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1

Lowe, John. The concert of Europe: International relations 1814-70. Hodder & Stoughton, 1990.

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2

Catalonia (Spain). Departament de Cultura., ed. Primer cicle Rosa Sabater d'intèrprets catalans: 1985 any europeu de la música, Palau de la música catalana. Departament de Cultura, Generalitat de Catalunya, 1985.

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3

Doering-Manteuffel, Anselm. Die deutsche Frage und das europäische Staatensystem 1815-1871. Oldenbourg, 1993.

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4

Switzerland), Architekturgalerie (Lucerne, and Kultur- und Kongresszentrum in Luzern., eds. Jean Nouvel: Luzern : concert hall = Konzertsaal = salle de concert. Birkhauser, 1998.

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5

France), Opéra-Comique (Paris, ed. Les lieux de l'opéra en Europe: (XVIIe - XXIe siècle). École nationale des Chartes, 2017.

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6

Wolfgang, Thormeyer, Groth Cordula 1948-, Berliner Philharmoniker, and DaimlerChrysler, eds. Musik für Europa =: Music for Europe. Be.bra, 2000.

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7

Cliveti, Gheorghe. Concertul european: Un experiment în relațiile internaționale din secolul XIX. Editura Enciclopedică, 2006.

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8

Erich, Bödeker Hans, ed. Espaces et lieux de concert en Europe 1700-1920: Architecture, musique, societe. BWV, Berliner Wissenschafts-Verlag, 2008.

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9

Moran, Daniel. The fog of peace: The military dimensions of the Concert of Europe. Strategic Studies Institute, U.S. Army War College, 1995.

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10

Delors, Jacques. Le nouveau concert européen. Editions O. Jacob, 1992.

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11

Morin, Edgar. The concept of Europe. Holmes & Meier, 1989.

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12

Press, Anthem, ed. Anthem guide to the opera, concert halls, and classical music venues of Europe. Anthem Press, 2009.

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13

Baumgart, Winfried. Europäisches Konzert und nationale Bewegung: Internationale Beziehungen, 1830-1878. Schöningh, 1999.

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14

Pessoa, Silvério. Nômade: Tours na Europa, Ásia e um olhar sobre o mundo. Edições Bagaço, 2008.

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15

Verosta, Stephan. Kollektivaktionen der Mächte des Europäischen Konzerts (1886-1914). Verlag der Österreichischen Akademie der Wissenschaften, 1988.

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16

F, Delange, Dunn John T. 1932-, Glinoer Daniel, North Atlantic Treaty Organization. Scientific Affairs Division., and Workshop on Iodine Deficiency in Europe: a Continuing Concern : 1992 : Brussels, Belgium., eds. Iodine deficiency in Europe: A continuing concern. Plenum Press, 1993.

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17

Bristol), EC/International Law Forum (3rd 1996 University of. A people's Europe: Tuning a concept into content. Ashgate, 1999.

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18

Denise, Pumain, and Eurostat, eds. The Statistical concept of the town in Europe. Office for OfficialPublications of the European Communities, 1992.

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19

V, Konstadinidis Stratos, ed. A people's Europe: Tuning a concept into content. Dartmouth, 1998.

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20

Simon, János. The citizens' concept of democracy in post-communist Europe. Institute for Political Science of the Hungarian Academy of Science, 1996.

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21

Monti, Chiara. L' Europe musicale: Opéras, salles de concerts et festivals. Autrement, 1998.

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22

François, Djindjian, Kozłowski Janusz Krzysztof, Bicho Nuno Ferreira, and International Union of Prehistoric and Protohistoric Sciences, eds. Le concept de territoires dans le Paléolithique supérieur européen. Archaeopress, 2009.

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23

Kathleen, Hall, United States. Federal Highway Association. Office of International Programs., American Trade Initiatives Inc, American Association of State Highway and Transportation Officials., and National Cooperative Highway Research Program., eds. Long-life concrete pavements in Europe and Canada. U.S. Dept. of Transportation, Federal Highway Administration, 2007.

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24

Bernard, Marrey, ed. Freyssinet: La précontrainte et l'Europe, 1930-1945 = Freyssinet : der Spannbeton und Europa, 1930-1945 = Freyssinet : prestressing and Europe, 1930-1945. Éditions du Linteau, 2000.

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25

Winnefeld, James A. Crisis de-escalation: A relevant concern in the "New Europe"? Rand, 1990.

