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Relevant bibliographies by topics / The creative revolution / Dissertations / Theses

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Dissertations / Theses on the topic 'The creative revolution'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Vaughan, Michael. "Creative revolution : Bergson's social thought." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/59324/.

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I have three main aims in writing this thesis on the social thought of Henri Bergson: to establish what society is in his view, to work out the implications of this for individuality, and to demonstrate the contemporary value of his philosophy as a whole, thus construed. It will be the task of the first two chapters to establish that society is a biological and cultural reality for Bergson. This will involve the demonstration that Bergson’s understanding of living systems can be applied to groups as well as to single organisms, and that while the biological evolution of society underlies both

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2

Donate, Charles Alfredo. "I got revolution and other stories." Thesis, Boston University, 2012. https://hdl.handle.net/2144/31539.

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Thesis (M.F.A.)--Boston University. Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the locked Download file link and fill out the appropriate web form.<br>2031-01-01

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3

Bilocerkowycz, Sonya. "On Our Way Home from the Revolution." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492268267440225.

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4

Mikkonen, Simo. "From the Cultural Revolution to the Creative Unions. Organizing Music in the Soviet Union in the 1930s." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72019.

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5

Korpe, Tilia. "Artivism in Tunis - Music and Art as tools of creative resistance & the cultural re: mixing of a revolution." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21621.

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This Thesis explores artistic activism or artivism in the context of youth in post- revolution Tunisia. During and after the Arab Uprisings, the MENA region has experienced a tendency, wherein resistance is undertaken by artivists through in situ art interventions, music, and performances that create ‘new cultural spaces’, in which cultural hybridism through the mix of urban youth subculture, communication and traditional culture, creates new contexts of authenticity. It further investigates how art and activism is used in Tunis as a tool to mirror, provoke or communicate messages that directl

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6

Schwarze, Karen. "What in a Good Cause Men May Both Dare and Venture." DigitalCommons@USU, 2016. https://digitalcommons.usu.edu/etd/4742.

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“What in a Good Cause Men May Both Dare and Venture” is a historical short story that features schoolteachers in Munich, Bavaria, during the revolutionary period of 1848. The principle character, Franz Schuler, must decide whether or not to join an illegal teachers union. Simultaneously, he must choose whether or not to stand up against his emotionally abusive father. King Ludwig I, Lola Montez, Karl von Abel, and the revolutionary fervor that bubbled up in several European regions, all function as part of the backdrop of this story. Paired with current struggles educators face in the United S

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7

Barratt, Mary-lou. "We are the revolution? : the 'creative social action' of La Fiambrera, Skart and Superflex, and its contribution to sustainable social change." Thesis, Oxford Brookes University, 2010. https://radar.brookes.ac.uk/radar/items/42b3d191-b68a-e550-ff0b-972c81ec3dcf/1/.

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"We are the revolution?" begins by introducing the type of art practices being studied, collectively referred to here as ‗creative social action,‘ and explaining the nature of their revolutionary intentions. It then shows that such art practices are in need of a critical framework; specifically, a means of examining their contribution to sustainable social changes. Having established that creative social action lacks an apposite or robust critical framework, and that such a framework is an essential tool, the study sets out to address this. Initially the study surveys a significant number of p

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8

Weatherston, Kristine T. "Nonfiction, Documentary and Family Narrative: An Intersection of Representational Discourses and Creative Practices." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3602.

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Nonfiction, Documentary, and Family Narrative:  An Intersection of Representational Discourses and Creative Practices explores the role of personal memory, family history, and inter-generational storytelling as the basis for making a nonfiction film. The film, American Boy, tells the story of my mother’s immigration to the United States after the failed Hungarian Revolution of 1956, opening a discussion of four generations of my family life in the context of historical events, exile, self re-invention, and identity formation. As a media producer and nonfiction author, I narrate my understandin

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9

Fallon, Rachel Katherine. "Syria Screams| Defying Dominance, The 2011 Syrian Revolution, Its Motivations and Creative Appeals for International Solidarity in the Face of Massacre and Indifference." Thesis, The American University of Paris (France), 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13871648.

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10

Bashir, Ikram, and Shazad Khan. "What is the driving strategy? creative business management, state of the art technology or smart textiles, focussing on the T&C industry of Pakistan." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16333.

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“It is change, continuing change, inevitable change, that is the dominant factor in society today.”Isaac AsimovThe development in technology and the adaptation to strategies and production techniques has led the textile industry to a completely different path, to the one on which it was for decades. The current scenario shows the world at the verge of total transition. But this much advancement is not consistent. The countries across the globe can be divided into two distinct groups, developed and the developing countries. So is also the case with the development and the advancement within the

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11

Henderson, Abney Louis. "Four Women: An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960s-1980s." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5236.

