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Journal articles on the topic 'The Doll by Bolesław Prus'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Tomczok, Paweł. "Dyskurs monetarny w "Lalce" Bolesława Prusa [Monetary discourse in The Doll by Bolesław Prus]." Napis XXI (2015) (December 27, 2015): 198–221. https://doi.org/10.18318/napis.2015.1.12.

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The article is an analysis of economic discourse in <em>The Doll</em> by Bolesław Prus. The motifs related to money in <em>The Doll</em> were described by Józef Bachórz in the articles collected in the book <em>Spotkania z “Lalką”</em> [Meetings with The Doll] (Gdańsk 2010). This valuable analysis can be complemented by a study of protagonists’ economic activities as a whole in the context of practices defined by capitalist economic discourse. Prus suggested the interpretation of his novel as an image of social disintegration. The research of economic discourse

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2

Paczoska, Ewa. "Amerykanin i Polak w Paryżu (Henry James – Bolesław Prus) [An American and a Pole in Paris (Henry James – Bolesław Prus)]." Napis XXI (2015) (December 27, 2015): 222–34. https://doi.org/10.18318/napis.2015.1.13.

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The article proposes a comparative reading of two novels: <em>American</em> of Henry James and <em>The Doll</em> of Bolesław Prus. The author argues that James’ novel published in Polish in 1878 could become an inspiration for Prus. The circle of problems of <em>American</em> and <em>The Doll</em> is focused around similar themes: the identity of a modern man and the patterns of masculinity and femininity. Both novelists show a mechanism of creation for idealistic fantasies.

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3

Pycka, Anna Małgorzata. "Przekraczanie granic w dyskursie publicystycznym Bolesława Prusa [Crossing the borders in the journalistic discourse of Bolesław Prus]." Napis XVIII (2012) (December 31, 2012): 139–53. https://doi.org/10.18318/napis.2012.1.9.

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Bolesław Prus had been writing Kroniki to many Warsaw newspapers for 37 years. In the paper fragments of texts published in “Kurier Warszawski” in 1879 (it is the time of a novel <em>The Doll </em>[<em>Lalka</em>] setting) were selected and interpreted. The text shows the writer’s — a journalist’s and a keen observer’s — thoughts on the social situation of the inhabitants of Warsaw: their interests, behaviours, daily problems, and everyday matters. The interventionist nature of Prus’s journalism demonstrates the increasing role of the press

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4

Koziołek, Ryszard. "Ekonomia polityczna lalek [Dolls' political economy]." Napis XXI (2015) (December 27, 2015): 185–97. https://doi.org/10.18318/napis.2015.1.11.

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The article uses the concept of Marx’s commodity fetishism to uncover and describe complex relations between eroticism, political economy and psychology in <em>The Doll</em> [Doll] by Bolesław Prus. The scene under analysis is when Wokulski fires from his shop a shop assistant who was overfamiliar with Izabela Łęcka. The interpretation applying the given contexts unveils political dimension of economy which Wokulski uses to overcome class barriers and also to create new boundaries which are supposed to separate the object of his love from other men.

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5

Forajter, Wacław. "Rozpustny Wokulski – problemów ciąg dalszy [Rakish Wokulski – the ongoing problems]." Napis XXI (2015) (December 27, 2015): 173–84. https://doi.org/10.18318/napis.2015.1.10.

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The article entitled <em>Rakish Wokulski – the ongoing problems</em> takes up the problem of the meaning of erotic motifs in<em> The Doll</em> by Bolesław Prus, most of all – their links to the contemporary theories of neurosis. Unlike the existing studies of the problem that draw from neo-freudian theories, the article uses mostly classic Sigmund Freud’s concepts especially “psychic impotence” and “debasement in the sphere of love”. From this perspective <em>The Doll’s</em> protagonists, especially Wokulski, seem to fall ill into a neurosis as a

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6

Bunjak, Petar. "A Few More Words on Poetics and Semantics of the Title of Bolesław Prus’s Novel “The Doll”." Stephanos Peer reviewed multilanguage scientific journal 57, no. 1 (2023): 28–36. http://dx.doi.org/10.24249/2309-9917-2023-57-1-28-36.

