Journal articles: 'The definition of art'

1

DAUER, FRANCIS. "ART AND ART CRITICISM: A DEFINITION OF ART." Metaphilosophy 21, no. 1-2 (January 1990): 111–32. http://dx.doi.org/10.1111/j.1467-9973.1990.tb00835.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rowe, M. W. "The Definition of `Art'." Philosophical Quarterly 41, no. 164 (July 1991): 271. http://dx.doi.org/10.2307/2220029.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Szuba, Marzena. "THE DEFINITION OF THE CHLID UNDER ART. 3045 OF POLISH LABOUR CODE – IN COMAPARATIVE." Roczniki Administracji i Prawa 1, no. XVIII (June 30, 2018): 379–90. http://dx.doi.org/10.5604/01.3001.0012.6010.

Full text

Abstract:

The point of this article is an attempt to create a definition of the child, under article 3045 of polish labour code. For a purpose of this paper – firstly, there was presented a common definition of the child. Then, legal definitions existing in legal order – in international, eurepean and polish law – were systematized and discussed. After that, there was made a try – to present and solve the most important problems connected to the creation of child’s definition on the grounds of polish labour law. Finally, at the end of this arcicle there was created a definiton of the child under artice 3045 polish labour code, and then, it was compared to the otheres presented definitons.

APA, Harvard, Vancouver, ISO, and other styles

4

Andina, Tiziana. "What is Art?" Brill Research Perspectives in Art and Law 1, no. 2 (November 16, 2017): 1–88. http://dx.doi.org/10.1163/24684309-12340002.

Full text

Abstract:

Abstract‘What is art?’ is one of the classic questions that philosophy has addressed over the ages, from the ancients to today. Taking as its starting point debates over the various definitions of art found in history, this article presents and discusses some of the major theories offered by both the analytic and continental traditions. It then looks at the theoretical reasons that led twentieth-century philosophy to reopen the question of definition, and in many cases inquire into the ontology of art itself. Finally, a series of considerations are addressed to help shift the problem of definition onto a new plane, one that is able to respond to the challenges of the performing and participatory arts, which more than any other form of art present particularly unconventional ontologies.

APA, Harvard, Vancouver, ISO, and other styles

5

Kreiner, Leslie Elizabeth. "Toward a Definition of Art." Art Education 46, no. 3 (May 1993): 7. http://dx.doi.org/10.2307/3193392.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Haynes, Anthony Richard. "Jacques Maritain's Definition of Art." New Blackfriars 96, no. 1065 (June 5, 2015): 527–41. http://dx.doi.org/10.1111/nbfr.12145.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Jackson, Philip W. "Dewey's 1906 Definition of Art." Teachers College Record 104, no. 2 (March 2002): 167–77. http://dx.doi.org/10.1111/1467-9620.00159.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Davies, Stephen. "First Art and Art's Definition." Southern Journal of Philosophy 35, no. 1 (March 1997): 19–34. http://dx.doi.org/10.1111/j.2041-6962.1997.tb00823.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kemp, Martin. "A fluid definition of art." Nature 429, no. 6991 (June 2004): 506. http://dx.doi.org/10.1038/429506a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Aagaard-Mogensen, Lars, and Dan Knaan. "Towards a Definition of Art." Journal of Aesthetics and Art Criticism 44, no. 4 (1986): 419. http://dx.doi.org/10.2307/429799.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

DUTTON, DENIS. "A Naturalist Definition of Art." Journal of Aesthetics and Art Criticism 64, no. 3 (June 2006): 367–77. http://dx.doi.org/10.1111/j.1540-594x.2006.00217.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Kaye, Nick. "Live art: Definition and documentation." Contemporary Theatre Review 2, no. 2 (September 1994): 1–7. http://dx.doi.org/10.1080/10486809408568294.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Fokt, Simon. "The Cultural Definition of Art." Metaphilosophy 48, no. 4 (July 2017): 404–29. http://dx.doi.org/10.1111/meta.12251.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Monro, Gordon. "Emergence and Generative Art." Leonardo 42, no. 5 (October 2009): 476–77. http://dx.doi.org/10.1162/leon.2009.42.5.476.

