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Relevant bibliographies by topics / The Field of Cultural Production

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Dissertations / Theses
Books
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Academic literature on the topic 'The Field of Cultural Production'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "The Field of Cultural Production"

1

Fyfe, Gordon, and Pierre Bourdieu. "The Field of Cultural Production." British Journal of Sociology 45, no. 3 (1994): 514. http://dx.doi.org/10.2307/591665.

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Maclean, Ian. "Bourdieu's field of cultural production." French Cultural Studies 4, no. 12 (1993): 283–89. http://dx.doi.org/10.1177/095715589300401209.

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Miller, Diana L. "Gender, Field, and Habitus: How Gendered Dispositions Reproduce Fields of Cultural Production." Sociological Forum 31, no. 2 (2016): 330–53. http://dx.doi.org/10.1111/socf.12247.

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Mihai. "Romanian Users’ YouTube “Shakespeares”: Digital Localities in Global Fields." Humanities 8, no. 2 (2019): 84. http://dx.doi.org/10.3390/h8020084.

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The cultural production of “Shakespeare” on the Internet has received growing attention in recent years, particularly in reference to newcomers in the field such as media users or “prosumers”. This is potentiated by the connectivity of digital platforms and growing access to digital means of production and distribution. From a field perspective on digital cultural production, participation online can be seen as a socially situated activity, often differentiated and marked by the habitus of digital media users. The present article aims firstly to discuss the utility of a field conceptualization

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Shepherd, Tamara. "Rotten Tomatoes in the Field of Popular Cultural Production." Canadian Journal of Film Studies 18, no. 2 (2009): 26–44. http://dx.doi.org/10.3138/cjfs.18.2.26.

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Metters, Richard, Donna Marshall, and Mark Pagell. "Cultural Research in the Production and Operations Management Field." Foundations and Trends® in Technology, Information and Operations Management 13, no. 1-2 (2019): 1–150. http://dx.doi.org/10.1561/0200000054.

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Smith, Andrew. "‘Beyond a Boundary’ (of a ‘Field of Cultural Production’)." Theory, Culture & Society 23, no. 4 (2006): 95–112. http://dx.doi.org/10.1177/0263276406065116.

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Huhn, Tom, Pierre Bourdieu, and Randal Johnson. "The Field of Cultural Production: Essays on Art and Literature." Journal of Aesthetics and Art Criticism 54, no. 1 (1996): 88. http://dx.doi.org/10.2307/431688.

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Lincoln, Anne E. "Cultural Honours and Career Promotions: Re-conceptualizing Prizes in the Field of Cultural Production." Cultural Trends 16, no. 1 (2007): 3–15. http://dx.doi.org/10.1080/09548960601106904.

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Brøgger, Benedicte, and Birgit Helene Jevnaker. "The cultural production of commodities." Society and Business Review 9, no. 2 (2014): 124–38. http://dx.doi.org/10.1108/sbr-11-2013-0085.

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Purpose – The purpose of the paper is to shed light on the particular organizing design practices behind making items exchangeable into commodities. It is a constructive contribution to establish more critical studies of merchandizing. Design/methodology/approach – The study included several longitudinal projects in retail chains in Scandinavia. The research was based on anthropological and participatory research methods. We introduce the term “waremaking” as a term for the work to make items exchangeable and expand on a distinction between silent and seen design (Gorb and Dumas, 1987). Findin

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Dissertations / Theses on the topic "The Field of Cultural Production"

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Lantz, Jenny. "Taste at work : on taste and organization in the field of cultural production." Doctoral thesis, Handelshögskolan i Stockholm, Institutionen för Företagande och Ledning, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hhs:diva-1549.

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Maclean, Gavin. "Art versus commerce? : the works of musicians in the field of cultural production." Thesis, Heriot-Watt University, 2016. http://hdl.handle.net/10399/3104.

