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Stamenković, Slađana S. "THE CITY, THE DESERT, THE ROAD: AMERICAN CHRONOTOPES IN DELILLO’S UNDERWORLD." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 8, no. 8 (April 4, 2019): 97–108. http://dx.doi.org/10.19090/zjik.2018.8.97-108.
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In the contemporary discussion of the concept of space, there is a tendency to employ space to make a comment about the society that inhabits it. Regarding this and the prose of the contemporary American authors, the theory of Bakhtin’s chronotope may be one of the most legitimate ways to depict the society of contemporary America. In the fiction of Don DeLillo, one could discuss three typical American chronotopes: the city, the desert, and the road. The said chronotopes may be interpreted within the scopes of Bakhtin’s original chronotopes. They operate on both individual and mutually overlapping levels. In one way or the other, the American chronotopes mentioned seem to function as the ultimate Nowhere, space where the modern characters go to disappear in DeLillo’s prose.
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Macmillan, Catherine. "The Witch(ES) of Aiaia: Gender, Immortality and the Chronotope in Madeline Miller’s Circe." Gender Studies 18, no. 1 (December 1, 2019): 27–38. http://dx.doi.org/10.2478/genst-2020-0002.
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Abstract This article explores Madeline Miller’s Circe from the perspective of Bakhtin’s concept of the chronotope, the inseparability of space and time in fiction. The article focuses on the chronotopes of the road, the idyll and the threshold in the novel, and how these intersect with its themes of gender and immortality. The island of Aiaia acts as a threshold, transforming all who cross it. Circe’s life on the island, however, is a repetitive idyll; only at the end of the novel does she become a traveller on the road herself rather than just a stop on the way.
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Buda, Agata. "The idyllic chronotope in Far from the Madding Crowd by Thomas Hardy." Ars Aeterna 12, no. 1 (June 1, 2020): 1–9. http://dx.doi.org/10.2478/aa-2020-0001.
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AbstractThe paper presents the idea of the chronotope in the novel Far from the Madding Crowd by Thomas Hardy, with special attention paid to idyllic time and space. The research is mainly based on the theory of chronotopes according to Mikhail Bakhtin, who distinguishes various types and motifs within this notion. The author presents here the features of an idyllic chronotope, among them vast descriptions of nature and its connection with human life, as well as the destruction of an idyll, unhappy love and the motif of a road or path, which seems to be one of the most significant motifs in the work. The paper also presents the importance of coincidence and the sudden decisions of characters in the process of constructing the whole story of Gabriel and Bathsheba.
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Levanat-Peričić, Miranda. "The Chronotope of Exile in the Post-Yugoslav Novel and the Boundaries of Imaginary Homelands." Colloquia Humanistica, no. 7 (December 18, 2018): 82–97. http://dx.doi.org/10.11649/ch.2018.005.
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The Chronotope of Exile in the Post-Yugoslav Novel and the Boundaries of Imaginary HomelandsAlthough the chronotopic approach to the novels of exile is almost self-explanatory, certain specifics expressed by post-Yugoslav exile narrations evoke a separate chronotope interpretation. First and foremost, post-Yugoslav literature is additionally encumbered with the identity issue because the abandoned areas of the nineties for the exiled writer do not disappear at a metaphorical level, by turning into a mnemotope, but in the actual break-up of the political entity, the imaginary supranational heritage transforms itself into a kind of counterculture, mostly affirmed by exile writers. Therefore, returning to the abandoned place often becomes possible only as a return to the past. In this paper, the literary theme of exile will be followed comparatively, starting from the reflective nostalgia in the prose of Dubravka Ugrešić (The Ministry of Pain), through a global exile which reflects the history of the relationship between European persecutions and America as an unfair homeland, which breaks all identity support in the novels of Aleksandar Hemon (The Nowhere Man; The Lazarus Project), to the intra-Yugoslav, "hereditary" exile in the novels of Goran Vojnović (Chefurs Raus!; Yugoslavia, My Homeland), which fathers left to their sons like a curse of the genus. In the texts mentioned above, the chronotope of exile is dealt with at the level of genre, as the major, supreme chronotope, which includes or opens space to a series of specific local chronotopes, which are fundamental to exile narration. These motifs are also encountered in other genres, but in exile narration they are the bearing pillars of the genre. They are, by their nature, chronotopic because they are realised through the binary spatial-temporal categories of presence and absence, affiliation and non-affiliation, anchoring and nomadism. In this paper, I will look at three such chronotope motifs: 1) the motif of home as a non-place or a place of absence; 2) the motif of other/mirror country and other/”mirror” history; 3) the motif of return and travel (by train), which regularly invokes the stereotypical representation of the place and the past. Chronotop wygnania w powieści postjugosłowiańskiej i granice ojczyzn wyobrażonychChociaż chronotopiczne podejście do analizy powieści problematyzujących wygnanie wydaje się oczywiste, to specyficzne cechy postjugosłowiańskich powieści tego rodzaju wymagają szczególnej interpretacji koncepcji chronotopu, ponieważ literatura postjugosłowiańska jest dodatkowo obciążona kwestią tożsamości. Dla wygnanego pisarza opuszczone przestrzenie lat dziewięćdziesiątych nie znikają jedynie na poziomie metaforycznym, zamieniając się w przestrzeń pamięci (mnemotop), ale faktycznie przestają istnieć jako rzeczywisty byt polityczny. Tym samym, wyobrażone dziedzictwo ponadnarodowe przekształca się w swoistą kontrkulturę, w większości afirmowaną przez pisarzy na wygnaniu. Dlatego też powrót do opuszczonej przestrzeni często jest możliwy jedynie jako powrót do przeszłości. Artykuł omawia literacki motyw wygnania w perspektywie komparatystycznej. Rozpoczyna się od refleksyjnej nostalgii w prozie Dubravki Ugrešić (Ministerstwo bólu). Następnie wiedzie poprzez globalne wygnanie, które odzwierciedla historię związków między europejskimi prześladowaniami a Ameryką jako niesprawiedliwą ojczyzną łamiącą wszelkie tożsamości, w powieściach Aleksandra Hemona (Nowhere Man, The Lazarus Project). Wreszcie, dochodzi do wewnątrzjugosłowiańskiego wygnania „dziedzicznego” w powieściach Gorana Vojnovicia (Chefurs Raus!, Yugoslavia, My Homeland) – wygnania, które ojcowie pozostawili swoim synom niczym przekleństwo rodzaju. W wyżej wymienionych tekstach chronotop wygnania jest rozpatrywany na poziomie gatunku jako główny, nadrzędny chronotop, który zawiera w sobie lub otwiera przestrzeń dla szeregu specyficznych chronotopów lokalnych, fundamentalnych dla narracji wygnańczych. Chociaż podobne motywy występują także w innych gatunkach, to są one filarami w przypadku narracji wygnańczych, z natury chronotopicznych, gdyż