Full text

Abstract:

Emergence, the idea that in some sense more comes out of a system than was put in, is the holy grail of generative art. Yet emergence is a slippery concept. Originating in the philosophy of science, it has been taken up in systems theory, cognitive science and Artificial Life. As a consequence there are numerous definitions of emergence in the literature, but none well-suited to discussions of generative art. The paper reviews some existing definitions and proposes a new definition of generative-art emergence.

APA, Harvard, Vancouver, ISO, and other styles

15

Oppy, Graham. "ON DAVIES' INSTITUTIONAL DEFINITION OF ART." Southern Journal of Philosophy 29, no. 3 (September 1991): 371–82. http://dx.doi.org/10.1111/j.2041-6962.1991.tb00597.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

WILSON, DANIEL. "Can Levinson's Intentional-Historical Definition of Art Accommodate Revolutionary Art?" Journal of Aesthetics and Art Criticism 73, no. 4 (October 2015): 407–16. http://dx.doi.org/10.1111/jaac.12218.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

LUKICHEV, RUSLAN V. "CONCERNING THE ISSUE OF GENERATIVE ART CLASSIFICATION: DEFINITION OF CONCEPTS." ART AND SCIENCE OF TELEVISION 15, no. 3 (2019): 11–31. http://dx.doi.org/10.30628/1994-9529-2019-15.3-11-31.

Full text

Abstract:

The article refers to the problem of generative art taxonomy as a complex interdisciplinary phenomenon and analysis of its key features. The generative art is a relevant cultural and artistic phenomenon in Russian and foreign art that emerged in the 1910s within Russian and West European avant-garde painters and received a new boost for development thanks to contemporary computer technologies. Based on the classification model proposed by foreign researchers, M. Boden and E. Edmonds, the author of this article identifies concepts like Generative Art (G-art), Computer Art (C-art), Interactive Art (I-art), Interactive Computer Art (CI-art), and Computer Generative Art (CG-art) and introduces new scientific terms: Interactive Generative Art and Interactive Computer- Generated Art. The first one refers to a series of works of art created with the active participation of the audience and the use of traditional (non- computer) autonomous systems that provide a certain degree of randomness without the implementation of multimedia technologies. The second one refers to a series of artworks created by autonomous computer systems and involving active interaction with the audience. These phenomena are considered based on the art object’s possessing the features of generative (G), interactive (I) or computer (C) vectors that underlie the classification method of Gen Art and adjacent contextual phenomena developed by the author and visually modeled by him in the Cartesian coordinate system. Emphasis was made on Interactive Computer-Generated Art. A media installation by Stain art group called Mobile Interactive Multi-Parametric Image (MIMPI) is provided as an example; it is an interactive audio-visual environment first introduced in MEL Space gallery (Moscow) in May 2012 Finally, the author comes to the conclusion that granting the generative art the status of a natural transitional phase in the art history of the 20th — early 21st centuries, as proposed by him, is justified, since this art combines “dry” and “wet” technologies and the corresponding types of cultures.

APA, Harvard, Vancouver, ISO, and other styles

18

주강원. "A study on legal definition of art." Journal of hongik law review 12, no. 1 (February 2011): 559–79. http://dx.doi.org/10.16960/jhlr.12.1.201102.559.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

AAGAARD-MOGENSEN, LARS. "Dan Knaän, Towards A Definition of Art." Journal of Aesthetics and Art Criticism 44, no. 4 (June 1, 1986): 419–20. http://dx.doi.org/10.1111/1540_6245.jaac44.4.0419.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Garner, Richard. "Blocker on the Definition of Primitive Art." Journal of Aesthetic Education 29, no. 3 (1995): 27. http://dx.doi.org/10.2307/3333536.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

김정현. "On Noël Carroll’s Definition of Mass Art." Journal of Humanities, Seoul National University 73, no. 1 (February 2016): 45–75. http://dx.doi.org/10.17326/jhsnu.73.1.201602.45.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Hamada, Gaidaa. "Becoming Geisha: Art, Self-definition and Objectification." مجلة کلیة الآداب . حلوان 39, no. 1 (January 1, 2016): 184–213. http://dx.doi.org/10.21608/kgef.2016.157790.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Bartel, Christopher, and Jack M. C. Kwong. "Pluralism, Eliminativism, and the Definition of Art." Estetika: The European Journal of Aesthetics LVIII/XIV, no. 2 (2021): 100–113. http://dx.doi.org/10.33134/eeja.213.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Carroll, N. "DANTO'S NEW DEFINITION OF ART AND THE PROBLEM OF ART THEORIES." British Journal of Aesthetics 37, no. 4 (October 1, 1997): 386–92. http://dx.doi.org/10.1093/bjaesthetics/37.4.386.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Bittner, Wiseman. "Contemporary Chinese art: Mao's legacy and Danto's definition." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 191–200. http://dx.doi.org/10.5937/saj1502191b.

