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1

Dempsey, Lorcan, Constance Malpas, and Brian Lavoie. "Collection Directions: The Evolution of Library Collections and Collecting." portal: Libraries and the Academy 14, no. 3 (2014): 393–423. http://dx.doi.org/10.1353/pla.2014.0013.

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O'Donnell, Jane. "Herpetological Collecting and Collection Management." Copeia 2004, no. 2 (2004): 433–34. http://dx.doi.org/10.1643/ot-04-013.

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3

Anderson, Rick. "Collections 2021: the future of the library collection is not a collection." Serials: The Journal for the Serials Community 24, no. 3 (2011): 211–15. http://dx.doi.org/10.1629/24211.

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4

Hidayat, Asep, Henti Hendalastuti R, and Dodi Frianto. "ANALISIS PEMUNGUTAN ROTAN PADA DUA KELOMPOK MASYARAKAT PEMUNGUT." Jurnal Penelitian Sosial dan Ekonomi Kehutanan 3, no. 2 (2006): 91–107. http://dx.doi.org/10.20886/jpsek.2006.3.2.91-107.

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5

Watson, Andrea, and P. Graham. "CSSAlabamaDigital Collection: A Special Collections Digitization Project." American Archivist 61, no. 1 (1998): 124–34. http://dx.doi.org/10.17723/aarc.61.1.j037j5v9q78x9012.

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6

Fortney, Lynn M., Judith Rieke, and Barbara A. Carlson. "Collection Development Assessment for Biomedical Serials Collections." Serials Librarian 23, no. 3-4 (1993): 289–92. http://dx.doi.org/10.1300/j123v23n03_40.

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7

Howard, Vivian. "Collections 2007: Reinvigorating Collection Development and Management." Collection Building 26, no. 4 (2007): 135–36. http://dx.doi.org/10.1108/01604950710831951.

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8

McLeland, D. Courtenay. "Artists’ Books Collection Development: Considerations for New Selectors and Collections." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 18, no. 2 (2017): 80. http://dx.doi.org/10.5860/rbm.18.2.80.

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In the 2010 survey Taking Our Pulse: The OCLC Research Survey of Special Collections and Archives, artists’ books were the specific genre most often identified as a new collecting area within library special collections departments. For librarians at institutions without an artists’ books collection, beginning and sustaining the growth of a new collection can be an exciting and challenging opportunity to become acquainted with an additional area of specialized knowledge. Other librarians may be at institutions that possess a fledgling collection of artists’ books but find that collecting prior
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Liney, D. J. "Collecting high quality cord blood units: the contrast between MD and dedicated collection specialist collections." Cytotherapy 15, no. 4 (2013): S30. http://dx.doi.org/10.1016/j.jcyt.2013.01.113.

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10

Di Benedetto, Claudio. "The Uffizi Library: a collection that documents collections." Art Libraries Journal 35, no. 2 (2010): 4–7. http://dx.doi.org/10.1017/s0307472200016321.

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The Biblioteca degli Uffizi acts as a documentary ‘black box’ for all the notable collecting that has taken place in Florence during the past 500 years. The Library’s collections stretch from the autograph 22-year diary of the 15th-century painter Neri di Bicci and the different editions of Vasari’s Lives of the painters, through the inventories and lists of objects acquired and held successively by the Medici, the House of Hapsburg-Lorraine and the new Italian united kingdom, and to all the memoirs and plans and catalogues of the directors and ‘royal antiquarians’ of the Uffizi Gallery. In ad
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11

Hoolihan, Christopher. "Collection Development Policies in Medical Rare Book Collections." Collection Management 11, no. 3-4 (1989): 167–79. http://dx.doi.org/10.1300/j105v11n03_11.

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12

Wu, Michelle M. "Shared Collection Development, Digitization, and Owned Digital Collections." Collection Management 44, no. 2-4 (2019): 131–45. http://dx.doi.org/10.1080/01462679.2019.1566107.

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13

Hoff, Donald T. "Collections and Displays: The John S. Frankenfield Collection." Rocks & Minerals 66, no. 6 (1991): 486–90. http://dx.doi.org/10.1080/00357529.1991.11761658.

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14

Cox, Debbie. "Developing and raising awareness of the zine collections at the British Library." Art Libraries Journal 43, no. 2 (2018): 77–81. http://dx.doi.org/10.1017/alj.2018.5.

