Relevant bibliographies by topics / The definition of art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The definition of art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'The definition of art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "The definition of art"

1

DAUER, FRANCIS. "ART AND ART CRITICISM: A DEFINITION OF ART." Metaphilosophy 21, no. 1-2 (January 1990): 111–32. http://dx.doi.org/10.1111/j.1467-9973.1990.tb00835.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rowe, M. W. "The Definition of `Art'." Philosophical Quarterly 41, no. 164 (July 1991): 271. http://dx.doi.org/10.2307/2220029.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Szuba, Marzena. "THE DEFINITION OF THE CHLID UNDER ART. 3045 OF POLISH LABOUR CODE – IN COMAPARATIVE." Roczniki Administracji i Prawa 1, no. XVIII (June 30, 2018): 379–90. http://dx.doi.org/10.5604/01.3001.0012.6010.

Full text
Abstract:
The point of this article is an attempt to create a definition of the child, under article 3045 of polish labour code. For a purpose of this paper – firstly, there was presented a common definition of the child. Then, legal definitions existing in legal order – in international, eurepean and polish law – were systematized and discussed. After that, there was made a try – to present and solve the most important problems connected to the creation of child’s definition on the grounds of polish labour law. Finally, at the end of this arcicle there was created a definiton of the child under artice 3045 polish labour code, and then, it was compared to the otheres presented definitons.
APA, Harvard, Vancouver, ISO, and other styles
4

Andina, Tiziana. "What is Art?" Brill Research Perspectives in Art and Law 1, no. 2 (November 16, 2017): 1–88. http://dx.doi.org/10.1163/24684309-12340002.

Full text
Abstract:
Abstract‘What is art?’ is one of the classic questions that philosophy has addressed over the ages, from the ancients to today. Taking as its starting point debates over the various definitions of art found in history, this article presents and discusses some of the major theories offered by both the analytic and continental traditions. It then looks at the theoretical reasons that led twentieth-century philosophy to reopen the question of definition, and in many cases inquire into the ontology of art itself. Finally, a series of considerations are addressed to help shift the problem of definition onto a new plane, one that is able to respond to the challenges of the performing and participatory arts, which more than any other form of art present particularly unconventional ontologies.
APA, Harvard, Vancouver, ISO, and other styles
5

Kreiner, Leslie Elizabeth. "Toward a Definition of Art." Art Education 46, no. 3 (May 1993): 7. http://dx.doi.org/10.2307/3193392.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Haynes, Anthony Richard. "Jacques Maritain's Definition of Art." New Blackfriars 96, no. 1065 (June 5, 2015): 527–41. http://dx.doi.org/10.1111/nbfr.12145.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jackson, Philip W. "Dewey's 1906 Definition of Art." Teachers College Record 104, no. 2 (March 2002): 167–77. http://dx.doi.org/10.1111/1467-9620.00159.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Davies, Stephen. "First Art and Art's Definition." Southern Journal of Philosophy 35, no. 1 (March 1997): 19–34. http://dx.doi.org/10.1111/j.2041-6962.1997.tb00823.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kemp, Martin. "A fluid definition of art." Nature 429, no. 6991 (June 2004): 506. http://dx.doi.org/10.1038/429506a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Aagaard-Mogensen, Lars, and Dan Knaan. "Towards a Definition of Art." Journal of Aesthetics and Art Criticism 44, no. 4 (1986): 419. http://dx.doi.org/10.2307/429799.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "The definition of art"

1

Fokt, Simon. "Defining art culturally : modern theories of art : a synthesis." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3675.