Full text

Abstract:

In this paper I am going to do three things: First, identify several themes in contemporary Chinese art that show its essentially social nature and its robust materialism. Second, suggest a way that contemporary art in China is post-modern in the way that Western art is and claim, moreover, that as different as the themes and recent history of this art are from contemporary Western art, the works satisfy a definition of art constructed by Arthur Danto. Finally, in a coda, I present the work of a woman artist that is unlike most recent Chinese and Western art. It positions itself at the far reaches of what art in China is and what Danto's definition allows at the same time that it suggests both the interiority of the practice of art and one way of being a woman.

APA, Harvard, Vancouver, ISO, and other styles

26

Caixeta, Michele Caroline Bueno Ferrari, Patrícia Tzortzopoulos, and Márcio Minto Fabricio. "User involvement in building design – a state-of-the-art review." Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP 26, no. 48 (August 26, 2019): e151752. http://dx.doi.org/10.11606/issn.2317-2762.posfau.2019.151752.

Full text

Abstract:

This paper reports results of a systematic literature review on the definitions and levels of user involvement in the design process. Although many studies have highlighted the importance of user involvement for the quality of both process and final product, the term still lacks a clear definition and different models describe diverse involvement levels, which are detrimental to the advancement of knowledge in the area. The present study focused on the mapping of definitions of user involvement and comparisons of the different proposals of involvement levels for outlining a clear definition of the term, based on the levels of involvement, and contributing to the consolidation of the theory of user involvement in the field of architectural design. Moreover, this research assists architects to find the most appropriate level of user involvement for the design they are developing, improving the practice of involving users in the design process.

APA, Harvard, Vancouver, ISO, and other styles

27

Bajard, Flora. "The Unfinished Artification of Ceramics in France: Reversing Stigma and Creating a New Artistic Norm." Cultural Sociology 13, no. 3 (August 2, 2019): 276–92. http://dx.doi.org/10.1177/1749975519852828.

Full text

Abstract:

Ceramic artists emerged as a professional group in France in the second half of the 20th century by shunning industrial standards and basing their practice on the notion of singularity. They also reappropriated the craft legacy of the small pottery companies that began disappearing in the 1940s, embracing principles such as seriality and functionality, and defining a specific bundle of tasks. Ceramicists underwent a partial artification process, rendering their practice discordant with what institutionally and legally constitutes art, as well as diverging from the standard definition of craft. Certain art ceramicists contest the cultural ranking that policymakers apply which excludes art-crafts from the purview of art. To claim recognition for the composite nature of their practice, they seek recourse to the courts to create new legal norms. They also strive to expand the definition of art. The article demonstrates how shifts in the balance of power both inside a professional group and between the group and government agencies can influence institutional definitions of art.

APA, Harvard, Vancouver, ISO, and other styles

28

Felix, John. "Pengertian Seni sebagai Pengantar Kuliah Sejarah Seni Rupa." Humaniora 3, no. 2 (October 31, 2012): 614. http://dx.doi.org/10.21512/humaniora.v3i2.3405.

Full text

Abstract:

Until these days, for most people art is something that is abstract, hard to understand, and beyond their capability to understand. Every people asked about art will have their own opinion or definition about art, and these definitions are various to each other. For the student who is in the middle of class or course especialy the one that is related to art, the unpleasent impact of not knowing what is the meaning of art will be experienced in every class, especially in the History of Western Art, History of Indonesian Art or History of Graphic Design. Students who don’t understand the meaning of art will have difficult time to absorb what exactly the purpose of art is, why human made art, which item is art and which item is not art. This writing tries to explain the definition of art from several diffrent angles of view. The goal of the writing is to make the students who are in the middle of learning anything relating to art, first have an understanding about what art is. For the lecturer, this writing will give them something to make their work easy on lecturing about anything relating to art because the student has already understood about what art is.