realizowanych za pomocą binarnych kategorii czasoprzestrzennych: obecności i nieobecności, przynależności i braku przynależności, zakotwiczenia i nomadyzmu. W tym artykule przyjrzę się trzem takim motywom chronotopu: 1) motywowi domu jako nie-miejsca lub miejsca nieobecności; 2) motywowi innych/lustrzanych krajów i innych/lustrzanych historii; 3) motywowi powrotu i podróży (pociągiem), który regularnie przywołuje stereotypowe przedstawienie miejsca i przeszłości. Kronotop egzila u postjugoslavenskom romanu i granice imaginarnih domovinaPremda je kronotopski pristup romanima egzila gotovo samorazumljiv, određene specifičnosti koje iskazuje postjugoslavenske egzilne naracije prizivaju zasebnu kronotopsku interpretaciju. Prije svega, postjugoslavenska književnost opterećena je dodatnim identitetskim bremenom jer napušteni prostori devedesetih godina za pisca u egzilu ne nestaju na nekoj metaforičkoj razini seleći se u mnemotope, nego se stvarnim raspadom političke cjeline, imaginarna supranacionalna baština transformira u svojevrsnu kontrakulturu, najčešće afirmiranu upravo posredstvom egzilnih pisaca. Stoga i povratak na napušteno mjesto često postaje moguć samo kao povratak u prošlost. U ovom će se radu književna tema egzila pratiti komparativno, počevši od refleksivne nostalgije u prozi Dubravke Ugrešić (Ministarstvo boli), preko globalnog egzila u kojemu se zrcali povijest odnosa europskih progona i Amerike kao maćehinske domovine koja rastače sve identitetske oslonce u romanima Aleksandra Hemona (Čovjek bez prošlosti; Projekat Lazarus), do unutarjugoslavenskog, „naslijeđenog“ egzila u romanima Gorana Vojnovića (Čefuri raus!; Jugoslavija, moja domovina), koje, poput prokletstva roda, očevi ostavljaju sinovima. U navedenim tekstovima o kronotopu egzila govorimo na razini žanra, kao glavnom, nadređenom kronotopu koji uključuje ili otvara prostor nizu specifičnih lokalnih kronotopa ili motiva, ključnih za egzilnu naraciju. Te se motivske jedinice susreću i u drugim žanrovima, no u egzilnoj su naraciji nosivi stupovi žanra. Po svojoj su naravi kronotopični jer se realiziraju kroz binarne prostorno-vremenske kategorije prisutnosti i odsutnosti, pripadanja i nepripadanja, usidrenosti i skitalaštva. U ovom radu osvrnut ću se na tri takva kronotopska motiva: 1. motiv doma kao ne-mjesta ili mjesta odsustva; 2. motiv druge/zrcalne domovine i druge/zrcalne povijesti; 3. motiv povratka i putovanja (vlakom), koje redovito priziva stereotipnu reprezentaciju mjesta i prošlosti.
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Malkina, Viktoria Ya. "VISUAL ASPECTS OF THE CHRONOTOPE: "THE ISLAND OF ISRAEL" AND "THE ROAD TO ISRAEL" BY A. GORODNITSKY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 82–91. http://dx.doi.org/10.28995/2686-7249-2020-9-82-91.
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The paper analyzes two works by A. Gorodnitsky – the poem “The Island of Israel” (1993) and the song “The Road to Israel” (2007), from the point of view of spatial and temporal organization, as well as visual imagery, with the help of which the artistic world of works is depicted. Thus, the main purpose of the article is to analyze the visual features of the Israel chronotope in the two designated works. For this, firstly, the space, time and visual imagery in the poem and in the song are analyzed in detail. Then observations and conclusions are systematized and compared with the audiovisual representation of these works in the film by A. Gorodnitsky and N. Kasperovich “Atlantes hold the sky” (episode 14). As a result, conclusions are drawn about the peculiarities of the visual organization of the chronotope of Israel in these poems by A. Gorodnitsky, based on the concept of the chronotope of M.M. Bakhtin. The visual chronotope is primarily made of space through which time is also visible, and therefore the chronotope as a whole. Other features of the chronotope are associated with the cyclical organization of time, the combination of the past and the future, as well as the real and imaginary world of the lyric subject.
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Kim, Cheol-soo. ""Two Gallants" and the Chronotope of the Road." Journal of Mirae English Language and Literature 23, no. 1 (February 28, 2018): 49–68. http://dx.doi.org/10.46449/mjell.2018.02.23.1.49.
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Jeusette, Julien. "Le chronotope de la « route moderne »." Études françaises 53, no. 3 (December 4, 2017): 169–80. http://dx.doi.org/10.7202/1042290ar.
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Guidé par le concept de « chronotope », que Mikhaïl Bakhtine applique à l’analyse de la littérature européenne, cet article pose l’hypothèse selon laquelle l’espace-temps particulier qui se déploie dans le genre du road movie à la fin des années 1960 est déjà présent dans l’un des premiers textes à rendre compte d’un voyage en automobile, La 628-E8, récit d’Octave Mirbeau, en 1907.
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Немировська, О. Ф. "The chronotope of road in the genre of historical prose." Мова, no. 28 (November 21, 2017): 82–88. http://dx.doi.org/10.18524/2307-4558.2017.28.115849.
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Dominenko, Natal'ya Viktorovna, and Yuliya Yur'evna Kravinskaya. "Points of intersection of space-time planes of the “foreign world” in epistolary prose of the English romanticists." Litera, no. 7 (July 2021): 64–79. http://dx.doi.org/10.25136/2409-8698.2021.7.35780.
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The subject of this research is the points of intersection of space-time relations of the “foreign world” in such form of authorial self-expression as correspondence of the English romanticists. The goal is to examine the key elements of the chronotope of “foreign world”, and determine the peculiarities of their functionality in the romantic epistolary prose. The object of this research is the 50 letters of W. Wordsworth, 224 letters of G. G. Byron, 67 letters of P. B. Shelley, 51 letters of J. Keats, and 200 letters of R. Southey. The article employs a set of general scientific and special literary criticism methods, such as descriptive, biographical, historical-genetic, historical-functional, structural-semantic, and comparative-typological. It is established that the “foreign world” in the correspondence of English romanticists is represented by the following points of intersection of space-time planes: chronotope of the road / road meetup / traffic accident; contact / meetup / date; cities / countries / villages, with the dominant motifs of the road and contact. Leaning on the analysis of space-time plane of the “foreign world” in the correspondence of English romanticists, the conclusion is made that the chronotope of “foreign world” is a certain access code to the world pattern of English romanticists, the key category that resembles the worldview of a particular epoch, namely romanticism. The scientific novelty lies in the fact that this work is first to analyze space-time relations of “foreign world” in the correspondence of English romanticists. The future research should focus on the types and peculiarities of functionality of the chronotope of “native world” in the correspondence of English romanticists, as well as the interaction of space and time in the correspondence of English realist writers, determining and comparing the integral and variable traits characteristic to epistolary prose as a whole.