Full text
Abstract:
Numerous theories have attempted to overcome the anti-essentialist scepticism about the possibility of defining art. While significant advances have been made in this field, it seems that most modern definitions fail to successfully address the issue of the ever-changing nature of art raised by Morris Weitz, and rarely even attempt to provide an account which would be valid in more than just the modern Western context. This thesis looks at the most successful definitions currently defended, determines their strengths and weaknesses, and offers a new, cultural definition which can preserve the good elements of other theories, solve or avoid their problems, and have a scope wide enough to account for art of different times and cultures. The resulting theory is a synthetic one in that it preserves the essential institutionalism of Dickie's institutional views, is inspired by the historical and functional determination of artistic phenomena present in Levinson's historicism and Beardsley's functionalism, and presents the reasons for something becoming art in a disjunctive form of Gaut's cluster account. Its strengths lie in the ability to account for the changing art-status of objects in various cultures and at various times, providing an explanation of not only what is or was art, but also how and why the concept 'art' changes historically and differs between cultures, and successfully balancing between the over-generalisations of ahistorical and universalist views, and the uninformativeness of relativism. More broadly, the cultural theory stresses the importance of treating art as a historical phenomenon embedded in particular social and cultural settings, and encourages cooperation with other disciplines such as anthropology and history of art.
APA, Harvard, Vancouver, ISO, and other styles
2

Quevedo, Isabela. "Normative Dualism and the Definition of Art." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/philosophy_hontheses/6.

Full text
Abstract:
Defining art has been one of philosophy of art’s biggest projects. However, no definition offered has achieved to account for all objects we consider art. In this paper, I argue that normative dualism, an unjustifiable Western prejudice for the mental, plays a big part in this failure. The division between fine art and utilitarian and “low” art has been perpetuated because the former is associated with the mental processes involved in its appreciation and, thus, considered more valuable. Theories of art also tend to exclude production (a physical process), concentrating mostly on the appreciation of art (a mental process). Ridding theory of the bias of normative dualism, by abolishing the division that sets fine art apart as more valuable and writing theory that takes art production into consideration, is the only way art theory will succeed in accurately describing art objects.
APA, Harvard, Vancouver, ISO, and other styles
3

Huggins, Jeremy James. "Definition of a threshold." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/52100.

Full text
Abstract:
This thesis explores the possible resolution of colliding autonomous architectural entities. The manifestation of this resolution occurs in the design of an art museum that utilizes the memory of the Victorian national spirit. The realization of this program underlies the author's continued pursuit to define the entities of boundary and threshold. This entire enquiry is presented through the utilization of photographs, drawings, and supporting text.
Master of Architecture
APA, Harvard, Vancouver, ISO, and other styles
4

Bhaugeerutty, Aruna Devi. "Sound art : discourses of definition on the contemporary artworld." Thesis, University of Newcastle upon Tyne, 2018. http://hdl.handle.net/10443/4092.

Full text
Abstract:
Since the turn of the millennium, the term 'sound art' has gained increasing prominence while generating persistent discussion and debate. This study explores questions surrounding the definition of sound art through an analysis of these discourses. It also applies a Foucauldian notion of discourse to the concept of genre in order to promote a non-essentialist definition of sound art that is pursued through a project of clarification rather than classification. The research draws from a wide range of sources, from online symposia, magazine articles and publications to art exhibitions and their materials, to expose some of the conflicting and convergent representations of sound art within the artworld. Critical analysis of key ideas and themes identified in this source material is supported through reference to the history and theory of art and music as well as genre and culture. Sound art is an ambiguous and mutable concept that shares concerns with other forms such as experimental music and sonic art but has also developed specific generic meaning. Despite an apparent reluctance to define sound art, the category plays an active and important role within the institutions, industries and academies of the artworld. High-profile survey exhibitions such as Sonic Boom (Hayward Gallery, London, 2000) and Volume (MoMA PS1, New York, 2000) have been a major contributing factor to the growth but also uncertainty of sound art's discourse due to their idiosyncratic and inconsistent representations of the genre and the ways in which sound challenges artistic traditions of display. They also highlight ideological tensions relating to the categorisation of contemporary art in postmodernity, which is rooted in modernist concepts of media, in showing how sound art simultaneously invites and resists definition. Sound art is typically concerned with issues of sound, space and perception. There are many competing interpretations of these definitional ideas, however, arising from a simultaneous association with and differentiation from the traditions of music and the visual arts. The ensuing institutional battle of territories and phenomenological battle of the senses pulls towards and away from the visual respectively. This unique cluster of tensions underpins the discourse of sound art and affords a categorical porosity and liminality that ultimately characterise it. Issues of definition are therefore central to the identity of sound art. An in-depth understanding of the ontological debates and dialectics within its discourse not only draws attention to sound art as a conceptual, philosophical and material exploration of artistic and human experience but also exposes the way in which the arts evolve and artistic meaning is created to provide an insight into the very nature and value of art itself.
APA, Harvard, Vancouver, ISO, and other styles
5

