Relevant bibliographies by topics / The chronotope of the castle

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'The chronotope of the castle'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "The chronotope of the castle"

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Vasil’yeva, El’mira V. "ON THE PECULIARITIES OF CHRONOTOPE IN NEW ENGLAND GOTHIC: THE HOUSE OF THE SEVEN GABLES BY NATHANIEL HAWTHORNE AND THE HAUNTING OF HILL HOUSE BY SHIRLEY HARDIE JACKSON." Vestnik of Kostroma State University, no. 1 (2020): 87–92. http://dx.doi.org/10.34216/1998-0817-2020-26-1-87-92.

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The article deals with Mikhail Bakhtin’s term «the chronotope of the castle» analysed on the material of two New England Gothic novels – «The House of the Seven Gables» by Nathaniel Hawthorne and «The Haunting of Hill House» by Shirley Hardie Jackson. The author assumes that chronotope is not just a spacetime characteristic, but a set of motifs – the motive of dark past, the motif of spatial and temporal isolation, and the motif of «sentient» house. All of these motifs were used by classic Gothic novel writers of the 1760s to 1830s, and were as well employed in later quasi-Gothic texts. At the turn of the 19th century, Gothic novel commenced its parallel development in American literature, where it subsequently became one of the national genres. American writers aspired to adapt Gothic poetics to the cultural context of the country. For instance, in New England Gothic fi ction, the chronotope of the castle was transformed into the chronotope of the «bad» house. However, the set of motifs has remained the same: both Hawthorne and Jackson consistently used the motifs, provided by British Gothic fi ction, yet they further explored them and came up with their own interpretations.
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Martynets, A. M. "SPATIAL MOVEMENTS AS A PLOT CREATING ELEMENT OF DIANA JONES’ FAIRY NARRATIVE “HOWL’S MOVING CASTLE”." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 220–28. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-220-228.

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The article makes an attempt of the analysis of spatial movements represented in D. Jones’ fantasy work “Howl’s Moving Castle” on the level of text plot creating. The researches into the problems of the chronotope by M. Bakhtin, N. Kopystians’ka and S. Skwarczyńska are taken into consideration.
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Everett, Justin, and Paul Halpern. "Spacetime as a Multicursal Labyrinth in Literature with Application to Philip K. Dick’s The Man in the High Castle." Kronoscope 13, no. 1 (2013): 47–66. http://dx.doi.org/10.1163/15685241-12341258.

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Abstract We examine the narrative structure of The Man in the High Castle by Philip K. Dick. We place the novel in the context of the alternate history genre of speculative fiction. Noting its complex plot with multiple timelines, we apply the theoretical ideas of Mikhail Bakhtin and Umberto Eco and show how its chronotope, or relationship between space and time, resembles that of a multicursal labyrinth. We connect this analysis with ideas in quantum physics, particularly the Many Worlds Interpretation, and show how it explains the ambiguity of the novel’s ending, and the failure of the characters to reach their goals. In particular, the characters’ search for truth is thwarted by the existence of multiple truths in a maze of competing realities.
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Popova, Maria Yuryevna. "CHRONOTOP OF THE CASTLE IN THE “NOVEL” “PALAZZO FORLI” by E.P. Rostopchina." Ural Philological Herald. Series Draft: Young Science, no. 5 (2019): 73–84. http://dx.doi.org/10.26170/ufv19-04-07.

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Ray, Jean-Charles. "Regarder la peur dans les yeux." Le jeu vidéo au Québec 14, no. 23 (July 8, 2021): 100–114. http://dx.doi.org/10.7202/1078730ar.

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The aim of this paper is to study the production of the Montreal studio Red Barrels so as to grasp its value and how it is exemplary of the recent renewal in horror video games through an articulation of sight and space producing an enticing trap. With Outlast in 2013 and a year later with its extension Outlast: Whistleblower, this independent studio revived some of the great themes of the horror genre: one can recognize in their derelict psychiatric hospital Noël Carroll’s « drama of corridors », Mikhaïl Bakhtine’s castle chronotope and fear as an emotional drive for the player’s progression, as theorized by Bernard Perron. Yet, these games also took part in the First-person avoider trend that bloomed in the 2010s by removing all combat mechanics and leaving the main character with nothing more than a camera allowing him to temporarily see in the dark; the main goal being to remain unseen while seeing. In these games that reconnect with the idea of a transgressive gaze of which Medusa is the antique archetype, the point is less to overcome monsters than one’s own fears. In 2017, with Outlast 2, Red Barrels then aimed at exploring the architectural possibilities of this model by forsaking medical facilities for an isolated village and what Mario Gerosa called an “open air claustrophobia” and using physics defying spatial structures that symbolically convey the stakes of a gaze that allows knowledge and of deceitful senses. Through the analysis of these three games, the aim is thus to offer an overview of the aesthetics stakes they tackle and of the current momentum in independent video game production they represent.
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Brandão, Luis Alberto. "Chronotope." Theory, Culture & Society 23, no. 2-3 (May 2006): 133–34. http://dx.doi.org/10.1177/0263276406023002113.

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Tygstrup, Frederik. "The Debt Chronotope." differences 31, no. 3 (December 1, 2020): 29–47. http://dx.doi.org/10.1215/10407391-8744469.

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When literature engages in portraying the contemporary rule of finance and its impact on our lives, it also entails a transformation of the forms through which literature represents our lives. Over the last decades, as debt has become an ever more important motive in contemporary literature, we have thus also seen the contours of a new debt chronotope: a particular organization of narrative time and space that can gauge and expound on the working of debt-driven financial capitalism. This essay’s argument hinges partly on an analysis of the spatiotemporal logic of contemporary financial capitalism and partly on the historical transformation of representations of debt from nineteenth-century realism to European literature of the present.
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Sokolova, Galina Aleksandrovna. "The semantic connection of time and space in literary text." Interactive science, no. 8 (42) (August 19, 2019): 28–30. http://dx.doi.org/10.21661/r-497998.

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The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.
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Ingemark, Camilla Asplund. "The Chronotope of Enchantment." Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology 43, no. 1 (January 2006): 1–30. http://dx.doi.org/10.2979/jfr.2006.43.1.1.

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Politov, Andrei V. "Artwork as the chronotope." Observatory of Culture, no. 5 (October 28, 2014): 44–51. http://dx.doi.org/10.25281/2072-3156-2014-0-5-44-51.

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Examines the ontological interpretation of artwork as the chronotope (of semantic world). The address to the work of art as the chronotope helps to reveal its historicity (as its proper history and belonging to a particular cultural­historical epoch), meanings and values, the integral image, its links to other artworks and the cultural space on the whole.
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Dissertations / Theses on the topic "The chronotope of the castle"

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Lindgren, Fanny. "Upp och ned, hit och dit : En romananalys av Haruki Murakamis Fågeln som vrider upp världen utifrån Michail Bachtins kronotopteori." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-66699.

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In this essay Murakami Haruki’s novel The Wind Up Bird Chronicle was analysed from the perspective of Mikhail Bakhtin’s theory of the chronotope. The aim was to explore the concept of time and space as presented in the novel. In particular, the analysis focused on how Bakhtin’s chronotopes can be applied to The Wind Up Bird Chronicle, how the chronotopes can enhance our understanding of the novel, and finally how the chronotope theory can be applied to the concept of ‘magic realism’ that is often used to describe Murakami’s authorship. Four chronotopes, presented by Bachtin, were selected and applied to the novel: every-day life, the road, crisis and the castle. The concept of the chronotope allows analysis of how time and space work together in literature and how they form patterns of correlation in the sujet. Results showed that the four chronotopes were found in the novel, and that they also interacted with each other. The chronotope of everyday-life was apparent throughout the novel, and the narrator was under its control. The narrator also seemed to create every-day life out of the chronotopes of the road and crisis by re-living the crises in the road. These three chronotopes seemed inseparable in The Wind Up Bird Chronicle. Finally, the fourth chronotope, the castle, illustrated how a concrete room in the novel, a house, became a part of time and space through a character who, by his presence, gave the impression of slowing down time. When this character disappeared, time made its way through space, making the chronotope of the castle visible. The essay concludes that the chronotope theory was a relevant way to analyse The Wind Up Chronicle as it provided a concept of how time and space appeared together in a novel where time and space is always present. The analysis helped creating a way of understanding the patterns in the novel, which were not always clear, thereby also increasing the understanding of The Wind Up Bird Chronicle.
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Eriksson, Mattias. "Duntarvie Castle." Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-34751.

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Deaton, Thomas Edward. "Slave castle." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1581.

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The work described in this thesis is a series of narrative prints detailing the exploits of a criminally inclined religious cult. These prints encourage an open dialogue about the nature of religious practice and serve as a cautionary tale regarding absolute power and the importance of questioning authority and generally accepted beliefs.
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Elkins, Alan P. "Last Castle." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1242326601.

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LIU, Jingya. "Chronotope and regional Chinese independent films." Digital Commons @ Lingnan University, 2010. https://commons.ln.edu.hk/cs_etd/2.

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This thesis aims to re-categorize Chinese independent films from a region-based perspective as a critical response to existing literature on Chinese independent films. This thesis analyzes three independent films made in three different regions of China in order to investigate regional Chinese independent cinema as a recently rising phenomenon: respectively, Jia Zhangke’s Xiaowu (1997) made in Shanxi Province, Ying Liang’s Taking Father Home (Bei yazi de nanhai, 2006) in Sichuan Province, and Robin Weng’s Fujian Blue (Jinbi huihuang, 2007) in Fujian Province. By using Bakhtin’s concept of chronotope (literally time-space) as the fundamental framework and exploring the many aspects of it, I will develop three major theoretical points to study selected regional Chinese independent films: first, chronotope enables the evaluation of texts of Chinese independent films; second, the documentary impulses prevailing Chinese independent films serve as the chronotopic linkage between the world in the film text and the world the film text represents; three, the mediation function as one aspect of chronotope is characterized by the negotiation between regional Chinese independent films and many social relations, for example, filmmakers, casting, audiences. This thesis also explores many issues related to Chinese independent films, for example: How do we value the unique film practice of Chinese independent filmmakers instead of viewing them as a unified whole? How do we relate Chinese independent films as aesthetic practices to the region-specific reality they are embedded in? How can Chinese independent cinema as a social practice play an effective role in society? The exploration of these questions does not only enlighten new research perspectives on Chinese independent films, but also provide reflections on the geographical, cultural and social diversity of Chinese regions.
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Li, Po-ling, and 李寶玲. "Castle Peak Hospital redevelopment." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983509.

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Li, Po-ling. "Castle Peak Hospital redevelopment." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956383.

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Johanson, Thomas. "Castle symphony : for orchestra /." Online version, 2010. http://content.wwu.edu/cdm4/item_viewer.php?CISOROOT=/theses&CISOPTR=329&CISOBOX=1&REC=9.

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Larsen, M. D. H. "The Bakhtinian chronotope : origins, modifications and additions." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244340.

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Penny, Sharyn Lee. "'A man's home is his castle' : family ideology in The Castle and The Boys /." Title page, contents and preface only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arp416.pdf.

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Books on the topic "The chronotope of the castle"

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Montgomery, Michael V. Carnivals and commonplaces: Bakhtin's chronotope, cultural studies, and film. New York: P. Lang, 1993.

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Nele, Bemong, Borghart Pieter, De Dobbeleer Michel, and Demoen Kristoffel, eds. Bakhtin's theory of the literary chronotope: Reflections, applications, perspectives. Gent: Ginko, Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Gent: Academia Press, 2010.

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Kolbuszewska, Zofia. The poetics of chronotope in the novels of Thomas Pynchon. Lublin: Learned Society of the Catholic University of Lublin, 2000.

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Céline, Louis-Ferdinand. Castle to castle. New York: Carroll and Graf, 1987.

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Céline, Louis-Ferdinand. Castle to castle. New York: Carroll & Graf, 1987.

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Céline, Louis-Ferdinand. Castle to castle. Normal, IL: Dalkey Archive Press, 1997.

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The Carver chronotope: Inside the life-world of Raymond Carver's fiction. New York: Routledge, 2004.

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Book chapters on the topic "The chronotope of the castle"

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Nogués-Pedregal, Antonio-Miguel. "Chronotope." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_246-1.

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Nogués-Pedregal, Antonio Miguel. "Chronotope." In Encyclopedia of Tourism, 153–54. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_246.

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Curletto, Mario Alessandro. "Regret for the Time of Heroes and Existential Toska in Vladimir Vysockij." In Biblioteca di Studi Slavistici, 75–106. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.05.

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In the poetic legacy of Vladimir Vysockij, feelings of nostalgia are expressed in diverse ways, conveying various shades of boredom, longing, and melancholy. A special role is played in Vysockij's oeuvre by the so-called “longing for a heroic era”, which is sometimes expressed explicitly, but more often found in the implicit representation of “longing for a heroic deed”. Vysockij's conception of the heroic deed or feat (podvig) casts this as a moral and spiritual state that contrasts sharply with the surrounding world and with everyday life. While Vysockian "longing for a heroic deed" can be associated with specific geographic contexts (including mountains, the taiga, glaciers in the North), this articles argues that it was the peculiar chronotope of the Great Patriotic War that served as the quintessential context for the heroic feat in Vysockij's universe.
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Murrey, Lucas. "The Dionysiac Chronotope." In Hölderlin’s Dionysiac Poetry, 9–23. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_2.

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Murrey, Lucas. "The Visualised Chronotope." In Hölderlin’s Dionysiac Poetry, 25–36. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10205-4_3.

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van Eijck, Michiel, and Wolff-Michael Roth. "Place and Chronotope." In Cultural Studies of Science Education, 133–62. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5392-1_7.

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Hollingworth, Brian. "Castle Rackrent." In Maria Edgeworth’s Irish Writing, 71–107. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230374416_5.

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Milbank, Alison. "Doubting Castle." In The Critical Spirit and the Will to Believe, 104–19. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20122-8_7.

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Speirs, Ronald, and Beatrice Sandberg. "The Castle." In Franz Kafka, 104–35. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25782-9_5.

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Fiddelaers-Jaspers, Riet. "The Castle." In New Techniques of Grief Therapy, 181–86. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781351069120-34.

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Conference papers on the topic "The chronotope of the castle"

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"Chronotope and real estate." In 19th Annual European Real Estate Society Conference: ERES Conference 2012. ERES, 2012. http://dx.doi.org/10.15396/eres2012_337.

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Matsumoto, Stephanos, Samuel Steffen, and Adrian Perrig. "CASTLE." In ACSAC '16: 2016 Annual Computer Security Applications Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2991079.2991115.

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Milenkovic, Aleksandar, Bosko Nikolic, and Jovan Djordjevic. "CASTLE." In the 2002 workshop. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/1275462.1275484.

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Palangappa, Poovaiah M., and Kartik Mohanram. "CASTLE." In DAC '18: The 55th Annual Design Automation Conference 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3195970.3196007.

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Lisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.

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The article covers the modern multi-functional cultural centre as an institution of Russian culture of the 21st Century in the terms of the interaction of publicity and privacy. On the basis of the institutional approach in cultural theory and the philosophical and aesthetic analysis of the space of the cultural centre, the most important role of this institution in individual and personal assimilation of sociocultural values is substantiated. The objectives (programme) of such an institution, its chronotope and functionality are directed at the involvement of contemporaries into various forms and levels of the culture of the past, and its emotional-sensual assimilation via media-communication technologies. The ‘Yeltsin-Center’ in the city of Yekaterinburg was taken as the example not only for being orientated on the familiarisation of its visitors with the history of the Russian state and its culture of the late 20th century and the early 21st century, but also for the subjective experience of turning points of those times and the city where the personality and activities of the first Russian president were shaped and began. The calibre of the President’s personality, in this case, is diversely represented within the space of the Centre, and becomes crucial for understanding what was going on at that time. The ‘Yeltsin-Center’ is a principally new cultural complex, each component of which, and above all its central part - the Museum of the First President - is structured to show the turning point in Russian history as the President’s life journey and to encourage citizens to understand the past and present. The use of modern information technologies in this cultural complex, and primarily in its museum exhibition having been arranged as an artistic artefact, becomes crucial to the dialogue of publicity and privacy.
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Eagle, Michael, and Tiffany Barnes. "Wu's castle." In the 13th annual conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1384271.1384337.

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McDougal, Monty. "Castle warrior." In the 5th Annual Workshop. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1558607.1558675.

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Eagle, Michael. "Wu's castle." In the 2007 conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1347787.1347804.

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Wilson, A. R., and M. Schara. "Castle Pinckney." In DEFENCE SITES: HERITAGE AND FUTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/dshf120041.

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Nagai, Junnosuke, Tsuyoshi Numano, Takafumi Higashi, Matthieu Tessier, and Kazunori Miyata. "TSUMIKI CASTLE." In VRIC 2013: Virtual Reality International Conference - Laval Virtual. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2466816.2466844.

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Reports on the topic "The chronotope of the castle"

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Tom Anderson, David Culler, James Demmel, Jerry Feldman, Susan Graham, Paul Hilfinger, and Katherine Yelick. The Castle Project. Office of Scientific and Technical Information (OSTI), February 2000. http://dx.doi.org/10.2172/751960.

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Koo, Helen. Collusion in the Castle. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-705.

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JOINT TASK FORCE (SEVEN) WASHINGTON DC. OPERATION CASTLE. Radiological Safety. Volume 2. Fort Belvoir, VA: Defense Technical Information Center, September 1985. http://dx.doi.org/10.21236/ada995409.

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Whitney, D. M., L. L. Dancy, and V. L. Pope. Internal Indpendent Assessment Report - CASTLE-PX SQA. Office of Scientific and Technical Information (OSTI), April 2015. http://dx.doi.org/10.2172/1236738.

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Beck, C. A., and J. H. Campbell. Operation CASTLE. Project 18.3. High-Resolution Spectroscopy. Fort Belvoir, VA: Defense Technical Information Center, September 1985. http://dx.doi.org/10.21236/ada995367.

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York, Brent, Thomas Magyar, James Nichols, and III. CASTLE: The Next Generation of Navy Flight Simulation. Fort Belvoir, VA: Defense Technical Information Center, January 2001. http://dx.doi.org/10.21236/ada389788.

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Magyar, Thomas, and Anthony Page. Integration of the CASTLE Simulation Executive With Simulink. Fort Belvoir, VA: Defense Technical Information Center, January 2001. http://dx.doi.org/10.21236/ada389796.

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Combellick, R. A., G. R. Cruse, and W. R. Hammond. Trial magnetometer profiles across the Castle Mountain Fault, southcentral Alaska. Alaska Division of Geological & Geophysical Surveys, 1994. http://dx.doi.org/10.14509/2511.

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Fuchs, W. A. Geologic map of the Castle Mountain-Caribou fault system, Talkeetna Mountains, Alaska. Alaska Division of Geological & Geophysical Surveys, February 2019. http://dx.doi.org/10.14509/29715.

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DEPARTMENT OF THE AIR FORCE WASHINGTON DC. Environmental Impact Statement. Disposal and Reuse of Castle Air Force Base, California. Fort Belvoir, VA: Defense Technical Information Center, November 1994. http://dx.doi.org/10.21236/ada286576.

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