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Journal articles on the topic 'The chronotope of the castle'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Vasil’yeva, El’mira V. "ON THE PECULIARITIES OF CHRONOTOPE IN NEW ENGLAND GOTHIC: THE HOUSE OF THE SEVEN GABLES BY NATHANIEL HAWTHORNE AND THE HAUNTING OF HILL HOUSE BY SHIRLEY HARDIE JACKSON." Vestnik of Kostroma State University, no. 1 (2020): 87–92. http://dx.doi.org/10.34216/1998-0817-2020-26-1-87-92.

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The article deals with Mikhail Bakhtin’s term «the chronotope of the castle» analysed on the material of two New England Gothic novels – «The House of the Seven Gables» by Nathaniel Hawthorne and «The Haunting of Hill House» by Shirley Hardie Jackson. The author assumes that chronotope is not just a spacetime characteristic, but a set of motifs – the motive of dark past, the motif of spatial and temporal isolation, and the motif of «sentient» house. All of these motifs were used by classic Gothic novel writers of the 1760s to 1830s, and were as well employed in later quasi-Gothic texts. At the turn of the 19th century, Gothic novel commenced its parallel development in American literature, where it subsequently became one of the national genres. American writers aspired to adapt Gothic poetics to the cultural context of the country. For instance, in New England Gothic fi ction, the chronotope of the castle was transformed into the chronotope of the «bad» house. However, the set of motifs has remained the same: both Hawthorne and Jackson consistently used the motifs, provided by British Gothic fi ction, yet they further explored them and came up with their own interpretations.

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2

Martynets, A. M. "SPATIAL MOVEMENTS AS A PLOT CREATING ELEMENT OF DIANA JONES’ FAIRY NARRATIVE “HOWL’S MOVING CASTLE”." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 220–28. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-220-228.

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The article makes an attempt of the analysis of spatial movements represented in D. Jones’ fantasy work “Howl’s Moving Castle” on the level of text plot creating. The researches into the problems of the chronotope by M. Bakhtin, N. Kopystians’ka and S. Skwarczyńska are taken into consideration.

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3

Everett, Justin, and Paul Halpern. "Spacetime as a Multicursal Labyrinth in Literature with Application to Philip K. Dick’s The Man in the High Castle." Kronoscope 13, no. 1 (2013): 47–66. http://dx.doi.org/10.1163/15685241-12341258.

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Abstract We examine the narrative structure of The Man in the High Castle by Philip K. Dick. We place the novel in the context of the alternate history genre of speculative fiction. Noting its complex plot with multiple timelines, we apply the theoretical ideas of Mikhail Bakhtin and Umberto Eco and show how its chronotope, or relationship between space and time, resembles that of a multicursal labyrinth. We connect this analysis with ideas in quantum physics, particularly the Many Worlds Interpretation, and show how it explains the ambiguity of the novel’s ending, and the failure of the characters to reach their goals. In particular, the characters’ search for truth is thwarted by the existence of multiple truths in a maze of competing realities.

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4

Popova, Maria Yuryevna. "CHRONOTOP OF THE CASTLE IN THE “NOVEL” “PALAZZO FORLI” by E.P. Rostopchina." Ural Philological Herald. Series Draft: Young Science, no. 5 (2019): 73–84. http://dx.doi.org/10.26170/ufv19-04-07.

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5

Ray, Jean-Charles. "Regarder la peur dans les yeux." Le jeu vidéo au Québec 14, no. 23 (July 8, 2021): 100–114. http://dx.doi.org/10.7202/1078730ar.

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The aim of this paper is to study the production of the Montreal studio Red Barrels so as to grasp its value and how it is exemplary of the recent renewal in horror video games through an articulation of sight and space producing an enticing trap. With Outlast in 2013 and a year later with its extension Outlast: Whistleblower, this independent studio revived some of the great themes of the horror genre: one can recognize in their derelict psychiatric hospital Noël Carroll’s « drama of corridors », Mikhaïl Bakhtine’s castle chronotope and fear as an emotional drive for the player’s progression, as theorized by Bernard Perron. Yet, these games also took part in the First-person avoider trend that bloomed in the 2010s by removing all combat mechanics and leaving the main character with nothing more than a camera allowing him to temporarily see in the dark; the main goal being to remain unseen while seeing. In these games that reconnect with the idea of a transgressive gaze of which Medusa is the antique archetype, the point is less to overcome monsters than one’s own fears. In 2017, with Outlast 2, Red Barrels then aimed at exploring the architectural possibilities of this model by forsaking medical facilities for an isolated village and what Mario Gerosa called an “open air claustrophobia” and using physics defying spatial structures that symbolically convey the stakes of a gaze that allows knowledge and of deceitful senses. Through the analysis of these three games, the aim is thus to offer an overview of the aesthetics stakes they tackle and of the current momentum in independent video game production they represent.