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This project honors and recognizes the art and activism of four Black woman--Nina Simone, Nikki Giovanni, Elizabeth Catlett, and Ntozake Shange that contributed to the revolutionary movements of the 1960s through the early 1980s. This thesis examines the works and political challenges of Black women by asking what elements in their artistry/activism addressed issues specifically related to Black women's unique position in America during the Black Revolution and feminist movements? Both primary and secondary sources such as literature from advocates of the Black Arts Movements and the lyrics, p

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12

Nahar, Jennyfer, and Irina Pkhikleshvili. "Självbetjäningens revolution inom detaljhandeln : En fallstudie om självbetjäning i fysiska butiker." Thesis, Linnéuniversitetet, Institutionen för marknadsföring (MF), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85312.

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The purpose of the study is to obtain a preferable understanding of how a company in the retail trade and its store staff achieves and provides service quality through self-service and how the co-creation and value creation is preserved when the majority of the personal contact is supplemented by technology.<br>Syftet med studien är att få en större förståelse för hur ett företag inom detaljhandeln och dess butikspersonal åstadkommer och tillhandahåller servicekvalitet genom självbetjäning och hur sam- och värdeskapandet bevaras när majoriteten av den personliga kontakten byts ut mot teknik.

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13

Millner, Jacqueline Martine. "Creating order, the French Revolution in selected texts of Andre Chenier, Samuel Taylor Coleridge, and Novalis." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ63609.pdf.

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14

Wakild, Emily. "Resources, Communities, and Conservation: The Creation of National Parks in Revolutionary Mexico under President Lazaro Cardenas, 1934-1940." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195077.

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This dissertation analyzes the creation of national parks in Mexico between 1934 and 1940 as a program of national unity and federal resource control on the heels of revolutionary upheaval. In radical new ways, national park formation marked a complementary relationship between revolutionary social change and the environment. The creation, administration, and defense of these parks symbolized larger processes reordering how regulatory legitimacy came about and what factors shaped policy implementation. The parks, mostly within one or two hours of Mexico City, protected temperate forests but

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15

Elovsson, Andréa, and Karolina Linse. "Artificiell inteligense & Musikskapande organisationer : - En kvalitativ studie om förändring i samband med ny teknik." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80044.

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Abstrakt Författare:Karolina Linse & Andréa Elovsson Handledare:Jasmina Beharic Examinator:Hans Wessblad Titel: Artificiell intelligens & Musikskapande organisationer Bakgrund och problemredogörelse: Digitaliserings utveckling och förändring då artificiell intelligens kan bli en del av den musikskapande processen, och påverka musikskapande organisationer. Syfte: Syftet för studien är att kartlägga organisationsförändring inom ämnet musikskapande i relation till ny teknik.Målet blir därmed att visa på vilka sätt en sådan förändring kan påverka och just nu påverkar berörda organ

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16

Main, Steven John. "Creation, organisation and work of the Red Army's political apparatus during the Civil War (1918-1920)." Thesis, University of Edinburgh, 1989. http://hdl.handle.net/1842/8314.

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The main aim of this dissertation has been to examine the creation, organisation and work of the Red Army's Civil War political apparatus and assess its overall contribution to the Bolshevik war effort. To this end the dissertation itself consists of 4 main chapters and a number of appendices, detailing not only the work of the main political organs of the Red Army, but also the main personalities involved. The first chapter is an introductory chapter, examining the organ, which many Soviet historians have for a long time considered to be the Bolsheviks' first attempt at the creation of a cent

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17

Jones, James Thomas. "Creating revolution as we advance : the revolutionary years of the Black Panther Party for Self-Defense and those who destroyed it /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1118262119.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 190 p.; also includes graphics. Includes bibliographical references (p. 186-190). Available online via OhioLINK's ETD Center

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18

La, Follette Tavia. "Sites of Passage: Art as Action in Egypt and the US-- Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

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19

Jones, James T. III. "Creating revolution as we advance: the revolutionary years of The Black Panther Party for self-defense and those who destroyed It." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1118262119.

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20

Boonshoft, Mark. "Creating a `Civilized Nation’: Religion, Social Capital, and the Cultural Foundations of Early American State Formation." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429781475.

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21

Payn, Valerie. "'Ilima', 'Izithebe' and the 'Green Revolution' : a complex agro-ecological approach to understanding agriculture in Pondoland and what this means for sustainability through the creation of 'Living Landscapes'." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20228.

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Thesis (MPhil)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This thesis uses local narratives to explore relationships between agrarian landscapes, agrarian land use practices and the traditional cultural perspectives of traditional amaMpondo farming communities living along Pondoland‟s Wild Coast, on the East Coast of South Africa. This endeavour is based on theories that propose that human behaviour, including agrarian practice, is influenced by complex socio-cultural factors that shape cultural values, knowledge and world-views, and that are reflected in cultural narratives, and th

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22

Brdar, Minela, and Sibel Eken. "Skivbolagens roll i musikbranschen : En kvalitativ studie om skivbolagens roll." Thesis, Södertörns högskola, Institutionen för samhällsvetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33065.

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I takt med den digitala revolutionen har vidden av skivbolagens aktiviteter reducerats. Idag kan individer göra mycket på egen hand som skivbolagen traditionellt sett gjort för sina artister. Rollen som de spelar anses inte vara lika väsentlig i en artists karriär till följd av digitaliseringen. Syftet med denna studie är att skapa förståelse för hur skivbolagens roll ser ut i en digitaliserad och tjänst-dominerad musikbransch. För att kunna besvara syftet har tre semistrukturerade intervjuer utförts, varav en består av två respondenter. Intervjuerna genomfördes med skivbolagen Universal

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23

Lobo, Reinaldo. "Castoriadis, a reinvenção do sujeito." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-28032013-094900/.

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Esta tese desenvolve uma pesquisa em torno do lugar da psicanálise no pensamento filosófico e político de Cornelius Castoriadis (1922-1997), sobretudo relativa à segunda etapa de sua obra a partir de 1968. Investiga e discute em particular duas hipóteses: 1. A função paradigmática da psicanálise (teoria e prática) foi constitutiva para a formulação da concepção de sujeito e, portanto, de autonomia conceito que foi adquirindo papel progressivamente central na obra castoridiana. 2. O modelo de sujeito que emerge dessa reflexão é sui generis, distinto das filosofias da segunda metade do Século X

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24

Ferreira, Pedro Dias Fernandes Gomes. "XR Technologies, the company Xperiencia Virtual and the Revolution of Organizations: Proposal of a functional model for a company in Portugal in the context of cultural and creative industries." Master's thesis, 2020. http://hdl.handle.net/10400.26/34982.

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This report aims to describe the professional experience of a six- months internship of the student Pedro Gomes Ferreira at the Spanish VR company Xperiencia Virtual, from September 2019 to March 2020. The present document describes the student’s experience, the company, and all the projects developed during those six months. Thus, the process of integration in the team, the company’s structure, and the impact of the content created in the digital market are addressed. Afterward, topics related to the evolution of the technologies under study, in particular, Virtual, Augmented, and Mixed Real

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25

Steele, Leighton G. "Le discours du manque, creation et revolution au Quebec." 1998. http://hdl.handle.net/1993/1907.

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Litterature canadienne-francaise<br>Histoire et critique<br>Litterature canadienne-francaise<br>Histoire et critique<br>Ideologie dans la litterature<br>Canadian literature (French)<br>History and criticism<br>Canadian literature (French)<br>History and criticism<br>Ideology in literature<br>Aucun resume fourni

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26

Marques, Maria João Brasão. "The one who knocks: the hero as villain in contemporary televised narratives." Master's thesis, 2016. http://hdl.handle.net/10362/19738.

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Esta dissertação pretende analisar o storytelling televisivo contemporâneo norte-americano, considerando os eventos históricos e políticos que conduziram a uma aparente revolução criativa no final do século XX. Esta evolução na programação televisiva de qualidade ficou conhecida como a terceira “Golden Age” da televisão americana, cujo centro passou a estar ocupado por um novo tipo de protagonista, sugerindo uma mudança no arquétipo do herói. Através de exemplos significativos de algumas séries de televisão, tais como Oz (1997-2003), The Sopranos (1999-2007), The Wire (2002-2008), Dexter (2006

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27

Traistaru, Felicia. "La série Mad Men : une élégie de la révolution créative dans les années soixante." Thèse, 2017. http://hdl.handle.net/1866/20153.

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28

Montgomery, Alexandra Lunn. "An Unsettled Plantation: Nova Scotia’s New Englanders and the Creation of a British Colony, 1759-1776." 2012. http://hdl.handle.net/10222/15230.

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The New England Planters were the largest wave of Protestant migration into Nova Scotia prior to the American Revolution. Sponsored by the British government, they represent an attempt to make Nova Scotia a securely British colony in the wake of the Seven Years’ War and the Acadian deportation. Examining the experiences of several families, this thesis argues that the Planters, despite taking up lands in Nova Scotia, remained unsettled. The migration was staggered over a number of years, and Planters maintained close ties with New England. However, the Planters were unable to recreate New Engl

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29

Franqui, Harry. "Fighting For the Nation: Military Service, Popular Political Mobilization and the Creation of Modern Puerto Rican National Identities: 1868-1952." 2010. https://scholarworks.umass.edu/dissertations/AAI3412048.

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This project explores the military and political mobilization of rural and urban working sectors of Puerto Rican society as the Island transitioned from Spanish to U.S. imperial rule. In particular, my research is interested in examining how this shift occurs via patterns of inclusion-exclusion within the military and the various forms of citizenship that are subsequently transformed into socio-economic and political enfranchisement. Analyzing the armed forces as a culture-homogenizing agent helps to explain the formation and evolution of Puerto Rican national identities from 1868 to 1952, and

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