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Labour process theory has been a key resource for the sociological study of work for over four decades. Yet, labour process theory has been conspicuous by its absence from research into cultural labour (Banks, 2007; Dean and Jones, 2003; Hesmondhalgh and Baker et al., 2011). This thesis firstly examines value production and the dynamics of managerial control and creative autonomy within the recorded music industry. Acknowledging the weaknesses identified with “critical theory” approaches in failing to consider the “content” of cultural work (Banks, 2007; McKinlay and Smith, 2009), this thesis

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Jack, Isla L. "Positioning the author : four writers in the field of cultural production, 1880-1900." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/21320.

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Using terms and ideas from Pierre Bourdieu's theories of cultural production, this thesis reconsiders the positions of four authors functioning at the end of the nineteenth century. Therefore, a brief introduction presents the principles behind Bourdieu's work. The reconstruction of the field is begun in the first chapter, 'Towards a Democratic Culture; A Redefining Voice of the 1890s'. It reveals the literary field to be the site of a struggle to impose the legitimate definition of literature and investigates some of the new voices entering the conflict in the 1890s. Considering the developme

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Wilder, Thomas. "Patina and the role of nostalgia in the field of stringed instrument cultural production." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100219.

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In this paper, the evocative nature of patina on stringed instruments is linked to the four agents of transformation that create it. These correspond to four nostalgic values: nostalgic reflection on the passage of time; nostalgia inspired by use; nostalgia for craftsmanship and pastoral nostalgia. Actors in the subfield of restricted cultural production of stringed instruments invoke one or more of these nostalgic values explicitly as a means to rationalize their actions to competing actors and to the broader public in their battle for status. Patina offers visible proof of their claims. Acto

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Lim, Lorraine Boon Fang. "In the global field of cultural production : Singapore as global city for the arts." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3762/.

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My thesis is an examination of Singapore's aspiration to become a Global City for the Arts as set out in the Renaissance City Report released in 2000. By examining the key issues surrounding Singapore's attempt to become a Global City for the Arts, this thesis discuss the reasons why Singapore want to be achieve this aim and identifies the key obstacles in realising this goal. Using a Pierre Bourdieu framework of analysis, I provide a different way of examining Singapore's perception of its position in relation to other cities in the world and highlight key areas that Singapore needs to develo

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Belanger, Ashley. "Avalanche and file: the politics of alternative magazines in the field of cultural production 1968-1976." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7247.

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The expanding discourse surrounding the importance of magazines in the field of cultural production during the 1970s presents the alternative art press as a forum that contributed to the dematerialization of art and presented a more democratic space within which to encounter artworks. While discussion surrounding alternative art magazines has often revolved around the idea of the “museum without walls,” magazines have also been recognized as a site of contradiction within the artistic avant-garde. The alternative art press has come to be seen as a contributing factor in the failure of avant-

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Axelsson, Clara, and Charlotte Gustafsson. "Constituting Sesame : a minor field study of a cross-cultural cooperation." Thesis, Blekinge Tekniska Högskola, Institutionen för arbetsvetenskap och medieteknik, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5374.

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Internationally, universities are undergoing renewal because of technological and social changes that both increases the importance of open and flexible learning, as well as makes it practicable. Net-based education makes it possible to create courses where students can collaborate and share knowledge globally. Collaborative Learning in Virtual Communities, with the working title Sesame, is a cooperative project between Blekinge Institute of Technology, BTH, and University of Pretoria, UP that has intention to provide a course like this. The aim of this collaboration is to initiate research in

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Tkachev, Natalia. "The work of art in the field of cultural production : the principle of legitimization in the digital era /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2767.

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Chin, Bertha Catherine L. P. "From textual poachers to textual gifters : exploring fan community and celebrity in the field of fan cultural production." Thesis, Cardiff University, 2010. http://orca.cf.ac.uk/54414/.

