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Journal articles on the topic 'The Faery Tale Adventure'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Chapman, Ailsa. "On a fairy tale adventure." Early Years Educator 21, no. 2 (2019): ii—iv. http://dx.doi.org/10.12968/eyed.2019.21.2.ii.

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Ulhaq, Salma Dhiya. "Struktur Formula Petualangan dan Nilai Pendidikan Karakter dalam Dongeng Pohon Impian Karya Watiek Ideo." DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 1, no. 2 (2023): 77–84. http://dx.doi.org/10.33096/didaktis.v1i2.348.

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One of the reasons why John G. Cawelti's formula appears is because many popular literary stories have the same formula. This study aims to describe and analyze the structure of Cawelti's adventure formula that builds the fairy tale of the Dream Tree story and classifies the character education values contained in the fairy tale of the Dream Tree by Watiek Ideo. The research analysis used descriptive qualitative, read carefully and recorded the reading data from the fairy tale The Dream Tree by Watiek Ideo as the object of research. The data that has been found is then analyzed and classified

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Bellini, Mattia. "Fairy-Tale Bodies and Embodying the Fairy Tale in Telltale Games' The Wolf Among Us." Marvels & Tales 37, no. 2 (2023): 287–302. http://dx.doi.org/10.1353/mat.2023.a923686.

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Abstract: Bodies often play an important role in all sorts of fairy tales. Is this the case when fairy tales are reinterpreted in video games? And what can the embodied and enactive participation afforded by video games tell us about their players' understanding of these new fairy tales? This article provides reflections over both these questions by analyzing the video game The Wolf Among Us, a 2013/14 graphic adventure game developed and published by Telltale Games and inspired by fairy tales. Through this analysis, I ultimately discuss how contemporary sensibilities further transformed tradi

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Nekliudov, S. Yu. "Adventure tale plot as a product of literary and folkloric synthesis: Case AaTh 485A." Shagi / Steps 9, no. 3 (2023): 30–86. http://dx.doi.org/10.22394/2412-9410-2023-9-3-30-86.

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The article discusses the plot, designated in the catalog of fairy tale types as “Borma Yaryzhka” (AaTh 485A): the hero is sent to the overseas kingdom, which is overrun by serpents, to obtain the royal regalia (~ to the city of Babylon for the crown); he fulfills his mission and returns; having three adventures on the way back (blinding the one-eyed ogre; escaping the sexual captivity of the ‘forest woman’; helping the lion in his fight with the enemy and then showing him the ‘power of hops’). It focuses on the literary sources of the plot frame (such as The Tale of the Babylonian Kingdom, Th

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Nazarova, Nurjahon Bahodirovna. "DISCURSIVE ANALYSIS OF THE TEXT OF THE FAIRY TALE GENRE." Academic Research Journal 2, no. 1 (2023): 97–102. https://doi.org/10.5281/zenodo.7558441.

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This article provides information on the structural analysis of the fairy tale genre, its division into initial formulas, medial formulas, and final formulas, and the purpose of using these formulas and their role in the fairy tale text. In addition, examples of fairy-tale formulas were given, an opinion was made about the changes of these formulas according to the type of fairy-tale, and information was given about the opinions expressed by our research scientists about the structural structure of the text of the fairy-tale genre.

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Nazarova, Nurjahon Bahodirovna. "DISCURSIVE ANALYSIS OF THE TEXT OF THE FAIRY TALE GENRE." Academic Research Journal 2, no. 1 (2023): 97–102. https://doi.org/10.5281/zenodo.7558443.

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This article provides information on the structural analysis of the fairy tale genre, its division into initial formulas, medial formulas, and final formulas, and the purpose of using these formulas and their role in the fairy tale text. In addition, examples of fairy-tale formulas were given, an opinion was made about the changes of these formulas according to the type of fairy-tale, and information was given about the opinions expressed by our research scientists about the structural structure of the text of the fairy-tale genre.

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7

Sengupta, Sohini. "Empowering Girlhood Journeys: Feminist Mythic Revision in Contemporary Indian Diaspora Children’s Fiction." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 248–52. http://dx.doi.org/10.22161/ijels.73.37.

