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Books on the topic 'The Factory Photographs'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

1945-, Dalton David, ed. Edie, Factory girl. VH1 Press, 2006.

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2

Keetman, Peter. A week at the Volkswagen factory: Photographs from April 1953. Nishen, 1987.

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3

Louis, Huber Robert, ed. My soul's been psychedelicized: Electric Factory : four decades in posters and photographs. Temple University Press, 2011.

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4

Shore, Stephen. The velvet years: Warhol's factory, 1965-67. Thunder's Mouth Press, 1995.

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5

Shore, Stephen. The velvet years: Warhol's factory 1965-67. Pavilion, 1995.

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6

London College of Printing and Distributive Trades. MA photography and advertising dissertation 1991: The photographers is dead,long live th image manager : changing factors in the profession of the advertising photographer in Britain 1990. LCPDT, 1991.

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7

Armin, Kley, Nishen Dirk, and Sachsse Rolf, eds. Volkswagen, a week at the factory. Chronicle Books, 1992.

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8

Andy, Warhol. Andy Warhol: A Factory. Hatje, 1998.

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9

The image factory: Consumer culture, photography and the visual content industry. Berg, 2003.

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10

Gerhard, Finckh, and Städtisches Museum Leverkusen, Schloss Morsbroich., eds. Andy Warhol: Handzeichungen und factory-Bilder. Museum Morsbroich, 2001.

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11

Edge, M. Factors influencing longevity of aerial photographic products on archival storage. Photogrammetric Society, 1992.

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12

Ellison, Nancy. Starlet: First stage at the Hollywood dream factory. Universe, 2001.

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13

Lee, Anthony W. A shoe-maker's story: Being chiefly about French Canadian immigrants, enterprising photographers, rascal Yankees, and Chinese cobblers in a nineteenth-century factory town. Princeton University Press, 2008.

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14

Hugues, Sylvie. Fra-For. Verlhac éditions, 2011.

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15

Dave, Friedman, ed. Corvette grand sport: Photographic race log of the magnificent Chevrolet Corvette factory specials, 1962-1967. Motorbooks International, 1989.

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16

Ono, Kenʼichi. Visual feedback photography: Making your 5S implementation click : leaderʼs guide. Редактор Sugiyama Tomoo 1914-. Productivity Press, 1997.

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17

McElroy, Gil. Pianoworks: Imagining the R.S. Williams Piano Factory : Murray Favro, Alexander Graham, Ryan Legassicke, Carl Zimmerman. Robert McLaughlin Gallery, 2003.

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18

Human scale in Finnish architecture =: Humaner Massstab in finnischer Architektur = Arquitectura Finlandesa a escala humana. Parvs, 2011.

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19

Altena, Marga. Visuele strategieën: Foto's en films van fabrieksarbeidsters in Nederland (1890-1919). Aksant, 2003.

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20

Gur-Aryeh, Derorit, writer of added text та Muzeʼon Petaḥ-Tiḳṿah le-omanut, ред. Ofaḳim: Ofakim : (horizons). Muzeʼon Petaḥ-Tiḳvah le-omanut, 2012.

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21

David Lynch: The Factory Photographs. Prestel, 2014.

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22

Ollerhead, Peter, and Tony Flood. Crewe's Rolls Royce Factory from Old Photographs. Amberley Publishing, 2010.

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23

Dalton, David. Edie Factory Girl. VH1 Press, 2006.

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24

All Tomorrow's Parties: Billy Name's Photographs of Andy Warhol's Factory. Distributed Art Publishers (DAP), 1997.

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25

Cale, John, writer of foreword, O'Brien, Glenn, writer of introduction, James Dagon editor, and Rygle Anastasia editor, eds. Billy Name - the silver age: Black & white photographs from Andy Warhol's Factory. 2014.

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26

798: A photographic journal. Timezone 8, 2004.

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27

Jiangshu, Li, and Yin Jinan. 798: A Photographic Journal By Zhu Yan. Timezone 8, 2005.

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28

Cazzo. Men Factory. Bruno Gmunder Verlag Gmbh, 2008.

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29

Crawford, Sally, and Katharina Ulmschneider. Gazing on the Past (and Being Photobombed by Children). Edited by Sally Crawford, Dawn M. Hadley, and Gillian Shepherd. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199670697.013.34.

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Archaeologists often ignore the presence of children as a contributing factor in the archaeological record. However, recent analysis of a number of glass plate and film photographs taken by archaeologists at the end of the nineteenth century and the first half of the twentieth century shows that children were often incorporated into the photograph, either deliberately or inadvertently. These images provide not just a record of ancient sites and monuments, but also of the many local children who appear in the photographs. The children recorded by archaeologists offer an insight into children, t

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30

author, Tillman Lynne, and Shore Stephen 1947-, eds. Factory: Andy Warhol. 2016.

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31

Photographic Mind: Holographic Memory System. LifeQuest Publishing Group, 1999.

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32

Non Facture: Rejected Photographs (Agile Rabbit Editions). Pepin Press, 2005.

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33

Keane, Adrian, and Paul McKeown. 9. Visual and voice identification. Oxford University Press, 2018. http://dx.doi.org/10.1093/he/9780198811855.003.0009.