APA, Harvard, Vancouver, ISO, and other styles

29

Radojčić, Saša. "Talkable things: The work of art and the aesthetized objects." Kultura, no. 169 (2020): 363–76. http://dx.doi.org/10.5937/kultura2069363r.

Full text

Abstract:

One of today's most influential definitions of the concept of the work of art comes from the American philosopher and art critic Arthur Danto. Danto says, in order to be a work of art, an artefact must (1) be about something and (2) embody its meaning. Many authors have criticized this definition, one of those being Noël Carroll, who gives examples of objects that are not works of art but meet the requirements of Danto's definition. One possible answer to this criticism is offered in this essay. It offers an understanding of the objects from Carroll's examples (and similar objects) as aesthetized, i.e. specifically shaped to partially cause an aesthetic reaction. Taking this into account, the entire area of human productivity is shown as a continuum within which some objects carry "more" or "less" aesthetic quality.

APA, Harvard, Vancouver, ISO, and other styles

30

Lord, Catherine. "Indexicality, Not Circularity: Dickie's New Definition of Art." Journal of Aesthetics and Art Criticism 45, no. 3 (1987): 229. http://dx.doi.org/10.2307/431451.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Opanasyuk, Alexander P. "To the Definition of the Intentional Art Style." Observatory of Culture, no. 3 (June 28, 2014): 4–10. http://dx.doi.org/10.25281/2072-3156-2014-0-3-4-10.

Full text

Abstract:

Is dedicated to the definition of its typical features. The essence and content of this style is linked to the substitution of the dynamical principle by the extensive one in the processual existence of culture together with the formation of the intentional reflection with the cultural space. The latter simulates the related intentionally connotative senses and stipulates the appropriate style of cultural entity - the intentional style.

APA, Harvard, Vancouver, ISO, and other styles

32

Davies, Stephen. "A DEFENCE OF THE INSTITUTIONAL DEFINITION OF ART." Southern Journal of Philosophy 26, no. 3 (September 1988): 307–24. http://dx.doi.org/10.1111/j.2041-6962.1988.tb01673.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Spooner, Heather. "Embracing a Full Spectrum Definition of Art Therapy." Art Therapy 33, no. 3 (July 2, 2016): 163–66. http://dx.doi.org/10.1080/07421656.2016.1199249.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

LORD, CATHERINE. "Indexicality, Not Circularity: Dickie's New Definition of Art." Journal of Aesthetics and Art Criticism 45, no. 3 (March 1, 1987): 229–32. http://dx.doi.org/10.1111/1540_6245.jaac45.3.0229.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Mora, Stephanie. "Delacroix's Art Theory and His Definition of Classicism." Journal of Aesthetic Education 34, no. 1 (2000): 57. http://dx.doi.org/10.2307/3333655.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Stecker, Robert. "THE END OF AN INSTITUTIONAL DEFINITION OF ART." British Journal of Aesthetics 26, no. 2 (1986): 124–32. http://dx.doi.org/10.1093/bjaesthetics/26.2.124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Correia, Carlos João. "Susanne K. Langer and the Definition of Art." Eidos. A Journal for Philosophy of Culture 3, no. 1 (April 30, 2019): 92–103. http://dx.doi.org/10.14394/eidos.jpc.2019.0007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Crowther, Paul. "Cultural Exclusion, Normativity, and the Definition of Art." Journal of Aesthetics and Art Criticism 61, no. 2 (May 2003): 121–31. http://dx.doi.org/10.1111/1540-6245.00100.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Eflova, Zinaida. "The relevance of definition of «ungraded school»." Lifelong education: the XXI century 17, no. 1 (March 2017): 100–107. http://dx.doi.org/10.15393/j5.art.2017.3410.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Arn, Christof. "Definition grundlegender ethischer Fachbegriffe." Therapeutische Umschau 66, no. 8 (August 1, 2009): 569–74. http://dx.doi.org/10.1024/0040-5930.66.8.569.

Full text

Abstract:

Die Ethik nutzt präzise Fachbegriffe zur Analyse von Dilemmasituationen. In diesem Beitrag werden anhand eines konkreten Fallbeispiels Grundbegriffe der Ethik eingeführt. Dabei lässt sich auch zeigen, in welcher Art und Weise diese Fachbegriffe die Problemwahrnehmung schärfen, den Lösungshorizont erweitern und die Kommunikation klären können. Der Beitrag endet mit einem Ausblick auf Möglichkeiten, sich mit ethischer Methodik vertiefter vertraut zu machen.

