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Relevant bibliographies by topics / The Da Vinci code (Brown)

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Academic literature on the topic 'The Da Vinci code (Brown)'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "The Da Vinci code (Brown)"

1

Meier, Albert. "Dan Brown: The Da Vinci Code (Sakrileg)." Mitteilungen des Deutschen Germanistenverbandes 57, no. 2 (June 2010): 208–18. http://dx.doi.org/10.14220/mdge.2010.57.2.208.

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Wiasdianti, Anastasia Rina. "NOVEL THE DA VINCI CODE: PERTARUNGAN SIMBOLIK DAN BROWN DALAM ARENA SASTRA AMERIKA." MOZAIK HUMANIORA 19, no. 2 (January 6, 2020): 148. http://dx.doi.org/10.20473/mozaik.v19i2.14642.

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AbstrakArtikel berjudul Novel The Da Vinci Code: Pertarungan Simbolik Dan Brown dalam Arena Sastra Amerika membahas praktik bersastra Dan Brown dalam arena sastra Amerika. Penulis ini telah banyak menghasilkan karya, tetapi yang fenomenal adalah The Da Vinci Code (2003). Dia mulai bersastra sejak tahun 1997 sampai 2017. Tujuan penelitian ini adalah memaparkan pandangan-pandangan dan pertarungan simbolik Dan Brown untuk mendapat legitimasi dari pertarungan sastra Amerika. Adapun teori yang digunakan adalah teori Arena Produksi Kultural Pierre Bourdieu. Penelitian ini menggunakan permasalahan strategi yang harus dilakukan Dan Brown untuk mencapai keinginannya. Sebagai pengarang, penghargaan yang bergensi tetap menjadi idaman bagi mereka. Kata kunci: Novel, pertarungan simbolik, arena AbstractThe article is titled The Da Vinci Code Novel: Dan Brown's Symbolic Fight in the American Literature Arena discusses Dan Brown's literary practice in the arena of American literature. This author has produced many works, but the phenomenal one is The Da Vinci Code (2003). He began literature from 1997 to 2017. The purpose of this study was to describe Dan Brown's symbolic views and battles to gain legitimacy from the fight for American literature. The theory used is the theory of Pierre Bourdieu's Cultural Production Arena. This research uses the problem of strategy that must be done by Dan Brown to achieve his desires. As an author, prestigious awards remain a dream for them. Keywords: Novels, symbolic battles, arena

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Lukito, Daniel Lucas. "Meninjau The Da Vinci Code dari Sudut Teologi yang Sehat." Veritas : Jurnal Teologi dan Pelayanan 7, no. 1 (April 1, 2006): 47–61. http://dx.doi.org/10.36421/veritas.v7i1.161.

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Pada tanggal 15 Mei 2006 Sony Pictures Entertaintment—sebuah perusahaan film di Hollywood, Amerika Serikat—akan mengeluarkan film yang berjudul The Da Vinci Code (selanjutnya disingkat DVC). Film ini dibuat berdasarkan sebuah buku laris, yang terbit tahun 2003, yang sudah terjual 30 juta copy di seluruh dunia dan yang sudah diterjemahkan ke dalam 44 bahasa. Aslinya buku ini adalah sebuah novel yang ditulis oleh Dan Brown, seorang yang berkebangsaan Inggris. Buku ini sedemikian laris dan Brown sendiri menjadi kaya raya karena dari karya ini ia telah memperoleh sekitar 45 juta poundsterling (kira-kira 650 milyar rupiah). Bahkan juga ada orang dari kalangan agama bukan Kristen yang ikut-ikutan menerbitkan atau memperbanyak buku ini dalam berbagai bahasa dengan tujuan, tentu saja, menyerang jantung kekristenan, yaitu berkenaan dengan Yesus Kristus dan juga keabsahan Alkitab, yang adalah firman Allah. Karena akan beredar dan bulan Juni-Juli 2006 akan diputar di seluruh dunia, film ini akan menjadi daya tarik bagi banyak orang, terutama orang-orang yang berkepentingan atau orang-orang yang meragukan iman Kristen. Dalam artikel ini saya akan langsung memaparkan beberapa poin yang disebutkan di dalam buku DVC, sebagai poin yang langsung berkenaan dengan kristologi dan juga bibliologi. Saya akan langsung memberikan tanggapan, tetapi sebelum itu, ada baiknya kita mengenal terlebih dahulu secara singkat apa isi buku tersebut.

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Pineda Rodríguez, Allan. "La traducción de criptogramas y poemas en El Código Da Vinci, de Dan Brown." LETRAS, no. 40 (July 24, 2006): 117–40. http://dx.doi.org/10.15359/rl.2-40.6.

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Se desarrolla un análisis comparativo entre los criptogramas y poemas originales de la novela de Dan Brown, The Da Vinci Code, y su correspondiente traducción al español, realizada por Juanjo Estrella. El trabajo de contraste analiza la traducción de cada uno de los casos y evalúa la labor del traductor, motivando a la vez a que los lectores sean más críticos en su práctica literaria. A comparative analysis is developed here between the original cryptograms and poems found in Dan Brown's novel, The Da Vinci Code, and its Spanish counterpart translated by Juanjo Estrella. This analysis focuses on the translation of each of the cases and the work done by the translator, thus encouraging readers to become more critical in their readings.

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Lacy, Norris J. "The Da Vinci Code: Dan Brown and The Grail That Never Was." Arthuriana 14, no. 3 (2004): 81–93. http://dx.doi.org/10.1353/art.2004.0051.

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Rofiqoh, Ifa Nur. "Menafsir Ulang Kekristenan: Studi Atas Pandangan Keagamaan Tokoh-Tokoh pada Novel The Da Vinci Code." Refleksi 15, no. 1 (November 8, 2018): 113–38. http://dx.doi.org/10.15408/ref.v15i1.9709.

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This article elucidates the Da Vinci Code (DVC) by Dan Brown. DVC became one of the most phenomenal novel with the best selling in the world and became the subject of discussion amongits readers, including Christians scholars.Dealing with the novel, there are three groups to response. First, the opinion believes that Jesus was just an ordinary man who descends from ‘Merovongian dynasti’ of Mary Magdalena, as the Holy Grail, and that opinion does not disseminate the belief. Second, as well as the first view, but this second group wants to spread the belief to the wider society. Third, the mainstream view that believes the crucifixtion of Jesus as the foundation of the Christian faith. Therefore, Jesus is a man and a God totally.

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Alyunina, Julia M., and Natalia E. Nikonova. "When languages collaborate: novel and screen version multilingual structure ("The da Vinci code" by Dan Brown)." Language and Culture, no. 1(7) (June 1, 2016): 4–11. http://dx.doi.org/10.17223/24109266/7/1.

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Khaofia, Suci. "RAGAM TINDAK TUTUR ILOKUSI PADA NOVEL TERJEMAHAN THE DAVINCI CODE KARYA DAN BROWN." CENDEKIA: Journal of Education and Teaching 11, no. 2 (May 2, 2017): 195. http://dx.doi.org/10.30957/cendekia.v11i2.317.

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This research examined how illocutionary acts were applied in Dan Brown’s novel “The Da Vinci Code”. The dialogues of character which had illocutionary acts were used as the data of this research. The researcher then analyzed the data by applying qualitative analysis approach. The finding showed 20 kinds and five different patterns of illocutionary act were identified. The patterns included: (1) illocutionary act of directive “ask” used by participants who have the distance and power; (2) illocutionary act of directive “command” used by participants who have distance and power; (3) illocutionary act of assertive “allege” used by participants who have no distance but power and directive “ask” used by participants who has no distance nor power; (4) direct “command” used by participants who have no distance but power; and (5) direct illocutionary act mostly used by participants who have power and distance and participants who has no distance nor power.

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Komar, Smiljana. "Listened To Any Good Books Lately? The Prosodic Analysis of Audio Book Narration." ELOPE: English Language Overseas Perspectives and Enquiries 3, no. 1-2 (June 20, 2006): 85–98. http://dx.doi.org/10.4312/elope.3.1-2.85-98.

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The popularity of audio books is increasing. In the USA fewer people are reading books but many more are listening to them on tapes, CD’s and in MP3 format. The phenomenon is redefining the notion of reading. The purpose of the paper is to present some pros and cons of listening to books instead of reading them. The conclusions have been reached on the basis of a linguistic analysis of parts of two audio books belonging to two different literary genres: a crime novel (Dan Brown, The Da Vinci Code) and a comic one (Helen Fielding, Bridget Jones: The Edge of Reason).

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Belk, Russell. "Marketing meets Da Vinci and Stephen Meets Dan in The Marketing Code20072Stephen Brown. Marketing meets Da Vinci and Stephen Meets Dan in The Marketing Code. London: Cyan Books 2006. 256 pp. £9.99 (hardback), ISBN: 1904879888." European Journal of Marketing 41, no. 1/2 (January 20, 2007): 225–27. http://dx.doi.org/10.1108/03090560710718201.

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Dissertations / Theses on the topic "The Da Vinci code (Brown)"

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Brandt, Jenn. "The Not So Sacred Feminine: Female Representation and Generic Constraints in The Da Vinci Code." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1173979753.

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Skorupa, Pavel. "The Problem of the Genre of Dan Brown's Novel "The Da Vinci Code"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070816_175743-16796.

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The MA paper focuses on the problem of the genre of Dan Brown’s novel The Da Vinci Code. In the paper various concepts of the literary genre, especially the novel, in modern literary theory are presented and reviewed. All theories of the novel distinguish the following main genre constituents: plot, setting, character, thematic range, the narrator and point of view, intertextuality, and others. The analysis reveals that there are four subplots, apart from the main plot line; at some crucial moments, or in most dramatic scenes, the plotlines crisscross or merge. Robert Langdon and Sophie Neveu are the protagonists of the novel; the Teacher-Teabing and Silas are the villains; and the minor characters are: Bezu Fache, Bishop Aringarosa, and others. The protagonists and the villains are psychological characters. The novel deals with a number of problems: love and family – the main problem is Christ’s marriage of Mary Magdalene and their posterity; the problem has been supposedly hidden in Leonardo da Vinci’s works, especially the fresco “The Last Supper”; the theme of art, the conflict between science and religion, etc. The research discovers that there is a fusion of several generic forms in The Da Vinci Code. It also shows that the novel can be placed in traditional and most recent literary culture.
Šis Deno Brauno romanas gali būti priskirtas daugiau nei vienam šiuolaikinės populiarios literatūros žanrui. Žanro teorijų apžvalga parodė, kad pati literatūrinio žanro sąvoka yra neryškiai apibrėžta, tačiau visos teorijos identifikuoja kelis žanrą formuojančius elementus – siužeto struktūra, veiksmo vieta ir laikas, charakteriai, plėtojamos temos (problemos), intertekstualumas ir kiti. Deno Brauno Da Vinčio kodas turi keleto klasikinės ir šiuolaikinės populiarios literatūros žanrų bruožų ir pilnai arba iš dalies atitinka tų žanrų reikalavimus. Siužeto analizė parodė, kad romanas parašytas pagal tradicinio detektyvo, arba trilerio schemą: romanas prasideda nuo žmogžudystės po kurios seka nužudytojo kuratoriaus mįslių išnarpliojimas ir tikrų nusikaltelių nubaudimas. Charakterių analizė atskleidė klasikinio detektyvo charakterių sistemą: kelios aukos, žudikas-įrankis, nusikaltimų organizatorius, detektyvai, policija. Nuolat pakartojama mintis apie Jėzaus Kristaus ir Marijos Magdalietės santuoką, bei romantiški romano herojų Roberto ir Sofi jausmai vienas kitam suteikia Da Vinčio kodui meilės romano žanro bruožų. Valdžios troškimo tema atskleista per vyskupo Aringarosos ir paslaptingojo Mokytojo charakterius, suteikia romanui trilerio bruožų ir paslaptingumo. Meno tema ir mįslės susijusios su Leonardo da Vinčio kūriniais, o taip pat aiškinami simboliai ir minimos slaptos draugijos suteikia romanui detektyvo, simbologinės ir sąmokslo literatūros bruožų. Knygoje gausu... [toliau žr. visą tekstą]

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Gau, Nathan S. "An investigation of both of the cultural phenomenon of the Da Vinci code and the evangelical responses to it." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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邵璐. "文學作品中的模糊語言與翻譯 : 以The Da Vinci code及其兩個中譯本的研究為例 = Fuzzy language in literature and translation : a case study of The Da Vinci code and its own Chinese versions." HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/904.

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Juhlin, Johanna. "The Medieval Myth of The Holy Grail and its Resonance in Contemporary Popular Culture : A Reception Theory Analysis of The Da Vinci Code by Dan Brown." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26620.

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This essay investigates why the Myth of the Holy Grail continue to occur within popular culture. Myths, tales and legends from ancient times have inspired authors throughout the centuries. The readers are not only served with a spectacular adventure, but the myths also contain messages with a moral and ethical guidance for us as beholders. This particular myth can be found within different media in our time and the essay will attempt to give some answers as to why the myth reappears in new forms over and over again. An analysis is performed by using the methodology of aesthetic reception within reception theory. The material chosen for the analysis is the work of art; The Da Vinci Code by author Dan Brown, where two different media forms will be represented, the novel and the film. The findings in the analysis revealed that the key to understanding the reasons for the occurrence of this medieval myth is the element of a quest that is present within the myth. This ingredient, where you embark on an adventure, will create feelings of excitement for the beholder. A second aspect found is that we as humans have an interest in our history. Therefore, myths and legends from our historical past will be naturally alluring for beholders and especially if they are linked to philosophical questions and ideas that can be applied to our modern society. The success that has followed The Da Vinci Code has its explanation in the fact that Brown has managed to make the myth of the Holy Grail more contemporary, the myth has then been rejuvenated. A suggestion for further research is to perform a study on beholders in focus group interviews in order to validate the findings in the analysis.

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Klevskog, Emma. "Robert Langdon's Hero's Journey : Reading the Novels of Dan Brown with the perspective of the Monomyth." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-48079.

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This essay investigates the characteristics of Robert Langdon and his female helpers in Dan Brown’s novels Angels and Demons, The Da Vinci Code, The Lost symbol and Inferno. In each of these novels, the quests are always solved by a male-female team. This essay is therefore going to focus on the character of Robert Langdon and his female helpers with the perspective of the Monomyth by Joseph Campbell. The protagonist Robert Langdon is a Harvard University professor specialised in religious iconology and symbology, but in these four novels he is thrown into breath-taking adventures with dangerous situations, however, with the help of several females he always manages to survive. The aim of this essay is to show how Langdon and his female helpers have the characteristics of a contemporary hero and helper, with the perspective of Campbell’s the Monomyth. Keywords: Character Analysis, Robert Langdon, Hero, Female Helper, the Monomyth, Angels and Demons, The Da Vinci Code, The Lost Symbol, Inferno.

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Tynelius, Anna. "The Translation of the -ing form in the Novel The Da Vinci Code." Thesis, Högskolan Dalarna, Engelska, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:du-1425.

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This essay deals with the translation into Swedish of the ing-form in the popular novel The Da Vinci Code. The reason for looking at the -ing form is that it is a grammatical structure which is difficult to render in Swedish since there is no exact equivalent, at least not one which is used in the same manner as the English. The aim is to find out how the translator has dealt with the ing-form and also to find out whether there are any instances where the context has been altered due to the manner in which the translation has been carried out.

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Fritz, Marie. "The Da Vinci Code : En arketypisk saga : En djupstrukturell studie med didaktisk inriktning." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:du-1854.

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Syftet med uppsatsen är att visa på likheten mellan Dan Browns The Da Vinci Code och sagans struktur, aktörer och handling, samt att påvisa romanens didaktiska möjligheter. Utifrån Vladimir Propps sagoteori och Northrop Fryes arketyper och historiska kategorisering samt ett studium av populärromanens likheter med sagan utifrån Ulla Lundqvists undersökning görs en strukturalistisk analys. Vidare har en mindre enkätundersökning gjorts för att skapa en uppfattning om hur en grupp elever på en gymnasieskolan uppfattat romanens didaktiska möjligheter. Resultatet visar att The Da Vinci Code innehåller sagans struktur, med endast några få avvikelser från den kronologiska ordningen, samt att romanens aktörer överrensstämmer med Propps teori och Fryes arketyper. Handlingen uppvisar tydliga inslag från sagan, och överrensstämmer med de sagoelement som Lundqvists undersökning visar, så som exempelvis dualism, magi, i överförd bemärkelse, och ett lyckligt slut. Den didaktiska undersökningen visar att eleverna uppfattar att romanen, trots kritiken kring dess fiktion, kan bidra till att ge kunskaper i ämnen som historia, religion och språk.

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Villasenor-Oldham, Victoria Anne. "Multiplicity and gendering the Holy Grail in The Da Vinci Code and the Mists of Avalon." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3237.

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This thesis explores how both texts - The Da Vinci Code and The Mists of Avalon - write femininity onto the Holy Grail in seemingly problematic ways, and the way in which women's voices, through the feminization of the Grail, are often silenced.

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Leopard, Mitchell L. "Loose Canon on Deck: How Contemporary Christians React to Media Portrayals of Faith, Beliefs, and Rituals." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04302007-181623/.

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Thesis (M.A.)--Georgia State University, 2007.
Title from file title page. Timothy Renick, committee chair; Christopher White, Kathryn McClymond, committee members. Electronic text (106 p.) : digital, PDF file. Description based on contents viewed Dec. 31, 2007. Includes bibliographical references (p. 96-100). Filmography: p. 94-95.

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Books on the topic "The Da Vinci code (Brown)"

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Welborn, Amy. Descodificando a Da Vinci: Los hechos reales ocultos en el co digo Da Vinci. 2nd ed. Madrid: Ediciones Palabra, 2004.

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1941-, Miesel Sandra, ed. The Da Vinci hoax: Exposing the errors in The Da Vinci code. San Francisco: Ignatius Press, 2004.

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E, Olson Carl. The Da Vinci hoax: Exposing the errors in the Da Vinci code. San Francisco: Ignatius Press, 2004.

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Les secrets du code Da Vinci. Montréal: Les Intouchables, 2004.

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Les secrets du code Da Vinci. Montréal]: Québec Loisirs, 2005.

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Newcombe, Jerry. The Da Vinci Myth Versus the Gospel Truth. Fort Lauderdale, FL, USA: Coral Ridge Ministries, 2006.

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Veronica, Haag, and McConnachie James, eds. The rough guide to the Da Vinci code. London: Rough Guides, 2004.

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Fischer, Dennis. The Da Vinci code: Separating fact from fiction. Grand Rapids, Mich: RBC Ministries, 2005.

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Rogak, Lisa. The man behind the Da Vinci code: An unauthorized biography of Dan Brown. Kansas City: Andrews McMeel Pub., 2005.

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Flon, Nancy Marie De. 101 questions and answers on The Da Vinci code and the Catholic tradition. Mahwah, N.J: Paulist Press, 2006.

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Book chapters on the topic "The Da Vinci code (Brown)"

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Rathing, Frederike. "Brown, Dan: The Da Vinci Code." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4966-1.

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Merrell, Douglass. "The Aesthetics of Superman and Charlie Brown." In Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture, 149–68. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54789-3_7.

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Raschke, Carl. "Da Vinci Code." In Encyclopedia of Sciences and Religions, 577. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_200445.

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Murdin, Paul. "On the Trail of The Da Vinci Code." In Full Meridian of Glory, 149–52. New York, NY: Springer New York, 2009. http://dx.doi.org/10.1007/978-0-387-75534-2_9.

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Donaldson, Stewart I. "Using Program Theory-Driven Evaluation Science to Crack the Da Vinci Code 1." In Introduction to Theory-Driven Program Evaluation, 216–34. 2nd ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429353277-13-15.

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Merrell, Douglass. "The Intermediate Thinker." In Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture, 1–24. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54789-3_1.

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Merrell, Douglass. "The Literary Provocateur." In Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture, 235–79. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54789-3_10.

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Merrell, Douglass. "The Intellectual Species." In Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture, 25–49. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54789-3_2.

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Merrell, Douglass. "A Medievalist in Hibernation." In Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture, 51–78. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54789-3_3.

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Merrell, Douglass. "The Exiled Heretic." In Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture, 79–101. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54789-3_4.

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Conference papers on the topic "The Da Vinci code (Brown)"

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Bertocci, Stefano, and Matteo Bigongiari. "Rilievo digitale delle fortificazioni di Piombino." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11530.

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Digital survey of the fortifications in PiombinoThis paper deals with the documentation and digital survey of fortifications in the historic city of Piombino. During the Renaissance the fortified perimeter of the city was considerably enlarged, both because of the will of the Lords of Piombino, the Appiani, to build a fortified citadel, deeming the previous urban palace inadequate for the ruling family, and to improve the defenses by land with the construction of a rivellino in front of the north door and of a fortress to the east. The defenses, conquered by Valentino’s troops in 1502, were redesigned by Leonardo da Vinci, as documented in the pages of Code II of Madrid, which contains drawings and calculations for the construction of the works. The present project, started in April 2018, plans to carry out an accurate digital survey of fortifications, in order to provide the basis for graphic documentation on which to base further cognitive investigations, from archaeological ones to diagnostic ones. The survey operations were carried out with today’s digital technologies, laser scanners and cameras, creating reliable point clouds and three-dimensional models mapped with texture, from which to extract 2D drawings. The study of the sources, of the texts of Leonardo’s scholars and accurate archaeological investigations will provide the opportunity to further analyze Leonardo’s intervention on the still existing structures.

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