artistic world of works is depicted. Thus, the main purpose of the article is to analyze the visual features of the Israel chronotope in the two designated works. For this, firstly, the space, time and visual imagery in the poem and in the song are analyzed in detail. Then observations and conclusions are systematized and compared with the audiovisual representation of these works in the film by A. Gorodnitsky and N. Kasperovich “Atlantes hold the sky” (episode 14). As a result, conclusions are drawn about the peculiarities of the visual organization of the chronotope of Israel in these poems by A. Gorodnitsky, based on the concept of the chronotope of M.M. Bakhtin. The visual chronotope is primarily made of space through which time is also visible, and therefore the chronotope as a whole. Other features of the chronotope are associated with the cyclical organization of time, the combination of the past and the future, as well as the real and imaginary world of the lyric subject.

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Politov, Andrey V. "On the Soviet technological chronotope of the 1970s–1980s." Вестник Пермского университета. Философия. Психология. Социология, no. 1 (2020): 65–75. http://dx.doi.org/10.17072/2078-7898/2020-1-65-75.

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The article studies the essence of the Soviet technological chronotope (the research object) resulted from a combination of material and semantic achievements of the scientific, technical and sociopolitical development of Soviet society in the 1970s–1980s. The methodological basis of the study is A.A. Ukhtomsky and M.M. Bakhtin’s theory of chronotope, postulating the ontological and functional interconnectedness of time and space. This theory allows revealing a studied object as a structure with two attributes being its forming elements — spatial and temporal. The former depicts belonging to a specific geographical material locus and semantic cultural and civilizational space; the latter describes a certain length and the period of objective time included in the semantic wholeness of interconnected cultural and historical eras. The study reveals the complex nature of its subject, because the fundamental essence of the technological chronotope is formed by the ontological essence of technology. It historically developed as a result of evolution of the European type of thinking, primarily in the classical epistemology of the New Age. The study shows the general essence of the technological chronotope, i.e its formation in the process of objectification of the rational and logical principle that underlies temporary acts of the human mind. The technological chronotope acts as temporal logic of internal chronology of human thinking, this logic being embodied in the space of material objective reality. Further, the study reveals the significance of the unique and original semantic content of the Soviet technological chronotope, surrounding its essential quality and forming a recognizable cultural and historical image. This chronotope is funded by the contradictory evolution of the Soviet social system, whose ideological component significantly evolved. It transformed from demonstrative praising of daily striking labor for the benefit of the global goal of the communist expansion to the era of stagnation, when alienation and depersonalization of everyday being of man served as one of the key reasons for the collapse of the Soviet technological chronotope

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Botner, Valentyna. "CHRONOTOPE SPECIFICITY IN A.LUPYNOS’S PROSE." Collection of scientific works "Visnyk of Zaporizhzhya National University. Philological Sciences", no. 2 (2019): 5–9. http://dx.doi.org/10.26661/2414-9594-2019-2-01.

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Kleppe, Sandra Lee. "The Chronotope and the South." Nordlit 4, no. 2 (October 1, 2000): 33. http://dx.doi.org/10.7557/13.2104.

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Kim, Cheol-soo. "Reading “Araby” through Bakhtin’s Chronotope." James Joyce Journal 23, no. 1 (June 30, 2017): 31–52. http://dx.doi.org/10.46258/jjj.2017.23-1.31.

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Politov, Andrei Viktorovich. "Chronotope of the Captured Entity." Observatory of Culture 1, no. 1 (January 1, 2016): 8–13. http://dx.doi.org/10.25281/2072-3156-2016-1-1-8-13.

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Kang Eun Lee. "Lev Tolstoy and ‘Life-Chronotope'." Russian Language and Literature ll, no. 36 (February 2011): 85–108. http://dx.doi.org/10.24066/russia.2011..36.004.

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Miehyeon Kim. "Chronotope and Feeling: Gangnam Blues." Cross-Cultural Studies 53, no. ll (December 2018): 193–218. http://dx.doi.org/10.21049/ccs.2018.53..193.

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White, Hayden. "“The nineteenth‐century” as chronotope." Nineteenth-Century Contexts 11, no. 2 (September 1987): 119–29. http://dx.doi.org/10.1080/08905498708583262.

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Tyumbeeva, Gilyana Erdmtaevna. "On the chronotope of the ethno-music worldview of the Kalmyks." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 69–81. http://dx.doi.org/10.7256/2453-613x.2021.3.35588.