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Early fan studies positioned fans as 'textual poachers' (Jenkins, 1992), suggesting that fans poach characters and materials from texts as an act of resistance towards commercial culture to form their own readings through fan cultural production such as fan fiction. As such, fans are often presented as a unified, communal group interacting within the context of fan communities that are considered alternative social communities with 'no established hierarchy' (Bacon-Smith, 1992, p. 41). However, Milly Williamson argued that fans do not all operate from a position of cultural marginality. Fans n

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Froese, Michelle Mazza. ""We seem to belong nowhere" : locating Missouri Repertory Theatre's identity in the field of cultural production of Kansas City, Missouri /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9712800.

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Books on the topic "The Field of Cultural Production"

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Bourdieu, Pierre. The field of cultural production: Essays on art and literature. Polity Press, 1993.

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Social media and music: The digital field of cultural production. Peter Lang Pub., 2012.

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Bourdieu, Pierre. The field of cultural production: Essays on art and literature. Columbia University Press, 1993.

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Gregoriou, C. Review of cultural practices, seed production, and evaluation of varieties and clones of potatoes for the period 1965-1994. Agricultural Research Institute, Ministry of Agriculture, Natural Resources, and the Environment, 1997.

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Whittaker, Ron. Video field production. Mayfield Pub. Co., 1989.

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Video field production. 2nd ed. Mayfield Pub. Co., 1996.

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1953-, Larson John, and DeTarsio John, eds. Television field field production and reporting. 6th ed. Pearson, 2011.

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Learning, Alberta Alberta. Field crop production technician. Alberta Learning, 2000.

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American Association of Petroleum Geologists, ed. Oil field production geology. American Association of Petroleum Geologists, 2009.

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Davidov, Veronica. Ecotourism and Cultural Production. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137355386.

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Book chapters on the topic "The Field of Cultural Production"

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Tröndle, Martin, and Johanna Schindler. "Notes from the Field." In Edition WÜRTH Chair of Cultural Production. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33283-9_3.

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Moeran, Brian. "Fields of cultural production." In Creative and Cultural Industries in East Asia. Routledge, 2021. http://dx.doi.org/10.4324/9781003177074-5.

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Paquette, Jonathan, and Eleonora Redaelli. "Mapping the Field: Institutional Settings of Knowledge Production." In Arts Management and Cultural Policy Research. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137460929_9.

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Morrissey, Lee. "Pierre Bourdieu (1930–2002) from “The Field of Cultural Production, Or: The Economic World Reversed,” The Field of Cultural Production (1983)." In Debating the Canon: A Reader from Addison to Nafisi. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04916-2_17.

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Gibson, Mark, and Tony Moore. "Cultural Innovation on the Fringe—the Fields of ‘Limited’ and ‘Extensive’ Production." In Bourdieu’s Field Theory and the Social Sciences. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5385-6_10.

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Gutiérrez Silva, Manuel. "Aesthetic Rivalries in Avant-Garde Mexico: Art Writing and the Field of Cultural Production." In Pierre Bourdieu in Hispanic Literature and Culture. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71809-5_5.

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Dickson, Kent L. "José María Arguedas, Creator of Creators: Arte Popular in the Field of Cultural Production." In Pierre Bourdieu in Hispanic Literature and Culture. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71809-5_6.

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Lang, Felix. "Transformations of the “Syrian” Literary Field Since 2011." In Re-Configurations. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_17.

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Abstract The events unfolding in Syria since spring 2011 have led to a thorough transformation of the intellectual and artistic space in which Syrian authors, filmmakers, and artists move. Starting from an overview of the connections of institutions, artists, and works that form this contemporary space of cultural production, this chapter goes on to consider the problems existing theoretical conceptions of such spaces from the sociology of arts encounter when faced with the empirical realities of the Syrian case. It shows that the transnational, unstable, and often transient nature of these formations and their links with large-scale socio-political changes, such as wars, are difficult to grasp with conceptual toolkit developed on the model of the unusually stable spaces of production of Western Europe and the US.

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Sanchez Summerer, Karène, and Sary Zananiri. "Introduction." In European Cultural Diplomacy and Arab Christians in Palestine, 1918–1948. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55540-5_1.