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There had been relatively little interest in a narrative of female individuation within mythology. Revisionist myths and legends in contemporary literaturehave thus addressed issues of women’s identity and autonomy while redesigningthe gendered spaces in these cultural narratives. The need for alternative mobility arcs within the cultural imaginary was also recognized for adolescent girls in their quest for subjectivity.This paper thus explores two works of children’s fiction, viz. Sayantani Dasgupta’s Game of Stars(2019) from the Kiranmala and the Kingdom Beyond series and Roshani Chokshi’s A

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Valeiras-Fernández, Andrea, and María Jesús Lorenzo-Modia. "No Flappers in Wonderland?: Illustrating Alice’s Adventures in Wonderland in the 1920s." Revista Canaria de Estudios Ingleses, no. 84 (2022): 149–66. http://dx.doi.org/10.25145/j.recaesin.2022.84.11.

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The social and economic context of the post-war period of the 1920s had a reinvigorating effect on children’s literature, the fairy tale, and fantasy genres. Moving beyond their characteristic didactic and moral functions, these narratives began to be seen as safe places in which one could escape from reality and seek refuge in a world of adventure. Illustrations had a significant role in the new development of these genres, stimulating the imagination and helping to create fantastical realms for readers. Lewis Carroll’s Alice’s Adventures in Wonderland (1865) had already served that purpose i

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Kozlova, N. K. "The fairy-tale repertoire of A. S. Kozhemyakina collected by Omsk local historian I. S. Korovkin (based on materials of the folklore archive of the Omsk State Pedagogical University)." Languages and Folklore of Indigenous Peoples of Siberia, no. 38 (2019): 5–15. http://dx.doi.org/10.25205/2312-6337-2019-2-5-15.

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The article is devoted to the analysis of fairy-tale material from the folklore collection of the Omsk local historian I. S. Korovkin whose wide collection of folklore materials is stored in the folklore archive of the Omsk State Pedagogical University. The article will focus on the texts of fairy tales written by a collector from a Siberian performer Anastasia Stepanovna Kozhemyakina, manuscripts of these recordings are stored in the folklore archive of the Pedagogical Uni- versity. Of the 40 fairy tales recorded by Korovkin from the performer, the author of the article was able to identify (

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Csicsery-Ronay, Istvan. "Towards the Last Fairy Tale: On the Fairy-Tale Paradigm in the Strugatskys’ Science Fiction, 1963-72." Science Fiction Studies 13, Part 1 (1986): 1–41. https://doi.org/10.1525/sfs.13.1.0001.

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The Strugatsky brothers have Modelled much of their SF on the fairy-tale paradigm, and the phases of their career are clearly articulated by the ways they adapt and deform their model. In their early marks, culminating in Far Rainbow (1963), they adapt the socialist realist production novel’s version of the paradigm to the technocratic utopianism of the scientific intelligentsia during the period of de-Stalinization. By “hummizing” the production novel and replacing class struggle with the adventure of space travel, they express the elation of the Soviet scientific establishment at the success

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Козорог, О. В., та Л. В. Константінова. "«ПРИКЛЮЧЕНИЯ ПИНОККИО» КАРЛО КОЛЛОДИ И ИТАЛЬЯНСКАЯ КОМЕДИЯ ДЕЛЬ АРТЕ. В ПОМОЩЬ УЧИТЕЛЮ НАЧАЛЬНЫХ КЛАССОВ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, № 93 (2019): 92–101. http://dx.doi.org/10.34142/2312-1076.2019.3.93.08.

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The article explores the world-famous work of the Italian writer Carlo Collodi The Adventure of Pinocchio. Despite the fact that the book of Carlo Collodi is addressed to a children's audience, it contains features of satire on Italian reality. The book The Adventures of Pinocchio by Carlo Collodi throws us back to folk laughter culture (term of M. Bakhtin), which is inseparably linked with the traditions of the Italian comedy dell’arte. Just in it Collodi draws the plot for his work. In the book about the adventures of Pinocchio, there is a lot from the carnival laughter culture and from the

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Zegarlińska, Magdalena. "Intertextuality of C.S. Lewis’ The Last Battle." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 2, no. 1 (2014): 50–58. http://dx.doi.org/10.18778/2353-6098.2.07.