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The research subject is the national parameters of the chronotope of the Kalmyk ethno-music worldview. In the mindset of the Mongolian language peoples, time and space are inseparable, interconnected, and interpenetrating. The chronotope composes a unique system of axes which is later complemented with other components of the national worldview. This explains the topicality of the research subject. The purpose of the research is to detect the music peculiarities of the national chronotope. The research is based on the previously studied manifestations of the national chronotope as a whole (the philological and linguistic aspect of the Kalmyk chronotope is studied by Ts. Ayushova, E. Golubeva, E. Omakayeva, V. Salykova, and others); the author systematizes them and establishes the most significant features. In the understanding and feeling of a nomad, a steppe-dweller, a Kalmyk, space is an unlimited, vast and extended category, which is measured not only horizontally, but also vertically. In the study of the music space patterns, the most significant are the properties of sound, its spatial and acoustic characteristics. The dominant idea in the interpretation of time within a Kalmyk worldview is repeatability, which manifests itself in a twelve-digit period of the national calendar and other things. The temporal properties of the national chronotope are concentrated in a binary opposition of two genres of singing: Ut dun (long song) and Akhr dun (short song). The music culture of the Kalmyks is one of the ways of semiotization of the space and time of the steppe world.   

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32

Beletskaya, Alla Yur'evna, and Sergei Vladimirovich Mangushev. "Language means of representation of the chronotope of Chaos in a series of novels “The Chronicles of Amber” by Roger Zelazny." Litera, no. 2 (February 2020): 1–11. http://dx.doi.org/10.25136/2409-8698.2020.2.32454.

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This article examines the problem of representation of chronotope using language means. The object of this research is a series of novels “The Chronicles of Amber” by Roger Zelazny in English language. The subject of this research is the lexical units and stylistic techniques used by R. Zelazny for visualization of representation of the chronotope of Chaos. The article substantiates attribution of this series of novels to postmodernist based on the analysis of characteristic features of the text and realization of the ideological concept. The goal of study lies determination of the universal principles of representation of spatial-temporal continuum of the Chaos, as well as establishment of dependence of the choice evaluative connotation of language means on personality of the narrator. The work is conducted at the intersection of linguistics and literary studies. The novelty consists in recognition of the leading role of chronotopic subject in determining tonality of representation of the chronotope. The main conclusion is defined by the fact that the key principle of representation of spatial and temporal components of the chronotope of Chaos in R. Zelazny’s series of novels is the destruction of realistic perception of space and time. It was also established that change of voice of the narrator leads to the shift of evaluative paradigm. An extremely negative attitude of the first narrator to the Courts of Chaos as a representative of the chronotope of Chaos, expressed through the negatively connoted epithets, is justified by its affiliation to Amber as a representative of the Order. Dual position of the second narrator leads to the change in tonality of description of physical personification of the chronotope of Chaos. Counterbalance of negatively and positively connoted lexical units creates the effect of objectivity, essential for realization of ideological content of the novel.

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Ryadovykh, Natal'ya Aleksandrovna. "The category of chronotope in Akathist genre." Филология: научные исследования, no. 10 (October 2020): 54–64. http://dx.doi.org/10.7256/2454-0749.2020.10.34061.

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The object of this research is the category of chronotope – a significant complex text category that reflects the semantic coordinates of the text and extra-textual reality. The category of chronotope intertwines the isomorphic components of textual time and textual space. The Akathist genre belongs to an insufficiently studied functional religious style. Examination of the category of chronotope in the context of Akathist genre is relevant trend in the modern functional stylistics. The research material contains the texts of Orthodox Akathists dedicated to the canonized saints. The objectivity of scientific research is justified by the choice of texts from various time periods. The author applies the method of categorical-textual analysis, which reveals the linguo-stylistic technique of formation of the components of general communicative-pragmatic meaning of the text. The novelty is defined by the fact that the use of categorical-textual method in the analysis of the Akathist type of text, interpreted as a generalized textual structure with typical genre-forming components, allows determining with a high degree of objectivity the genre specificity of Akathist and religious functional style. As a result of the conducted research, the author highlights the categorical-textual typology of chronotope, which characterizes the systematic uniformity of Akathist texts. The article describes the methods of explication of the sacred, objective (objectively-sacred and objectively-profane), and subjective (subjectively-sacred and subjectively-profane) types of time and space. Temporal indicators and locative units of the determined types of chronotope reconstruct the dichotomy of the divine and the earthly in the Akathist, which is inherent to the Christian worldview and constructively substantiates the uniqueness of the religious functional style. The conducted analysis reveals the communicative-pragmatic focus of the complex textual category of chronotope. The research materials can be used as an illustrative textbook in the practical course of the stylistics of modern Russian language.

