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Journal articles on the topic 'The Devil to Pay in the Backlands'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Elbanowski, Adam. "„Jesteśmy wspólnikami”: Korespondencja João Guimarãesa Rosy z tłumaczami." Między Oryginałem a Przekładem 25, no. 44 (2019): 117–36. http://dx.doi.org/10.12797/moap.25.2019.44.06.

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“Yes, We Are Partners”: Correspondence of João Guimarães Rosa with his Translators In the article I present the correspondence of João Guimarães Rosa with his German, Spanish, Italian, French and American translators. The case of this most outstanding Brazilian novelist of the 20th century is special, because he was a polyglot and he actively participated in the process of translating his works. The main theme of the letters is the translation of his masterpiece, the writer’s only novel – Grande Sertão: veredas (The Devil to Pay in the Backlands). This correspondence provides an insight

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2

Oliveira, Renato Rocha de, and Élcio Loureiro Cornelsen. "O sublime e a coragem possível: uma contribuição do Grande Sertão: Veredas para a Literatura Brasileira." Cadernos Benjaminianos 14, no. 1 (2019): 105. http://dx.doi.org/10.17851/2179-8478.14.1.105-120.

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Resumo: Este artigo aborda a influência de Diadorim sobre Riobaldo em GrandeSertão: Veredas, pela perspectiva filosófica do sublime e da coragem (Schiller e outros), baseando-se em concepções de Walter Benjamin e dialogando com a crítica de Willi Bolle. O ensaio identifica, na obra-prima de Guimarães Rosa, uma relação importante entre o sublime, associado a Diadorim a partir de elementos levantados por Benjamin, como a figura guia, o amor provençal e o justo hermafrodita, e a coragem demonstrada por Riobaldo. Finalmente, contribui para a avaliação de Bolle quanto ao caráter dialético e verossí

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3

Baião, Livia De Sá. "O sertão de Bia Lessa." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 1 (2019): 283–306. http://dx.doi.org/10.17851/2358-9787.28.1.283-306.

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Resumo: O objetivo do presente trabalho é refletir sobre a releitura dramática que a diretora Bia Lessa fez da obra Grande sertão: veredas, de João Guimarães Rosa. Com apoio de pressupostos teóricos de pensadores como Peter Brook, Bertold Brecht e Roland Barthes, a intenção é examinar a encenação do romance a partir do texto dramatúrgico (escrita cênica) construído pela própria diretora. Com vasta experiência em adaptações para o teatro de obras literárias canônicas (O homem sem qualidades, de Robert Musil; Os possessos, de Dostoievski; e muitas outras), Bia Lessa coloca em cena diferentes lin

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4

Azevedo, Guilherme Zubaran de. "Imagens do povo em Grande sertão: veredas." O Eixo e a Roda: Revista de Literatura Brasileira 27, no. 3 (2018): 85–101. http://dx.doi.org/10.17851/2358-9787.27.3.85-101.

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Resumo: Este artigo tem por objetivo analisar as imagens do povo presentes na obra Grande sertão: veredas, de Guimarães Rosa. Para tanto, propõe-se fazer uma crítica das noções de comunidade e povo, configuradas pelo projeto de nação moderno da década de 1950. A crítica visa repensar o sentido totalizante dessas duas concepções. A leitura de Grande sertão: veredas pretende identificar na obra conceitos de povo e comunidade que escapam às reconfigurações modernas de nação. Nesse sentido, a partir das obras de Roberto Esposito, Didi-Huberman e Giorgio Agamben, analisa-se a população sertaneja nã

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5

Nascimento, Cristiane Bezerra do, and Daniel Antonio De Sousa Alves. "O USO DOS PRONOMES “NÓS” E “WE” E A CONSTRUÇÃO DE IDENTIDADES COLETIVAS NO CORPUS PARALELO GRANDE SERTÃO: VEREDAS || THE DEVIL TO PAY IN THE BACKLANDS." Belas Infiéis 6, no. 1 (2017): 43–64. http://dx.doi.org/10.26512/belasinfieis.v6.n1.2017.11418.

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O presente artigo tem por objetivo apresentar uma análise dos usos dos pronomes pessoais “nós” e “we” em um corpus paralelo ficcional, composto pelos textos Grande Sertão: Veredas, de Guimarães Rosa, e sua única tradução para o inglês, The devil to pay in the backlands, de James L. Taylor e Harriet de Onís. A investigação busca entender como os pronomes são usados quando os contextos nos quais eles estão colocados implicam a construção de situações de conflito armado. O artigo busca dialogar com pesquisas que investigam o uso dos pronomes pessoais como Barbara e Gouveia (2004) e Maia (1998), e

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6

Oliveira, Aryanna Dos Santos, and Rosely de Fátima Silva. "A travessia de um herói problemático: reverberações filosófico-literárias acerca do pacto demoníaco em Grande sertão: veredas." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 1 (2019): 121–51. http://dx.doi.org/10.17851/2358-9787.28.1.121-151.

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Resumo: O ensaio pretende explanar sobre a travessia de Riobaldo em Grande sertão: veredas, como modelar do herói problemático na concepção proposta por Lukács, em A Teoria do Romance, através do estudo do episódio do (suposto) pacto demoníaco empreendido pelo protagonista da obra de Guimarães Rosa, nas Veredas-Mortas, feito que conduz a trajetória do herói por entre dúvidas e questionamentos, inerentes ao modelo lukacsiano. O estudo da obra rosiana será realizado por meio de análise comparativa com o pacto demoníaco realizado por Fausto, na obra homônima de Goethe, e de trechos de outras obra

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7

Silva, Claudicélio Rodrigues da. "A batalha de Eros no sertão de Rosa." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 1 (2019): 205–28. http://dx.doi.org/10.17851/2358-9787.28.1.205-228.

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Resumo: O artigo se propõe a discutir a natureza erótica em Grande Sertão: Veredas estabelecendo como ponto de partida as noções de Eros apresentadas n’O banquete, de Platão. Sabendo-se que o discurso erótico no diálogo platônico é múltiplo, buscou-se neste estudo demonstrar que a natureza indômita de Eros agencia a narrativa de Rosa fundindo o plano da guerra exterior, as batalhas pelo poder no sertão, com o plano da guerra interior, o embate entre aquilo que a tradição expõe como interdito e o desejo que quer transgredir. Se Diadorim nutre o Eros que o impulsiona à guerra, Riobaldo é aliment

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8

Sautman, Barry. "The devil to pay." Communist and Post-Communist Studies 28, no. 1 (1995): 131–51. http://dx.doi.org/10.1016/0967-067x(95)00008-i.

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9

Van Boer, Bertil. "Coffey'sthe devil to pay,the comic war, and the emergence of the Germansingspiel." Journal of Musicological Research 8, no. 1-2 (1988): 119–39. http://dx.doi.org/10.1080/01411898808574596.

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10

O'Neill, Kevin Lewis. "Home Security: Drug Rehabilitation Centres, the Devil and Domesticity in Guatemala City." Journal of Latin American Studies 52, no. 4 (2020): 785–804. http://dx.doi.org/10.1017/s0022216x20000656.

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AbstractPentecostal drug rehabilitation centres in Guatemala City are informal responses to drug use, with these all-male institutions attempting to save drug users from what some Christians call ‘the devil’. Of ethnographic interest is that the mothers, sisters and wives not only pay for the capture and captivity of their loved ones but also volunteer their labour to support these centres. This article, in response, assesses not only the Christian impulse to domesticate sinners but also the extent to which a cult of domesticity organises Guatemala's war on drugs.

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11

Brown, Zachary S., and Nick Johnstone. "Better the devil you throw: Experience and support for pay-as-you-throw waste charges." Environmental Science & Policy 38 (April 2014): 132–42. http://dx.doi.org/10.1016/j.envsci.2013.11.007.

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12

Tatár, Magdalena. "Nordic influence on Saami folk belief: the "Buttercat" (Smörkatt)." Scripta Instituti Donneriani Aboensis 12 (January 1, 1987): 258–62. http://dx.doi.org/10.30674/scripta.67166.

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The topic of this paper is a Saami superstitious belief, namely the smørkatt "buttercat", which is without doubt a Nordic loan in Saami tradition. In olden days there were people who sold themselves or half of their souls to the devil for a considerable sum of money. They made a "butter cat" in order to get more milk. The "butter cat" looked like a ball of yarn. It stole cream and butter from the neighbour. The neighbour could not understand what had become of his butter. But he soon discovered that people who had only a few cows had a lot of butter. He chased after the "butter cat" and if he

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13

Menachemi, Nir, Wendy Struchen-Shellhorn, Robert G. Brooks, and Lisa Simpson. "Influence of Pay-for-Performance Programs on Information Technology Use Among Child Health Providers: The Devil Is in the Details." Pediatrics 123, Supplement 2 (2008): S92—S96. http://dx.doi.org/10.1542/peds.2008-1755h.

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14

Frederickson, Megan E., and Deborah M. Gordon. "The devil to pay: a cost of mutualism with Myrmelachista schumanni ants in ‘devil's gardens’ is increased herbivory on Duroia hirsuta trees." Proceedings of the Royal Society B: Biological Sciences 274, no. 1613 (2007): 1117–23. http://dx.doi.org/10.1098/rspb.2006.0415.

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‘Devil's gardens’ are nearly pure stands of the myrmecophyte, Duroia hirsuta , that occur in Amazonian rainforests. Devil's gardens are created by Myrmelachista schumanni ants, which nest in D. hirsuta trees and kill other plants using formic acid as an herbicide. Here, we show that this ant–plant mutualism has an associated cost; by making devil's gardens, M. schumanni increases herbivory on D. hirsuta. We measured standing leaf herbivory on D. hirsuta trees and found that they sustain higher herbivory inside than outside devil's gardens. We also measured the rate of herbivory on nursery-grow

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15

Miller, David C. "Infection and Imagination: The Atmospheric Analogy and the Problem of Romantic Culture in America." Prospects 13 (October 1988): 37–60. http://dx.doi.org/10.1017/s0361233300005238.

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The crucial twenty-third chapter of Melville's The Confidence-Man (1857) develops an arresting analogy between the linguistic wiles of the latest avatar of the Confidence-Man (or Devil) and the imagery of infectious atmosphere. The chapter opens with a flood of allusions to the notion of an insidious agent hidden in the air, carrying infection and threatening death: “At Cairo, the old established firm of Fever & Ague is still settling up its unfinished business; that Creole grave-digger, Yellow Jack—his hand at the mattock and spade has not lost its cunning; while Don Saturninus Typhus tak

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16

Miller, David C. "Infection and Imagination: The Atmospheric Analogy and the Problem of Romantic Culture in America." Prospects 13 (October 1988): 37–60. http://dx.doi.org/10.1017/s0361233300006682.

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The crucial twenty-third chapter of Melville's The Confidence-Man (1857) develops an arresting analogy between the linguistic wiles of the latest avatar of the Confidence-Man (or Devil) and the imagery of infectious atmosphere. The chapter opens with a flood of allusions to the notion of an insidious agent hidden in the air, carrying infection and threatening death: “At Cairo, the old established firm of Fever & Ague is still settling up its unfinished business; that Creole grave-digger, Yellow Jack—his hand at the mattock and spade has not lost its cunning; while Don Saturninus Typhus tak

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17

Arslan, Yusuf, Emre Yıldırım, Mustafa Abdül Metin Dinçer, and Merve Türkmen Barutçu. "Examining consumers’ anti-consumption tendencies towards food products." British Food Journal 120, no. 9 (2018): 1980–93. http://dx.doi.org/10.1108/bfj-12-2017-0728.

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PurposeThe purpose of this paper is to explore how consumers’ reactions lead to anti-consumption (AC) behavior and provide some important clues for the practitioners in the Turkish food industry. The reactions are based on consumer complaining behavior in the Turkish food industry.Design/methodology/approachIn total, 16 brands from the food industry with the highest complaint rates were selected as cases of the study. The consumer complaints from these brands were analyzed through a qualitative content analysis. In this analysis, four categories which are beverage group, food preparation group

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18

ALVEAL, CARMEN. "AS VEXAÇÕES E OPRESSá•ES DOS SENHORES COLONIAIS E A CONSTITUIÇÃO DA CARTA RÉGIA DE 1753 NO BRASIL COLONIAL: a tradição da posse e o justo tátulo." Outros Tempos: Pesquisa em Foco - História 14, no. 23 (2017): 158–74. http://dx.doi.org/10.18817/ot.v14i23.574.

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O artigo procura explicar como a formação dos senhorios coloniais motivou a elaboração da carta régia de 1753. A ideia central é analisar como a coroa tentou, na segunda metade do século XVIII, diminuir ou frear o poderio do que se denomina senhorio colonial, culminando na elaboração da carta régia de 20 de outubro de 1753, na qual sacramentava mais uma vez o cultivo. Ao longo da primeira metade do século XVIII, muitas foram as representações enviadas por diversos moradores, inclusive cá¢maras das vilas nos sertões, ao Conselho Ultramarino, solicitando auxálio ao rei no sentido de remediar a

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19

Melleuish, Greg. "Of 'Rage of Party' and the Coming of Civility." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1492.

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There is a disparity between expectations that the members of a community will work together for the common good — and the stark reality that human beings form into groups, or parties, to engage in conflict with each other. This is particularly the case in so-called popular governments that include some wider political involvement by the people. In ancient Greece stasis, or endemic conflict between the democratic and oligarchic elements of a city was very common. Likewise, the late Roman Republic maintained a division between the populares and the optimates. In both cases there was violence as

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20

Gíslason, Kári. "Independent People." M/C Journal 13, no. 1 (2010). http://dx.doi.org/10.5204/mcj.231.

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There is an old Danish fable that says that the Devil was watching when God created the earth, and that, as the creation progressed, he became increasingly agitated over the wondrous achievements he was made to witness. At the end of it all, the Devil turned to God, and said, ‘Now, watch this.’ He created Iceland. It’s a vision of the country that resembles my own. I have always thought of Iceland as the island apart. The place that came last in the earth’s construction, whoever the engineer, and so remains forever distant. Perhaps that’s because, for me, Iceland is a home far from home. It is

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21

Sampson, Tony. "Dr Aycock's Bad Idea." M/C Journal 8, no. 1 (2005). http://dx.doi.org/10.5204/mcj.2314.

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   Following the deep-seated analogy between biological and computer parasites, it is surely inconceivable that anyone would want to deliberately infect a computer. It’s a bad idea, right? Well, not necessarily. It seems that the University of Calgary (UoC) want to challenge the received wisdom of security experts—a judgment, which determines that there is no such thing as a good virus. The UoC wants to encourage their students to write and test malevolent viruses. Still following the biological analogy, Dr John Aycock, the academic who runs the program at UoC, likens the app

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22

Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each

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