Leclerc, Pierre E. (Pierre Emile). "Architectural definition of an environment suitable for contemporary art." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/79013.

Full text
Abstract:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.
Supervised by Fernando Domeyko.
Includes bibliographical references (p. 111).
The title of this thesis implies a critical consideration of the subject. i.e how do we create. show and consume the product of art today. which environment suits it the best and why. The term itself, contemporary art is actually too vague and encompasses such a long historical period that I will restate its period. for the purpose of this project. to the actual; and its actors: those who are affecting the art community now. The environment that I am proposing here is neither a museum or a gallery space. neither a studio or a housing project. The main intent of this work is to create an environment which is a living one. not a monument to art or to a particular period. It is an environment which can facilitate the creative act: in its process as well as in its consumption. It is an environment which offers to both. curators and artists liberty and stimulation to redefine and confront their particular concerns. which is in my understanding the understanding the beauty of art. i.e. their needs to question and search ones own visions. This thesis is the synthesis of my professional understanding. Working in art for many years and being involved in architecture through my studies here at MIT, I wanted to end by creating an environment which will be a representation of a living place where I , as well as other artists, would want to be involved; where the quality of its rooms and spaces (light, materials, sensual qualities ... ), the discovery through intellectual and physical movement, would offer conception, feelings and images of work to be realised, telling me that there is so much to do once I am out of here!!! Art and its process is a representation of our life. Its physical environment is also a possible interpretation of a physical environment which could be applied to many individuals ...
by Pierre E. Leclerc.
M.Arch.
APA, Harvard, Vancouver, ISO, and other styles
6

Lech-Piwowarczyk, Ewa. "Language and the definition of art: Analytic and continental discussion of the nature of art." Thesis, University of Ottawa (Canada), 1993. http://hdl.handle.net/10393/6684.

Full text
Abstract:
Art has a definite place in our culture and it plays a significant role there. Yet all the continuing efforts in analytic aesthetics to define art have failed, leading to an impasse. So, we still do not know how to define art. In order to overcome the impasse I argue that a change of philosophical perspective is necessary and I suggest a confrontation between Continental and analytic perspectives on defining art. In Part One I deal with analytic aesthetics. I single out Danto's theory of art as the paradigmatic analytic theory of art. I call attention to the fact that Danto defines art by means of language, a theory of art which is a discourse on the language of art. I show the impact of Danto's theory on the rest of analytic aesthetics. First, I present Dickie's theory of art of and show how he draws from Danto but departs from him later on. Then, I present Tilghman's critique of Danto, and I stress the point that in Tilghman's view the problem with Danto's theory is linguistic in nature. I identify Danto's understanding of language as the source of the problems recent analytic aesthetics has with the definition of art. In this way I locate the current impasse in analytic aesthetics and I claim that the underlying analytic understanding of language is too narrow in order to define art. I show the evolution of Danto's views and I discuss his attempt to enlarge his understanding of language with history. In Part Two I try to suggest a way out of the impasse. I shift the perspective and turn to phenomenology and Ingarden's theory of art. I call attention to the role of language in his philosophy and present his approach as quasi-analytical. Specifically, I interpret Ingarden as the continuator of Twardowski and not of Husserl in his understanding of language. I point to the fact that Ingarden's non-phenomenological view of language is a view that allows of seeing language not only as a container of ideas but also their shaper. I show that Ingarden attributes to language an attentional mode of being, and that he treats it as a means of communication. He exposes its cultural nature and enlarges its understanding with the notion of society. I claim that such a broader understanding of language may help analytic aesthetics overcome the present impasse. In Conclusion, I argue that supplementing the notion of language with the notion of history, as Danto does, or society, as Ingarden does, provides a fuller understanding of language, and consequently of art. Hence, it makes possible the overcoming of the impasse in analytic aesthetics. At the same time, however, I show that the very project of defining art has to be relativized in terms of understanding and responding to the significance of art.
APA, Harvard, Vancouver, ISO, and other styles
7