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Brenna, Beverley A. "Characters with Disabilities in Contemporary Novels for Children: A Portrait of Three Authors in a Framework of Canadian Texts." Language and Literacy 13, no. 1 (May 3, 2011): 1. http://dx.doi.org/10.20360/g2h01h.

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A study of 50 contemporary Canadian novels for children and young adults explores patterns and trends regarding the construction of characters with disabilities, becoming a frame for the portraits of three Canadian authors, including a self-portrait. An adaptation of the Bakhtinian notion of the chronotope, applied to literary theory, provides a lens within which aspects of time and space are identified in relation to the internal chronotope of these characterizations, as well as in relation to the external chronotope of particular authors’ iterations, within their work, of actual space and time. A conceptual framework of critical literacy is used to highlight implications for including as classroom resources, texts about characters with disabilities.

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35

Makarova, E. Yu. "THE CONCEPT OF CHRONOTOPE IN THE NOVEL “MRS DALLOWAY” BY V. WOOLF." Language and Intercultural Communication XIII, no. XIII (2020): 92–101. http://dx.doi.org/10.21672/2078-9858-2020.10.07-092-101.

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This article deals with the concept of chronotope in the text of the novel "Mrs. Dalloway” by Virginia Woolf. Certain characteristics of chronotope exemplifying these concepts were selected and analyzed, the former serving as an integral part of the analysis of works of the modern era. As a result of a continuous sampling and subsequent analysis of the text of the novel, we concluded that despite the contrast of the characters from different social classes, they are united by a single spatio-temporal continuum regulated by the chronotope. Virginia Woolf managed to accurately and truthfully convey the atmosphere of 1923, as she was a direct witness to the events taking place in the country and the world at that time.

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36

Vasil’yeva, El’mira V. "ON THE PECULIARITIES OF CHRONOTOPE IN NEW ENGLAND GOTHIC: THE HOUSE OF THE SEVEN GABLES BY NATHANIEL HAWTHORNE AND THE HAUNTING OF HILL HOUSE BY SHIRLEY HARDIE JACKSON." Vestnik of Kostroma State University, no. 1 (2020): 87–92. http://dx.doi.org/10.34216/1998-0817-2020-26-1-87-92.

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The article deals with Mikhail Bakhtin’s term «the chronotope of the castle» analysed on the material of two New England Gothic novels – «The House of the Seven Gables» by Nathaniel Hawthorne and «The Haunting of Hill House» by Shirley Hardie Jackson. The author assumes that chronotope is not just a spacetime characteristic, but a set of motifs – the motive of dark past, the motif of spatial and temporal isolation, and the motif of «sentient» house. All of these motifs were used by classic Gothic novel writers of the 1760s to 1830s, and were as well employed in later quasi-Gothic texts. At the turn of the 19th century, Gothic novel commenced its parallel development in American literature, where it subsequently became one of the national genres. American writers aspired to adapt Gothic poetics to the cultural context of the country. For instance, in New England Gothic fi ction, the chronotope of the castle was transformed into the chronotope of the «bad» house. However, the set of motifs has remained the same: both Hawthorne and Jackson consistently used the motifs, provided by British Gothic fi ction, yet they further explored them and came up with their own interpretations.

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Muradov, Aleksey B., and Ksenia A. Shergova. "Contemporary Hero in the Wartime Chronotope." Journal of Flm Arts and Film Studies 9, no. 4 (December 15, 2017): 37–50. http://dx.doi.org/10.17816/vgik9437-50.

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The focal point of the analysis are Tatiana Lioznovas TV-series 17 Moments of Spring. This notable Great Patriotic War movie presents a protagonist that partakes spring 1945 events not as a historical, distanced personality but as a contemporary of the time of the release. This statement is supported with three-layered analysis of the character presentation. The initial layer of analysis implies that Stierlitz character (a Soviet spy, acting deep undercover within the highest ranks of Nazi Germany) develops an idealized presentation of an intelligence officer as in earlier Soviet films. The character does not provide a viewer with the option of self-identification, becoming an archetype - this conversion allocates the story to an epic space, not a historical context. Considering Stierlitz character as a super-spy, a loner implies a second layer of interpretation: a contest-comparison with the most known espionage character of the 20th century, James Bond. Meanwhile the creator shape Stierlitz rather pretentious anti-Bond, they use numerous specific tools to accentuate the difference. Among those we point a time theme that plays an important part in storytelling and general film design (time is present in the series title, it repeatedly returns in soundtrack, and notoriously present in the characters persistent slowness). A few other details involve a third layer of the characters interpretation: Stierlitz embodies contemporary image of a 1960-1970s Soviet technical intelligentsia - in terms of the release a hero of our time. Multilayered interpretation of the Stierlitz character provides 17 Moments of Spring a very specific place in the history of Soviet television and film production. Tatiana Lioznova used a number of creative methods that allowed her to bridge 1945 events with her contemporaries and to significantly contribute into the Soviet archetypal construction.