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The enduring attention of several generations of readers to the question of the title of B. Prus’ novel “The Doll” caused the author’s desire to contribute to its justification. The author’s intention is not, however, to offer any new interpretation – instead of this, he indicates the most consistent and inclusive among the existing ones.

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7

Grabowska-Kuniczuk, Agata. ""Sąd oka"? O sposobach postrzegania świata w twórczości Bolesława Prusa ["Eye Judgement"? On the Modes of Perception of the World in Boleslaw Prus's Works]." Napis XX (2014) (December 31, 2014): 138–51. https://doi.org/10.18318/napis.2014.1.10.

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The article is an attempt to analyse and interpret the visual aspect of the work of Prus, and especially the impact of the writer’s diseases (including a deepening vision defect, agoraphobia) on the ability to perceive reality and the creation of the world presented in the works (based on the novels: <em>Emancipated Women</em>, <em>The Doll</em>, <em>Dzieci</em> [‘Children’]) and on the construction of Prus’s characters in order to find an answer to the question: how do they look and what do they see? The text presents a portrait of Prus short-sighted (experienced

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8

Bąbel, Agnieszka. "Świat w powiększeniu. Dziewiętnastowieczny mikroskop jako instrument i jako metafora (na przykładzie twórczości Bolesława Prusa) [The World Under Magnification. The Nineteenth-Century Microscope as a Tool and as a Metaphor (Based on the Works of Boleslaw Prus)]." Napis XX (2014) (December 31, 2014): 106–20. https://doi.org/10.18318/napis.2014.1.8.

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The text is devoted to the invention of the microscope and its image in the literature of the nineteenth century. An outline of the history of this optical tool provides a background for presenting the nineteenth-century microscope as a sign of a certain cognitive attitude, or characteristics of a protagonist, and finally – of the way of seeing the world in selected texts by Boleslaw Prus (<em>Słówko o krytyce pozytywnej </em>[‘A Word on Positivist Criticism’], <em>Kroniki</em> [‘Chronicles’], <em>The Fungi of this World</em>, <em>The Doll</e

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9

Szleszyński, Bartłomiej. "O Bolesławie Prusie, upowszechnianiu wiedzy i wydawaniu Kronik słów kilka (Few words on Boleslaw Prus, dissemination of knowledge and publishing the Kroniki ['Chronicles'])." Napis XX (2014) (December 31, 2014): 299–303. https://doi.org/10.18318/napis.2014.1.23.

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In reference to Professor Barbara Bobrowska review, the text presents reasons why Boleslaw Prus’s <em>W Warszawie. Wybór z &bdquo;Kronik”</em> [‘In Warsaw. Selection of Chronicles’] adopted such form, and not another, and how this form results from general assumptions regarding activities to promote knowledge about The Doll’s creator and his work. The author’s position on what disseminating actions should be carried out to transmit knowledge on literature and culture from the second half of the nineteenth century to wider audience than before was also

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10

Szleszyński, Bartłomiej. "Breaking Bad kochanego Stacha. Wokulski jako antybohater [Breaking Bad of dear old Stach]." Napis XXII (2016) (December 30, 2016): 130–49. https://doi.org/10.18318/napis.2016.1.9.

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The paper compares two main protagonists from <em>Lalka </em>[The Doll] by Bolesław Prus and from the series <em>Breaking Bad</em> by Vince Gilligan by indicating evident parallels between them. The figure of Walter White (which is in some way a summary of anti-hero trend in the contemporary series) is also used to present the protagonist of <em>Lalka </em>as a certain type of anty-hero and to emphasize debatable problems in his life. The protagonist of the American series becomes a reference point to such issues in Stanisław Wokulski’s biography as making fortune and spending it as well

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11

Piechota, Dariusz. "Długie trwanie wieku XIX – (pop)kulturowe rekonstrukcje przeszłości w najnowszej fantastyce." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 52, no. 3 (2021): 243–58. http://dx.doi.org/10.36770/bp.632.

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Contemporary popular culture eagerly returns to the era of steam and electricity. The pop-culture imagery of the nineteenth century functions in two variants (realistic and fantastic) and takes the form of intertextual games, providing material for postmodern collages and remixes. New genres, such as steampunk and mashup, were quickly adapted and modified by Polish writers. Victorians were replaced by positivists who saw modern inventions as an effective weapon in the fight against the invaders. In addition to works presenting an alternative history of the January Uprising, fantasy authors eag

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12

Grabowska-Kuniczuk, Agata. "Bolesław Prus odzwierciedlony w swoich rzeczach. Spis pamiątek po pisarzu w przekazie Oktawii Głowackiej i Feliksa Araszkiewicza [Bolesław Prus reflected in his things. A list of the writer's keepsakes as conveyed by Oktawia Głowacka and Feliks Araszkiewicz]." Napis XXIV (2018) (December 28, 2018): 296–309. https://doi.org/10.18318/napis.2018.1.16.

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In 1923 to 1924, Oktawia Głowacka donated to libraries and museums the inheritance, as well as materials and personal items, of her late husband known as Bolesław Prus. The ones which survived can serve as a valuable source of knowledge on his life and work. Amidst the manuscripts and typescripts, there are not only the first versions of works, or the writer’s notes (among others, the notebooks documenting his particular writing process). There are also the notes of his wife, who arranged the materials from the home archive of Głowacki. <em>A List of Keepsakes of the Late Aleksander Głow

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13

Budrewicz, Tadeusz. ""Białe anioły z skrzydłami jasnemi" (konstelacja parafraz) ["White angels with bright wings" (constellation of paraphrases)]." Napis XXII (2016) (December 30, 2016): 87–105. https://doi.org/10.18318/napis.2016.1.7.

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The paper is a review of the functions of the citation from the novel of Narcyza Żmichowska <em>Poganka</em> [The Pagan] (1846): “I was once told that here on earth exist angels with bright wings”. This citation and the figure of an angel with bright wings express a romantic model of love and define a social role of a woman as a caregiver and man’s helper. The most famous use of this paraphrase of the citation appears in the novel <em>Lalka</em> [Doll] (1890) by Bolesław Prus. Literary historians were certain that Prus refered directly to <em>Poganka</em>. In the article the

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14

Bąbel, Agnieszka. "Sztuka zrywania. Niefortunne narzeczeństwa w polskiej powieści i wspomnieniach końca XIX i początku XX w. [The art of breaking up: unfortunate engagements in the Polish novel and memoirs of the late 19th and early 20th century]." Napis XVIII (2012) (December 31, 2012): 103–19. https://doi.org/10.18318/napis.2012.1.7.

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The article is devoted to a morally sensitive topic, created by situations which did not lead to a marriage, but ended up with a discrediting separation. It analyses socially accepted, although often false reasons for splitting up, treated as shameful and without approbation, frequently hidden under suggested excuses provided by savoir–vivre books. It also compares, in this case, the position of women and men, reflecting on the attempt to protect the reputation of a young lady with a fixed social convention. Particularly interesting seem to be the texts that refer to authentic biographic

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15

Lubczyńska-Jeziorna, Elżbieta. "Człowiek w przestrzeni wyizolowanej. O kilku wizjach zamkniętego świata w utworach Bolesława Prusa." Prace Literackie 61 (February 15, 2023): 97–112. http://dx.doi.org/10.19195/0079-4767.61.7.

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The purpose of this paper is to present diﬀerent depictions of the microcosm and macrocosm in the works of Boleslaw Prus representing various literary genres. In his literary imagery the author of Lalka (The Doll) exceptionally often creates enclaves abstracted from the vastness of the external world, which overwhelms with its size and the multitude of references. With regard to Balzac’s idea of realism, an attempt has been made to deﬁne the nature of the boundaries dividing the protagonist’s inner universe, which is inscribed in a speciﬁc framework of its own milieu. Based on anthropological

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16

Wodzyński, Łukasz. "Bolesław Prus and the Jews [Bolesław Prus wobec kwestii żydowskiej]." Polish Review 69, no. 2 (2024): 124–26. http://dx.doi.org/10.5406/23300841.69.2.11.

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17

Pocheć, Ewelina. "Kartki z podróży do Puław Bolesława Prusa jako sprawdzian ludzkiej (nie)uważności." Colloquia Litteraria 33, no. 2 (2023): 111–25. http://dx.doi.org/10.21697/cl.2022.33.2.7.

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The paper is dedicated to the issue of humans (un)attention category in the contexof journey situation in one of the reportage work by Bolesław Prus. In the receptionof reportage the theory of presence is inextricably associated with category of attention. Author of the article shows possibility of analyze Bolesław Prus work inthe context of Janina Brach-Czaina philosophy and modern trends in the field ofnon-anthropocentric humanities.

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18

Saniewska, Diana. "Sinful thoughts, sinful deeds. The portrayal of sensuality in Boleslaw Prus’s “The Doll”." Białostockie Archiwum Językowe, no. 11 (2011): 199–212. http://dx.doi.org/10.15290/baj.2011.11.14.

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19

Friedrich, Agnieszka. "Bolesław Prus and the Dreyfus Case." Polin: Studies in Polish Jewry 14, no. 1 (2001): 271–80. http://dx.doi.org/10.3828/polin.2001.14.271.

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20

Szleszyński, Bartłomiej. "Bolesław Prus i pozytywistyczne "porno z Murzynkami" [Bolesław Prus and a positivist "porn with Negro women"]." Napis XVIII (2012) (December 31, 2012): 155–73. https://doi.org/10.18318/napis.2012.1.10.

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The article begins with stating a fact that in Bolesław Prus’s Kroniki there are many fragments (especially those, in which black women occur), which sound so obscene that, according to contemporary standards, they could be considered pornographic. This lead to a conclusion that the conviction about an absolute prudery of the contemporary official circles and a current image of Bolesław Prus has to be modified. The next part of the article is devoted to an attempt to find the reasons why exactly this topic of African women provoked the author of Kroniki to come up with erotic fantasies (

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21

Grabowska-Kuniczuk, Agata. "Pamiątki po Aleksandrze Głowackim (Bolesławie Prusie) przekazane przez żonę do Muzeum Narodowego w Warszawie (aneks)." Napis XXIV (2018) (December 28, 2018): 310–25. https://doi.org/10.18318/napis.2018.1.25.

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22

Bourkane, Mateusz. "Zagadka Beroesa." Poznańskie Studia Polonistyczne. Seria Literacka, no. 31 (January 2, 2018): 321–32. http://dx.doi.org/10.14746/pspsl.2017.31.13.

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The sketch concerns spiritualism and mediumship in the novel Faraon by Bolesław Prus. Object of analysis is especially Beroes, Chaldean magician and sage, who is one of the characters appearing in presented world. The main question in the aricle is, why Prus, positivist writer, decided to introduce to his novel such uncanny hero and such untypical problems.

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23

Budrewicz, Tadeusz. ""Antek" by Bolesław Prus. Genetic-Textual Commentaries." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 39, no. 1 (2021): 97–111. http://dx.doi.org/10.17951/ff.2021.39.1.97-111.

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24

Szleszyński, Bartłomiej. "Bolesław Prus i pozytywistyczne "porno z Murzynkami"." Napis Pismo poświęcone literaturze okolicznościowej i użytkowej 1 (2012): 155–73. http://dx.doi.org/10.18318/napis.2012.1.10.

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25

Grabowska-Kuniczuk, Agata. "Bolesław Prus [Nauka Prusa pisania na maszynie]." Napis Pismo poświęcone literaturze okolicznościowej i użytkowej 1 (2015): 250–61. http://dx.doi.org/10.18318/napis.2015.1.15.

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26

Kiełb, Ewa, and Piotr Robak. "Bolesław Prus – nie tylko prozaik. Sylwetka filantropa." Acta Universitatis Lodziensis. Folia Historica, no. 110 (December 3, 2022): 253–74. http://dx.doi.org/10.18778/0208-6050.110.14.

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Artykuł odnosi się do postaci Bolesława Prusa, wybitnego pisarza okresu pozytywizmu. W tekście uwypuklony został mniej znany aspekt jego biografii, a mianowicie zainteresowanie działalnością dobroczynną. Kwestia ta jest zazwyczaj traktowana jako zagadnienie drugoplanowe. Jeszcze rzadziej wspomina się o związanej z nią, stworzonej przez Prusa, teorii dotyczącej społeczeństwa, postępu, jak też o Prusowskich poglądach na wychowanie i sprawy upowszechniania kultury, czy roli sztuki w życiu narodu. Zgromadzony materiał, tj. fragmenty korespondencji pisarza, wypowiedzi publicystyczne, a ponadt

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Prus, Bolesław. "Bolesław Prus [Nauka Prusa pisania na maszynie]." Napis XXI (2015) (December 27, 2015): 250–61. https://doi.org/10.18318/napis.2015.1.15.

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28

Ławski, Jarosław. "Projectional Interpretation: Bolesław Prus’s Reading of „Zdania i uwagi” by Adam Mickiewicz." Tematy i Konteksty specjalny 1(2020) (2020): 180–96. http://dx.doi.org/10.15584/tik.spec.eng.2020.10.

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The article focuses on the interpretation of selected aphorisms of the Romantic poet Adam Mickiewicz (1798–1855) provided by Bolesław Prus (1847–1912), a prose writer and a representative of realism in Polish post-Romantic literature. Prus interpreted religious, sometimes almost mystical, aphorisms as commendation of hard work, activism, and as a manifesto of practical ethics. Inspired by the mystical thoughts of Angelus Silesius, Jakob Böhme and Saint-Martin, Mickiewicz’s aphorisms are perceived as exceptionally ambiguous. Prus, however, projected his own literary and philosophical mindset on

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29

Sobieraj, Tomasz. "Jeszcze o kwestii żydowskiej w Lalce Bolesława Prusa." Polonistyka. Innowacje, no. 13 (May 31, 2021): 67–80. http://dx.doi.org/10.14746/pi.2021.13.8.

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W swojej najwybitniejszej powieści, Lalce, Bolesław Prus poruszył wiele aspektów tzw. kwestii żydow-skiej. Pisarz ukazał kilka faz w rozwoju stosunków polsko-żydowskich. Pierwsza to faza braterskiej równości sprzed powstania styczniowego. Następnie zdarzył się okres asymilacji Żydów. Na końcu Prus przedstawił narastającą wrogość wobec Żydów. Ogólnie rzecz ujmując, pisarz krytykował antysemityzm zarówno w Lalce, jak i w swojej twórczości publicystycznej. Z drugiej jednak strony przyznać trzeba, że Prus często postrzegał Żydów w sposób stereotypowy. Lalka ukazuje ekonomiczny triumf Zydów nad nie

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30

Lubczyńska-Jeziorna, Elżbieta. "Placówka Bolesława Prusa jako przyczynek do charakterystyki sąsiedzkich stosunków z Niemcami w Kronikach Bolesława Prusa. Rekonesans." Prace Literackie 58 (April 28, 2020): 77–87. http://dx.doi.org/10.19195/0079-4767.58.8.

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The article analyzes the Polish–German relations described by Bolesław Prus in Kroniki (Chronicles). It raises questions about how the author’s personal beliefs determine the construction of his novel characters. The author has avoided the coloured chauvinism of complaints about the in-creasing number of German colonists coming to the cities and provinces. Prus was aware of threats, but also saw the advantages and strengths of German organizations. Observations of neighbours and international relations were used by Prus mainly for comparisons. Prus’s chronicles and letters are a testimony to t

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31

Bąbel, Agnieszka, and Agata Grabowska-Kuniczuk. "Bolesław Prus w przypisach i przypiskach. Studium przypadku." Sztuka Edycji 12, no. 2 (2018): 33. http://dx.doi.org/10.12775/se.2017.0017.

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32

Zechenter, Katarzyna. "Bolesław Prus and the Jews by Agnieszka Friedrich." Modern Language Review 117, no. 4 (2022): 731–32. http://dx.doi.org/10.1353/mlr.2022.0150.

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33

Friedrich, Agnieszka. "Bolesław Prus and the Assimilation of Polish Jews." Polin: Studies in Polish Jewry 22, no. 1 (2010): 316–31. http://dx.doi.org/10.3828/polin.2010.22.316.

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34

Piechota, Dariusz. "Bolesław Prus – w splątanej sieci natury i kultury." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 57, no. 4 (2023): 403–10. http://dx.doi.org/10.36770/bp.761.

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The article is a review of the book In the Web of Nature and Culture. Bolesław Prus in the Face of the Worldview Dilemmas of His Times by Tomasz Sobieraj. In his analysis and interpretation, the author introduces the terms ‘anthropocene’ and‘capitalocene,’ which have recently become popular in ecocritical research and social sciences. Sobieraj is interested in Prus’s attitude to the world of nature (both animate and inorganic), which is situated between anthropocentrism and biocentrism. The versatility of Prus’s interests is evidenced by the chapters devoted to technology and politics, in whic

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35

Grabowska-Kuniczuk, Agata, and Marta Parnowska. "Bolesława Prusa "zabawa" w pisanie na maszynie – narzędzie, autor, tekst [Bolesław Prus "playing" with the typewriter – tool, author, text]." Napis XXI (2015) (December 27, 2015): 235–49. https://doi.org/10.18318/napis.2015.1.14.

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The text presents Bolesław Prus’ first exercises in writing on a typewriter, depicting an experienced writer at the very moment of substantial changes in his workshop when he shifts from a manuscript to a typescript. One of his first typescripts catalogued as <em>Nauka Bolesława Prusa pisania na maszynie </em>[Bolesław Prus practice in typewriting] (manuscript BPW 128 IV compared with the first edition) is a valuable testimony of writer’s thoughts on the introduction of facts (in <em>Kroniki</em> [Chronicles]) and the creation of texts in general (composition rules), and also serve

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36

Bobrowska, Barbara. "Warszawski fotoplastikon Prusa." Napis XX (2014) (December 31, 2014): 293–97. https://doi.org/10.18318/napis.2014.1.22.

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Recenzja książki: Bolesław Prus, <em>W Warszawie. Wybór z &bdquo;Kronik”</em>, wybór i wstęp Samuel Sandler, oprac. Agnieszka Bąbel i Agata Grabowska-Kuniczuk, Narodowe Centrum Kultury, Warszawa 2013, t. 1, ss. 567; t. 2, ss. 475; t. 3, ss. 485.

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Krzakowska-Łazuka, Ewa. "„[…] nieszczęściem jest złamane drzewo i bielejący szkielet koński”. Bolesław Prus – przyjaciel koni." Zoophilologica, no. 1 (7) (June 29, 2021): 1–19. http://dx.doi.org/10.31261/zoophilologica.2021.07.08.

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Artykuł bada szeroko reprezentowany w literaturze, korespondencji oraz publicystyce Bolesława Prusa motyw konia. Przedstawia zapisany w twórczości pisarza obraz konia jako współuczestnika życia codziennego, rozrywki i pracy człowieka w społeczeństwie II poł. XIX wieku. Analizuje kolejne, związane z końmi zagadnienia, którym na przestrzeni lat Prus pisarz i Prus dziennikarz poświęcał uwagę (m.in. warszawska hippika rekreacyjno-sportowa, wyścigi konne, kwestie hodowlane, transport miejski, praca na roli, działalność towarzystw dobroczynnych na rzecz poprawy losu koni miejskich). Celem artykułu j

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Czachorowska, Magdalena. "Idiolekt Bolesława Prusa. Przegląd najnowszych ustaleń." Poznańskie Studia Polonistyczne. Seria Językoznawcza 23, no. 2 (2016): 21–36. http://dx.doi.org/10.14746/pspsj.2016.23.2.2.

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This article is intended to approximate arrangements for features characteristic writing of Prus, from the publication of monographs, which appeared in the last decade, after 2006, because they are not as well known as the earlier comments on writer’s idolect placed even in studies Bystroń or Bachórz. Notes on writing of Prus has been divided into several thematic areas: vocabulary topography (depicting the formation of landscape, the author’s preferred method of constructing space and filling it with specific object), color names (the world of colours, which enabled the writer to expose an en

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Kaczmarzyk, Jan, and Dariusz Rataj. "An Outline History of the Bolesław Prus in Częstochowa." Ziemia Częstochowska 43 (2017): 167–73. http://dx.doi.org/10.16926/zc.2017.43.07.

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Paczoska, Ewa. "Amerykanin i Polak w Paryżu (Henry James – Bolesław Prus)." Napis Pismo poświęcone literaturze okolicznościowej i użytkowej 1 (2015): 222–34. http://dx.doi.org/10.18318/napis.2015.1.13.

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Jauksz, Marcin. "Bolesław Prus czyta Bourgeta. Emancypacja, spirytyzm i teoria powieści." Porównania 13 (December 2, 2013): 143. http://dx.doi.org/10.14746/p.2013.13.10986.

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Kunicki, Mikołaj. "Bolesław Prus and the Jews by Agnieszka Friedrich (review)." Antisemitism Studies 8, no. 1 (2024): 161–68. http://dx.doi.org/10.2979/ast.00011.

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Alsztyniuk, Anna. "Аповесць Янкі Брыля Сірочы хлеб y польскім кантэксце: Баляслаў Прус, Стэфан Жэромскі". Acta Polono-Ruthenica 2, № XXIII (2018): 7–18. http://dx.doi.org/10.31648/apr.2516.

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This article focuses on the relationship between Yanka Bryl and Poland, showing the influence of Polish classics on his literary legacy. Stories such as Orphan’s Bread by Yanka Bryl, Orphan’s Plight by Bolesław Prus and the novel Sisyphean Labours by Stefan Żeromski were subjected to comparative analysis. Prus concentrated on the fate of the orphan and his unequal struggle for a better tomorrow. Żeromski showed the image of the school in the Russian Congress Kingdom of Poland and the struggle of young people against Russification. J. Bryl, in his story, raised the topics of the orphanage and t

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Sonczyk, Wiesław. "Prusowska koncepcja dziennikarstwa – czy jest nadal aktualna?" Studia Medioznawcze 2 (June 1, 2017): 59–71. http://dx.doi.org/10.33077/uw.24511617.ms.2017.69.390.

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Bolesław Prus był jednym z najbardziej popularnych dziennikarzy warszawskich XIX wieku. Zdawał sobie sprawę z ważnej roli prasy w kształtowaniu opinii publicznej i w życiu społeczeństwa. Dobrze znał też środowisko dziennikarskie i jego problemy zawodowe. Dlatego w swoich felietonach i artykułach publicystycznych starał się odpowiadać na pytania dotyczące relacji między środowiskiem dziennikarskim a społeczeństwem. Jego opinie i wnioski są nadal aktualne.

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Czachorowska, Magdalena. "Bolesław Prus as a journalist – current status and perspectives of research." Studia Językoznawcze : synchroniczne i diachroniczne aspekty badań polszczyzny 16 (2017): 69–80. http://dx.doi.org/10.18276/sj.2017.16-04.

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Zhenhui, Zhang. "Literatura polska w Chinach i wymiana kulturalna między Polską a Chinami. Zapiski tłumacza." Poznańskie Studia Polonistyczne. Seria Literacka, no. 40 (September 14, 2021): 221–27. http://dx.doi.org/10.14746/pspsl.2021.40.9.

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The article is an introduction into the presence of Polish literature in China from the perspective of one of its most active researchers and translators. The author describes his fascination with Bolesław Prus’s work that resulted in the Chinese translation of Lalka (The Doll) and his work on two-volume Historia literatury polskiej (The history of Polish literature) aimed at Chinese readers.

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Czachorowska, Magdalena. "Trzy figury służącego w Lalce Bolesława Prusa." Prace Językoznawcze 22, no. 3 (2020): 59–71. http://dx.doi.org/10.31648/pj.5706.

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Bolesław Prus wypracował w Lalce trzy sposoby przedstawiania i opowiadania o osobachdrugiego planu, mimo pozornego lekceważenia znaczenia służby w życiu miasta i jegomieszkańców. Pisarz opisuje starą służbę, pozostającą tłem niewidocznym i nastawioną wyłączniena dogadzanie zachciankom chlebodawcy, i dwa nowe typy służącego, domagającesię uznania własnej podmiotowości, własnej wartości, szczególnie na tle zdegenerowanejarystokracji. Różnice te są widoczne także na poziomie językowym. Służba tradycyjnaposługuje się skonwencjonalizowanym językiem, a charakterystyka postaci sprowadzasię do kilku o

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Szargot, Barbara. "O aluzji biblijnej w "Faraonie" Bolesława Prusa." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 23 (December 30, 2023): 57–72. http://dx.doi.org/10.24917/20811853.23.4.

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The article is devoted to the role of a biblical allusion in Faraon by Bolesław Prus. The names of characters (Sara, Gedeon), which refer the text ofthe novel to the Book of Genesis and the Book of Judges, are allusive. Moreover, references to Moses and Isaac are made in the text, as well as – a few times – to the Book of Kohelet. A unique feature of Bolesław Prus’s novel is that although it talks about the history of ancient Egypt, it treats the Bible as an outright historical source. The result of such an attitude is that the events described in the Old Testament (non‑existent in the descrip

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Zielińska, Agnieszka. "Wina pozytywizmu – powieść odcinkowa i kolaboracja autorsko-czytelnicza, jako pierwociny fan-fiction w Polsce." Artes Humanae 3 (June 10, 2019): 61. http://dx.doi.org/10.17951/arte.2018.3.61-70.

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<p><span>Publikacja dzieł powieściowych w odcinkach nie była niczym nadzwyczajnym w dobie pozytywizmu. Wraz z rozwojem prasy i dziennikarstwa, jak i krytyki literackiej otwierały się nowe obszary propagatorskie literatury. Już w Oświeceniu publikowano utwory na łamach gazet by stały się dostępne dla szerszego grona odbiorców, jednak koniec wieku XIX przynosi zjawisko, które nieomal czynnie włącza czytelnika w tryb tworzenia się literatury.</span></p><p><span>Bolesław Prus czy Henryk Sienkiewicz, to jedni z najznamienitszych eksperymentatorów w tworzeniu fabu

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Popielska-Grzybowska, Joanna, and Leszek Zinkow. "Bolesław Prus’s Pharaoh(s) – Two Literary Visions of the Human Condition and Our Fascination with Ancient Egypt." Journal of Egyptian History 15, no. 1 (2022): 83–106. http://dx.doi.org/10.1163/18741665-bja10010.

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Abstract This paper discusses two publications and two “pharaohs” (fictitious protagonists) in the historical and Egyptological context of a short story and a novel by Polish writer Aleksander Głowacki (a.k.a. Bolesław Prus). It looks at the observations of a writer fascinated by the dramas of powerful, extraordinary people and visions of a civilization that were firmly embedded in Poland and the whole of Europe at the end of the nineteenth century. The first discussed publication is a short story, A Legend of Old Egypt, on Ramzes (all names given in original spelling provided, either by the a

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