Relevant bibliographies by topics / The Faery Tale Adventure

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'The Faery Tale Adventure'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "The Faery Tale Adventure"

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Chapman, Ailsa. "On a fairy tale adventure." Early Years Educator 21, no. 2 (2019): ii—iv. http://dx.doi.org/10.12968/eyed.2019.21.2.ii.

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Ulhaq, Salma Dhiya. "Struktur Formula Petualangan dan Nilai Pendidikan Karakter dalam Dongeng Pohon Impian Karya Watiek Ideo." DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 1, no. 2 (2023): 77–84. http://dx.doi.org/10.33096/didaktis.v1i2.348.

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One of the reasons why John G. Cawelti's formula appears is because many popular literary stories have the same formula. This study aims to describe and analyze the structure of Cawelti's adventure formula that builds the fairy tale of the Dream Tree story and classifies the character education values contained in the fairy tale of the Dream Tree by Watiek Ideo. The research analysis used descriptive qualitative, read carefully and recorded the reading data from the fairy tale The Dream Tree by Watiek Ideo as the object of research. The data that has been found is then analyzed and classified
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Bellini, Mattia. "Fairy-Tale Bodies and Embodying the Fairy Tale in Telltale Games' The Wolf Among Us." Marvels & Tales 37, no. 2 (2023): 287–302. http://dx.doi.org/10.1353/mat.2023.a923686.

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Abstract: Bodies often play an important role in all sorts of fairy tales. Is this the case when fairy tales are reinterpreted in video games? And what can the embodied and enactive participation afforded by video games tell us about their players' understanding of these new fairy tales? This article provides reflections over both these questions by analyzing the video game The Wolf Among Us, a 2013/14 graphic adventure game developed and published by Telltale Games and inspired by fairy tales. Through this analysis, I ultimately discuss how contemporary sensibilities further transformed tradi
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Nekliudov, S. Yu. "Adventure tale plot as a product of literary and folkloric synthesis: Case AaTh 485A." Shagi / Steps 9, no. 3 (2023): 30–86. http://dx.doi.org/10.22394/2412-9410-2023-9-3-30-86.

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The article discusses the plot, designated in the catalog of fairy tale types as “Borma Yaryzhka” (AaTh 485A): the hero is sent to the overseas kingdom, which is overrun by serpents, to obtain the royal regalia (~ to the city of Babylon for the crown); he fulfills his mission and returns; having three adventures on the way back (blinding the one-eyed ogre; escaping the sexual captivity of the ‘forest woman’; helping the lion in his fight with the enemy and then showing him the ‘power of hops’). It focuses on the literary sources of the plot frame (such as The Tale of the Babylonian Kingdom, Th
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Nazarova, Nurjahon Bahodirovna. "DISCURSIVE ANALYSIS OF THE TEXT OF THE FAIRY TALE GENRE." Academic Research Journal 2, no. 1 (2023): 97–102. https://doi.org/10.5281/zenodo.7558441.

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This article provides information on the structural analysis of the fairy tale genre, its division into initial formulas, medial formulas, and final formulas, and the purpose of using these formulas and their role in the fairy tale text. In addition, examples of fairy-tale formulas were given, an opinion was made about the changes of these formulas according to the type of fairy-tale, and information was given about the opinions expressed by our research scientists about the structural structure of the text of the fairy-tale genre.
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Nazarova, Nurjahon Bahodirovna. "DISCURSIVE ANALYSIS OF THE TEXT OF THE FAIRY TALE GENRE." Academic Research Journal 2, no. 1 (2023): 97–102. https://doi.org/10.5281/zenodo.7558443.

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This article provides information on the structural analysis of the fairy tale genre, its division into initial formulas, medial formulas, and final formulas, and the purpose of using these formulas and their role in the fairy tale text. In addition, examples of fairy-tale formulas were given, an opinion was made about the changes of these formulas according to the type of fairy-tale, and information was given about the opinions expressed by our research scientists about the structural structure of the text of the fairy-tale genre.
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Sengupta, Sohini. "Empowering Girlhood Journeys: Feminist Mythic Revision in Contemporary Indian Diaspora Children’s Fiction." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 248–52. http://dx.doi.org/10.22161/ijels.73.37.

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There had been relatively little interest in a narrative of female individuation within mythology. Revisionist myths and legends in contemporary literaturehave thus addressed issues of women’s identity and autonomy while redesigningthe gendered spaces in these cultural narratives. The need for alternative mobility arcs within the cultural imaginary was also recognized for adolescent girls in their quest for subjectivity.This paper thus explores two works of children’s fiction, viz. Sayantani Dasgupta’s Game of Stars(2019) from the Kiranmala and the Kingdom Beyond series and Roshani Chokshi’s A
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Valeiras-Fernández, Andrea, and María Jesús Lorenzo-Modia. "No Flappers in Wonderland?: Illustrating Alice’s Adventures in Wonderland in the 1920s." Revista Canaria de Estudios Ingleses, no. 84 (2022): 149–66. http://dx.doi.org/10.25145/j.recaesin.2022.84.11.

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The social and economic context of the post-war period of the 1920s had a reinvigorating effect on children’s literature, the fairy tale, and fantasy genres. Moving beyond their characteristic didactic and moral functions, these narratives began to be seen as safe places in which one could escape from reality and seek refuge in a world of adventure. Illustrations had a significant role in the new development of these genres, stimulating the imagination and helping to create fantastical realms for readers. Lewis Carroll’s Alice’s Adventures in Wonderland (1865) had already served that purpose i
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Kozlova, N. K. "The fairy-tale repertoire of A. S. Kozhemyakina collected by Omsk local historian I. S. Korovkin (based on materials of the folklore archive of the Omsk State Pedagogical University)." Languages and Folklore of Indigenous Peoples of Siberia, no. 38 (2019): 5–15. http://dx.doi.org/10.25205/2312-6337-2019-2-5-15.

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The article is devoted to the analysis of fairy-tale material from the folklore collection of the Omsk local historian I. S. Korovkin whose wide collection of folklore materials is stored in the folklore archive of the Omsk State Pedagogical University. The article will focus on the texts of fairy tales written by a collector from a Siberian performer Anastasia Stepanovna Kozhemyakina, manuscripts of these recordings are stored in the folklore archive of the Pedagogical Uni- versity. Of the 40 fairy tales recorded by Korovkin from the performer, the author of the article was able to identify (
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Csicsery-Ronay, Istvan. "Towards the Last Fairy Tale: On the Fairy-Tale Paradigm in the Strugatskys’ Science Fiction, 1963-72." Science Fiction Studies 13, Part 1 (1986): 1–41. https://doi.org/10.1525/sfs.13.1.0001.

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The Strugatsky brothers have Modelled much of their SF on the fairy-tale paradigm, and the phases of their career are clearly articulated by the ways they adapt and deform their model. In their early marks, culminating in Far Rainbow (1963), they adapt the socialist realist production novel’s version of the paradigm to the technocratic utopianism of the scientific intelligentsia during the period of de-Stalinization. By “hummizing” the production novel and replacing class struggle with the adventure of space travel, they express the elation of the Soviet scientific establishment at the success
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Dissertations / Theses on the topic "The Faery Tale Adventure"

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Weiss, Aaron Jonathan. "Interpreting Rightness at a U.S. Islamic School: A ____ Adventure Tale." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/389953.

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Urban Education<br>Ph.D.<br>This study took place at Tafsir Islamic School (TIS), a mid-sized K-12 Islamic school in a metropolitan area in the Midwestern United States, and seeks to answer two questions: (1) by what means are specific versions of orthodoxy and orthopraxy constructed, maintained, and challenged in the Tafsir community?, and (2) how could the general interpretive climate corresponding to these processes be described in theoretical terms? Qualitative ethnographic field work was conducted at TIS over an 18 month span involving extensive participant-observation and semi-structured
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Migura, García Begoña. "Elige tu propia aventura, ¿nudo gordiano para el tratamiento holístico de la expresión escrita? : Una experiencia de escritura narrativa creativa en Español como Lengua Extranjera, a través de trabajo cooperativo con wikis." Thesis, Stockholms universitet, Avdelningen för spanska, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81395.

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El objetivo de la presente investigación es el de aproximarse al potencial que el género de hiperficción explorativa Elige tu propia aventura (ETPA), abordado desde la producción, puede tener de cara al desarrollo de la competencia escritora en ELE. Como muestra, se ha tomado a un grupo multicultural y plurilingüe de 18 estudiantes de la Universidad de Estocolmo, con una competencia comunicativa mínima en español de B2 marco. Se ha llevado a cabo un análisis cualitativo-cuantitativo que, de forma correlativa, abarcaba el estudio del proceso de composición, del producto alcanzado y del impacto
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Poitrenaud-Lamesi, Brigitte. "« Pinocchio, un enfant parallèle » : La question du père et du fils dans l’œuvre de Carlo Collodi (1826-1890)." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040233.

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Écrivain dramatique, romancier, nouvelliste et conteur, Carlo Collodi (1826-1890), à sa mort, est avant tout reconnu comme un journaliste de talent, auteur apprécié de livres pour enfants. Paradoxalement, l’œuvre de Collodi, sous la plume de ses biographes les plus célèbres, devient ensuite celle d’un seul livre : Le avventure di Pinocchio. Storia di un burattino (1883), un chef-d’œuvre isolé « écrit par hasard » (selon l’expression de P.Pancrazi). La recherche récente de type philologique – en particulier les travaux de Daniela Marcheschi – réinsère Pinocchio dans un ensemble littéraire faisa
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Маркова, Світлана Степанівна. "Бестіарні образи й мотиви в прозі О. Дерманського". Магістерська робота, 2020. https://dspace.znu.edu.ua/jspui/handle/12345/4594.

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Маркова С. С. Бестіарні образи й мотиви в прозі О. Дерманського : кваліфікаційна робота магістра спеціальності 035 «Філологія» / наук. керівник О. А. Слижук. Запоріжжя : ЗНУ, 2020. 65 с.<br>UA : Кваліфікаційна робота магістра «Бестіарні образи й мотиви в прозі О. Дерманського» містить 65 сторінки. Для її написання було опрацьовано 75 джерел. Мета дослідження: виявлено й проаналізовано образи фантастичних тварин та мотиви, пов’язані з ними, у прозових творах О. Дерманського для дітей. У процесі дослідження реалізовані такі завдання: - розкрито сутність теоретичних проблем дослідження бес
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Křesťanová, Gabriela. "Časopis Malý čtenář." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-330257.

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The Malý čtenář (The Little Reader) magazine was published between the years of 1882 and 1941. At that time, this was one of the most significant Czech magazines for children and young people. The magazine altered during its existence. Poetry, fiction, nonfiction articles, games, jokes and puzzles remained its constant theme. The magazine was founded by teachers from Poděbrady. Its original role was to present school teaching through more fun and entertainment. Nonfiction articles played a significant role in the early years of the magazine. A big change for the existence of the magazine meant
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Potter, Mary-Anne. "The worlds between, above and below : "growing up" and "falling down" in Alice in Wonderland and Stardust." Diss., 2012. http://hdl.handle.net/10500/11870.

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The purpose of my dissertation is to conduct an intertextual study of two fantasy texts — Alice in Wonderland by Victorian author Lewis Carroll, and Stardust by postmodern fantasy author Neil Gaiman — and their filmic re-visionings by Tim Burton and Matthew Vaughn respectively. In scrutinising these texts, drawing on insights from feminist, children’s literature and intertextual theorists, the actions of ‘growing up’ and ‘falling down’ are shown to be indicative of a paradoxical becoming of the text’s central female protagonists, Alice and Yvaine. The social mechanisms of the Victorian age tha
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Books on the topic "The Faery Tale Adventure"

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1940-, Hall Susan T., ed. Dora's fairy-tale adventure. Simon Sportlight/Nick Jr., 2004.

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Plomer, Anna Llimós. Fairy tale adventure crafts. Enslow Publishers, 2010.

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Plomer, Anna Llimós. Fairy tale adventure crafts. Enslow Publishers, 2010.

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Gunderson, Jessica Sarah. Cinderella: An interactive fairy tale adventure. Capstone Press, a Capstone Imprint, 2016.

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Rapunzel: A Fairy Tale Adventure (Fairy Tale Adventures). Sterling Children's Books, 2015.

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1940-, Hall Susan T., ed. Dora's fairy-tale adventure. Scholastic, Inc., 2004.

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(Illustrator), Susan Hall, ed. Dora's Fairy-Tale Adventure. Tandem Library, 2004.

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(Illustrator), Susan Hall, and Eric Weiner (Other Contributor), eds. Dora's Fairy-Tale Adventure. Spotlight, 2006.

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Fairy Tale Adventure Crafts. Enslow Elementary, 2010.

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Taylor, Matt. Adventure: An Adolescent Fairy Tale. Independently Published, 2018.

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Book chapters on the topic "The Faery Tale Adventure"

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Maciag, Rafal. "Wittgenstein and the Beginnings of Adventure." In Knowledge as a Tale. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-69820-0_3.

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Santos, Cristina. "Beyond the Fairy-Tale Witch: Contemporary Girl(hood)s in The Chilling Adventures of Sabrina." In Untaming Girlhoods. Routledge, 2023. http://dx.doi.org/10.4324/9780429491566-9.

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Benhamou, Eve. "Animating the Digital Action-adventure Spectacle." In Contemporary Disney Animation. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474476126.003.0006.

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During the 2008–18 decade, Disney not only notably revised the studio’s formula of fairy-tale romance but also ventured into and re-envisioned action-adventure cinema. This chapter specifically illuminates how the studio reframed the digital action-adventure spectacle, expanding the generic scope of its constructed formula in the process. Relying on Bolt, Wreck-It Ralph, Big Hero 6 and Moana as case studies, this chapter focuses on the three most distinctive layers of this reworking. At the surface level, these films remarkably and humorously reproduce the dazzling visuals of live-action actio
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Beley, Maria A. "Genre and Problematic Specificity of Science Fiction by J. Rosny the Elder and A.M. Linevsky." In Codex manuscriptus. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/cm.2949-0510-2024-4-152-163.

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In the article the problems of determining the genre of novels about Neolithic people in the works of J. Rosny the Elder and A.M. Linevski are examined. The problem of classifying these novels as science-fiction, adventure and historical literature is investigated. The distinctive features of these genres are traced. The synergy of fantasy and didactic, scientific and pseudoscientific, fairy-tale, allegorical, utopian, adventure components of the fiction form of novels is investigated, and the similarities and differences in functioning of these genre modalities of writing are emphasized which
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"E." In The Oxford Companion To Irish Literature, edited by Robert Welch and Bruce Stewart. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0005.

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Abstract Eachtra Bhodaigh an Ch6ta Lachtna (Adventure of the Churl of the Grey Coat), a 16th- or 17th-cent. tale of the *Fionn cycle, probably of Munster provenance, in which the Fianna discharge their role as defenders of Ireland against invaders and receive assistance from the otherworld [see *sidh]. Cao! an Iarainn, the handsome son of the King of Thessaly, agrees not to invade Ireland if someone can beat him in a race. Fionn meets the physically repulsive Churl and allows him to compete against Cao!. They race from Sliabh Luachra in Cork to Howth, and despite a late start and some delays t
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Sloan, John. "Captaining ‘The Ship’." In Andrew Lang. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192866875.003.0007.

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Abstract In the three years from 1886 to 1889, new works continued to flow from Lang’s pen: an introductory treatise to Perrault’s Fairy Tales, an original fairy tale for young people set in historical times, The Gold of Fairnilee, and collaboration with Rider Haggard on a fantasy novel, The World’s Desire. He added Gold of Parnassus to his collections of verse and accepted a commission to write a biography of the Conservative politician, Sir Stafford Northcote. His monthly causerie, ‘At the Sign of the Ship’, proved popular, providing an influential platform for his opinions on new novels, En
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Warner, Marina. "1. The worlds of faery." In Fairy Tale: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199532155.003.0001.

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‘The worlds of faery: far away and down below’ explains that the ‘Other Worlds’ which fairy tales explore open a way for writers and storytellers to speak in ‘Other’ terms, especially when the native inhabitants of the imaginary places do not belong to an established living faith and do not command belief or repudiation. Fairies do not need to appear to stamp a story a fairy tale, but magic needs to be implied and present to conjure the presence of another world. Fairylands are zones of enchantment, but both dangers and pleasures are found. The powerful underlying motives for the construction
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Collodi, Carlo. "How Pinocchio eats the sugar but refuses to take his medicine; but when he sees the grave-diggers coming to take him away, then he decides to swallow it. Further, how he tells a lie and as a punishment his nose grows long." In The Adventures of Pinocchio. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199553983.003.0017.

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As soon as the three doctors had left the room, the Fairy drew near to Pinocchio, and stroking his forehead she realized that he was suffering from an indescribably high fever. So she dissolved a certain white powder in half a glass of water, and...
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Agamben, Giorgio. "Aventure." In The Adventure, translated by Lorenzo Chiesa. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262037594.003.0002.

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This chapter examines the definitions of the term aventure. It considers this term to be an essential technical term of the medieval poetic vocabulary. It has been recognized as such by modern scholars, who stress the poetological meaning the term acquires in Hartmann von Aue, as well as the performative character the poetic text acquires to the extent that the act of telling and the content of the tale tend to converge. In chivalric poems, Aventure seems to have as many meanings as Tyche. Like Tyche, it designates both chance and destiny: the unexpected event that challenges the knight and a
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Kirichenko, Alexander. "Adventure, Violence, and Empire in the Greek and Latin Versions of the “Ass-Tale”." In Adventure at Arms. Brill | Fink, 2024. http://dx.doi.org/10.30965/9783846768709_003.

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Conference papers on the topic "The Faery Tale Adventure"

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Aude, Lucas. "UNREACHABLE IDEALS: BETWEEN SATIRE AND UTOPIA IN OTHER WORLDS OF LIAOZHAI ZHIYI." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.03.

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Luosha Haishi 羅殺海市 (Lz 132) is a very emblematic tale of Pu Songling’s (蒲松齡, 1640–1715), as it involves emblematic themes of Liaozhai zhiyi (聊齋誌異): a critical view of society, an adventure into enchanted lands, and a complex relationship to an independent, powerful woman. The tale tells about the journey of a man who, after having been lost at sea, visits two imaginary worlds. Luosha Haishi reveals its originality when comparing both these places. The first one, the Country of Rakshasas, is a state in which physical appearance determines one’s social status. This society is a satirical portray
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