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This article presents a practice-based account of collection development related to zines in the British Library. Rather than making the case for the collecting of zines, it aims to describe the process of collection building in a specific time and place, so that researchers have a better understanding of why certain resources are offered to them and others are not, and to share experiences with other librarians with zine collections. Zines form an element of the cultural memory of activists and cultural creators, and for researchers studying them it would seem useful to make transparent the m
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15

Roberts, Katherine, Jessica Nakano, and Kelsey Falquero. "Establishing Legal Title for Non-Accessioned Collections: All Collections Matter." Biodiversity Information Science and Standards 2 (July 17, 2018): e28231. http://dx.doi.org/10.3897/biss.2.28231.

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The Education and Outreach (E&O) Collection at the Smithsonian National Museum of Natural History (NMNH) contains around 125,000 specimens and objects representing all seven of NMNH’s research departments: Anthropology, Botany, Entomology, Invertebrate Zoology, Mineral Sciences, Paleobiology, and Vertebrate Zoology. The primary source of the E&O Collection is the NMNH’s former Naturalist Center (NC) that began in 1976 and closed in 2011. Almost a year after the NC’s closure, the Collection was repurposed as the core of the E&O Collection for the new science learning cen
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16

Adlington, Janice. "Fundamentals of Collection Development & Management, and: Collection Development Policies: New Directions for Changing Collections (review)." portal: Libraries and the Academy 4, no. 3 (2004): 434–36. http://dx.doi.org/10.1353/pla.2004.0042.

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17

Skorupa, Ewa. "Literary Narratives on Collections." Tematy i Konteksty specjalny 1(2020) (2020): 166–79. http://dx.doi.org/10.15584/tik.spec.eng.2020.9.

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The article deals with collections and collecting as a literary theme. Research on this issue should be undertaken by literary scholars, as collections support the features of literary characters and give protagonists their identity. The work analysed from this angle is “Money” by Andrzej Strug from 1914. It interprets and describes three different collections and three different collectors: the eccentric Lyttons and their museum of stones, Lucy Slazenger’s precious jewellery collection and the art collection of Osias Murway, an enthusiast of antiquities.
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18

Klyukanova, Larisa G. "Private Art Collecting as a Present­Day Culture Phenomenon." Observatory of Culture, no. 2 (April 28, 2015): 73–77. http://dx.doi.org/10.25281/2072-3156-2015-0-2-73-77.

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Analyses collecting as a type of cultural activity, its institutional and substantive aspects. The author investigates mechanisms of private collection functioning including formation of collections and storage, systematisation, and exhibition of artifacts. The importance of representing the cultural value and symbolic significance embodied in the collection items is highlighted.
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19

Egmond, Florike. "A collection within a collection." Journal of the History of Collections 25, no. 2 (2012): 149–70. http://dx.doi.org/10.1093/jhc/fhs002.

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20

PORTER, DAHLIA. "Catalogues for an entropic collection: losses, gains and disciplinary exhaustion in the Hunterian Museum, Glasgow." BJHS Themes 4 (2019): 215–43. http://dx.doi.org/10.1017/bjt.2019.15.

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AbstractThis essay takes the Hunterian Museum's collections, and particularly the large collection of anatomical preparations, as a case study to isolate the role of collections in disciplinary consolidation and change. I examine a large, unstudied paper archive of catalogues and inventories that strive to organize and account for objects, but more often reveal the collection's gradual transformation through continual losses and gains. This evidence indicates that while collections provide the material basis for object-based disciplines, the end of a collection does not necessarily support est
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21

Perrault, Anna H. "National collecting trends: Collection analysis methods and findings." Library & Information Science Research 21, no. 1 (1999): 47–67. http://dx.doi.org/10.1016/s0740-8188(99)80005-x.

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22

Dominick, Emily Hughes. "Collecting Extremes: A History of the Wilcox Collection." Collections 1, no. 4 (2004): 347–64. http://dx.doi.org/10.1177/155019060400100405.

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23

Kurniawan, Oka, and Vincent K. S. Ong. "Charge Collection From Within a Collecting Junction Well." IEEE Transactions on Electron Devices 55, no. 5 (2008): 1220–28. http://dx.doi.org/10.1109/ted.2008.918660.

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24

FRANZA, ANNARITA, ROSANNA FABOZZI, LETIZIA VEZZOSI, LUCIANA FANTONI, and GIOVANNI PRATESI. "THE CATALOG OF THE MINERALOGICAL COLLECTION OF THE EMPEROR LEOPOLD II (1747–1792): COLLECTING AND LEARNING IN EIGHTEENTH-CENTURY EUROPE." Earth Sciences History 38, no. 2 (2019): 173–203. http://dx.doi.org/10.17704/1944-6178-38.2.173.

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ABSTRACT The Collectio Mineralium (1765) currently preserved at the Historical Archive of the Natural History Museum of the University of Firenze, is the unpublished catalog of the mineralogical collection that belonged to Emperor Leopold II (1747–1792). The catalog is a 110-page register, with the golden emblem of the House of Habsburg at the center of the binding, containing information about 242 mineralogical samples. Each specimen is carefully described (i.e., habit, metal content, product value) and its locality given. The interpretation of the text has also returned information on most o
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25

Obydzińska, Beata Anna. "Floating Collections – an Alternative Concept in Library Collection Management." Folia Bibliologica 58 (January 10, 2017): 119. http://dx.doi.org/10.17951/fb.2016.58.119.

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26

Williams, Susan Jane. "Building sustainable digital collections – a visual resources collection perspective." Art Libraries Journal 26, no. 4 (2001): 5–9. http://dx.doi.org/10.1017/s0307472200012438.

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One enormous problem confronting visual resources (VR) collections internationally is the time, labor and expense of converting or creating digital collections while maintaining and even adding to the analog collection. It will take considerable time to reach the critical digital mass that will begin to reflect the richness already available in our analog collections. The analog collections must be maintained in tandem with the digital development. As one might logically conclude, this is twice the work. It is improbable that any of us will see our staffs doubling. This underscores the need to
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27

Jacobson, Mark I. "Collections and Displays: The Proctor Collection Colorado Springs, Colorado." Rocks & Minerals 63, no. 1 (1988): 40–56. http://dx.doi.org/10.1080/00357529.1988.11761815.

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28

Benedetto Beals, Jennifer, and Ron Gilmour. "Assessing collections using brief tests and WorldCat Collection Analysis." Collection Building 26, no. 4 (2007): 104–7. http://dx.doi.org/10.1108/01604950710831898.

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29

Ulčová, Helena, and Dalibor Velebil. "Josef Ryš (1879–1960), pedagog, mineralog, sběratel a jeho sbírka minerálů v Národním muzeu v Praze." Journal of the National Museum (Prague), Natural History Series 189, no. 1 (2020): 31–48. http://dx.doi.org/10.37520/jnmpnhs.2020.005.

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Josef Ryš (* 1879, † 1960) was a high school professor at the Real School in Jevíčko, a prominent local researcher - mineralogist and head of the local physical education unit Sokol. Between 1909 and 1958, he published a total of 11 works on the geological and mineralogical conditions of the greater Jevíčko area. He has collaborated with important institutions, such as the Moravian Museum in Brno, Masaryk University in Brno, Charles University in Prague and the National Museum in Prague. He has built a quality collection of Czech and world minerals, of which a total of 913 pieces are stored in
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30

Hunter, Tavian. "South Asian collection development at the British Museum: a commentary on the inclusion of audio-visual and digital content." Art Libraries Journal 44, no. 1 (2019): 23–30. http://dx.doi.org/10.1017/alj.2018.38.

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The British Museum's collection represents the history of British collecting taste since its founding in 1753. Over this time span, many important collectors have played a pivotal role in the development of the British Museum's South Asian collection. Through various acquisition methods, a number of illustrated manuscripts, albums, and photographical archives have been acquired for the museum's permanent collection. This development has coincides with the growing reference collection in the Department of Asia Library. With changes in collection practices, there is a growing question about the
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31

MANES, ERNIE G. "Implementing collection classes with monads." Mathematical Structures in Computer Science 8, no. 3 (1998): 231–76. http://dx.doi.org/10.1017/s0960129598002515.

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In object-oriented programming, there are many notions of ‘collection with members in X’. This paper offers an axiomatic theory of collections based on monads in the category of sets and total functions. Heuristically, the axioms defining a collection monad state that each collection has a finite set of members of X, that pure 1-element collections exist and that a collection of collections flattens to a single collection whose members are the union of the members of the constituent collections. The relationship between monads and universal algebra leads to a formal definition of collection im
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32

Hahn, Karla L., and Kari Schmidt. "Web Communications and Collections Outreach to Faculty." College & Research Libraries 66, no. 1 (2005): 28–40. http://dx.doi.org/10.5860/crl.66.1.28.

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A library’s Web site can provide a powerful forum for communicating with users about changes occurring in local collecting practices and their relationship to larger issues of scholarly communication. This survey of SPARC member Web sites examines how information on collection changes and scholarly communication issues is presented. Although a few institutions use their Web sites to inform users and connect the local and the global, most present little or no informationon these topics. When collections information is present, it usually appears on either dedicated collections pages or faculty
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33

Morris, David. "The Clough Collection of Prints at the Whitworth Institute." Bulletin of the John Rylands Library 92, no. 2 (2016): 167–85. http://dx.doi.org/10.7227/bjrl.92.2.10.

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George Clough‘s donation of old master prints raised the Whitworth Institute‘s collection to international standing. Simultaneously, it presented Manchester with a viewing experience that was possibly unique in Britain, and placed on permanent display one of the nations finest collections of engravings, etchings and woodcuts so as to offer a visual history of the medium of print. Clough had a special interest in Marcantonio Raimondi, collecting over forty prints by him at a time when such works commanded high prices. This article examines the history and composition of Clough‘s collection and
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34

Epstein, Daniel Mark. "Collection." Hudson Review 49, no. 4 (1997): 621. http://dx.doi.org/10.2307/3851895.

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35

Finlay, Nyree. "Collection." World Archaeology 48, no. 2 (2016): 179–80. http://dx.doi.org/10.1080/00438243.2016.1217677.

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Ángel Escobar and Kristin Dykstra. "Collection." Sirena: poesia, arte y critica 2010, no. 2 (2010): 111. http://dx.doi.org/10.1353/sir.2010.0065.

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37

Murashko, O. Yu. "«Book depository, idols and paintings»: Princes Yusupovs’ book collection." Bibliosphere, no. 2 (June 30, 2017): 67–71. http://dx.doi.org/10.20913/1815-3186-2017-2-67-71.

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The article gives a brief characteristic of the Yusupovs’ book collection. The eighteenth century was the time when collecting got very popular in Russia. Book collections became the main part of the Russian aristocratic society collection and formed private rich collections. The library of Yusupovs’ princely family is an example of such book collection. The study of this matter involves certain difficulties because Yusupovs’ library was divided into several parts and kept in different palaces and country estates in Moscow, St. Petersburg, Spasskoe-Kotovo, Arkhangelskoe, Rakitnoe. It is known
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38

Erdman, Michael. "COLLECTION CHAGATAI COLLECTION IN BRITISH LIBRARY." Infolib 23, no. 3 (2020): 16–18. http://dx.doi.org/10.47267/2181-8207/2020/3-015.

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The author of the article investigates the problems of cataloging and curatorship in the British Chagatai Manuscript Library. It starts with a brief overview of some of the previous work done to catalog manuscripts, and then an overview of how these collections compare to those of other institutions in Western Europe. In doing so, the author provides examples of chagatai manuscripts in the British Library from each region in which the language was used, delving deeper into the origin of the objects and the reasons why they could be found by the British Museum and the British library. They also
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39

Dressler, Virginia. "Adapting digital collection interface for special collections and archives collections and improving workflow." Proceedings of the Association for Information Science and Technology 54, no. 1 (2017): 660–61. http://dx.doi.org/10.1002/pra2.2017.14505401106.

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40

Kohler, Andrew S. "“Aaron Copland Collection,” Digital Collections, Library of Congress, https://www.loc.gov/collections/aaron-copland/." Journal of the Society for American Music 15, no. 1 (2021): 138–41. http://dx.doi.org/10.1017/s1752196320000541.

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41

Dockery, Michael, and Laurence M. Cook. "The British butterfly collection at The Manchester Museum." Entomologist's Monthly Magazine 156, no. 3 (2020): 135–49. http://dx.doi.org/10.31184/m00138908.1563.4037.

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Information on the Manchester Museum holding of British butterflies is presented and access to it is made available. Almost all of the collection has been provided over a period of 200 years by donations from private collectors. We discuss the dates, the pattern of collecting and evidence the material holds of changing attitudes and perceived uses of private collections.
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Schlumpf, Heidi, Nina Gaze, Hugh Grenfell, et al. "Data Detectives - The Backlog Cataloguing Project at Auckland War Memorial Museum." Biodiversity Information Science and Standards 2 (June 15, 2018): e25194. http://dx.doi.org/10.3897/biss.2.25194.

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The Collection Access and Readiness Programme (CARP) is a unique, well-defined programme with committed funding at Auckland War Memorial Museum (AWMM). In the Natural Sciences department, CARP has funded the equivalent of five positions over five collecting areas for four years. These are filled by six part-time collection technicians and a senior full-time manager. As Collection Technicians, our role, across Botany, Entomology, Geology, Marine, and Palaeontology, is to digitise acquisitions prior to December 2012. We are processing the backlogs of our collections, which are prioritised across
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Bartnik, Krzysztof, Martyna Maciejewska, Roiya Farhan, et al. "Continuous Mononuclear Cell Collection (cMNC) protocol impact on hematopoietic stem cell collections in donors with negative collection predictors." Transfusion and Apheresis Science 57, no. 3 (2018): 401–5. http://dx.doi.org/10.1016/j.transci.2018.04.022.

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44

Lehman, Kathleen A. "Collection Development and Management." Library Resources & Technical Services 58, no. 3 (2014): 169. http://dx.doi.org/10.5860/lrts.58n3.169.

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The collection development and management literature from 2011 and 2012 explores how libraries are making difficult collection choices with decreasing funds, competing needs for space, and a continually developing e-market. Digital content is no longer new in collection management, but some of the ways the content is chosen have changed; collection-building activities now include various models of patron-driven demand acquisitions. Other literature in this area examines how libraries are addressing their print and electronic collections with topics including open access materials, shared colle
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Vos, Daniella. "Plant Collecting in Jordan for a Phytolith Reference Collection." Palestine Exploration Quarterly 148, no. 3 (2016): 217–19. http://dx.doi.org/10.1080/00310328.2016.1209296.

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Arangio, Susanna. "Collecting Mussolini: The Case of the Susmel–Bargellini Collection." Ex Novo: Journal of Archaeology 5 (May 24, 2021): 7–18. http://dx.doi.org/10.32028/exnovo.v5i.408.

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Heritage Studies has dealt with Italian Fascism in different ways but paying little attention to the movable items linked to the regime, such as paintings, sculptures and memorabilia. Over the last decade, private collections linked to the Mussolini iconography have emerged, owing to a renewed social acceptance of it and more items of Mussoliniana being readily available. Due to the reluctance of experts to confront this issue and the expansion of private museums in Italy, spontaneous initiatives have sprung up including a permanent exhibition of Mussolini iconography as part of the MAGI’900 M
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47

Özgen, Ceyda. "The collection of a toy: Production history and collection value of the Matchbox regarding the consumer behaviours." Journal of European Popular Culture 12, no. 1 (2021): 45–63. http://dx.doi.org/10.1386/jepc_00027_1.

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Metal casting technology reached at a very advanced point after the Second World War. When the war was over, many companies producing metal castings suffered a huge market loss and tried to create new markets and develop new products. Some companies, inspired by the rapid development of automobile production, started to produce toy model cars with the casting technique, which were generally made with sheet metal bending until then, using the moulding techniques they had advanced. In this study, the history of Lesney company, established after the Second World War, and the development of Matchb
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Yoon, Won-Ju. "A novel tag collection algorithm for iterative RFID tag collections." IEICE Electronics Express 9, no. 4 (2012): 296–301. http://dx.doi.org/10.1587/elex.9.296.

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Yaco, Sonia, Caroline Brown, and Lee Konrad. "Linking Special Collections to Classrooms: A Curriculum-to-Collection Crosswalk." American Archivist 79, no. 2 (2016): 417–37. http://dx.doi.org/10.17723/0360-9081-79.2.417.

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Cyzyk, Mark. "Canon Formation, Library Collections, and the Dilemma of Collection Development." College & Research Libraries 54, no. 1 (1993): 58–65. http://dx.doi.org/10.5860/crl_54_01_58.

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