APA, Harvard, Vancouver, ISO, and other styles

41

Sieper, Joachim, and Désirée van der Heijde. "Review: Nonradiographic axial spondyloarthritis: New definition of an old disease?" Arthritis & Rheumatism 65, no. 3 (February 25, 2013): 543–51. http://dx.doi.org/10.1002/art.37803.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Straukaitė, Ieva. "G. DICKIE’O EKSTENSIONALISTINIO-INSTITUCINIO MENO APIBRĖŽIMO NEAPIBRĖŽTUMAS." Problemos 83 (January 1, 2013): 173–84. http://dx.doi.org/10.15388/problemos.2013.0.824.

Full text

Abstract:

Šiuolaikinėje analitinėje meno filosofijoje viena pagrindinių problemų – ar įmanoma ir kaip įmanoma apibrėžti meną? Straipsnyje analizuojamas George’o Dickie’o institucinis meno apibrėžimas. Parodoma, kaip jis atsako į antiesencialistų argumentus, neigiančius meno apibrėžimo galimybę. Teigiama, kad meno apibrėžimą Dickie’s įrodinėja pasitelkdamas ekstensionalistinę metodologiją, kuria remdamasis meno ir ne-meno atskyrimo kriterijus aiškina kaip semantinius eksternalistinius, episteminius eksternalistiniusir normatyviai neutralius. Tvirtinama, kad Dickie’o suformuluotas institucinis meno apibrėžimas negali būti laikomas meno apibrėžimu, nes jis remiasi ydingo loginio rato principu. Iš to daroma išvada, kad Dickie’s nepagrindžia meno apibrėžimo galimybės, bet pasiūlo ekstensionalistinę institucinę meno sampratą.Indefiniteness of George Dickie’s Extensional-Institutional Definition of ArtIeva Straukaitė SummaryA major problem in contemporary analytic philosophy of art is whether and how it is possible to define art. The paper analyzes George Dickie’s institutional definition of art. His response to anti-essentialists’ arguments which deny the possibility to define art is presented. It is argued that Dickie attempts to substantiate his definition of art by invoking extensional methodology on the basis of which he construes the criteria for distinguishing between art and non-art as externalistic semantic, externalistic epistemic, and value-neutral. It is asserted that the institutional definition of art formulated by Dickie cannot be considered a definition of art as it is sustained by a logically vicious circle. Hence the conclusion that Dickie does not substantiate the possibility of a definition of art but introduces an extensional-institutional conception of art.

APA, Harvard, Vancouver, ISO, and other styles

43

Baek, Yun-so. "The Meaning of Humanism in the Definition of Art: Implications for Art Education." Journal of Basic Design & Art 21, no. 4 (August 31, 2020): 143–54. http://dx.doi.org/10.47294/ksbda.21.4.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Lasko, Jim. "Art Is the Antidote." Theatre Survey 57, no. 3 (August 10, 2016): 452–55. http://dx.doi.org/10.1017/s004055741600048x.

Full text

Abstract:

No matter the precise definition, whether it includes beauty and imagination or even the creation of an identifiable artifact, art has long been a measure of the health of any given civilization or epoch.

APA, Harvard, Vancouver, ISO, and other styles

45

Namazovna, Sultanova Dilshoda. "Harmony Of Art In Architecture Of Uzbekistan." American Journal of Social Science and Education Innovations 03, no. 05 (May 7, 2021): 87–94. http://dx.doi.org/10.37547/tajssei/volume03issue05-16.

Full text

Abstract:

The article describes the artistic features of harmonizing the visual and artistic means of Uzbekistan based on the analysis of theoretical sources and the practice of architecture. Also, the author's position on the definition of creation is outlined as a generalization of innovative tools in architecture, whose development is given taking into account national traditions in synthesis with modern trends.

APA, Harvard, Vancouver, ISO, and other styles

46

Morokawa, Rosi Leny. "Reflexões Acerca da Definição Estética de Arte de Monroe Beardsley." Philosophica: International Journal for the History of Philosophy 27, no. 53 (2019): 141–54. http://dx.doi.org/10.5840/philosophica2019275311.