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This chapter considers the risk of mistaken identification, and the law and procedure relating to evidence of visual and voice identification. In respect of evidence of visual identification, the chapter addresses: the Turnbull guidelines, including when a judge should stop a case and the direction to be given to the jury; visual recognition, including recognition by the jury themselves from a film, photograph or other image; evidence of analysis of films, photographs or other images; pre-trial procedure, including procedure relating to recognition by a witness from viewing films, photographs,

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34

Name, Billy. All Tomorrow's Parties: Billy Name's Photograph of Andy Workol's Factory. Thames and Hudson Ltd, 1997.

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35

Thomas, Weski, Chevrier Jean-François, Vos Johan de, Palais des beaux-arts (Brussels, Belgium), and Haus der Kunst München, eds. Click doubleclick: The documentary factor. König, 2006.

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36

(Introduction), Peter Rachleff, ed. By These Hands: Portraits from the Factory Floor. Minnesota Historical Society Press, 2002.

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37

(Introduction), Paul Theroux, and Nancy Ellison (Photographer), eds. Starlet: First Stage at the Hollywood Dream Factory. Universe Publishing, 2001.

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38

Andy, Warhol. Andy Warhol: The Factory Years, 1964-1967. powerHouse Books, 2000.

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39

Greenwood, Sally Hedges. Ryvita Life with Photography: A Photo Documentary of the Ryvita Factory in Poole, UK. Sabstract Ltd, 2017.

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40

Frosh, Paul. The Image Factory: Consumer Culture, Photography and the Visual Content Industry (New Technologies/New Cultures). Berg Publishers, 2004.

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41

T, Schappell Roger, and United States. National Aeronautics and Space Administration., eds. Teleoperator human factors study: Progress report, report period, September 7, 1985 through October 6, 1985. National Aeronautics and Space Administration, 1985.

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42

Sugiyama, Tomoo, and Kenichi Ono. Visual Feedback Photography: Making Your 5s Implementation Click : Leaders Guide (Shopfloor Series). Productivity Pr, 1996.

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43

McGinnies, W. J. Changes in vegetation and land use in eastern Colorado: a photographic study, 1904-1986. 1991.

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44

Wenceslao Gálvez y Delmonte, Translated by, Smith Noel M., and Andrew T. Huse. Tampa. Translated by Noel M. Smith. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066639.001.0001.

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Tampa: Impressions of an Emigrant is a translation of Tampa: impresiones de emigrante written by Cuban author Wenceslao Gálvez y Delmonte, published in 1897 in Ybor City, Tampa, Florida, translated from the Spanish by Noel M. Smith. Gálvez was an early diaspora writer in the costumbrismo genre, which emphasized the depiction of everyday manners and customs of a particular social milieu. Gálvez emigrated from Havana in 1896 to escape the Cuban War of Independence and join the Cuban exile community in Tampa. Gálvez was a champion baseball player in the earliest years of Cuban baseball, a lawyer/

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45

A Shoemaker's Story: Being Chiefly about French Canadian Immigrants, Enterprising Photographers, Rascal Yankees, and Chinese Cobblers in a Nineteenth-Century Factory Town. Princeton University Press, 2008.

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46

Robert, Mapplethorpe, Mint Museum (Charlotte, N.C.). Dept. of Art., and Light Factory (Charlotte, N.C.), eds. A Fashionable image: Unconventional fashion photography : an exhibition organized by the Mint Museum Department of Art, Charlotte, North Carolina in cooperation with the Light Factory, Charlotte, North Carolina, Henry Barendse, guest curator September 28 through November 16, 1986. The Museum, 1986.

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47

Radner, Hilary, and Alistair Fox. Arrested Images and “the Between-Images”. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0009.

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Raymond Bellour explains his concept of “the between-images,” and comments on the status of the arrested image in relation to the time-image, suggesting how video was an instrument of transformation at a brief historical moment that is already in the past because of the advent of the digital. In the contemporary world, he suggests, the computer now enables a continuous, ideal passage between all the domains of words, images, painting, and photography, obliterating the boundaries that formerly distinguished them. He concludes this section by speculating on the nature of images, ways of forming

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48

Interactive Atlas of Leishmaniasis in the Americas: Clinical Aspects and Differential Diagnosis. Organización Panamericana de la Salud, 2020. http://dx.doi.org/10.37774/9789275121900.

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In the Region of the Americas, the leishmaniases are a group of diseases caused by various species of Leishmania, which cause a set of clinical syndromes in infected humans that can involve the skin, mucosa, and visceral organs. The spectrum of clinical disease is varied and depends on the interaction of several factors related to the parasite, the vector, and the host. Cutaneous leishmaniasis is the form most frequently reported in the Region and nearly 90% of cases present single or multiple localized lesions. Other cutaneous clinical forms, such as disseminated and diffuse cutaneous leishma

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49

Skrodzka, Aga, Xiaoning Lu, and Katarzyna Marciniak, eds. The Oxford Handbook of Communist Visual Cultures. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190885533.001.0001.

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The Oxford Handbook of Communist Visual Cultures critically examines and historically reconstructs the visual practices that have accompanied social transformations initiated by communist ideals in various parts of the world in the twentieth century. Bringing together diverse and broadly understood visual texts, including architecture, interior design, cartoons, computer games, fashion, photography, film and television, this volume explores how communism engages the visual. It is divided into five themed sections, focusing, respectively, on materiality; institutional factors and theoretical di

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