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The Chronicles of Narnia has an established position in the canon of children’s literature. However, what on the surface is a fairy tale involving adventures and magic; with children, kings, talking beasts, and wood spirits as main protagonists; is, in fact, a set of stories deeply rooted in Christian and chivalric traditions, containing elements of beast fable and morality tale. The story, according to Madeline L’Engle, depending on the reader's cultural knowledge and experience, may be understood on various levels, from the literal one of an adventure story for children, through the moral an

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Maeots, Olga. "KORNEY CHUKOVSKY’S UNKNOWN FAIRY TALE: THE ADVENTURES OF BABAR AND BABAR AND CELESTE IN MOSCOW." Children's Readings: Studies in Children's Literature 25, no. 1 (2024): 265–99. http://dx.doi.org/10.31860/2304-5817-2024-1-25-265-299.

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The article analyzes materials found in the Korney Chukovsky’s archive in the Russian State Library. The texts presented in the article were depicted by Chukovsky as “based on the drawings and French text by Jean de Brunoff” that means — The Travels of Babar (1932) by the French writer and artist Jean de Brunoff. The Russian translation is entitled The Adventures of Babar. The supplement to the article presents different versions of the translation found in the archive, which reflect Chukovsky’s edits, as well as texts written by Chukovsky as the continuation of the original plot — The Adventu

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Ismael, Zaid Ibrahim, and Prof Sabah Atallah Kahlifa Ali. "Sarah Orne Jewett As a Precursor of Ecoconscious Children Fiction: “A White heron” As an Example." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 02 (2022): 413–23. http://dx.doi.org/10.37648/ijrssh.v12i02.027.

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Nearly a century and a half has passed since Sarah Orne Jewett published her much anthologized short story “A White Heron” (1886), but commentators on the tale missed one of the most important points in the text. It is the story’s similarity to the traditional Euro-centric fairy tale of “Little Red Riding Hood”. As an author, writing at the end of the ninetieth century, a time that witnessed the demise of the Romantic movement in America and the beginning of the age of Realism, Jewett did not romanticize her characters, despite the idyllic landscape in which “A White Heron” is set. Her story c

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SALNIKOVA, EKATERINA V. "Diegetic Invisible/Vanishing in Silent Cinema and its Origins." Art and Science of Television 18, no. 1 (2022): 49–78. http://dx.doi.org/10.30628/1994-9529-2022-18.1-49-78.

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The article studies the early silent cinema motif of disappearance or invisibility of bodies in a frame. In adventure and adventure-fantasy films, this motif performs a whole set of functions. Using the example of several films, I uncover its rich semantic potential. Further on, the mythological origins of the motif are analyzed, as are the role of theater, circus, attraction and fairy tale in the prehistory of the diegetic disappearing. Attention is paid to the aesthetics of the trick in Georges Méliès’ films, where the condition and location of the vanishing body remain uncertain. Narrative

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Safron, Elena A. "The specificity of the way-road motif implementation in domestic urban fantasy." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2023): 57–62. http://dx.doi.org/10.20339/phs.5-23.057.

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The article analyzes the implementation’s variations of the fairy-tale motif the way-road in modern domestic fantasy on the example of its urban variety, which is characterized by the obligatory presence of dual world principle (the world of reality coexists on an equal footing with the fantasy world) and the presence of a protagonist, who, like a romantic hero, feels tragic discord with the reality. It turns out that the path-road is closely connected with the folklore motif of magical escape: the hero sets off on a journey around the city, because he tries to escape from the fantastic creatu

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Iuliia, Kumanska. "ECOLOGICAL ASPECT IN THE PROBLEMS OF URBAN FAIRY TALES BY ZIRKA MENZATYUK (BASED ON THE COLLECTION "A THOUSAND UMBRELLAS")." ISSN 2353-8406 Knowledge, Education, Law, Management 2020 № 2 (30) (December 12, 2020): 143–52. https://doi.org/10.5281/zenodo.4318825.

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The article based on the material of Zirka Menzatyuk's collection "A Thousand Umbrellas" analyzes the role of the ecological component in the problems of urban fairy tales. The tale "How the bus traveled", the plot of which is built as a story about the journey of a personalized image of the bus, is notable for its expressive cognitive purpose. From an ecological point of view, the real topos of Kolomyia, Prut, and the imaginary routes of the old bus are also important. Landscape sketches organically present the rich flora and fauna of the Carpathians, the features

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18

Yurchenko, Tatiana. "ONLY STAYING THE COURSE REALLY MATTERS." Herald of Culturology, no. 3 (2021): 60–70. http://dx.doi.org/10.31249/hoc/2021.03.04.

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This article addresses the peculiarities of genre, style and personages of V. Sorokin’s new novel «Doctor Garin» (2021) with the reference to the latest critical reviews. It is stressed that «Doctor Garin» is the first writer’s experience in the adventure fiction and that because of this fact his novel for the first time has both the happy ending and a protagonist with positive character traits. Also the genres of romance, fairy tale, menippea and even stealth are mentioned as having some features in common with Sorokin’s novel. A special attention is paid to the associative connection with Ru

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SARICA, Sevtap. "Fantastik Türk Çizgi Romanları Tarkan ve Kara Murat’ın Biçimsel Yaklaşım ile İncelenmesi." International Journal of Social Sciences 7, no. 32 (2023): 263–94. http://dx.doi.org/10.52096/usbd.7.32.18.

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In this study, Turkish historical comics and historical costume adventure films adapted from these comics will be examined formally from a structuralist perspective. The physical and personal characteristics and identity formations of Tarkan and Kara Murat characters and how concepts such as nationality, the other, love and religion are formally handled in the works will be examined. It will be revealed whether these works, which are a reflection of the Turkish cultural history to be taken with the structuralist perspective, which is one of the many examination methods applied on different ete

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Коровина, Надежда Степановна. "Tradition and Modernity in the Work of Komi Storytellers (SUS 502 “Copper Forehead”)." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (September 25, 2021): 66–78. http://dx.doi.org/10.26158/tk.2021.22.3.005.

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Глубокая и прочная связь коми и русской сказочных традиций отмечалась неоднократно, вместе с тем конкретных разысканий по данной проблеме недостаточно. По этой причине в статье предпринята попытка исследовать особенности взаимодействия сказок соседних народов, принадлежащих к разным языковым семьям, но имеющих близкие культурные традиции. Материалом стал сказочный сюжет СУС 502 «Медный лоб». Проанализировав пять вариантов коми сказки, можно заметить, что в них реализованы все значимые эпизоды этого сюжетного типа. Однако наблюдения над коми региональным материалом меняют представление о стабил

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Abasheva, Marina P. "Slavic fantasy yesterday and today." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2021): 39–46. http://dx.doi.org/10.20339/phs.2-21.039.

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The article is devoted to the study of the evolution and transformation of the Slavic fantasy genre on Russian soil: from its inception in the 1990s to the present day. Fantasy on the material of the events of the time of the pro-Slavic unity in Russia gained popularity and special significance. They solved the compensatory tasks of re-identification for the mass consciousness: with the collapse of the Soviet empire, the post-Soviet man needed a positive identity, which manifested itself in turning to the “great past” in predominantly heroic images. The subsequent historization and contextuali

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Scullion and Treby. "Devilish Dynamics: Fairy Tale, Dream, Art, and Dance in E. T. A. Hoffmann's “New Year's Eve Adventure”." Marvels & Tales 28, no. 2 (2014): 278. http://dx.doi.org/10.13110/marvelstales.28.2.0278.

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Vrcić-Mataija, Sanja, and Katarina Ivon. "Journey is cognition: about the concept of travel and the typology of travelers in Croatian Tales of Long Ago." Post Scriptum 11, no. 11 (2022): 243–62. http://dx.doi.org/10.52580/issn.2232-8556.2022.11.11.243.

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Following the theory of conceptual metaphor (Lakoff and Johnson 2015) which indicates the connection between language and opinion, the interpretation of the fairy tale journey in Croatian Tales of Long Ago by Ivana Brlić-Mažuranić, placed in the literary-theoretical and literary-historical context of a fairy tale (Težak 1997, Bošković-Stulli 2012, Propp 2012, Winter 2001), encompasses the process of understanding unknown things using known ones. The concept of journey, functionally adaptable to the different semantic matrix of the narrative text (Duda 1998), presupposes knowledge of journey as

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Wolf, Diane L. "Postmemories of joy? Children of Holocaust survivors and alternative family memories." Memory Studies 12, no. 1 (2019): 74–87. http://dx.doi.org/10.1177/1750698018811990.

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Substantial research in multiple disciplines on Jewish Holocaust survivors and their postwar offspring has been dominated by the discourse of trauma, focusing on the intergenerational transmission of trauma. Based on the narratives of 35 children of Holocaust survivors in the United States, my research counters and nuances this over-determined “paradigm of trauma” by illuminating their more diverse cache of family memories. Some parents transmitted their Holocaust experiences in lively and colorful ways,as an exciting adventure, as a fairy tale, or as a humorous story. The narratives suggest t

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Mulya, Sri, and Murni Mahmud. "SPEECH STYLE IN MALEFICEN'T MOVIE." ELITERATE : Journal of English Linguistics and Literature Studies 3, no. 1 (2024): 1. https://doi.org/10.26858/eliterate.v3i1.46123.

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When people converse with one another, they utilize a variety of speech. The goal of this study was to ascertain the main character's speech pattern and how language style is used from a linguistics standpoint. This study employed a qualitative research methodology. The movie Maleficent served as the study's data source. Maleficent is a 2014 American dark fantasy adventure film directed by Robert Stromberg from a screenplay by Linda Woolverton. Loosely inspired by Charles Perrault's original fairy tale, the film is a live action retelling of Walt Disney's 1959 animated film Sleeping Beauty, an

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Hendriyanto, Restu Dedy, and Yusuf Kurniawan. "FROM FAIRY TALES TO ACTION ADVENTURE MOVIE: THE MAINTENANCE OF WOMEN AS VICTIM OF VIOLENCE IN THE MOVIE SNOW WHITE AND THE HUNTSMAN (2012)." Jurnal Penelitian Humaniora 21, no. 1 (2020): 1–14. http://dx.doi.org/10.23917/humaniora.v21i1.7196.

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Gender representation is one of the most prominent subjects of discussion in American society. Fairy tales as one of the first cultural products consumed by the American society are a medium with an influential presence in the issue. They provide gender representations and convey the idea of masculine and feminine- myths of how to be men and women. However, in 20th century, many movies are changing the perspective by presenting women and action and break the traditional myth. In the same year, a movie entitled Snow White and the Huntsman appears as the remake of the written fairy tale Snow Whi

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Ivanova, Elizaveta A. "TRANSFORMATION OF TRADITIONAL FANTASY CHARACTERS IN JOE ABERCROMBIE’S ‘THE FIRST LAW’ TRILOGY." Вестник Пермского университета. Российская и зарубежная филология 13, no. 1 (2021): 90–98. http://dx.doi.org/10.17072/2073-6681-2021-1-90-98.

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Joe Abercrombie is a prominent contemporary British author famous for working in such a currently popular branch of fantasy as grimdark. The characteristic feature of Abercrombie’s novels is a conscious play with conventions, traditions and clichés of classical fantasy. This article is devoted to analysis of some central figures of Abercrombie’s The First Law trilogy: infamous warrior Logen Ninefingers, young nobleman Jezal dan Luthar, inquisitor Sand dan Glokta, and Bayaz, First of the Magi. The study aims to reveal, through comparison with classical models, how the mentioned characteristic f

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Olszańska-Smolarek, Edyta. "Kluczem do baśni może być wytrych – debiutancki arkusz poetycki Andrzeja Piskulaka." Dydaktyka Polonistyczna 17, no. 8 (2022): 222–32. http://dx.doi.org/10.15584/dyd.pol.17.2022.18.

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The paper is devoted to the debut sheet of poetry by Andrzej Piskulak, a poet, prose writer, publisher and journalist associated with the Świętokrzyskie region. Poetry was the first literary genre from which he began his adventure with literature and to which he remained faithful for years, despite other forms of writing activity,in addition to many years of journalistic activity. These achievements are a significant contribution to the cultural heritage of the Świętokrzyskie region, nevertheless, Piskulak’s work has not yet been comprehensively analyzed in the subject literature. Poetry becam

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Williams, Scott. "An 1883 Faery Tale." Journal of Humanistic Mathematics 9, no. 1 (2019): 370. http://dx.doi.org/10.5642/jhummath.201901.28.

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HOLUB, Viktoriia. "Manifectations of the intertextuality in the works for children and adolescents (on the materials of fairy-tale-adventure stories by Ivan Andrusiak)." Humanities science current issues 1, no. 47 (2022): 149–53. http://dx.doi.org/10.24919/2308-4863/47-1-22.

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Bulat, Snežana. "The play of Lola Montes: Dramatic vision by Todor Manojlović." Bastina, no. 51 (2020): 77–93. http://dx.doi.org/10.5937/bastina26999.

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Lola Montes (Marie Dolores Eliza Rosanna Gilbert) is a dominant heroin of Todor Manojlović's drama Fascinated king: historical movie in seven pictures with intermezzo. Manojlović is one of the many writers who have dedicated a piece to the fatal Lola Montes, whose dance adorned stages of the European cities. Having a great faith on authentic historical data, our playwright has created a drama portrait of the Spanish dancer who seduced Bavarian king Ludwig I and became his mistress and the very important political figure. It has been shown, on adequate examples, that the game and adventure are,

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MALLAEVA, Zulaykhat Magomedovna, and Zulfia Gazimagomedovna MAMMAEVA. "ACONCEPTUALIZATION OF SPACE IN ENGLISH FAIRY TALE DISCOURSE (IN COMPARISON WITH RUSSIAN FAIRY TALE DISCOURSE)." Herald of Daghestan Scientific Center of Russian Academy of Science, no. 81 (June 30, 2021): 55–59. http://dx.doi.org/10.31029/vestdnc81/8.

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The article examines the features of the conceptualization of space in the English and Russian fairy-tale discourses. Based on the material of English fairy tales: “The Jungle Boo”,"Alice's adventures under ground” and “Winnie-the-Pooh and All, All, All”, the structure of the lexical and semantic field “ Space ” in fairy-tale discourse is analyzed.

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Завьялова, Н. А., А. А. Ряшенкова, and Л. Чжаохуэй. "Linguocultural memory of Pakistan and China as a component of state policy in the field of education." Management of Education 13, no. 12-1(72) (2023): 198–204. http://dx.doi.org/10.25726/n6133-7873-1419-s.

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Данная статья, с одной стороны, представляет собой попытку представить систему образования современного Пакистана глазами преподавателя, который проработал со студентами и школьниками из этой страны в режимах онлайн и оффлайн работы непосредственно в самом Пакистане, в городе Исламабаде в течение трех месяцев. С другой стороны, предлагаемые образовательные характеристики даны в сравнении с китайскими моделями. В рамках статьи задана кросс-культурная сопоставительная парадигма, в основе которой лежит интеграция лингвистических образцов культуры в образовательные программы Пакистана и КНР. Автор

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Savić Milosavljević, Sanja M. "PREDMET SUKOBA U DRAMAMA ZA DJECU BRANKA STEVANOVIĆA." Detinjstvo L, no. 3 (2024): 26–36. http://dx.doi.org/10.46793/childhood24.3.26sm.

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In his three plays for children: The Alarm in Savazo- nia (Uzbuna u Savazoniji), The STory of The Single-Child Prince (Priča o princu jedincu) and The TaTTleTale Sparrow (Vrabac Tužibabac), Branko Stevanović treats conflicts differently for each one. The main methods of this research are analytic (in terms of each play) and comparative (in terms of all three Stevanović’ plays). Regardless of the analytical approach, conflict represents an important focus for children’s attention in the theater. In the case of The Alarm in Savazonia, Stevanović constantly transfers conflict from one subject to

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Kushnirova, T. V., and I. V. Fisak. "Genre originality of R. Riggs’ novel „Miss Peregrine’s Home for Peculiar Children”." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (335) (2020): 142–50. http://dx.doi.org/10.12958/2227-2844-2020-4(335)-142-150.

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The article carries out a systematic study of the genre of R. Riggs’ work „Miss Peregrine’s Home for Peculiar Children”, establishes its genre originality, states the features of different types of genre in the structure of one work, which is manifested in the multi-genre nature of the work. The article thoroughly and consistently proves that the work of R. Riggs „Miss Peregrine’s Home for Peculiar Children” is a novel form, which is characterized by genre syncretism, as the genre structure combines features of fantasy, adventure, social novels and oral folklore, thoroughly decorated with phil

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Puriaeva, N. N. "The Story of Parasha Lupalova in the Works of the First Half of the 19th Century: Formation of a Sustainable Plot." Russian Studies in Philology, no. 1 (February 29, 2024): 114–24. https://doi.org/10.18384/2949-5008-2024-1-114-124.

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Aim. To follow sustainable “Parasha Lupalova” plot formation in the first half of the XIX century based on three works: a novel by Sophie Cotton, a short story by Xavier de Maistre, a play by Nikolay Polevoy.Methodology. The main research methods are analytical and comparative. The structure and elements of the “parasha’s plot” are analyzed, recurring components are singled out: geographic localization, type of heroine, stable components of the plot.Results. Based on the analysis of the works of the first half of the 19th century the hypothesis of the formation of a consistent “Parasha’s plot”

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Kysil, Victor. "Children's trauma as an element of a literary work for children and youth." 89, no. 89 (December 13, 2021): 50–53. http://dx.doi.org/10.26565/2227-1864-2021-89-08.

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The research studio is devoted to the analysis of the connection as a compositional element of a literary work for children and youth. The issue of modern children's literature largely focuses on issues related to children's trauma, which underlies the development of the plot of the work and the characteristics of the characters. In view of this, the «child trauma» in the article is seen as an emotional state of the protagonist, who found himself in a difficult psychological situation, where the child's usual state of affairs is disturbed - loss of family members or withdrawal from traditional

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LaForge, Jane Rosenberg. "Ire Land (a Faery Tale) by Elisabeth Sheffield (review)." American Book Review 44, no. 2 (2023): 72–76. http://dx.doi.org/10.1353/abr.2023.a906497.

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Menshikova, Ekaterina Evgenevna. "Representation of locus image in a tourist advertising narrative." Philology. Issues of Theory and Practice 17, no. 5 (2024): 1437–42. http://dx.doi.org/10.30853/phil20240208.

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The aim of the study is to define the features of locus image representation in a tourist advertising narrative. The scientific novelty of the work lies in the fact that the consideration of locus image in a tourist advertising narrative has not been undertaken before. The novelty is also determined by the fact that for the first time loci have been singled out, that is, spaces actualized by geographical factors and natural and cultural landscapes. For the first time it has been indicated that loci represented by texts of a tourist advertising narrative simulate its sense-forming space and als

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Mkhitaryan, Yelena, and Lusine Madatyan. "SPACE AND TIME TRANSFERENCE OF MAIN CHARACTERS IN BRITISH AND ARMENIAN FAIRY TALES." Armenian Folia Anglistika 18, no. 1 (25) (2022): 53–72. http://dx.doi.org/10.46991/afa/2022.18.1.053.

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The paper presents a comparative study of space and time transference of main characters in British and Armenian fairy tales, with pointing out convergent and divergent features of expressing these notions in a folkloristic text. The analysis shows that similarities prevail over differences. In both British and Armenian fairy tales spatial transference takes priority over the temporal one, when the main characters’ adventures or heroic deeds are presented; temporal transference is more common when evil deeds are described, especially the ones that happen at night. Besides, tragic and evil even

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Arekeeva, Svetlana Timofeevna, and Victor Leonidovich Shibanov. "PRINCIPLES OF DEPICTING REALITY IN MIKHAIL KONOVALOV's NOVELS." Yearbook of Finno-Ugric Studies 15, no. 2 (2021): 284–93. http://dx.doi.org/10.35634/2224-9443-2021-15-2-284-293.

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The article considers the novels "Vuryso Bum" ("Scarface", 1933) and "Gayan" ("Gayan", 1936) by Udmurt writer Mikhail Konovalov in terms of principles used by the author to create artistic reality. From the point of view of social realism, Mikhail Konovalov is free to experiment; he introduces constructivism, romanticism, naïvism using an arsenal of realistic devices; folklore and mythological origins are realised through a subconscious appeal to the Perm animal style ("Vuryso Bum") and a fairy tale model ("Gayan"). The prose writer reveals a regional spirit (animus loci); in his texts Ural is

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Sharyafetdinov, R. Kh, R. Z. Khairullin, and D. V. Abasheva. "The peculiarity of the method of poetic processing of fairy tales in the literatures of the peoples of Russia: to the problem statement." Science and School, no. 2 (April 28, 2023): 11–21. http://dx.doi.org/10.31862/1819-463x-2023-2-11-21.

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The article is devoted to the problem of poetic processing of a fairy tale on the example of Khakass and Udmurt literature of the mid XX ‒ early XXI centuries. In the author’s fairy tales by M. E. Kilchichakov („About how the chipmunk’s back became striped” and „About why Sarlaakh got angry”, etc.), the orientation of national culture to folklore is noted, the peculiarities of the Khakas’ attitude to nature and the author’s use of images of animals (bear, kedrovka bird, chipmunk, ferret, ermine) are revealed. The national author ‘s fairy tale of the beginning of the XXI century is also conside

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Miller, Stephen Kekoa. "Wendy C. Turgeon, Philosophical Adventures with Fairy Tales." Questions: Philosophy for Young People 20 (2020): 36. http://dx.doi.org/10.5840/questions20202021.

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Songlai IM. "Adventure Tale in Korean Literature." Journal of Popular Narrative ll, no. 23 (2010): 7–31. http://dx.doi.org/10.18856/jpn.2010..23.001.

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Yufereva, Olena. "Techniques of Representation of the ‘Other’ in the Context of Media Ritualization (on Example of ‘Mir Tourizma’ and ‘Mandry’ Travel Magazines)." Current Issues of Mass Communication, no. 17 (2015): 31–42. http://dx.doi.org/10.17721/2312-5160.2015.17.31-42.

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Media ritualization is an effective tool of ethical ‘Other’ representation and plays a relevant role in travel publications, but still it needs an adequate scientific coverage. The main objective of the research was to identify the techniques of ritualization for creating the image of ‘Other’ by the examples of Ukrainian travel magazines “Mir Tourizma” and “Мandry” issued in 2010-2014. The methodology of qualitative analysis was used to expose the implicit assumptions of the texts. The semiotic method was important for this research to deepen the understanding of contextual dimensions of the m

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Gelfond, Mariya M. "BULAT OKUDZHAVA’S MUSICAL THE ADVENTURES OF BURATINO: FOR CHILDREN AND ADULTS." Children's Readings: Studies in Children's Literature 27, no. 1 (2025): 77–91. https://doi.org/10.31860/2304-5817-2025-1-27-77-91.

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The article examines Bulat Okudzhava’s song cycle Golden Key: The Musical, conceived during the production of Leonid Nechaev’s ﬁlm The Adventures of Buratino (1975) and published in 1993. Based on the memoirs of Okudzhava and Nechaev, the study reconstructs the creative history of the cycle and the circumstances surrounding the creation and existence of the songs that formed the musical. Okudzhava’s Golden Key is analyzed as a complexly structured text that, like Alexey Tolstoy’s fairy tale, has a clear dual audience. While it is intended for children at the plot and character level, it also c

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Chulanova, Halyna, and Anna Bondareva. "SOME PECULIARITIES OF WRITTEN TRANSLATION OF ENGLISH-LANGUAGE FAIRY TALES." Fìlologìčnì traktati 16, no. 2 (2024): 26–31. https://doi.org/10.21272/ftrk.2024.16(2)-3.

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The article explores the peculiarities of written translation of English-language fairy tales, focusing on preserving their artistic style, wordplay, and cultural elements. Particular attention is given to the works of Lewis Carroll, especially Alice's Adventures in Wonderland, which exemplify textual complexity, absurd humor, and symbolism. The article examines the challenges faced by translators, including the adaptation of culturally marked elements, idioms, and symbols, as well as maintaining the rhythm and stylistic features of the text. Key translation techniques, such as transformation,

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Maciejewska, Anna. "O elementach fantastyki w literaturze XVI i XVII wieku. Wizje niezwykłych krain, państw i miast." Literatura i Kultura Popularna 27 (December 29, 2021): 125–38. http://dx.doi.org/10.19195/0867-7441.27.10.

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The purpose of the article is to present elements of fantasy in selected works of old literature. It focuses above all on presenting the amazing places shown in literary works created in the 16th and 17th centuries. The author also shows similarities between fantasy, fairy tale, and utopia. Science fiction was created on the basis of utopia or anti-utopia, which lost their cognitive functions and began to discuss the characters’ adventures in such a way as to primarily provide entertainment to readers. In addition, the author points out that in the Renaissance era, Western European literary wo

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Zirnīte, Daiga. "Topogrāfiskās dzejas tēlainība Marta Pujāta dzejoļu krājumā “Dāma baltos džinsos”." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums, no. 30 (March 24, 2025): 40–50. https://doi.org/10.37384/aplkp.2025.30.040.

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The article focuses on the collection of poems by Marts Pujāts, which was published in 2023; it has also received important awards this year, including the Poetry Days Award and the Latvian Literature Award of the Year (2024). Artis Ostups, one of the book’s reviewers, admits that the poet speaks a new poetic language in the collection, which can promote a different sensitivity and understanding of beauty, a different view of Latvia and a different view of poetry. The reviewer’s statements determined the purpose of the study – through analysis and interpretation of the poems, to discover the a

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Shelenok, M. A. "Fairy-tale and Fantastic Vaudeville by E. Schwarts Adventures of Hohenstaufen: Genre Poetics." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 17, no. 1 (2017): 83–87. http://dx.doi.org/10.18500/1817-7115-2017-17-1-83-87.

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