Volt, Marek. "The epistemic and logical role of definition in the evaluation of art /." Tartu : Tartu University Press, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017064998&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sadlowski, Gail. "The Development of a Definition and Applied Evaluation Criteria for Psycho-Narrative Video Art." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500553/.

Full text
Abstract:
This thesis is concerned with three problems. The first is that of distinguishing and defining one category of video art. The second is developing criteria for the evaluation of works in this category. The third problem is the application of these criteria to a new psycho-narrative video art piece created by the author as well as two pieces by other artists. This paper examines the use of film and video as an art form, focusing on specific influences affecting the evolution of psycho-narrative video art. Definitions for video art and psycho-narrative video art are developed. Descriptive criteria and three critiques are used to justify the conclusions. A concluding artist statement presents the personal view of the author.
APA, Harvard, Vancouver, ISO, and other styles
9

Findlay, Judith. "Fine art as performance : a definition of the discipline (a study of the fine art world in the art school)." Thesis, University of Strathclyde, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366768.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Siivonen, Nathalie. "Konsthantverkets definition : En studie av ett begrepp i förändring." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-69460.

Full text
Abstract:
Sammanfattning Konsthantverk är ett begrepp som förändras i förhållande till hur samhället förändras. Denna studie är därför inriktad på hur detta begrepp uppfattas i nutidens svenska samhälle eftersom den ligger så nära andra begrepp såsom ”design”, ”slöjd”, ”konst”, ”hantverk” och ”formgivning”. Syftet är att skapa en större förståelse för hur begreppet kan tolkas och ge en tydligare bild för de som intresserar sig för konsthantverk men också för de som verkar inom eller i de närliggande begreppen. Studien är uppbyggd på litteratur som berör konsthantverk där olika personer har tolkat och försökt sig på att identifiera begreppet. Till detta tillkommer också emailbaserade intervjuer med Zandra Ahl, Bengt Lärkner, Johanna Rosenqvist, Barbara Häggdahl och Jonas Rooth. Deras svar har en avgörande roll i huruvida konsthantverk tolkas idag, och eftersom deras åsikter är personliga ger det också en bredd kring begreppet. Men detta skapar också en diskussion som hela tiden förändras i takt med människan, och denna studie står som informativ bas till de framtida studierna kring begreppet ”konsthantverk”.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "The definition of art"

1

Desai, Arati. Art forms & forms of art...: Beyond definition. Baroda: Red Earth Art Galleries, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Artworks: Definition, meaning, value. University Park, Pa: Pennsylvania State University Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

DEFinition: The art and design of hip-hop. New York, NY: Collins Design, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Media Art Festival (1st : 2015 : Rome, Italy), ed. Media art: Towards a new definition of arts in the age of technology. Pistoia: Gli ori, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Definitions of art. Ithaca, N.Y: Cornell University Press, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

The arts and the definition of the human: Toward a philosophical anthropology. Stanford, Calif: Stanford University Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Adam, G. Stuart. Notes towards a definition of journalism: Understanding an old craft as an art form. St. Petersburg, Fla. (801 Third St. South, St. Petersburg 33701): Poynter Institute for Media Studies, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