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이소운. "Chronotope in a Journey-type Novel." Journal of Korean Language and Literature Education ll, no. 41 (August 2007): 247–82. http://dx.doi.org/10.17247/jklle.2007..41.247.

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39

Kavtaradzé, Sergeïj. "Le « chronotope » de la culture stalinienne." Communications 55, no. 1 (1992): 135–56. http://dx.doi.org/10.3406/comm.1992.1840.

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40

Färnlöf, Hans. "Chronotope romanesque et perception du monde." Poétique 152, no. 4 (2007): 439. http://dx.doi.org/10.3917/poeti.152.0439.

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41

Pavlov, Mikhail Mikhailovich, and Ekaterina Igorevna Kolomoichenko. "Plot and chronotope in theatrical performance." Vestnik of Saint Petersburg State University of Culture 2 (June 2018): 180–85. http://dx.doi.org/10.30725/2619-0303-2018-2-180-185.

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42

Aleksić, Slađana. "Chronotope in the theory of narrative." Зборник радова Филозофског факултета у Приштини 49, no. 2 (2019): 43–58. http://dx.doi.org/10.5937/zrffp49-21466.

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43

Bereznitsky, Sergey V., Petr V. Primak, and Ekaterina V. Titova. "The Tomsk chronotope of Kamchatka expeditions." Vestnik Tomskogo gosudarstvennogo universiteta, no. 437 (December 1, 2018): 110–17. http://dx.doi.org/10.17223/15617793/437/16.

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44

Jeusette, Julien. "Le chronotope de la « route moderne »." Études françaises 53, no. 3 (December 4, 2017): 169–80. http://dx.doi.org/10.7202/1042290ar.

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Guidé par le concept de « chronotope », que Mikhaïl Bakhtine applique à l’analyse de la littérature européenne, cet article pose l’hypothèse selon laquelle l’espace-temps particulier qui se déploie dans le genre du road movie à la fin des années 1960 est déjà présent dans l’un des premiers textes à rendre compte d’un voyage en automobile, La 628-E8, récit d’Octave Mirbeau, en 1907.

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45

Dergacheva, Irina. "The Eschatological Chronotope of Fyodor Dostoevsky." Quaestio Rossica 7, no. 4 (2019): 1143–59. http://dx.doi.org/10.15826/qr.2019.4.429.

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Jaramillo Medina, Carlos. "Urban chronotope. Cuenca of Los Andes." Estoa 2, no. 2 (May 30, 2013): 21–25. http://dx.doi.org/10.18537/est.v002.n002.03.

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47

Voronina, N. I. "A.I. POLEZHAEV – I.D. VORONIN: MEMORY CHRONOTOPE." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 70 (2020): 38–43. http://dx.doi.org/10.37313/2413-9645-2020-22-70-38-43.

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Blommaert, Jan. "Commentary: Mobility, contexts, and the chronotope." Language in Society 46, no. 1 (February 2017): 95–99. http://dx.doi.org/10.1017/s0047404516000841.

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Mobility raises specific issues with regard to what we understand by ‘context’, and in this commentary I suggest that Bakhtin's concept of chronotope could be a useful instrument enabling a precise and detailed, mobile, unit of ‘context’. This unit connects specific time-space arrangements with ideological and moral orders, projecting possible and preferred identities. The articles in this issue offer rich material in this direction.

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Mahmutović, Adnan. "Chronotope in Moore and Gibbons's Watchmen." Studies in the Novel 50, no. 2 (2018): 255–76. http://dx.doi.org/10.1353/sdn.2018.0014.

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임이연. "Poetics of Ambiguity: Reading Shakespeare’s Chronotope." Journal of English Language and Literature 56, no. 1 (March 2010): 3–23. http://dx.doi.org/10.15794/jell.2010.56.1.001.

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