Relevant bibliographies by topics / The Degenerate Art Exhibition of 1937

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'The Degenerate Art Exhibition of 1937'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "The Degenerate Art Exhibition of 1937"

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Buchloh, Benjamin H. D. "The Dialectics of Design and Destruction: The Degenerate Art Exhibition (1937) and the Exhibition internationale du Surréalisme (1938)." October 150 (October 2014): 49–62. http://dx.doi.org/10.1162/octo_a_00200.

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As a genre of cultural production, where iconic (painterly or photographic), sculptural, and architectural conventions intersect to represent the uniquely specific and current conditions of experience in public social space, exhibition design by artists has only recently emerged as a category of art-historical study. While earlier discussions of El Lissitzky's design of the Pressa exhibition in Cologne in 1928, an exhibition that likely had the widest-ranging impact and is the central example of such an emerging genre in the twentieth century, might have served as a point of departure,1 Romy G
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Bolt, Mikkel. "Nazismens kamp mod forfaldskunsten." K&K - Kultur og Klasse 36, no. 105 (2008): 52–81. http://dx.doi.org/10.7146/kok.v36i105.22039.

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Nazism’s Fight against the Art of Decay:The article presents a reading of the exhibition »Entartete Kunst« that took place in Munich in 1937. The exhibition was staged by the Nazi regime as an attempt to prove the dangerous nature of modern art. According to Nazi ideology, modern art was not just a reflection of unhealthy interests or degenerate racial mixings but was in itself a threat to the purity of the soul of the German people. Therefore modern art had to be excluded in order to make room for the appearance of the German people and its eternal art. Contrary to the idea of Nazism as being
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Kacprzak, Dariusz. "FROM THE STUDIES ON ‘DEGENERATE ART’ TWENTY YEARS AFTER THE WASHINGTON CONFERENCE. SZCZECIN’S CASE (MUSEUM DER STADT STETTIN)." Muzealnictwo 60 (July 11, 2019): 126–42. http://dx.doi.org/10.5604/01.3001.0013.2857.

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On 5 August 1937, fulfilling the orders of the Chairman of the Reich Chamber of Fine Arts (Reichskammer der bildenden Künste), a confiscation committee showed up at the City Museum in Stettin, and demanded to be presented by the Director of the institution the Museum’s collection in view of ‘degenerate art’. While ‘hunting’ for the Avant-garde and ‘purging museums’, the Nazis confiscated works that represented, e.g. Expressionism, Cubism, Bauhaus Constructivism, pieces manifesting the aesthetics of the New Objectivity, as well as other socially and politically ‘suspicious’ art works from the l
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Barnett, David. "Joseph Goebbels: Expressionist Dramatist as Nazi Minister of Culture." New Theatre Quarterly 17, no. 2 (2001): 161–69. http://dx.doi.org/10.1017/s0266464x00014561.

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The young Joseph Goebbels, caught up in the heady mix of ideas and ideals permeating German artistic circles during and after the First World War, expressed both his convictions and his confusions through writing plays. None of these deserve much attention as serious drama: but all shed light on the ideological development of the future Nazi Minister of Culture. While also developing an argument on the wider relationship between Expressionism and modernism, David Barnett here traces that relationship in Goebbels' plays, as also the evolution of an ideology that remained equivocal in its aesthe
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McEvansoneya, Philip. "The Twentieth Century German Art Exhibition: Answering degenerate art in 1930s London." Journal of the History of Collections 32, no. 2 (2019): 401–2. http://dx.doi.org/10.1093/jhc/fhz037.

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Levi, Neil. ""Judge for Yourselves!"-The "Degenerate Art" Exhibition as Political Spectacle." October 85 (1998): 41. http://dx.doi.org/10.2307/779182.

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Powers, Alan. "Exhibition 58: Modern Architecture in England, Museum of Modern Art, 1937." Architectural History 56 (2013): 277–98. http://dx.doi.org/10.1017/s0066622x00002513.

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Exhibition 58: Modern Architecture in England, held between 10 February and 7 March 1937 at the Museum of Modern Art in New York (MoMA), was a notable event. Amidst claims that ‘England leads the world in modern architectural activity’, the exhibition ‘amazed New Yorkers’ and equally surprised English commentators. However, it has not subsequently received any extended investigation. The present purpose is to look at it as a multiple sequence of events, involving other exhibitions, associated publications and the trajectories of individuals and institutions, through which tensions came to the
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Juříčková, Miluše. "Two Art Exhibitions as Dialogic Events in the History of Czech-Norwegian Cultural Relations." AUC PHILOLOGICA 2021, no. 1 (2021): 121–27. http://dx.doi.org/10.14712/24646830.2021.16.

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The article analyses two art exhibitions in the context of Czech-Norwegian relations, presenting both the Czechoslovak book exhibition in Oslo (1937) and the Norwegian painting and applied art exhibition in Prague (1938) as important parts in a bilateral cultural dialogue. The promising initial communication in form of a mutual information exchange was soon disrupted by the beginning of World War II and post-war politics.
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Krugliak, Amanda, and Richard Barnes. "Anthropology and Art in State of Exception: The Evolution of an Exhibition." Theory in Action 13, no. 2 (2020): 16–30. http://dx.doi.org/10.3798/tia.1937-0237.2017.

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Hahn, Christine Y. "Exhibition as Archive: Beaumont Newhall,Photography 1839–1937, and the Museum of Modern Art." Visual Resources 18, no. 2 (2002): 145–52. http://dx.doi.org/10.1080/01973760290011806.

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Dissertations / Theses on the topic "The Degenerate Art Exhibition of 1937"

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McKeon, Joseph Michael. "Constructuing the Category Entartete Kunst: The Degenerate Art Exhibition of 1937 and Postmodern Historiography." Ohio University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1142622901.

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McKeon, J. Michael. "Constructuing [sic] the category Entartete Kunst the Degenerate Art exhibition of 1937 and postmodern historiography." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1142622901.

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Petcavage, Stephanie. "Fascist Art and the Nazi Regime: The Use of Art to Enflame War." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1463130930.

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Giguère, Amélie. "Art contemporain et documentation : la muséalisation d'un corpus de pièces éphémères de type performance." Thèse, Université d'Avignon, 2012. http://www.archipel.uqam.ca/4942/1/D2362.pdf.

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Quarante années après la parution de l'article de Lucy R. Lippard et de John Chandler, publié dans Art International, la notion de « dématérialisation » apparaît toujours dans les discours sur l'art contemporain. Elle désigne une tendance à l'œuvre dans la création artistique qui dévalorise la matérialité de l'objet, ses qualités plastiques associées à un savoir-faire technique, de même que son caractère unique et permanent. En outre, la dématérialisation de l'art peut être interprétée comme une critique de l'institution muséale et, les propositions artistiques qui répondent à ses préceptes, c
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黃靜婷. "Art as Politics ：“Great German Art Exhibition”and“Degenerate Art Exhibition”in Nazi Germany." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/64148538330779844029.

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碩士<br>臺北市立師範學院<br>視覺藝術研究所<br>91<br>Abstract This research encompasses the “Great German Art Exhibition” and the “Degenerate Art Exhibition” held by German Nazi in Munich on July 1937. To examine the political intentions send by the above mentioned exhibitions and the topics induced, which includes, development of history, people and great thoughts, art events and art works…etc. This research will explore in depth on the paintings and sculptures from both the “Great German Art Exhibition” and the “Degenerate Art Exhibition”. This research will also delve into art museum architectures
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Liebenberg-Barkhuizen, Estelle Juliana. "The Iconography of the 'indigene' in Mary Stainbank's sculpture c 1920-1940." Thesis, 2002. http://hdl.handle.net/10500/879.

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Books on the topic "The Degenerate Art Exhibition of 1937"

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Hendy, Sharon. The "Art of Propaganda" in maintaining social control and it's effect on society: Focusing on the "Entartete Kunst" : the degenerate art exhibition of 1937. LCP, 2002.

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Herbert, James D. Paris 1937: Worlds on exhibition. Cornell University Press, 1998.

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Judith, Pugh, and Miller Steven 1962-, eds. Degenerates and perverts: The 1939 Herald exhibition of French and British contemporary art. Miegunyah Press, 2004.

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Chanin, Eileen. Degenerates and perverts: The 1939 Herald exhibition of French and British contemporary art. Miegunyah Press, 2005.

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Kunstausstellung, Grosse Deutsche, ed. Grosse Deutsche Kunstausstellung München 1937-1944: Verzeichnis der Künstler in zwei Bänden = The artists in the Great German Art Exhibition Munich 1937 to 1944 = Les artistes de la Grande Exposition de l'Art Allemand à Munich 1937 à 1944. Neuhaus, 2010.

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Grooms, Red. Red Grooms, a retrospective, 1956-1984. Pennsylvania Academy of the Fine Arts, 1985.

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E, Stein Judith, Ashbery John, Cutler Janet K, and Pennsylvania Academy of the Fine Arts., eds. Red Grooms, a retrospective, 1956-1984: Essays by Judith E. Stein, John Ashbery, and Janet K. Cutler. Pennsylvania Academy of the Fine Arts, 1985.

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8

1937-, Crone David, Sverakova Slavka, and Anglesea Martyn 1947-, eds. David Crone: Paintings, 1963-1999. Four Courts Press, 1999.

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R, Cartwright Derrick, and Palmer Museum of Art (Pennsylvania State University), eds. An interlude in Giverny. Penn State University, Palmer Museum of Art, 2000.

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Degenerate Art: The Attack on Modern Art in Nazi Germany 1937. Prestel, 2014.

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Book chapters on the topic "The Degenerate Art Exhibition of 1937"

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"Canonizing Hitler’s “degenerate art” in three American exhibitions, 1939–1942." In Re-envisioning the Contemporary Art Canon. Routledge, 2016. http://dx.doi.org/10.4324/9781315639772-21.

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"2. Jews, Art, and History: The Nazi Exhibition of “Degenerate Art” as Historicopolitical Spectacle." In Modernist Form and the Myth of Jewification. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823255085-004.

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"Cleansing the Domestic Evil – On the Degenerate Art Exhibition in Reykjavík, 1942." In A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950. Brill | Rodopi, 2019. http://dx.doi.org/10.1163/9789004388291_055.

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