Full text

Abstract:

Monroe Beardsley presents an aesthetic definition of art in “An Aesthetic Definition of Art” (1983), in which he claims that there is a necessary connection between art and aesthetics. Beardsley proposes that a work of art is something made with the intention of having the capacity to satisfy an aesthetic interest. Noël Carroll claims that there are artworks created without aesthetic intentions and that some artworks do not have the capacity to provide aesthetic experiences. In addition, Carroll argues that there are artworks whose status of art is prior to the appreciation of these works as art. The aim of this paper is to present Beardsley’s aesthetic definition of art and analyze how objections to it can be answered.

APA, Harvard, Vancouver, ISO, and other styles

47

Falekas, Georgios, and Athanasios Karlis. "Digital Twin in Electrical Machine Control and Predictive Maintenance: State-of-the-Art and Future Prospects." Energies 14, no. 18 (September 18, 2021): 5933. http://dx.doi.org/10.3390/en14185933.

Full text

Abstract:

State-of-the-art Predictive Maintenance (PM) of Electrical Machines (EMs) focuses on employing Artificial Intelligence (AI) methods with well-established measurement and processing techniques while exploring new combinations, to further establish itself a profitable venture in industry. The latest trend in industrial manufacturing and monitoring is the Digital Twin (DT) which is just now being defined and explored, showing promising results in facilitating the realization of the Industry 4.0 concept. While PM efforts closely resemble suggested DT methodologies and would greatly benefit from improved data handling and availability, a lack of combination regarding the two concepts is detected in literature. In addition, the next-generation-Digital-Twin (nexDT) definition is yet ambiguous. Existing DT reviews discuss broader definitions and include citations often irrelevant to PM. This work aims to redefine the nexDT concept by reviewing latest descriptions in broader literature while establishing a specialized denotation for EM manufacturing, PM, and control, encapsulating most of the relevant work in the process, and providing a new definition specifically catered to PM, serving as a foundation for future endeavors. A brief review of both DT research and PM state-of-the-art spanning the last five years is presented, followed by the conjunction of core concepts into a definitive description. Finally, surmised benefits and future work prospects are reported, especially focused on enabling PM state-of-the-art in AI techniques.

APA, Harvard, Vancouver, ISO, and other styles

48

Hosking, David. "Art Let Loose: Autonomous Procedures in Art-Making." Leonardo 52, no. 5 (October 2019): 442–47. http://dx.doi.org/10.1162/leon_a_01476.

Full text

Abstract:

This paper proposes the term “autonomous procedures” as a general description of those methods that can be applied autonomously to making an artwork and “systems” as a more specific term for those autonomous methods that fall within the systems theory definition of systems. The text looks critically at the two major proposals for describing and classifying autonomous procedures: Philip Galanter's generative art and the notion of “open systems”; it then proposes a new description: recurrence. Finally it offers a short survey of artworks made using nonrecurrent procedures.

APA, Harvard, Vancouver, ISO, and other styles

49

Desa, Noor Enfendi, Syed Alwi Syed Abu Bakar, and Noor A'yunni Muhamad. "The Basis of Art Appreciation." Idealogy Journal 5, no. 2 (September 28, 2020): 97–106. http://dx.doi.org/10.24191/idealogy.v5i2.231.

Full text

Abstract:

This study revolves around identification of ways to observe or appreciate art since an artwork possesses its own aesthetic values which are related to a philosophy or an artist’s cognitive style in conveying the meaning behind an artistic piece. According to Kamus Dewan Edisi Ke-4 (2007), aesthetic is one of the branches of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art. In this research, the two main parts involved are the definition of terms and an analysis on artwork. Three components in definition of terms are describing art and style, art and idea, as well as art and context.

APA, Harvard, Vancouver, ISO, and other styles

50

Felson, David T., Jennifer J. Anderson, Maarten Boers, Claire Bombardier, Daniel Furst, Charles Goldsmith, Linda M. Katz, et al. "American college of rheumatology preliminary definition of improvement in rheumatoid arthritis." Arthritis & Rheumatism 38, no. 6 (June 1995): 727–35. http://dx.doi.org/10.1002/art.1780380602.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'The definition of art'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles