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Relevant bibliographies by topics / THE EVER-CONTEMPORARY CHARACTER OF COLOURS AND INTERIOR DECORATION

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Academic literature on the topic 'THE EVER-CONTEMPORARY CHARACTER OF COLOURS AND INTERIOR DECORATION'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "THE EVER-CONTEMPORARY CHARACTER OF COLOURS AND INTERIOR DECORATION"

1

Bhawna, Vyas. "THE EVER-CONTEMPORARY CHARACTER OF COLOURS AND INTERIOR DECORATION." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–10. https://doi.org/10.5281/zenodo.888711.

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Colours are, perhaps, as old as the universe is; might be older than that. But, for sure, colours are older than arts and are related to every aspect of human life. A colour gets its identity from the rays it generates. In other words, colours are composed of radiations. Thus, when it is about colours, it is more about science than it is about arts. And science cannot be regional or timebound; it is always universally and timelessly applicable. This character of colours inspired me to write ‘The Ever-Contemporary Character of Colours and Interior Decoration’ and helped me in taking examples fr

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2

Vyas, Bhawna. "THE EVER-CONTEMPORARY CHARACTER OF COLOURS AND INTERIOR DECORATION." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2021): 1–10. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3557.

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Colours are, perhaps, as old as the universe is; might be older than that. But, for sure, colours are older than arts and are related to every aspect of human life. A colour gets its identity from the rays it generates. In other words, colours are composed of radiations. Thus, when it is about colours, it is more about science than it is about arts. And science cannot be regional or time-bound; it is always universally and timelessly applicable. This character of colours inspired me to write ‘The Ever-Contemporary Character of Colours and Interior Decoration’ and helped me in taking examples f

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3

Flanagan, Pamela. "Ornament and crime: Power, gender and domestic opulence of Gomorrah (2014–21)." Journal of European Popular Culture 15, no. 2 (2024): 99–120. https://doi.org/10.1386/jepc_00070_1.

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Italian TV series Gomorrah – The Series (2014–21) presents a contemporary dramatization of the lives of the Neapolitan Camorra based on Roberto Saviano’s novel (2006). This visual analysis critically examines the symbolism of the fictional domestic interiors of the main protagonists, Genny Savastano and Ciro Di Marzio, who inhabit the La Scampia neighbourhood of urban Naples. The rise in quality contemporary TV dramas which give high attention to character development, relationships and the elongated storyline has allowed the production quality to flourish. Thus, fictional interiors within qua

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Mohamed, Essam Metwally. "The Relationship Between Interior Architecture and Music." Modern Applied Science 12, no. 10 (2018): 86. http://dx.doi.org/10.5539/mas.v12n10p86.

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There is no doubt that there is a calculated relationship between architecture and music. If music is the translation of emotion, this emotion has been reflected in the architectural character and the arts of building and shaping its style. And the music of primitive tribes and barbaric peoples represented by the drums of homogeneous repetitions reflected on their buildings and primitive character or their huts identical and compact without compatibility or homogeneity. The rural music of each country, which is characterized by simple melodies and monotonous tones belonging to the living natur

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5

S, Eli. "Unboxing the New Barbie." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3060.

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Introduction “Unboxing the New Barbie” explores Barbie’s new image in Greta Gerwig’s 2023 film, Barbie, where Barbie appears initially in a perfect shape and enjoys her ideal life in Barbie Land. The film presents Barbie Land as a female-dominated space with Barbies at the centre of authority, with a utopic lifestyle of freedom and joy. However, the film immediately troubles this utopia through a set of cinematic devices. First, the stereotypical Barbie’s life appears as a series of monotonous routines within the pink plastic structures, and later, her utopic body image and Barbie Land are dis

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Martin, Bianca. "The Use of Thread and Fabric in Feminist Zines." M/C Journal 26, no. 6 (2023). http://dx.doi.org/10.5204/mcj.3015.

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Introduction Zines have a direct cultural link to the third wave feminist movement, with feminist zines rising to prominence in the early 1990s alongside the punk subculture known as “riot grrrl” (Piepmeier 8). Feminist zines provided an avenue for young women to write about their lived experiences of sexism or discrimination and to connect with other women who had shared experiences, much like the consciousness-raising groups of previous feminist activist movements (Duncombe 197). Contemporary feminist zines have continued to evolve in this manner, blending the personal with the political as

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Dwyer, Simon. "Highlighting the Build: Using Lighting to Showcase the Sydney Opera House." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1184.

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IntroductionThe Sydney Opera House is Australia’s, if not the world’s, most recognisable building. It is universally recognised as an architectural icon and as a masterpiece of the built environment, which has captured the imagination of many (Commonwealth of Australia 4). The construction of the Sydney Opera House, between 1959 and 1973, utilised many ground-breaking methods and materials which, together, pushed the boundaries of technical possibilities to the limits of human knowledge at the time (Commonwealth of Australia 36, 45). Typical investigations into the Sydney Opera House focus on

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8

Cruikshank, Lauren. "Synaestheory: Fleshing Out a Coalition of Senses." M/C Journal 13, no. 6 (2010). http://dx.doi.org/10.5204/mcj.310.

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Everyone thinks I named my cat Mango because of his orange eyes but that’s not the case. I named him Mango because the sounds of his purrs and his wheezes and his meows are all various shades of yellow-orange. (Mass 3) Synaesthesia, a condition where stimulus in one sense is perceived in that sense as well as in another, is thought to be a neurological fluke, marked by cross-sensory reactions. Mia, a character in the children’s book A Mango-Shaped Space, has audition colorée or coloured hearing, the most common form of synaesthesia where sounds create dynamic coloured photisms in the visual fi

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