John, Ruediger, ed. book - an object-oriented definition of an infrastructure. New York, USA: [sic!], 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Guthrie, Steven Paul. Is sport art?: Philosophical analysis of a problem of definition and classification through identifying exemplars and prototypical attributes. Eugene, Oregon: Microform Publications, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Saunders, Gill. Prints now: Directions and definitions. London: V&A Publications, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "The definition of art"

1

Kim, Bongcheol, Seungmin Oh, and Wonsug Jung. "Definition of Terms." In The Art and Science of Thread Lifting, 3–5. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-0614-3_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hoyos, Alfredo E., and Peter M. Prendergast. "The Human Form as Art: Contours, Proportions, and Aesthetic Ideals." In High Definition Body Sculpting, 3–18. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-54891-8_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Barratt, Ken H. "High Definition Television — Technology or Art?" In Telecommunications, 90–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 1987. http://dx.doi.org/10.1007/978-3-642-83145-4_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Birch, Eva Lennox. "Autobiography: The Art of Self-Definition." In Black Women’s Writing, 127–45. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22504-0_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Carroll, Noël. "Danto's New Definition of Art and the Problem of Art Theories." In Danto and his Critics, 146–52. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118253045.ch9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Marques da Silva, José Rafael, and Manuela Correia. "Definition of SPA." In Manuali – Scienze Tecnologiche, 2. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-044-3.02.

Full text
Abstract:
Some examples of SPA definitions are presented, including the most recent definition released by the International Society of Precision Agriculture (ISPA). The SPARKLE definition of SPA is presented, with a list of all the keywords used to accomplish that definition. The three dimensions of Precision Agriculture (Economy, Agronomy and Technology) and their relative weight are discussed. Materials for this topic include a presentation and a text, that are complementary.
APA, Harvard, Vancouver, ISO, and other styles
7

Fizer, John. "Ingarden’s and Mukařovsky’s Binominal Definition of the Literary Work of Art." In On the Aesthetics of Roman Ingarden, 159–86. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2257-0_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Kowaliw, Taras, Alan Dorin, and Jon McCormack. "An Empirical Exploration of a Definition of Creative Novelty for Generative Art." In Artificial Life: Borrowing from Biology, 1–10. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-10427-5_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gens, Robert, and Pablo Zuloaga. "Some Definitions and Terminology." In RILEM State-of-the-Art Reports, 1–7. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-024-0904-8_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Diderot, Denis, and Jean S. D. Glaus. "Definitions." In On Art and Artists: An Anthology of Diderot's Aesthetic Thought, 13–35. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-94-007-0062-8_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "The definition of art"

1

Yamashita, Hiromasa, Kenkichi Tanioka, and Toshio Chiba. "A historical game-changer: the world's smallest 8K UHD endoscope: current state of the art." In Ultra-High-Definition Imaging Systems, edited by Toyohiko Yatagai, Yasuhiro Koike, and Seizo Miyata. SPIE, 2018. http://dx.doi.org/10.1117/12.2297620.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kawaguchi, Yoichiro, and Hideichi Tamegaya. "The present and future of the information art through ultra-high-definition CG." In SA'15: SIGGRAPH Asia 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2818143.2835224.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Breuckmann, Bernd. "25 Years of High Definition 3D Scanning: History, State of the Art, Outlook." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.62.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Yang, Yeqiu, and Daojing Wang. "The Differences between Art and Design in Italy and China: Definition, Education and Practice." In 2018 2nd International Conference on Management, Education and Social Science (ICMESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icmess-18.2018.33.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Frances Dias, Sarah, and Maria João Durão. "Architecture and Art: La Ronchamp’s symbiosis as a ‘total work of art’." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.612.

Full text
Abstract:
Abstract: Le Corbusier developed his own unique poetics of architecture, perceived and understood as an art. In La Ronchamp, due to his complete creative freedom, he found a space to express his most poetic and artistic views. The research paper thus analysis the Chapel as a case study, in order to clarify Corbusier’s artistic and architectural vision, ideals and driving principles: drawing firstly from the architectural characteristics that define the space, secondly defining an integrated set of principles that conceptualize the architecture as an art, and lastly, an analysis of the particularities that compose the chapel as a ‘total work of art’, analyzing the union of the arts, both in concept, form and meaning, and in the overall context of Corbusier’s unqiue theory. Thus, the research paper aims to understand and uncover how the poetics and emotional condition lives through Ronchamp: the meaning it encases, the artistic values is sustains and the timeless ways it recreates. The overall study has both practical and theoretical applications and implications for architects and artists with an interest in the integration of art and architecture, as well as the conceptual connections between the arts; a vital issue in the contemporary world for the definition of a more meaningful and sustainable environment. Keywords: Art, Architecture, Le Corbusier, Principles, Poetry, Emotion. DOI: http://dx.doi.org/10.4995/LC2015.2015.612
APA, Harvard, Vancouver, ISO, and other styles
6

Carlson, R. R., J. V. R. Heberlein, N. Hussary, and K. Shi. "High Definition Single-Wire-Arc-Spray." In ITSC 2000, edited by Christopher C. Berndt. ASM International, 2000. http://dx.doi.org/10.31399/asm.cp.itsc2000p0709.

Full text
Abstract:
Abstract Wire arc spray is a process for producing coatings and forming structures through the deposition of metal droplets. Wire arc spray has the advantage of low material coast and low power requirements when compared to other thermal spray technologies. This article elaborates on the assumptions made for using single consumable wire geometry, discusses experiments performed to test these assumptions, presents droplet generation results, and addresses required future work. Experiments revealed a critical relationship between wire polarity, wire position, and droplet beam dispersion. The article identifies a critical relationship between wire polarity, wire position, and spray pattern divergence in a single wire arc spray device.
APA, Harvard, Vancouver, ISO, and other styles
7

Thomas, G. A. "High definition TV broadcast formats." In IEE Colloquium on Advanced, Widescreen and High Definition Television Systems - Where Are They Now? IEE, 1996. http://dx.doi.org/10.1049/ic:19960100.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hedrick, J. Karl, Brandon Basso, Joshua Love, Anouck R. Girard, and Andrew T. Klesh. "Control of Mobile Sensor Networks: A State-of-the-Art Review." In ASME 2008 Dynamic Systems and Control Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/dscc2008-2405.

Full text
Abstract:
This paper presents a state-of-the-art survey in the broad area of Mobile Sensor Networks (MSNs). There is currently a great deal of interest in having autonomous vehicles carrying sensors and communication devices that can conduct ISR (intelligence, surveillance and reconnaissance) operations. Although this paper will discuss issues common to mobile sensor networks, the applications will generally be associated with autonomous vehicles. Areas that are addressed are: 1. Mission definition languages that allow the human to compose a mission defined in terms of tasks; 2. Communication issues including hardware, software, and network connectivity; 3. Task allocation among the assets generally by a market-based approach; 4. Path planning for individual agents; and 5. Platform motion control using autopilots with and without GPS signals and including collision avoidance.
APA, Harvard, Vancouver, ISO, and other styles
9

Chasin, Friedrich. "Sustainability: Are We All Talking About the Same Thing State-of-the-Art and Proposals for an Integrative Definition of Sustainability in Information Systems." In ICT for Sustainability 2014 (ICT4S-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/ict4s-14.2014.42.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

West, J. "High definition video systems production worldwide." In IEE Colloquium on Advanced, Widescreen and High Definition Television Systems - Where Are They Now? IEE, 1996. http://dx.doi.org/10.1049/ic:19960105.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "The definition of art"

1

Kennedy, Alan, Jonathon Brame, Taylor Rycroft, Matthew Wood, Valerie Zemba, Charles Weiss, Matthew Hull, Cary Hill, Charles Geraci, and Igor Linkov. A definition and categorization system for advanced materials : the foundation for risk-informed environmental health and safety testing. Engineer Research and Development Center (U.S.), September 2021. http://dx.doi.org/10.21079/11681/41803.