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Noeva (Karmanova), Sargylana E. "Liminal World in Yakut Culture: The Role and Place of Man in the Space of the Road." NSU Vestnik. Series: Linguistics and Intercultural Communication 19, no. 1 (2021): 40–52. http://dx.doi.org/10.25205/1818-7935-2021-19-1-40-52.
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The relevance of this article is dictated by the need to study one of the main components of the Yakut geocultural landscape - the liminal road space, which is considered to be an fictional system of its own. In this regard the scientific novelty of the article is obvious: the need to view the liminal (intermediate) space as a semantic structure manifested in the constancy of images, universals that have cultural, historical, and mental commonality. The study of one of the interesting aspects of the local text, the intermediate space, has not received detailed development in Yakut science to this day. The purpose of this article is to identify the borderlines and space boundaries in particular in the context of the chronotopic system of the Yakut novel. The author emphasizes the interest in the liminal chronotope and the road as a special chronotopic complex that strengthens other spatial structures, or rather topos of the alas (villages) and cities, without which it is impossible to build a complete geopoetic picture of the Yakut world. In the context of the above theme, the image of a literary hero, whose consciousness is extremely responsive to modifications of the surrounding landscape, acquires a new semantic function. The author of the article adheres to the viewpoint that the process of evolution of the hero of the path, which is fully revealed in the space of the road, most clearly shows cultural signs of the perception of the problem of life and death which in different literary periods acquire unexpectedly interesting properties. The results of the research undertaken in this article can be used in the fictional landscape study, which is becoming the most relevant in recent times in Russian Text Linguistics.
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KOMANDYSHKO, Elena F. "The Study of the Use of the Artistic Resource in Educational Tourism." Journal of Environmental Management and Tourism 9, no. 4 (October 28, 2018): 861. http://dx.doi.org/10.14505//jemt.9.4(28).20.
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The author of the article refers to the problem of educational tourism as an artistic resource for modern education. The content of the article is based on the disclosure of different types of cultural and educational tourism and specificity of manifestation of artistic interests and search for the conditions for the realizations cultural and cognitive routes for children and youth. As an example, the technology of “art-pedagogy”, theatrical and game forms of education are presented, and the meaning of the "chronotope" of the path (road) in the context of the artistic resources of educational tourism is considered. The article reveals the essential characteristic of the depictive, plot, socio-historical and meaning-forming meaning of the chronotope. This helps to disclose cultural and historical meanings in terms of space and time. The article shows that the artistic resources of educational tourism are rather versatile and diverse. This contributes to the expansion of needs and development of artistic interest of children and youth.
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Kroó, Katalin. "Chronotope Dynamics in M. Yu. Lermontov’s Poem Alone I Set out on the Road…" Izvestia of the Ural federal university. Series 2. Humanities and Arts 22, no. 1(196) (2020): 173–90. http://dx.doi.org/10.15826/izv2.2020.22.1.012.
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Pittman, Barbara L. "Cross-Cultural Reading and Generic Transformations: The Chronotope of the Road in Erdrich's Love Medicine." American Literature 67, no. 4 (December 1995): 777. http://dx.doi.org/10.2307/2927895.
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Makris, Dimitrios, and Maria Moira. "Augmented Entanglement of Narrative Chronotopes and Urban Territories." AM Journal of Art and Media Studies, no. 20 (October 15, 2019): 87. http://dx.doi.org/10.25038/am.v0i20.335.
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The complex conditions of urban places render it difficult to identify and perceive their multivariate aesthetic characters. The question examined herein is in which ways digital media like Augmented Reality (AR) can facilitate a more comprehensive aesthetic appreciation of a place by individuals, enhance their overall experience and allow them to recognize the aesthetic distinctiveness of places that may be phenomenologically dense with aesthetics, memory, meaning, legibility. The framework proposed is founded on the inherent power of novels as chronotopes of potential dialogical experiences and on four characteristic strategies of AR.Narrative chronotope singularities are fundamental sources for understanding the collective, cultural, historical, social and spatial practices, leading to an understanding of urban environments. So the first step is to extract narrative chronotope analysis content from a novel’s urban substance (buildings, roads, squares), characters, plot and sequence of events. The second step involves a three-dimensional re-creation of urban heritage components. Finally, the AR media is interwoven with the novels based on four strategies: reinforcement of aspects of real-world urban places by digitally overlaying the novel’s setting; recontextualization to achieve the semantic transformation of places as the novel’s significance and meanings are revealed; remembrance by facilitating the emergence of diverse identities and memories; and re-embodiment through achieving a deeper understanding and re-interconnectedness with the aesthetic aspects of urban places.Augmented narrative descriptions restore harmony between body-mind-environment and fiction while ensuring that different times, places and psychological situations coincide. The proposed novel-based digitally-mediated interaction could provide a shift that leads to the embodiment, enhancement and re-conceptualization of the diverse aesthetic dimensions of constructs such as ‘heritage monuments’, ‘local community’, ‘public place’, etc.Article received: April 2, 2019; Article accepted: July 6, 2019; Published online: October 15, 2019; Review articleHow to cite this article: Makris, Dimitris and Maria Moira. "Augmented Entanglement of Narrative Chronotopes and Urban Territories." AM Journal of Art and Media Studies 20 (2019): 87-96. doi: 10.25038/am.v0i20.335
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Bushell, Sally, James Butler, Duncan Hay, Rebecca Hutcheon, and Alex Butterworth. "Chronotopic Cartography: Mapping Literary Time-Space." Journal of Victorian Culture 26, no. 2 (April 1, 2021): 310–25. http://dx.doi.org/10.1093/jvcult/vcab004.
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Abstract This short methods paper emerges out of the AHRC-funded ‘Chronotopic Cartographies’ project for the digital mapping of place and space as represented in works of literature. The primary aim of that project was to find a way of mapping and visualizing represented literary worlds for which there is no corresponding real ‘ground’. A solution was found in the form of topological graphs which allow for relative rather than absolute mapping (but also permit a relative imaginary map to be lain on top of a pre-existing cartesian form). Using a spatial schema to chunk out the text in terms of chronotopic (time-space) zones enables the generation of a series of visualizations that show different kinds of spatio-temporal constructions in texts. The visualizations are centred upon nodes that consist of chronotopes (e.g. ‘the road’) as well as locations (e.g. ‘road to Geneva’); connections between them of different kinds and toporefs within them (references to other places from this one). The paper will articulate core methods from the project, outlining the stages involved in the process, from marking up the text, using a custom-made schema, through graph generation and into the implications for analysis. This will be illustrated in relation to two Victorian texts: the realist space of Dickens’s Oliver Twist; and the abstract poetic space of Browning’s ‘Childe Roland to the Dark Tower Came’.
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Novaković, Nikola. "Carnivalesque humour in Ça, c’est Filarmo, Nic." Libri et liberi 8, no. 1 (October 31, 2019): 27–54. http://dx.doi.org/10.21066/carcl.libri.8.1.4.
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The article analyses the humour in Hermann Huppen and Morphée’s series of comic books about a boy called Nick, with primary focus on the third issue, Ça, c’est Filarmo, Nic [That’s Filarmo, Nick]. Drawing on Bakhtin’s theory of the carnivalesque, the article identifies a variety of humorous devices, including wordplay, puns, quotations, unusual transformations, and mésalliances. Special attention is paid to the visual level of the comic book. Humour is located in visual metamorphoses, invisible “phantom” panels, and the incongruity between words and images. The article also addresses the comic book’s intertextual ties with Little Nemo in Slumberland, a series of comic strips from the early 20th century, and compares the way authority is represented and challenged in the two texts. The impossible spaces that Nick traverses within the chronotope of the road are examined as places that invert the usual hierarchies and relations, allowing Nick to experience a level of agency usually reserved for adults. The end of Nick’s travels across the dreamscape is examined as both a departure and continuation of the pattern from Little Nemo, and as a logical conclusion of a temporary carnivalesque subversion of traditional structures that dominate the adult world.
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Sapozhnikova, Yulia L. "Human in a Dystopian World: The Approaches of W. Golding and C. McCarthy." Observatory of Culture 15, no. 5 (December 14, 2018): 566–75. http://dx.doi.org/10.25281/2072-3156-2018-15-5-566-575.
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The article compares the views of the English writer W. Golding and the American novelist and playwright C. McCarthy on the human in a dystopian world. This work is relevant due to the undying interest in this genre and the lack of research on this topic. It is possible to compare the novels Lord of the Flies by W. Golding (1954) and The Road by C. McCarthy (2006), since in both the works the main characters are children / a child, and one of the key themes is the theme of road / movement. The chronotope of these novels is similar: the authors do not specify neither the cause of the catastrophe, nor the time of the events; the past is represented by a series of flashbacks. The space in the texts is limited and mainly characterized by words from the same thematic groups. The characters, finding themselves in extreme conditions, almost completely lose their humanity and, in their behavior, are likened to animals.However, the authors’ views on the human are different. According to W. Golding, the good constantly struggles with the evil within a person, and you can cope with the evil beginning, if only controlled by some restraining public settings. C. McCarthy believes that love helps people to preserve humanity. In order to fully reveal their own vision of the topic, both the writers resort to a symbolic interpretation of the fire, which W. Golding transforms from a tool of salvation into a means of destruction, and C. McCarthy, on the contrary, makes it a means of not only guaranteeing physical survival, but also helping to preserve the soul and faith.
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Евстратенко, Анжелика Владимировна. "THE ROAD SYMBOLISM IN THE ARCHITECTURAL CONCEPT." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 1(27) (April 2, 2021): 25–47. http://dx.doi.org/10.23951/2312-7899-2021-1-25-47.
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В статье рассматриваются вопросы эволюции архитектурного пространства сервисных объектов в зонах влияния транспортных коммуникаций под воздействием мировоззренческих подходов. Автомобильная дорога – это общедоступный и нередко первичный носитель культурных традиций региона. Проблема философского познания смысла архитектуры как формы культуры в целом и в приложении к теме исследования связана с развитием общественных идей и прогрессом инженерно-строительной сферы. Формирование зданий и сооружений в полосе отвода крупных автомобильных трасс характеризуется целым рядом особенностей, среди которых можно отметить значимость природного и агрокультурного ландшафта, малоэтажность застройки или вовсе ее отсутствие, протяженность создаваемого ансамбля, важность знаковой коммуникации. Значимость их как объекта исследования в рамках семиозиса до сих пор не была оценена в полной мере. Актуальность работы обусловлена важнейшей ролью архитектуры в визуальной коммуникации, ценностно-практическом восприятии и эмоционально-чувственном освоении пространства крупных автомобильных дорог. Целью автора является анализ семиотической роли формируемого придорожного обустройства при смене главенствующих парадигм. Исследование базируется на анализе фактологических данных через призму фундаментальных концепций. Рассматриваются отдельные примеры влияния философско-культурологических воззрений на формирование архитектурно-планировочной структуры придорожных объектов. Все они демонстрируют то, что архитектурные объекты в придорожном пространстве не безликие объемные сооружения, призванные удовлетворять сиюминутные потребности участников дорожного движения, а эстетико-психологические формы организации придорожных территорий, в определенной степени диктующие поведенческие паттерны пользователей. Функции архитектурного пространства тесно связаны с физиологией человеческого восприятия и должны строиться с учетом визуальных свойств среды. При предварительном ситуационном анализе потенциала участка местности и формируемого образа придорожных объектов для «встраиваемости» архитектурных объектов в динамично меняющийся ландшафт необходимо учитывать средовые детерминанты и ландшафтные ценности; расположение относительно крупных городских поселений, прилегающей застройки (при наличии), оси трассы и открытых пространств; динамическую перцепцию пространства, линии обзора и коридоры видимости при движении транспортного средства; точки преимущественного обзора объекта; визуальные и аудиальные связи основных функциональных зон и линии трассы. Форма существования и идейное наполнение дороги – это символ хронотопа современности, а ее архитектурное обустройство – основной механизм трансляции культуры. Поэтому важно найти метод сохранения культурной идентичности в приложении именно к данному типу коммуникационного пространства. Проведенный анализ позволяет рекомендовать принципы обустройства автомобильных дорог: учет влияния местных традиций, аттрактивное интегрирование, использование топографии местности и выразительных свойств ландшафта, толерантность архитектуры, экологическая и социальная ответственность, чувство контекста, пригодность к трансформации, вырабатывание дизайн-кода и брендинг. В обозримом будущем, по нашему мнению, время в пути будет трактоваться как полезный опыт, познавательная и развивающая деятельность, отдельный вид досуга. Можно говорить о дальнейшей трансформации коммуникационного пространства в полезное или эффективное и иных подходах к его наполнению. Вероятные сценарии развития придорожных зданий и сооружений в зависимости от исходных условий местности заключаются в обеспечении обусловленных внешних и внутренних визуальных связей сервисных зон и их оптимальной архитектурно-пространственной организации. Практическая значимость работы состоит в возможности использования результатов в дальнейших исследованиях развития придорожной архитектуры и выявлении позитивных и негативных сценариев ее восприятия. The article discusses the evolution of the architectural space of service objects in the zones of transport communication influence under worldview approaches. The highway is a publicly accessible and often primary carrier of the region's cultural traditions. The problem of philo-sophical knowledge of architecture as a form of culture in general and as applied to the research topic is connected with the development of public ideas and the progress of the engineering and construction industry. The construction of buildings and structures in the right-of-way spaces of large highways has a number of features, including the importance of natural and agricultural landscapes, low-rise buildings or their absence, the length of constructed complexes, the im-portance of sign communication. The importance of these features as an object of research with-in semiosis has not yet been fully assessed. The relevance of the work is conditioned by the cru-cial role of architecture in visual communication, the value-based practical perception and emo-tional and sensory exploration of the space of major highways. The author's aim is to analyse the semiotic role of the roadside development, the role being shaped when the dominant para-digms change. The research is based on factual data analysis through the prism of fundamental concepts. Some examples of how philosophical and cultural views influence the formation of architectural and planning structure of roadside objects are considered. The examples demon-strate that architectural objects in roadside spaces are not faceless, voluminous structures de-signed to meet the immediate needs of road users, but rather aesthetic and psychological forms of roadside area organisation that to a certain extent dictate user behaviour patterns. The func-tions of the architectural space are closely linked to the physiology of human perception and must be built on the visual properties of the environment. The preliminary situational analysis of the potential of the area and the image of roadside objects to “embed” architectural objects into the dynamically changing landscape must take into account the following: the environmental determinants and landscape values; the location of relatively large urban settlements, adjacent buildings (if any), road axes and open spaces; the dynamic perception of the space, the lines and corridors of visibility when a vehicle is moving; the points of the preferential view of the object; the visual and audial links between the main functional areas and the highway line. The form of existence and the ideological content of the road is a symbol of the chronotope of modernity, and its architectural arrangement is the main mechanism for transmitting culture. It is therefore important to find a way to preserve cultural identity in the application of this particular type of communication space. The analysis allows recommending the principles of highway develop-ment: consideration of the impact of local traditions, attractive integration, use of topography and expressive properties of the landscape, tolerance of architecture, environmental and social responsibility, sense of context, suitability for transformation, development of design code and branding. In the foreseeable future, the author believes that travel time will be treated as a use-ful experience, a learning and development activity, and a separate type of leisure time. We can speak about further transformation of the communication space into a useful or effective one and about other approaches to filling this space. Probable development scenarios for roadside buildings and structures, depending on the initial conditions of the terrain, are to provide condi-tioned external and internal visual connections of service areas and their optimal architectural and spatial organisation. The practical significance of the work lies in the possibility of using the results in further studies of roadside architecture development and identifying positive and neg-ative scenarios for the perception of this architecture.
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Taranov, A. O., A. N. Puchkova, P. A. Slominsky, T. V. Tupitsyna, V. V. Dementiyenko, and V. B. Dorokhov. "Associations between chronotype, road accidents and polymorphisms in genes linked with biological clock and dopaminergic system." Zhurnal nevrologii i psikhiatrii im. S.S. Korsakova 117, no. 4. Vyp. 2 (2017): 28. http://dx.doi.org/10.17116/jnevro20171174228-33.
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Brandão, Luis Alberto. "Chronotope." Theory, Culture & Society 23, no. 2-3 (May 2006): 133–34. http://dx.doi.org/10.1177/0263276406023002113.
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Taranov, A. O., A. N. Puchkova, P. A. Slominskii, T. V. Tupitsyna, V. V. Dementienko, and V. B. Dorokhov. "Association of Chronotype, Road Traffic Accidents, and Polymorphisms in Genes Linked with the Biological Clock and the Dopaminergic System." Neuroscience and Behavioral Physiology 49, no. 1 (December 13, 2018): 20–24. http://dx.doi.org/10.1007/s11055-018-0685-2.
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Tygstrup, Frederik. "The Debt Chronotope." differences 31, no. 3 (December 1, 2020): 29–47. http://dx.doi.org/10.1215/10407391-8744469.
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When literature engages in portraying the contemporary rule of finance and its impact on our lives, it also entails a transformation of the forms through which literature represents our lives. Over the last decades, as debt has become an ever more important motive in contemporary literature, we have thus also seen the contours of a new debt chronotope: a particular organization of narrative time and space that can gauge and expound on the working of debt-driven financial capitalism. This essay’s argument hinges partly on an analysis of the spatiotemporal logic of contemporary financial capitalism and partly on the historical transformation of representations of debt from nineteenth-century realism to European literature of the present.
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Артемьев, Юрий Михайлович, Лариса Васильевна Ляпаева, and Светлана Владимировна Федяй. "NATIONAL-MYTHOLOGICAL PICTURE OF THE WORLD IN THE POEMS OF K. IVANOV “NARSPI” AND S. YESENIN “ANNA SNEGINA”." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(111) (July 7, 2021): 11–18. http://dx.doi.org/10.37972/chgpu.2021.111.2.002.
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Статья посвящена исследованию поэм К. Иванова «Нарспи» и С. Есенина «Анна Снегина» с точки зрения особенностей национальной модели мира и человека. Своеобразие данных произведений видится в экзистенциальном ракурсе восприятия событий, но при этом каждый из героев выступает прежде всего как носитель своей национальной стихии. В поэмах в центре внимания - семья, деревенский уклад жизни со своими радостями и проблемами, где лад крестьянской жизни связан с национальными образами. Главными героинями являются молодые женщины - Нарспи, Анна, в судьбах которых высвечивается трагическое начало. Однако в поэме С. Есенина образы крестьян, лирического героя, Анны воспринимаются сквозь призму конкретно-исторических событий - революции, гражданской войны, в то время как мир поэмы К. Иванова дан вне конкретно-исторической реальности, что высвечивает мифологическую составляющую картины мира. Обе эти книги построены на хронотопе дороги, особое семантическое значение придается поэтике цвета, звука и света, архетипу круга. Поэму «Нарспи» отличает бинарная картина мира, оппозиция «сад - лес» является значимой. События в поэмах возводятся к классическому мифу об уходе и возвращении, а социальный мотив разрушения старого мира во имя нового рассматривается как мифологический. Сравнительно-сопоставительный аспект исследования позволил выявить общие черты и неповторимые особенности национального мировидения и миропонимания. The article is devoted to the study of the poems of K. Ivanov “Narspi” and S. Yesenin “Anna Snegina” from the point of view of the peculiarities of the national model of the world and man. The originality of the poems is seen in the existential perspective of the perception of events, but each of the characters acts primarily as a carrier of the national element. In the poems, the focus is on the family, the village way of life with holidays, joys and problems, where the harmony of peasant life is connected with national images. The main characters are young women: Narspi and Anna, whose fates are characterized by the tragic beginning. However, the images of peasants, the lyrical hero, Anna are perceived through the prism of specific historical events - the revolution, the civil war in the poem by S. Yesenin, while the world of the poem by K. Ivanov is given outside of concrete historical reality, which highlights the mythological component of the picture of the world. The poems are based on the chronotope of the road, with a special semantic meaning attached to the poetics of color, sound and light, the archetype of the circle. The poem “Narspi” is distinguished by a binary picture of the world, the opposition “garden-forest” is significant there. The events in the poems are raised to the classic myth of departure and return, and the social motive of destroying the old world in the name of the new is considered as mythological. The comparative aspect of the study allowed us to identify common and unique features of the national worldview and worldview.
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Sokolova, Galina Aleksandrovna. "The semantic connection of time and space in literary text." Interactive science, no. 8 (42) (August 19, 2019): 28–30. http://dx.doi.org/10.21661/r-497998.
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The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.
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Ingemark, Camilla Asplund. "The Chronotope of Enchantment." Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology 43, no. 1 (January 2006): 1–30. http://dx.doi.org/10.2979/jfr.2006.43.1.1.
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Politov, Andrei V. "Artwork as the chronotope." Observatory of Culture, no. 5 (October 28, 2014): 44–51. http://dx.doi.org/10.25281/2072-3156-2014-0-5-44-51.
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Examines the ontological interpretation of artwork as the chronotope (of semantic world). The address to the work of art as the chronotope helps to reveal its historicity (as its proper history and belonging to a particular culturalhistorical epoch), meanings and values, the integral image, its links to other artworks and the cultural space on the whole.
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Tlostanova, Madina. "THE IMPERIAL-COLONIAL CHRONOTOPE." Cultural Studies 21, no. 2-3 (March 2007): 406–27. http://dx.doi.org/10.1080/09502380601162613.
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이재승. "Transitional Justice and Chronotope." Democratic Legal Studies ll, no. 64 (July 2017): 105–48. http://dx.doi.org/10.15756/dls.2017..64.105.
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Щітова, С. А., and Г. О. Юфимчук-Заворотна. "Chronotope features in monoopera." Музикознавча думка Дніпропетровщини, no. 16 (December 18, 2019): 53–64. http://dx.doi.org/10.33287/221922.
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In the process of a creative act from the sphere of extra-linguistic(semantic areas) to the sphere of intra-linguistic (literary text), thephenomenon of time turns into the category of a chronotope. The purposeof this scientific article is to highlight the characteristics of themanifestation of the category of chronotope in monoopera. The round ofmethods are including a set of musicology, psychological, art history,linguistic approaches, supplemented by individual provisions of aninterdisciplinary synergetic discourse. Primarily, the comparative,structurally analytical, axiological, generalizing methods are receiving thepractice employment into the represented scientifically investigative 56disquisition. The relationship of analysis and observation methods gets themost significance into this scientific exploration. The scientific noveltyand practical value of this article consists in the fact that the results of thestudy can be used in compiling the curriculum programs „Analysis ofmusical works”, „History of world musical culture”, „Musicalinterpretation”, „Opera class”, „History of vocal performance”, „Methodsof vocal performance” for bachelors and masters of higher musicaleducational institutions of Ukraine, as well as in creative practice.Conclusions. The main results of the study include the conclusion that inthe mono-opera the paradigm of subjective (psychological) time is ofparticular importance. In the framework of the chronotope, in contrast tothe real chronological sequence, the events in the story do not develop in astraight line, but unfold in leaps and bounds. Thus, the transformation ofthe real phenomenon of time into the textual category of the chronotope iscarried out.
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Politov, Andrey V. "On the Soviet technological chronotope of the 1970s–1980s." Вестник Пермского университета. Философия. Психология. Социология, no. 1 (2020): 65–75. http://dx.doi.org/10.17072/2078-7898/2020-1-65-75.
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The article studies the essence of the Soviet technological chronotope (the research object) resulted from a combination of material and semantic achievements of the scientific, technical and sociopolitical development of Soviet society in the 1970s–1980s. The methodological basis of the study is A.A. Ukhtomsky and M.M. Bakhtin’s theory of chronotope, postulating the ontological and functional interconnectedness of time and space. This theory allows revealing a studied object as a structure with two attributes being its forming elements — spatial and temporal. The former depicts belonging to a specific geographical material locus and semantic cultural and civilizational space; the latter describes a certain length and the period of objective time included in the semantic wholeness of interconnected cultural and historical eras. The study reveals the complex nature of its subject, because the fundamental essence of the technological chronotope is formed by the ontological essence of technology. It historically developed as a result of evolution of the European type of thinking, primarily in the classical epistemology of the New Age. The study shows the general essence of the technological chronotope, i.e its formation in the process of objectification of the rational and logical principle that underlies temporary acts of the human mind. The technological chronotope acts as temporal logic of internal chronology of human thinking, this logic being embodied in the space of material objective reality. Further, the study reveals the significance of the unique and original semantic content of the Soviet technological chronotope, surrounding its essential quality and forming a recognizable cultural and historical image. This chronotope is funded by the contradictory evolution of the Soviet social system, whose ideological component significantly evolved. It transformed from demonstrative praising of daily striking labor for the benefit of the global goal of the communist expansion to the era of stagnation, when alienation and depersonalization of everyday being of man served as one of the key reasons for the collapse of the Soviet technological chronotope
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Botner, Valentyna. "CHRONOTOPE SPECIFICITY IN A.LUPYNOS’S PROSE." Collection of scientific works "Visnyk of Zaporizhzhya National University. Philological Sciences", no. 2 (2019): 5–9. http://dx.doi.org/10.26661/2414-9594-2019-2-01.
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Kleppe, Sandra Lee. "The Chronotope and the South." Nordlit 4, no. 2 (October 1, 2000): 33. http://dx.doi.org/10.7557/13.2104.
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Kim, Cheol-soo. "Reading “Araby” through Bakhtin’s Chronotope." James Joyce Journal 23, no. 1 (June 30, 2017): 31–52. http://dx.doi.org/10.46258/jjj.2017.23-1.31.
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Politov, Andrei Viktorovich. "Chronotope of the Captured Entity." Observatory of Culture 1, no. 1 (January 1, 2016): 8–13. http://dx.doi.org/10.25281/2072-3156-2016-1-1-8-13.
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Kang Eun Lee. "Lev Tolstoy and ‘Life-Chronotope'." Russian Language and Literature ll, no. 36 (February 2011): 85–108. http://dx.doi.org/10.24066/russia.2011..36.004.
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Miehyeon Kim. "Chronotope and Feeling: Gangnam Blues." Cross-Cultural Studies 53, no. ll (December 2018): 193–218. http://dx.doi.org/10.21049/ccs.2018.53..193.
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White, Hayden. "“The nineteenth‐century” as chronotope." Nineteenth-Century Contexts 11, no. 2 (September 1987): 119–29. http://dx.doi.org/10.1080/08905498708583262.
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Renaux, S. "Eiléan ní Chuilleanáin’s ‘Old Roads’ as a Chronotopic Metaphor." Revista Scripta Uniandrade 13, no. 2 (December 30, 2015): 53–66. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.v13n2p53-66.
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Tyumbeeva, Gilyana Erdmtaevna. "On the chronotope of the ethno-music worldview of the Kalmyks." PHILHARMONICA. International Music Journal, no. 3 (March 2021): 69–81. http://dx.doi.org/10.7256/2453-613x.2021.3.35588.
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The research subject is the national parameters of the chronotope of the Kalmyk ethno-music worldview. In the mindset of the Mongolian language peoples, time and space are inseparable, interconnected, and interpenetrating. The chronotope composes a unique system of axes which is later complemented with other components of the national worldview. This explains the topicality of the research subject. The purpose of the research is to detect the music peculiarities of the national chronotope. The research is based on the previously studied manifestations of the national chronotope as a whole (the philological and linguistic aspect of the Kalmyk chronotope is studied by Ts. Ayushova, E. Golubeva, E. Omakayeva, V. Salykova, and others); the author systematizes them and establishes the most significant features. In the understanding and feeling of a nomad, a steppe-dweller, a Kalmyk, space is an unlimited, vast and extended category, which is measured not only horizontally, but also vertically. In the study of the music space patterns, the most significant are the properties of sound, its spatial and acoustic characteristics. The dominant idea in the interpretation of time within a Kalmyk worldview is repeatability, which manifests itself in a twelve-digit period of the national calendar and other things. The temporal properties of the national chronotope are concentrated in a binary opposition of two genres of singing: Ut dun (long song) and Akhr dun (short song). The music culture of the Kalmyks is one of the ways of semiotization of the space and time of the steppe world.
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Iman, Iman Ali, and Galina N. TROFIMOVA. "THE CHRONOTOPE OF EVENTS IN ONLINE NEWS STORIES (COVERAGE OF THE SYRIAN CRISIS IN THE RUSSIAN MEDIA)." Historical and social-educational ideas 10, no. 6/1 (January 18, 2019): 109–16. http://dx.doi.org/10.17748/2075-9908-2018-10-6/1-109-116.
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The article is devoted to the study of the problem of formation of space-time coordinates of the media image of the event presented in the news reports on the online feeds of online media. The authors rely on the research of scientists from around the world devoted to the problem of changing and identifying such a thing as a chronotope in a literary text. Considering the theory of the chronotope, put forward by M.M.Bakhtin through the prism of journalistic activity, the authors reveal significant correspondences and the possibility to apply the main provisions of this theory to the study of the features of the event coverage in journalistic texts. Thus, in their opinion, the chronotope of the crisis event at its initial presentation in the online media space at the information and news alert level has specific characteristics, to which the author refers multifragmentary media reflection, representativeness, narrative and semantics. As a result, the authors come to the conclusion that the time component of the chronotope of the media image of this event is stable, but the intensity of its development is confirmed by the number of publications per unit time. The spatial component of the chronotope of this event is formed through the information resources that report the event. The maximum expansion of the space (25 sources) was on the 2nd and 8th hours, and the most stable wide boundaries of the space had from the 8th to the 12th hours (18-20 sources). According to the Bakhtin’s theory, the supertext essence of the chronotope, namely, “the impression that is fixed in the reader’s consciousness in the process of perceiving the author’s narrative strategies”, is essentially nothing more than an image of the event formed by a journalist or journalists in the process of covering the event in the media.
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Beletskaya, Alla Yur'evna, and Sergei Vladimirovich Mangushev. "Language means of representation of the chronotope of Chaos in a series of novels “The Chronicles of Amber” by Roger Zelazny." Litera, no. 2 (February 2020): 1–11. http://dx.doi.org/10.25136/2409-8698.2020.2.32454.
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This article examines the problem of representation of chronotope using language means. The object of this research is a series of novels “The Chronicles of Amber” by Roger Zelazny in English language. The subject of this research is the lexical units and stylistic techniques used by R. Zelazny for visualization of representation of the chronotope of Chaos. The article substantiates attribution of this series of novels to postmodernist based on the analysis of characteristic features of the text and realization of the ideological concept. The goal of study lies determination of the universal principles of representation of spatial-temporal continuum of the Chaos, as well as establishment of dependence of the choice evaluative connotation of language means on personality of the narrator. The work is conducted at the intersection of linguistics and literary studies. The novelty consists in recognition of the leading role of chronotopic subject in determining tonality of representation of the chronotope. The main conclusion is defined by the fact that the key principle of representation of spatial and temporal components of the chronotope of Chaos in R. Zelazny’s series of novels is the destruction of realistic perception of space and time. It was also established that change of voice of the narrator leads to the shift of evaluative paradigm. An extremely negative attitude of the first narrator to the Courts of Chaos as a representative of the chronotope of Chaos, expressed through the negatively connoted epithets, is justified by its affiliation to Amber as a representative of the Order. Dual position of the second narrator leads to the change in tonality of description of physical personification of the chronotope of Chaos. Counterbalance of negatively and positively connoted lexical units creates the effect of objectivity, essential for realization of ideological content of the novel.
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Ryadovykh, Natal'ya Aleksandrovna. "The category of chronotope in Akathist genre." Филология: научные исследования, no. 10 (October 2020): 54–64. http://dx.doi.org/10.7256/2454-0749.2020.10.34061.
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The object of this research is the category of chronotope – a significant complex text category that reflects the semantic coordinates of the text and extra-textual reality. The category of chronotope intertwines the isomorphic components of textual time and textual space. The Akathist genre belongs to an insufficiently studied functional religious style. Examination of the category of chronotope in the context of Akathist genre is relevant trend in the modern functional stylistics. The research material contains the texts of Orthodox Akathists dedicated to the canonized saints. The objectivity of scientific research is justified by the choice of texts from various time periods. The author applies the method of categorical-textual analysis, which reveals the linguo-stylistic technique of formation of the components of general communicative-pragmatic meaning of the text. The novelty is defined by the fact that the use of categorical-textual method in the analysis of the Akathist type of text, interpreted as a generalized textual structure with typical genre-forming components, allows determining with a high degree of objectivity the genre specificity of Akathist and religious functional style. As a result of the conducted research, the author highlights the categorical-textual typology of chronotope, which characterizes the systematic uniformity of Akathist texts. The article describes the methods of explication of the sacred, objective (objectively-sacred and objectively-profane), and subjective (subjectively-sacred and subjectively-profane) types of time and space. Temporal indicators and locative units of the determined types of chronotope reconstruct the dichotomy of the divine and the earthly in the Akathist, which is inherent to the Christian worldview and constructively substantiates the uniqueness of the religious functional style. The conducted analysis reveals the communicative-pragmatic focus of the complex textual category of chronotope. The research materials can be used as an illustrative textbook in the practical course of the stylistics of modern Russian language.
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Brenna, Beverley A. "Characters with Disabilities in Contemporary Novels for Children: A Portrait of Three Authors in a Framework of Canadian Texts." Language and Literacy 13, no. 1 (May 3, 2011): 1. http://dx.doi.org/10.20360/g2h01h.
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A study of 50 contemporary Canadian novels for children and young adults explores patterns and trends regarding the construction of characters with disabilities, becoming a frame for the portraits of three Canadian authors, including a self-portrait. An adaptation of the Bakhtinian notion of the chronotope, applied to literary theory, provides a lens within which aspects of time and space are identified in relation to the internal chronotope of these characterizations, as well as in relation to the external chronotope of particular authors’ iterations, within their work, of actual space and time. A conceptual framework of critical literacy is used to highlight implications for including as classroom resources, texts about characters with disabilities.
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Makarova, E. Yu. "THE CONCEPT OF CHRONOTOPE IN THE NOVEL “MRS DALLOWAY” BY V. WOOLF." Language and Intercultural Communication XIII, no. XIII (2020): 92–101. http://dx.doi.org/10.21672/2078-9858-2020.10.07-092-101.
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This article deals with the concept of chronotope in the text of the novel "Mrs. Dalloway” by Virginia Woolf. Certain characteristics of chronotope exemplifying these concepts were selected and analyzed, the former serving as an integral part of the analysis of works of the modern era. As a result of a continuous sampling and subsequent analysis of the text of the novel, we concluded that despite the contrast of the characters from different social classes, they are united by a single spatio-temporal continuum regulated by the chronotope. Virginia Woolf managed to accurately and truthfully convey the atmosphere of 1923, as she was a direct witness to the events taking place in the country and the world at that time.
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Vasil’yeva, El’mira V. "ON THE PECULIARITIES OF CHRONOTOPE IN NEW ENGLAND GOTHIC: THE HOUSE OF THE SEVEN GABLES BY NATHANIEL HAWTHORNE AND THE HAUNTING OF HILL HOUSE BY SHIRLEY HARDIE JACKSON." Vestnik of Kostroma State University, no. 1 (2020): 87–92. http://dx.doi.org/10.34216/1998-0817-2020-26-1-87-92.
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The article deals with Mikhail Bakhtin’s term «the chronotope of the castle» analysed on the material of two New England Gothic novels – «The House of the Seven Gables» by Nathaniel Hawthorne and «The Haunting of Hill House» by Shirley Hardie Jackson. The author assumes that chronotope is not just a spacetime characteristic, but a set of motifs – the motive of dark past, the motif of spatial and temporal isolation, and the motif of «sentient» house. All of these motifs were used by classic Gothic novel writers of the 1760s to 1830s, and were as well employed in later quasi-Gothic texts. At the turn of the 19th century, Gothic novel commenced its parallel development in American literature, where it subsequently became one of the national genres. American writers aspired to adapt Gothic poetics to the cultural context of the country. For instance, in New England Gothic fi ction, the chronotope of the castle was transformed into the chronotope of the «bad» house. However, the set of motifs has remained the same: both Hawthorne and Jackson consistently used the motifs, provided by British Gothic fi ction, yet they further explored them and came up with their own interpretations.
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Muradov, Aleksey B., and Ksenia A. Shergova. "Contemporary Hero in the Wartime Chronotope." Journal of Flm Arts and Film Studies 9, no. 4 (December 15, 2017): 37–50. http://dx.doi.org/10.17816/vgik9437-50.
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The focal point of the analysis are Tatiana Lioznovas TV-series 17 Moments of Spring. This notable Great Patriotic War movie presents a protagonist that partakes spring 1945 events not as a historical, distanced personality but as a contemporary of the time of the release. This statement is supported with three-layered analysis of the character presentation. The initial layer of analysis implies that Stierlitz character (a Soviet spy, acting deep undercover within the highest ranks of Nazi Germany) develops an idealized presentation of an intelligence officer as in earlier Soviet films. The character does not provide a viewer with the option of self-identification, becoming an archetype - this conversion allocates the story to an epic space, not a historical context. Considering Stierlitz character as a super-spy, a loner implies a second layer of interpretation: a contest-comparison with the most known espionage character of the 20th century, James Bond. Meanwhile the creator shape Stierlitz rather pretentious anti-Bond, they use numerous specific tools to accentuate the difference. Among those we point a time theme that plays an important part in storytelling and general film design (time is present in the series title, it repeatedly returns in soundtrack, and notoriously present in the characters persistent slowness). A few other details involve a third layer of the characters interpretation: Stierlitz embodies contemporary image of a 1960-1970s Soviet technical intelligentsia - in terms of the release a hero of our time. Multilayered interpretation of the Stierlitz character provides 17 Moments of Spring a very specific place in the history of Soviet television and film production. Tatiana Lioznova used a number of creative methods that allowed her to bridge 1945 events with her contemporaries and to significantly contribute into the Soviet archetypal construction.
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이소운. "Chronotope in a Journey-type Novel." Journal of Korean Language and Literature Education ll, no. 41 (August 2007): 247–82. http://dx.doi.org/10.17247/jklle.2007..41.247.
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Kavtaradzé, Sergeïj. "Le « chronotope » de la culture stalinienne." Communications 55, no. 1 (1992): 135–56. http://dx.doi.org/10.3406/comm.1992.1840.
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Färnlöf, Hans. "Chronotope romanesque et perception du monde." Poétique 152, no. 4 (2007): 439. http://dx.doi.org/10.3917/poeti.152.0439.
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Pavlov, Mikhail Mikhailovich, and Ekaterina Igorevna Kolomoichenko. "Plot and chronotope in theatrical performance." Vestnik of Saint Petersburg State University of Culture 2 (June 2018): 180–85. http://dx.doi.org/10.30725/2619-0303-2018-2-180-185.
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