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6

Brandão, Luis Alberto. "Chronotope." Theory, Culture & Society 23, no. 2-3 (May 2006): 133–34. http://dx.doi.org/10.1177/0263276406023002113.

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7

Tygstrup, Frederik. "The Debt Chronotope." differences 31, no. 3 (December 1, 2020): 29–47. http://dx.doi.org/10.1215/10407391-8744469.

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When literature engages in portraying the contemporary rule of finance and its impact on our lives, it also entails a transformation of the forms through which literature represents our lives. Over the last decades, as debt has become an ever more important motive in contemporary literature, we have thus also seen the contours of a new debt chronotope: a particular organization of narrative time and space that can gauge and expound on the working of debt-driven financial capitalism. This essay’s argument hinges partly on an analysis of the spatiotemporal logic of contemporary financial capitalism and partly on the historical transformation of representations of debt from nineteenth-century realism to European literature of the present.

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8

Sokolova, Galina Aleksandrovna. "The semantic connection of time and space in literary text." Interactive science, no. 8 (42) (August 19, 2019): 28–30. http://dx.doi.org/10.21661/r-497998.

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The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.

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9

Ingemark, Camilla Asplund. "The Chronotope of Enchantment." Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology 43, no. 1 (January 2006): 1–30. http://dx.doi.org/10.2979/jfr.2006.43.1.1.

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10

Politov, Andrei V. "Artwork as the chronotope." Observatory of Culture, no. 5 (October 28, 2014): 44–51. http://dx.doi.org/10.25281/2072-3156-2014-0-5-44-51.

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Examines the ontological interpretation of artwork as the chronotope (of semantic world). The address to the work of art as the chronotope helps to reveal its historicity (as its proper history and belonging to a particular culturalhistorical epoch), meanings and values, the integral image, its links to other artworks and the cultural space on the whole.

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11

Tlostanova, Madina. "THE IMPERIAL-COLONIAL CHRONOTOPE." Cultural Studies 21, no. 2-3 (March 2007): 406–27. http://dx.doi.org/10.1080/09502380601162613.

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12

이재승. "Transitional Justice and Chronotope." Democratic Legal Studies ll, no. 64 (July 2017): 105–48. http://dx.doi.org/10.15756/dls.2017..64.105.

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13

Щітова, С. А., and Г. О. Юфимчук-Заворотна. "Chronotope features in monoopera." Музикознавча думка Дніпропетровщини, no. 16 (December 18, 2019): 53–64. http://dx.doi.org/10.33287/221922.

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In the process of a creative act from the sphere of extra-linguistic(semantic areas) to the sphere of intra-linguistic (literary text), thephenomenon of time turns into the category of a chronotope. The purposeof this scientific article is to highlight the characteristics of themanifestation of the category of chronotope in monoopera. The round ofmethods are including a set of musicology, psychological, art history,linguistic approaches, supplemented by individual provisions of aninterdisciplinary synergetic discourse. Primarily, the comparative,structurally analytical, axiological, generalizing methods are receiving thepractice employment into the represented scientifically investigative 56disquisition. The relationship of analysis and observation methods gets themost significance into this scientific exploration. The scientific noveltyand practical value of this article consists in the fact that the results of thestudy can be used in compiling the curriculum programs „Analysis ofmusical works”, „History of world musical culture”, „Musicalinterpretation”, „Opera class”, „History of vocal performance”, „Methodsof vocal performance” for bachelors and masters of higher musicaleducational institutions of Ukraine, as well as in creative practice.Conclusions. The main results of the study include the conclusion that inthe mono-opera the paradigm of subjective (psychological) time is ofparticular importance. In the framework of the chronotope, in contrast tothe real chronological sequence, the events in the story do not develop in astraight line, but unfold in leaps and bounds. Thus, the transformation ofthe real phenomenon of time into the textual category of the chronotope iscarried out.

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14

Malkina, Viktoria Ya. "VISUAL ASPECTS OF THE CHRONOTOPE: "THE ISLAND OF ISRAEL" AND "THE ROAD TO ISRAEL" BY A. GORODNITSKY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 82–91. http://dx.doi.org/10.28995/2686-7249-2020-9-82-91.

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The paper analyzes two works by A. Gorodnitsky – the poem “The Island of Israel” (1993) and the song “The Road to Israel” (2007), from the point of view of spatial and temporal organization, as well as visual imagery, with the help of which the artistic world of works is depicted. Thus, the main purpose of the article is to analyze the visual features of the Israel chronotope in the two designated works. For this, firstly, the space, time and visual imagery in the poem and in the song are analyzed in detail. Then observations and conclusions are systematized and compared with the audiovisual representation of these works in the film by A. Gorodnitsky and N. Kasperovich “Atlantes hold the sky” (episode 14). As a result, conclusions are drawn about the peculiarities of the visual organization of the chronotope of Israel in these poems by A. Gorodnitsky, based on the concept of the chronotope of M.M. Bakhtin. The visual chronotope is primarily made of space through which time is also visible, and therefore the chronotope as a whole. Other features of the chronotope are associated with the cyclical organization of time, the combination of the past and the future, as well as the real and imaginary world of the lyric subject.

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15

Politov, Andrey V. "On the Soviet technological chronotope of the 1970s–1980s." Вестник Пермского университета. Философия. Психология. Социология, no. 1 (2020): 65–75. http://dx.doi.org/10.17072/2078-7898/2020-1-65-75.

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The article studies the essence of the Soviet technological chronotope (the research object) resulted from a combination of material and semantic achievements of the scientific, technical and sociopolitical development of Soviet society in the 1970s–1980s. The methodological basis of the study is A.A. Ukhtomsky and M.M. Bakhtin’s theory of chronotope, postulating the ontological and functional interconnectedness of time and space. This theory allows revealing a studied object as a structure with two attributes being its forming elements — spatial and temporal. The former depicts belonging to a specific geographical material locus and semantic cultural and civilizational space; the latter describes a certain length and the period of objective time included in the semantic wholeness of interconnected cultural and historical eras. The study reveals the complex nature of its subject, because the fundamental essence of the technological chronotope is formed by the ontological essence of technology. It historically developed as a result of evolution of the European type of thinking, primarily in the classical epistemology of the New Age. The study shows the general essence of the technological chronotope, i.e its formation in the process of objectification of the rational and logical principle that underlies temporary acts of the human mind. The technological chronotope acts as temporal logic of internal chronology of human thinking, this logic being embodied in the space of material objective reality. Further, the study reveals the significance of the unique and original semantic content of the Soviet technological chronotope, surrounding its essential quality and forming a recognizable cultural and historical image. This chronotope is funded by the contradictory evolution of the Soviet social system, whose ideological component significantly evolved. It transformed from demonstrative praising of daily striking labor for the benefit of the global goal of the communist expansion to the era of stagnation, when alienation and depersonalization of everyday being of man served as one of the key reasons for the collapse of the Soviet technological chronotope

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16

Botner, Valentyna. "CHRONOTOPE SPECIFICITY IN A.LUPYNOS’S PROSE." Collection of scientific works "Visnyk of Zaporizhzhya National University. Philological Sciences", no. 2 (2019): 5–9. http://dx.doi.org/10.26661/2414-9594-2019-2-01.

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17

Kleppe, Sandra Lee. "The Chronotope and the South." Nordlit 4, no. 2 (October 1, 2000): 33. http://dx.doi.org/10.7557/13.2104.

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18

Kim, Cheol-soo. "Reading “Araby” through Bakhtin’s Chronotope." James Joyce Journal 23, no. 1 (June 30, 2017): 31–52. http://dx.doi.org/10.46258/jjj.2017.23-1.31.

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19

Politov, Andrei Viktorovich. "Chronotope of the Captured Entity." Observatory of Culture 1, no. 1 (January 1, 2016): 8–13. http://dx.doi.org/10.25281/2072-3156-2016-1-1-8-13.

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20

Kang Eun Lee. "Lev Tolstoy and ‘Life-Chronotope'." Russian Language and Literature ll, no. 36 (February 2011): 85–108. http://dx.doi.org/10.24066/russia.2011..36.004.

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21

Miehyeon Kim. "Chronotope and Feeling: Gangnam Blues." Cross-Cultural Studies 53, no. ll (December 2018): 193–218. http://dx.doi.org/10.21049/ccs.2018.53..193.