Full text
Abstract:
Novel materials with unique or enhanced properties relative to conventional materials are being developed at an increasing rate. These materials are often referred to as advanced materials (AdMs) and they enable technological innovations that can benefit society. Despite their benefits, however, the unique characteristics of many AdMs, including many nanomaterials, are poorly understood and may pose environmental safety and occupational health (ESOH) risks that are not readily determined by traditional risk assessment methods. To assess these risks while keeping up with the pace of development, technology developers and risk assessors frequently employ risk-screening methods that depend on a clear definition for the materials that are to be assessed (e.g., engineered nanomaterial) as well as a method for binning materials into categories for ESOH risk prioritization. In this study, we aim to establish a practitioner-driven definition for AdMs and a practitioner-validated framework for categorizing AdMs into conceptual groupings based on material characteristics. The definition and categorization framework established here serve as a first step in determining if and when there is a need for specific ESOH and regulatory screening for an AdM as well as the type and extent of risk-related information that should be collected or generated for AdMs and AdM-enabled technologies.
APA, Harvard, Vancouver, ISO, and other styles
2

Al-Kaddo, Hajar, and Sarah Rosenberg-Jansen. Definitions and Differences: The Evolving Space of Energy Access in Humanitarian Energy. Coventry University, June 2021. http://dx.doi.org/10.18552/heed/2021/0003.

Full text
Abstract:
The paper draws on definitional ideas presented in the book ‘Energy Access and Forced Migration’ (Grafham 2020) and builds on analytical work from our doctoral research. The definitions presented in the following sections are intended as starting points for discussion, rather than representing formally formal terms. It is hoped that over time, such definitions can evolve as an ‘industry standard’ lexicon for humanitarian energy policy and practice. We welcome feedback and discussion of these ideas to further support the development of the humanitarian energy sector.
APA, Harvard, Vancouver, ISO, and other styles
3

SPARTA INC HUNTSVILLE AL. Missile Interface Definition. Fort Belvoir, VA: Defense Technical Information Center, October 1992. http://dx.doi.org/10.21236/ada285637.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bamberger, Judy, Currie Colket, Robert Firth, Daniel Klein, and Roger Van Scoy. Kernel Facilities Definition. Fort Belvoir, VA: Defense Technical Information Center, July 1988. http://dx.doi.org/10.21236/ada532236.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Carion, U. JSON Type Definition. RFC Editor, November 2020. http://dx.doi.org/10.17487/rfc8927.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Feierl, Lukas, Maria Moser, and Hannes Poier. Modular conception and construction. IEA SHC Task 55, October 2020. http://dx.doi.org/10.18777/ieashc-task55-2020-0010.

Full text
Abstract:
The factsheet gives a high-level definition of designing solar thermal systems for district heating. In addition, modules are introduced which can be used for modelling systems and finally, methods for estimating energy yield and costs of systems are described.
APA, Harvard, Vancouver, ISO, and other styles
7

Kost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.

Full text
Abstract:
The article analyzes some theoretical and practical aspects of creativity. The author shares his opinion that the concept of creativity belongs to the fundamental concepts of philosophy, psychology, literature, art, pedagogy. Creativity is one of the important concepts of the theory of journalism. The author does not agree with the extended definition of creativity. He believes that journalistic activity becomes creativity when it is free and associated with the creation and establishment of new national and universal values, with the highest intensity of intellectual and moral strength of the journalist, when journalism is a manifestation of civic position, when this activity combines professional skills and perfect literary form.The author also believes that literary skill and the skill of a journalist are not identical concepts, because literary skill is a component of journalistic skill.
APA, Harvard, Vancouver, ISO, and other styles
8

Sampson, Paula B. Art Deco Delight. Ames: Iowa State University, Digital Repository, February 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-598.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Beard, Carol. Simply String Art. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1251.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Hwang, Chanmi. Engineering Art Nouveau. Ames: Iowa State University, Digital Repository, September 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1124.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'The definition of art' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography