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Books on the topic 'The Edible Woman'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Atwood, Margaret Eleanor. Edible woman. New York: Warner Books, 1989.

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2

Carley, Dave. The edible woman. Winnipeg: Scirocco Drama, 2002.

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3

Carley, Dave. The edible woman. Toronto, Ont: Playwrights Guild of Canada, 2012.

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4

Atwood, Margaret Eleanor. The edible woman. London: Virago, 2001.

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5

Atwood, Margaret Eleanor. The edible woman. London: Virago, 2004.

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6

Atwood, Margaret Eleanor. The Edible Woman. New York: Anchor Books, 1998.

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7

Atwood, Margaret Eleanor. The edible woman. Toronto: McClelland and Stewart, 1999.

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8

Atwood, Margaret Eleanor. The edible woman. Toronto: McClelland and Stewart, 1986.

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9

Atwood, Margaret Eleanor. The edible woman. Toronto: Seal Books, 1998.

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10

Atwood, Margaret Eleanor. The edible woman. Toronto: McClelland and Stewart, 1987.

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11

Atwood, Margaret Eleanor. The edible woman. New York: Bantam Books, 1996.

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12

Atwood, Margaret Eleanor. The edible woman. Toronto: McClelland and Stewart, 1989.

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13

Atwood, Margaret Eleanor. The edible woman. London: Virago, 1997.

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14

Margaret Atwood's The edible woman. Piscataway, N.J: Research & Education Association, 2000.

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15

Marg aret Atwoodʹs The edible woman: A readerʹs guide. Toronto: General Paperbacks, 1990.

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16

Kurlansky, Mark. Edible stories: A novel in sixteen parts. New York: Riverhead Books, 2010.

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17

Atwood, Margaret Eleanor. The Margaret Atwood omnibus: The edible woman ; Surfacing ; Lady Oracle. London: Deutsch, 1987.

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18

Feitosa, André Pereira. The female body and the cannibalistic redemption in The Edible woman: the grotesque in Margaret Atwood. Belo Horizonte: Universidade Federal de Minas Gerais, 2003.

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19

Merak edilen kızlar. Demirtepe, Ankara: Merdiven, 2004.

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20

Khatoon, Sayyada. Bark drugs, volume I. New Delhi, India: National Institute of Science Communication and Information Resources, CSIR, 2009.

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21

Adıvar, Halide Edib. House with wisteria: Memoirs of Halidé Edib. Charlottesville, Va: Leopolis Press, 2003.

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22

Adıvar, Halide Edib. House with wisteria: Memoirs of Turkey old and new. New Brunswick, N.J: Transaction Publishers, 2009.

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23

1945-, Dalton David, ed. Edie, Factory girl. New York: VH1 Press, 2006.

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24

Atwood, Margaret Eleanor. Edible Woman. McClelland & Stewart, 2010.

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25

The Edible Woman. Warner Books, 1991.

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26

Atwood, Margaret Eleanor. Edible Woman, The. Bantam, 1991.

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27

Atwood, Margaret Eleanor. The Edible Woman. Virago, 2009.

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28

The edible woman. Random House, 1989.

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29

The edible woman. Bantam Books, 1996.

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30

Edible Stories. Riverhead Trade, 2010.

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31

The Edible Woman, Surfacing, Lady Oracle. Mc Clelland and Stewart, 1987.

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32

Keith, W. J. Introducing Margaret Atwoods the Edible Woman. ECW Press, 1989.

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33

The Edible Woman (Between the Covers Classics). Goose Lane Editions, 2001.

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34

Anderson, Jill E. “The Element that Shaped Me, That I Shape by Being In”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039805.003.0006.

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This chapter presents a reading of Margaret Atwood's Surfacing (1971) and The Edible Woman (1969). It argues that a fully feminist reading of these two novels must address how each contributes to the emerging discourse of queer ecology and to its examination of naturalization, or the process by which various behaviors, ideals, and conventions are accepted and legitimated, often to the detriment of their subjects. It employs the terms naturalized and natural in two distinct ways. First, it uses them as a means of identifying dictates and expectations that have shaped women and caused their oppression throughout specific historical periods. Second, it uses them to indicate the method by which Atwood reverses this primary process of naturalization in order to redefine the terms and construct feminist rebellion and consciousness-raising in the novels.

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35

Githire, Njeri. Edible Écriture. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038785.003.0005.

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This chapter links the themes of cannibals, pirates, and colonial conquest of islands to the consumption of literary texts as a commodity embedded within paradigms of domination and control. It specifically explores Comme un vol de papang' by Monique Agénor and La montagne des signaux by Marie-Thérèse Humbert, and relates these texts to questions of island specificity as base for discussion. The reading of Agénor's Comme un vol de papang' underscores the movement and dispersal of peoples within the Indian Ocean, and more precisely on the formation of the Afro-Malagasy diaspora in the Reunion Island. The reading of Humbert's La montagne des signaux explores the representation of the tourist as a power-hungry conqueror whose appetite for spectacle and illusion can only be sated by appropriation and more appropriation. Through an exploration of women writers, the chapter also highlights the gendering of the desert-island story as a male-centered text.

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36

Suzy, Bryce, and Institute for Aboriginal Development (Alice Springs, N.T.), eds. Women's gathering and hunting in the Pitjantjatjara homelands. Alice Springs, N.T: IAD Press, 1998.

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37

Adıvar, Halide Edib. House With Wisteria: Memoirs of Halide Edib. Leopolis Press, 2003.

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38

Dalton, David. Edie Factory Girl. VH1 Press, 2006.

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