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26

Instytut Spraw Publicznych (Warsaw, Poland). Centrum Konstytucjonalizmu i Kultury Prawnej., ed. Liberal concept of human rights in Central and Eastern Europe. Institute of Public Affairs, 1998.

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27

R, Albrecht-Carrie. Concert of Europe. HarperCollins (paper), 2000.

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28

Europe in concert. Polygran Video, 1993.

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29

Lowe, John. Concert of Europe 1814-70. Hodder Arnold, 1990.

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30

The Concert in Flames: Adventures in Victoriana Europe. Cubicle 7 Entertainment Ltd, 2015.

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31

Monti, Chiara. Musical Europe: A Guide to the Opera, Concert Halls and Classical Music Festivals of Europe. Anthem Press, 2005.

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32

Lowe, John. The Concert of Europe (Access to A-Level History). Hodder Arnold H&S, 1990.

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33

Lowe, John. The Concert of Europe (Access to A-Level History). Hodder Arnold H&S, 1990.

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34

Doering-Manteuffel, Anselm. Die deutsche Frage und das europäische Staatensystem 1815 - 1871. Oldenbourg, 2001.

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35

Die deutsche Frage und das europäische Staatensystem 1815-1871. 3rd ed. Oldenbourg, 2010.

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36

Le concert européen: Aux origines de l'Europe, 1814-1914. Fayard, 2009.

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37

Sedivý, Miroslav. Crisis among the Great Powers: The Concert of Europe and the Eastern Question. Bloomsbury Publishing Plc, 2020.

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38

Isserlis, Steven, and Anthem Press. Anthem Guide to the Opera, Concert Halls and Classical Music Venues of Europe. Anthem Press, 2009.

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39

Organisateurs et formes d'organisation du concert en Europe 1700-1920: Institutionnalisation et pratiques. BWV, Berliner Wissenschafts-Verlag, 2008.

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40

Isserlis, Steven, and Anthem Press. Anthem Guide to the Opera, Concert Halls and Classical Music Venues of Europe. Anthem Press, 2009.

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41

Isserlis, Steven, and Anthem Press. Anthem Guide to the Opera, Concert Halls and Classical Music Venues of Europe. Anthem Press, 2009.

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42

Crisis among the Great Powers: The Concert of Europe and the Eastern Question. I. B. Tauris & Company, Limited, 2017.

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43

Power In Concert The Nineteenthcentury Origins Of Global Governance. The University of Chicago Press, 2013.

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44

Coste, Laurent, Stéphane Minvielle, and François-Charles Mougel, eds. Le concept d’élites en Europe. Maison des Sciences de l’Homme d’Aquitaine, 2014. http://dx.doi.org/10.4000/books.msha.18787.

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45

Mitzen, Jennifer. Power in Concert: The Nineteenth-Century Origins of Global Governance. University of Chicago Press, 2013.

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46

Mitzen, Jennifer. Power in Concert: The Nineteenth-Century Origins of Global Governance. University of Chicago Press, 2013.

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47

Fraser, James E. Early Medieval Europe. Edited by Donald Bloxham and A. Dirk Moses. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199232116.013.0014.

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This article examines the concept of genocide in early Medieval Europe, looking at Britain and Ireland. Scholars have good reason to baulk at the application of a term like genocide, with all its twentieth-century moral and legal baggage, to early medieval episodes of violence, depopulation, and displacement which would otherwise seem to meet the criteria for genocide enumerated in the UN Convention on the Prevention and Punishment of the Crime of Genocide Preamble ‘that at all periods of history, genocide has inflicted great losses on humanity’. This article suggests that Britain and Ireland
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48

(Foreword), Steven Isserlis, and Anthem Press (Compiler), eds. Anthem Guide to the Opera, Concert Halls and Classical Music Venues of Europe (Anthem Art and Culture). Anthem Press, 2007.

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49

Le concert et son public: Mutations de la vie musicale en Europe de 1780 à 1914 (France, Allemagne, Angleterre). Éditions de la Maison des sciences de l'homme, 2002.

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50

Grimm, Dieter. Sovereignty in Europe. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805120.003.0003.

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This chapter examines the question of who is sovereign in the relationship between the European Union and its Member States. It first considers the relevance of the debate over sovereignty in the EU and the development of the concept of sovereignty, paying attention to public powers form the substance of sovereignty, Jürgen Habermas’ theory of dual sovereignty, and the relevant provisions of the Lisbon Treaty. It then explores the problem of whether one should maintain the concept of sovereignty or recognize that the era of post-sovereignty has begun. It argues that it makes sense to address t
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