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22

White, Hayden. "“The nineteenth‐century” as chronotope." Nineteenth-Century Contexts 11, no. 2 (September 1987): 119–29. http://dx.doi.org/10.1080/08905498708583262.

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23

Tyumbeeva, Gilyana Erdmtaevna. "On the chronotope of the ethno-music worldview of the Kalmyks." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 69–81. http://dx.doi.org/10.7256/2453-613x.2021.3.35588.

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The research subject is the national parameters of the chronotope of the Kalmyk ethno-music worldview. In the mindset of the Mongolian language peoples, time and space are inseparable, interconnected, and interpenetrating. The chronotope composes a unique system of axes which is later complemented with other components of the national worldview. This explains the topicality of the research subject. The purpose of the research is to detect the music peculiarities of the national chronotope. The research is based on the previously studied manifestations of the national chronotope as a whole (the philological and linguistic aspect of the Kalmyk chronotope is studied by Ts. Ayushova, E. Golubeva, E. Omakayeva, V. Salykova, and others); the author systematizes them and establishes the most significant features. In the understanding and feeling of a nomad, a steppe-dweller, a Kalmyk, space is an unlimited, vast and extended category, which is measured not only horizontally, but also vertically. In the study of the music space patterns, the most significant are the properties of sound, its spatial and acoustic characteristics. The dominant idea in the interpretation of time within a Kalmyk worldview is repeatability, which manifests itself in a twelve-digit period of the national calendar and other things. The temporal properties of the national chronotope are concentrated in a binary opposition of two genres of singing: Ut dun (long song) and Akhr dun (short song). The music culture of the Kalmyks is one of the ways of semiotization of the space and time of the steppe world.   

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24

Iman, Iman Ali, and Galina N. TROFIMOVA. "THE CHRONOTOPE OF EVENTS IN ONLINE NEWS STORIES (COVERAGE OF THE SYRIAN CRISIS IN THE RUSSIAN MEDIA)." Historical and social-educational ideas 10, no. 6/1 (January 18, 2019): 109–16. http://dx.doi.org/10.17748/2075-9908-2018-10-6/1-109-116.

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The article is devoted to the study of the problem of formation of space-time coordinates of the media image of the event presented in the news reports on the online feeds of online media. The authors rely on the research of scientists from around the world devoted to the problem of changing and identifying such a thing as a chronotope in a literary text. Considering the theory of the chronotope, put forward by M.M.Bakhtin through the prism of journalistic activity, the authors reveal significant correspondences and the possibility to apply the main provisions of this theory to the study of the features of the event coverage in journalistic texts. Thus, in their opinion, the chronotope of the crisis event at its initial presentation in the online media space at the information and news alert level has specific characteristics, to which the author refers multifragmentary media reflection, representativeness, narrative and semantics. As a result, the authors come to the conclusion that the time component of the chronotope of the media image of this event is stable, but the intensity of its development is confirmed by the number of publications per unit time. The spatial component of the chronotope of this event is formed through the information resources that report the event. The maximum expansion of the space (25 sources) was on the 2nd and 8th hours, and the most stable wide boundaries of the space had from the 8th to the 12th hours (18-20 sources). According to the Bakhtin’s theory, the supertext essence of the chronotope, namely, “the impression that is fixed in the reader’s consciousness in the process of perceiving the author’s narrative strategies”, is essentially nothing more than an image of the event formed by a journalist or journalists in the process of covering the event in the media.

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25

Beletskaya, Alla Yur'evna, and Sergei Vladimirovich Mangushev. "Language means of representation of the chronotope of Chaos in a series of novels “The Chronicles of Amber” by Roger Zelazny." Litera, no. 2 (February 2020): 1–11. http://dx.doi.org/10.25136/2409-8698.2020.2.32454.

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This article examines the problem of representation of chronotope using language means. The object of this research is a series of novels “The Chronicles of Amber” by Roger Zelazny in English language. The subject of this research is the lexical units and stylistic techniques used by R. Zelazny for visualization of representation of the chronotope of Chaos. The article substantiates attribution of this series of novels to postmodernist based on the analysis of characteristic features of the text and realization of the ideological concept. The goal of study lies determination of the universal principles of representation of spatial-temporal continuum of the Chaos, as well as establishment of dependence of the choice evaluative connotation of language means on personality of the narrator. The work is conducted at the intersection of linguistics and literary studies. The novelty consists in recognition of the leading role of chronotopic subject in determining tonality of representation of the chronotope. The main conclusion is defined by the fact that the key principle of representation of spatial and temporal components of the chronotope of Chaos in R. Zelazny’s series of novels is the destruction of realistic perception of space and time. It was also established that change of voice of the narrator leads to the shift of evaluative paradigm. An extremely negative attitude of the first narrator to the Courts of Chaos as a representative of the chronotope of Chaos, expressed through the negatively connoted epithets, is justified by its affiliation to Amber as a representative of the Order. Dual position of the second narrator leads to the change in tonality of description of physical personification of the chronotope of Chaos. Counterbalance of negatively and positively connoted lexical units creates the effect of objectivity, essential for realization of ideological content of the novel.