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AbstractIn this introductory chapter to Between Connection and Contention, Sanchez Summerer and Zananiri lay out the genesis of the project, an overview of issues related to the study of cultural diplomacy in relation to Christian Palestinians during the British Mandate and review various theoretical approaches to field. They establish the conceptual grounding of this interdisciplinary volume, which engages with methodologies from history, cultural studies and international relations. They layout how this volume approaches and reconceptualises the agency of the different actors involved as central to both the production of culture and its operationalisation through cultural diplomacy.

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Kacsuk, Zoltan. "Subcultural Clusters and Blurry Boundaries: Considering Art Worlds and Fields of Cultural Production through Localized Manga Production in Hungary." In Cultures of Comics Work. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-55090-3_19.

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Conference papers on the topic "The Field of Cultural Production"

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Kutuzova, Anel, Elena Provornaya, Ekaterina Sedova, and Nadezhda Tsybenko. "EFFICIENCY OF LEGUME-GRASS STANDS WITH USING NEW VARIETIES TO CREATE CULTURAL PASTURES IN THE NON-CHERNOZEM ZONE." In Multifunctional adaptive feed production. Federal Williams Research Center of Forage Production and Agroecology, 2020. http://dx.doi.org/10.33814/mak-2020-22-70-5-13.

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Based on the analysis of the results of a 5-year field experiment to study the effects of species and cultivars of white clover (VIC 70 and Lugovik), red clover (Tetraploidny VIC and Veteran), alfalfa common (88 Pasture and Agnes) pro-conducting for periods (1–2,  3–4 and 5 years of use) the influence of weather conditions, the years of life herbs, part legume component in the herbage yield, content of total and biological nitrogen in the aboveground mass, the concentration of metabolizable energy in the feed. Set the efficiency of the reception of pre-inoculated seed complementary strai

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Dumas, Darrell. "St. Charles Field: A Culture of Environmental Stewardship." In SPE/EPA/DOE Exploration and Production Environmental Conference. Society of Petroleum Engineers, 2001. http://dx.doi.org/10.2118/66573-ms.

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Whitney, Jodie D. "Florida Citrus Freeze Losses and Recovery in the Field." In ASME 1985 Citrus Engineering Conference. American Society of Mechanical Engineers, 1985. http://dx.doi.org/10.1115/cec1985-3101.

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Freezes have had and will continue to have a significant impact on the conduct of the Florida citrus industry. A viable industry and all its associated suppliers and services depend very heavily on the consistent and continued production of fruit in the field. The main reason that fruit production has been inconsistent is the fruit and tree losses associated with damaging freezes. This paper will discuss a brief history of the freezes, the economics of several options of rehabilitating freeze-damaged trees, and cultural practices, etc. in the field which can minimize freeze losses. Paper publi

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Pantazi-Bajenaru, Mirela, and Traian Foiasi. "Design and manufacture of products with Romanian cultural identity." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.v.9.

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In the current context, research on cultural identity unfolds as an uninterrupted process of modeling and remodeling, constituting the link between past, present and future. The issue of cultural identity has become an increasingly important topic in recent years, especially in the European context, due to the need to legitimize European cultural identity as a link between European citizens and as a unifying principle of different cultural heritage. The current processes of social and economic globalization provide major challenges on the world market of consumer-oriented production sectors. T

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Ceconello, Mauro Attilio, Davide Spallazzo, and Martina Scianname'. "Taking students outside the classrooms. Location-based mobile games in education." In Fifth International Conference on Higher Education Advances. Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/head19.2019.9257.

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The contribution aims at corroborating location-based mobile games as models for the integration of digital technologies in the educational field. They demonstrated to be valid alternatives to formal education in the applied research project: Play Design!, which addressed to high school students, interested in design-related matters, and intends to valorise the Italian design culture, transforming Milan into the stage of a double-sided story. Design is here highlighted both as a cultural heritage and a discipline, inducing the development of two different games sharing a common didactic aim: D

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Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.

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Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefit

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Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.

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Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefit

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Karaköy, Çağatay, Necati Alp Erilli, Sema Babayiğit, and Emine Rabia Ersoy. "The Effect of Entrepreneurship Education and Culture, the Transition Economies of Field Research for University Students in Kyrgyzstan." In International Conference on Eurasian Economies. Eurasian Economists Association, 2015. http://dx.doi.org/10.36880/c06.01224.

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In modern production labor, capital and natural resources the fourth factor is included as an element of entrepreneurship, participation or implementation in the production as profit or loss to the performing element is faced with. According to the other production factors are dealt with more risk element of the entrepreneur, as well as entrepreneurial function with the same time in economic growth locomotive power is on. For many years, enterprise element carrying out the state interference in socialist countries, the collapse of the iron curtain in 1991 transitional recession and hyperinflat

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Lin, Shuao. "Creative Industry: Cultural Production or Cultural Control?" In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.044.

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Schor, Alisha R., and Cullen R. Buie. "Non-Invasive Sorting of Lipid Producing Microalgae With Dielectrophoresis Using Microelectrodes." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88317.

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In order to advance the algae biofuel industry, we are constructing a dielectrophoretic, single-cell sorter that selects algae based on lipid content. This tool can lower production costs by aiding in strain selection, online culture monitoring, or directed evolution studies. Dielectrophoresis (DEP) is the polarization of particles or cells in a non-uniform electric field, which leads to a Coulomb force on the cell. Lipids and cell cytoplasm have vastly different dielectric properties. Therefore, as a cell accumulates lipid, we predict a change in the overall DEP response. Our models show that

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Reports on the topic "The Field of Cultural Production"

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Schneller, Tricia, and Jose Salas. Production Hydraulic Packer Field Test. Office of Scientific and Technical Information (OSTI), 2000. http://dx.doi.org/10.2172/793049.

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O'Connell, Caolionn L., and Phys Dept /Stanford U. Plasma Production via Field Ionization. Stanford Linear Accelerator Center (SLAC), 2005. http://dx.doi.org/10.2172/878428.

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Lee, Minjung E., and Susan B. Kaiser. Les Liaisons Dangereuses: The Productive Tensions among the Fields of Clothing and Textiles, Fashion Studies, and Cultural Studies. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1688.

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Buichik, A. G. ACHIEVEMENTS IN THE FIELD OF NATURAL SCIENCES IN THE PRESERVATION OF CULTURAL HERITAGE. Modern Science: Actual Problems of Theory and Practice №3, 2019. http://dx.doi.org/10.18411/buichik-ag-doi-5.

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Khairkhah, D., M. Pooladi-Darvish, P. R. Bishnoi, T. S. Collett, and S R Dallimore. Production potential of the Mallik field reservoir. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1999. http://dx.doi.org/10.4095/210777.

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Molvik, A., J. Vay, R. Cohen, et al. Electron Production and Collective Field Generation in Intense Particle Beams. Office of Scientific and Technical Information (OSTI), 2006. http://dx.doi.org/10.2172/899098.

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Newitt, L. R., and G. V. Haines. Instructions for the production of the Canadian Geomagnetic Reference Field. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1990. http://dx.doi.org/10.4095/225659.

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Uchida, S., K. Soga, A. Klar, and K. Yamamoto. Geomechanical study of the Mallik gas hydrate production field trials. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2012. http://dx.doi.org/10.4095/292091.

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Hatchell, Glyndon E., and H. David Muse. Nursery Cultural Practices and Morphological Arrtibutes of Longleaf Pine Bare-Root Stock as Indicators of Early Field Performance. U.S. Department of Agriculture, Forest Service, Southeastern Forest Experiment Station, 1990. http://dx.doi.org/10.2737/se-rp-277.

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Krutykh, E. B., S. V. Batarshev, and E. A. Bondarenko. ARCHAEOLOGICAL PROJECTS DEVELOPMENT IN THE ACTIVITY OF THE RESEARCH AND PRODUCTION CENTER FOR HISTORICAL AND CULTURAL STUDY CO., LTD. "Росток", 2018. http://dx.doi.org/10.18411/kru-2018-22.

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