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26

Ryadovykh, Natal'ya Aleksandrovna. "The category of chronotope in Akathist genre." Филология: научные исследования, no. 10 (October 2020): 54–64. http://dx.doi.org/10.7256/2454-0749.2020.10.34061.

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The object of this research is the category of chronotope – a significant complex text category that reflects the semantic coordinates of the text and extra-textual reality. The category of chronotope intertwines the isomorphic components of textual time and textual space. The Akathist genre belongs to an insufficiently studied functional religious style. Examination of the category of chronotope in the context of Akathist genre is relevant trend in the modern functional stylistics. The research material contains the texts of Orthodox Akathists dedicated to the canonized saints. The objectivity of scientific research is justified by the choice of texts from various time periods. The author applies the method of categorical-textual analysis, which reveals the linguo-stylistic technique of formation of the components of general communicative-pragmatic meaning of the text. The novelty is defined by the fact that the use of categorical-textual method in the analysis of the Akathist type of text, interpreted as a generalized textual structure with typical genre-forming components, allows determining with a high degree of objectivity the genre specificity of Akathist and religious functional style. As a result of the conducted research, the author highlights the categorical-textual typology of chronotope, which characterizes the systematic uniformity of Akathist texts. The article describes the methods of explication of the sacred, objective (objectively-sacred and objectively-profane), and subjective (subjectively-sacred and subjectively-profane) types of time and space. Temporal indicators and locative units of the determined types of chronotope reconstruct the dichotomy of the divine and the earthly in the Akathist, which is inherent to the Christian worldview and constructively substantiates the uniqueness of the religious functional style. The conducted analysis reveals the communicative-pragmatic focus of the complex textual category of chronotope. The research materials can be used as an illustrative textbook in the practical course of the stylistics of modern Russian language.

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27

Brenna, Beverley A. "Characters with Disabilities in Contemporary Novels for Children: A Portrait of Three Authors in a Framework of Canadian Texts." Language and Literacy 13, no. 1 (May 3, 2011): 1. http://dx.doi.org/10.20360/g2h01h.

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A study of 50 contemporary Canadian novels for children and young adults explores patterns and trends regarding the construction of characters with disabilities, becoming a frame for the portraits of three Canadian authors, including a self-portrait. An adaptation of the Bakhtinian notion of the chronotope, applied to literary theory, provides a lens within which aspects of time and space are identified in relation to the internal chronotope of these characterizations, as well as in relation to the external chronotope of particular authors’ iterations, within their work, of actual space and time. A conceptual framework of critical literacy is used to highlight implications for including as classroom resources, texts about characters with disabilities.

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28

Makarova, E. Yu. "THE CONCEPT OF CHRONOTOPE IN THE NOVEL “MRS DALLOWAY” BY V. WOOLF." Language and Intercultural Communication XIII, no. XIII (2020): 92–101. http://dx.doi.org/10.21672/2078-9858-2020.10.07-092-101.

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This article deals with the concept of chronotope in the text of the novel "Mrs. Dalloway” by Virginia Woolf. Certain characteristics of chronotope exemplifying these concepts were selected and analyzed, the former serving as an integral part of the analysis of works of the modern era. As a result of a continuous sampling and subsequent analysis of the text of the novel, we concluded that despite the contrast of the characters from different social classes, they are united by a single spatio-temporal continuum regulated by the chronotope. Virginia Woolf managed to accurately and truthfully convey the atmosphere of 1923, as she was a direct witness to the events taking place in the country and the world at that time.

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29

Muradov, Aleksey B., and Ksenia A. Shergova. "Contemporary Hero in the Wartime Chronotope." Journal of Flm Arts and Film Studies 9, no. 4 (December 15, 2017): 37–50. http://dx.doi.org/10.17816/vgik9437-50.

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The focal point of the analysis are Tatiana Lioznovas TV-series 17 Moments of Spring. This notable Great Patriotic War movie presents a protagonist that partakes spring 1945 events not as a historical, distanced personality but as a contemporary of the time of the release. This statement is supported with three-layered analysis of the character presentation. The initial layer of analysis implies that Stierlitz character (a Soviet spy, acting deep undercover within the highest ranks of Nazi Germany) develops an idealized presentation of an intelligence officer as in earlier Soviet films. The character does not provide a viewer with the option of self-identification, becoming an archetype - this conversion allocates the story to an epic space, not a historical context. Considering Stierlitz character as a super-spy, a loner implies a second layer of interpretation: a contest-comparison with the most known espionage character of the 20th century, James Bond. Meanwhile the creator shape Stierlitz rather pretentious anti-Bond, they use numerous specific tools to accentuate the difference. Among those we point a time theme that plays an important part in storytelling and general film design (time is present in the series title, it repeatedly returns in soundtrack, and notoriously present in the characters persistent slowness). A few other details involve a third layer of the characters interpretation: Stierlitz embodies contemporary image of a 1960-1970s Soviet technical intelligentsia - in terms of the release a hero of our time. Multilayered interpretation of the Stierlitz character provides 17 Moments of Spring a very specific place in the history of Soviet television and film production. Tatiana Lioznova used a number of creative methods that allowed her to bridge 1945 events with her contemporaries and to significantly contribute into the Soviet archetypal construction.

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30

이소운. "Chronotope in a Journey-type Novel." Journal of Korean Language and Literature Education ll, no. 41 (August 2007): 247–82. http://dx.doi.org/10.17247/jklle.2007..41.247.

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31

Kavtaradzé, Sergeïj. "Le « chronotope » de la culture stalinienne." Communications 55, no. 1 (1992): 135–56. http://dx.doi.org/10.3406/comm.1992.1840.

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32

Färnlöf, Hans. "Chronotope romanesque et perception du monde." Poétique 152, no. 4 (2007): 439. http://dx.doi.org/10.3917/poeti.152.0439.

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33

Pavlov, Mikhail Mikhailovich, and Ekaterina Igorevna Kolomoichenko. "Plot and chronotope in theatrical performance." Vestnik of Saint Petersburg State University of Culture 2 (June 2018): 180–85. http://dx.doi.org/10.30725/2619-0303-2018-2-180-185.

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34

Aleksić, Slađana. "Chronotope in the theory of narrative." Зборник радова Филозофског факултета у Приштини 49, no. 2 (2019): 43–58. http://dx.doi.org/10.5937/zrffp49-21466.

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35

Bereznitsky, Sergey V., Petr V. Primak, and Ekaterina V. Titova. "The Tomsk chronotope of Kamchatka expeditions." Vestnik Tomskogo gosudarstvennogo universiteta, no. 437 (December 1, 2018): 110–17. http://dx.doi.org/10.17223/15617793/437/16.

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Jeusette, Julien. "Le chronotope de la « route moderne »." Études françaises 53, no. 3 (December 4, 2017): 169–80. http://dx.doi.org/10.7202/1042290ar.

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Guidé par le concept de « chronotope », que Mikhaïl Bakhtine applique à l’analyse de la littérature européenne, cet article pose l’hypothèse selon laquelle l’espace-temps particulier qui se déploie dans le genre du road movie à la fin des années 1960 est déjà présent dans l’un des premiers textes à rendre compte d’un voyage en automobile, La 628-E8, récit d’Octave Mirbeau, en 1907.

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Dergacheva, Irina. "The Eschatological Chronotope of Fyodor Dostoevsky." Quaestio Rossica 7, no. 4 (2019): 1143–59. http://dx.doi.org/10.15826/qr.2019.4.429.

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Jaramillo Medina, Carlos. "Urban chronotope. Cuenca of Los Andes." Estoa 2, no. 2 (May 30, 2013): 21–25. http://dx.doi.org/10.18537/est.v002.n002.03.

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Voronina, N. I. "A.I. POLEZHAEV – I.D. VORONIN: MEMORY CHRONOTOPE." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 70 (2020): 38–43. http://dx.doi.org/10.37313/2413-9645-2020-22-70-38-43.

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Blommaert, Jan. "Commentary: Mobility, contexts, and the chronotope." Language in Society 46, no. 1 (February 2017): 95–99. http://dx.doi.org/10.1017/s0047404516000841.

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Mobility raises specific issues with regard to what we understand by ‘context’, and in this commentary I suggest that Bakhtin's concept of chronotope could be a useful instrument enabling a precise and detailed, mobile, unit of ‘context’. This unit connects specific time-space arrangements with ideological and moral orders, projecting possible and preferred identities. The articles in this issue offer rich material in this direction.

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Mahmutović, Adnan. "Chronotope in Moore and Gibbons's Watchmen." Studies in the Novel 50, no. 2 (2018): 255–76. http://dx.doi.org/10.1353/sdn.2018.0014.

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임이연. "Poetics of Ambiguity: Reading Shakespeare’s Chronotope." Journal of English Language and Literature 56, no. 1 (March 2010): 3–23. http://dx.doi.org/10.15794/jell.2010.56.1.001.

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Beaude, Pierre-Marie. "Paul et le chronotope de l'empire." Studies in Religion/Sciences Religieuses 37, no. 3-4 (September 2008): 467–79. http://dx.doi.org/10.1177/000842980803700306.

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Cet article est centré sur l'esthétique paulinienne, alors que l'exégèse a généralement plus d'intérêt pour la rhétorique. Lesthétique commence par un intérêt pour l'espace-temps, deux catégories de l'esthétique transcendantale de Kant. M. Bakhtine les a reprises pour créer son concept de chronotope, très utile pour l'étude des caractéristiques des romans occidentaux. Avec l'aide de P. Ricoeur et d'autres chercheurs, je souligne les différents niveaux de l'espace-temps dans les lettres de Paul. À la différence de saint Luc, Paul ne lie pas le salut au grand récit de l'histoire gréco-romaine, mais il insiste sur l'abrogation du temps par l'eschatologie et sur le récit de sa propre histoire comme réceptacle du salut. Le récit des ancêtres d'Israël ne prend pas la place du récit gréco-romain, mais est mis, par réécriture, au service du kairos qu'il expérimenta à Damas.

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Shvetsova, T. V., and V. E. Shakhova. "Chronotope of Russian Works about Robinson." Nauchnyi dialog, no. 5 (May 28, 2021): 287–302. http://dx.doi.org/10.24224/2227-1295-2021-5-287-302.

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The results of the study of the chronotope in Russian-language compositions based on the novel about Robinson’s adventures are presented. The material for the work was A. E. Razin’s novel “The Real Robinson” (1860) and Lev Tolstoy’s story “Robinson” (1862). The issues of the specifics of the representation of the chronotopic in the works of Russian writers are considered. The relevance of the study is due to the appeal to the universal of the chronotope, which contains an exhaustive toolkit for the artistic embodiment of images of space and time; as well as the search for new methods of literary analysis of the text. It is shown that in the analyzed texts, a kind of fusion of Russianlanguage compositions with a foreigncultural text in the aspect of a chronotope is realized. The similarities and differences in the rethinking of the story of Robinson are shown on the example of the model of textual connexity, the national specifics of the representation of the image of Robinson are indicated. It is noted that the external and internal chronotopes are retransmitted from work to work and create the basis for the emergence of the author’s intentions. It is proved that chronotopic analysis allows one to form an idea of the peculiarities of the Russian-language interpretation of the story of Robinson.

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Viķis-Freibergs, Vaira. "Narrative Structures, Meanings, and Life Histories in the Historical Novel Kaugurieši." Journal of Narrative and Life History 1, no. 4 (January 1, 1991): 343–62. http://dx.doi.org/10.1075/jnlh.1.4.05str.

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Abstract Narrative structures serve the double function of selecting episodes and charac-ters to be included in the narration, as well as offering a generative mechanism for their sequencing, both functions being simultaneous and mutually interac-tive. According to Eco (1984), narrative structures are multilayered, including an abstract level of ideology. Few studies have been done on specific narrative subgenres, such as the historical novel. This article examines a historical novel by Latvian writer Karlis Zariņš (1938, 1948, 1975, 1985), which depicts a failed peasant uprising at Kauguri, Latvia in 1802. Bakhtine's (1978) theoreti-cal notion of chronotope is invoked, distinguishing the external chronotope— the general historical and geographic situation—from the internal chronotope—the sequence of individual transformations. In Kaugurieši, the ex-ternal chronotope is depicted as a sociopolitical chess game, in which the Rus-sian king and the German knights play active roles, the queen is chance, and the pawns (Latvian peasants) are helpless victims. The plot centers on a tragi-cally failed attempt by the Latvians to change the historical givens by becom-ing an active, collective force. The internal chronotopes reveal the paths of individual lives, some of which follow the abstract model of heroic quest and sacrifice. (Psychohistory)

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Busby, Eleanor Ann. "Book Review: Mind Castle, Mind Castle II." Gifted Child Today Magazine 14, no. 6 (November 1991): 29. http://dx.doi.org/10.1177/107621759101400610.

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Gejmbuh, E. Yu. "«Prose Poems» by I.S. Turgenev: «Inner» Chronotope as Cycle-organized Characteristics." Russian language at school 79, no. 9 (November 15, 2018): 37–41. http://dx.doi.org/10.30515/0131-6141-2018-79-9-37-41.

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The cycle-organized characteristics underlied «Prose Poems» by I.S. Turgenev are understudied though the cycle investigation has the long history. The article is dedicated to the originality of «inner» chronotope as the cycle-organized characteristics of «Prose Poems». The chronotope of the miniature «Derevnya» and two «reflex» miniatures «Cherepa» and «Stoy!» is considered as the something like the whole according to organization of the extra- and inner-space and local and panhuman time.

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Ilivitskaya, Larisa G. "The city and its co-existential chronotope: a diagnostic aspect." Verhnevolzhski Philological Bulletin 1, no. 24 (2021): 178–84. http://dx.doi.org/10.20323/2499-9679-2021-1-24-178-184.

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The article attempts to substantiate the possibilities of the chronotope as a tool for cultural diagnostics of the city. The angle of the research is chosen due to the current demand for a transdisciplinary approach in the study of a variety of phenomena associated with human existence. In this regard, the city is no exception, its research also involves the use of methodologies which allow combining managerial practices and scientific theories. The city is considered in the article in its «medial existence» as a space of meanings, which makes it possible to use the chronotope as an ontological unit, which can be used as the basis for the cultural diagnostics of the city. Due to the fact that the chronotope connects temporal-topos and semantic criteria into a single structure, different dimensions of the city acquire specific expression, being reflected in various chronotopic invariants (profane, global, innovative, etc.). The author concentrates on the co-existential chronotope which focuses on the present of the city, reflecting its spatio-temporal foundations, within the boundaries of which the life and activity of a person as a consumer of urban spacetime take place. Saturation, concentration and proportionality are suggested as indicators of the co-existential chronotope, which make it possible to carry out culturological diagnostics of the city. Saturation reflects the existing spectrum of spatio-temporal configurations, in which there is a direct reproduction of human life in the city, the realization of human needs and interests, the formation of a person as a city dweller. Concentration indicates the differentiation of the city from the point of view of the «centrality» of the place, determined by its functional purpose. Proportionality allows you to identify the correspondence between the city and its inhabitants, considered in a subjective aspect.

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Terentowicz-Fotyga, Urszula. "Defining the dystopian chronotope: Space, time and genre in George Orwell’s 'Nineteen Eighty-Four'." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/3 (December 17, 2018): 9–39. http://dx.doi.org/10.26881/bp.2018.3.01.

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The paper examines George Orwell’s Nineteen Eighty-Four as a canonical example of the dystopian novel in an attempt to define the principal features of the dystopian chronotope. Following Mikhail Bakhtin, it treats the chronotope as the structural pivot of the narrative, which integrates and determines other aspects of the text. Dystopia, the paper argues, is a particularly appropriate genre to consider the structural role of the chronotope for two reasons. Firstly, due to utopianism’s special relation with space and secondly, due to the structural importance of world-building in the expression of dystopia’s philosophical, political and social ideas. The paper identifies the principal features of dystopian spatiality, among which crucial are the oppositions between the individual and the state, the mind and the body, the high and the low, the central and the peripheral, the past and the present, the city and the natural world, false and true signs.

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Le Brun, Claire. "Chronotopes du roman québécois pour adolescents." Dossier 25, no. 2 (August 28, 2006): 268–79. http://dx.doi.org/10.7202/201480ar.

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Résumé Cette étude applique le concept bakhtinien de chronotope (unité de temps et de lieu) à un ensemble éditorial homogène : la collection « Roman Plus » des Éditions La courte échelle destinée aux adolescents. De façon significative, la plupart des récits qui s'écartent du chronotope dominant (le plus souvent la période scolaire en milieu urbain) présentent des caractéristiques communes : davantage d'importance accordée au temps dans sa dimension existentielle et une plus grande complexité sur les plans narratologique et énonciatif.

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