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Books on the topic 'The Field of Cultural Production'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Bourdieu, Pierre. The field of cultural production: Essays on art and literature. Polity Press, 1993.

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2

Social media and music: The digital field of cultural production. Peter Lang Pub., 2012.

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3

Bourdieu, Pierre. The field of cultural production: Essays on art and literature. Columbia University Press, 1993.

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4

Gregoriou, C. Review of cultural practices, seed production, and evaluation of varieties and clones of potatoes for the period 1965-1994. Agricultural Research Institute, Ministry of Agriculture, Natural Resources, and the Environment, 1997.

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5

Whittaker, Ron. Video field production. Mayfield Pub. Co., 1989.

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6

Video field production. 2nd ed. Mayfield Pub. Co., 1996.

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7

1953-, Larson John, and DeTarsio John, eds. Television field field production and reporting. 6th ed. Pearson, 2011.

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8

Learning, Alberta Alberta. Field crop production technician. Alberta Learning, 2000.

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9

American Association of Petroleum Geologists, ed. Oil field production geology. American Association of Petroleum Geologists, 2009.

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10

Davidov, Veronica. Ecotourism and Cultural Production. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137355386.

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11

McIntyre, Phillip. Creativity and Cultural Production. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358614.

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12

Television field production and reporting. Longman, 1989.

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13

Compesi, Ronald J. Video field production and editing. 4th ed. Allyn and Bacon, 1997.

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14

Fink, Edward J. (Edward John), ed. Portable video: Electronic field production. 6th ed. Focal Press, 2012.

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15

Frederick, Shook. Television field production and reporting. 5th ed. Pearson/Allyn and Bacon, 2009.

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16

Video field production and editing. 6th ed. Allyn and Bacon, 2003.

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17

Shook, Frederick. Television field production and reporting. 2nd ed. Longman, 1995.

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18

Television field production and reporting. 3rd ed. Longman, 2000.

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19

Television field production and reporting. 4th ed. Allyn and Bacon, 2005.

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20

Compesi, Ronald J. Video field production and editing. 3rd ed. Allyn and Bacon, 1994.

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21

Compesi, Ronald J. Video field production and editing. 5th ed. Allyn and Bacon, 1999.

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22

Video field production and editing. 7th ed. Pearson Allyn and Bacon, 2007.

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23

P, Waldren Richard, and Stamp David Lee 1936-, eds. Principles of field crop production. 4th ed. Pearson Prentice Hall, 2006.

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24

Learning, Alberta Alberta. Irrigated field crop production technician. Alberta Learning, 2000.

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25

Rajendra, Prasad. Textbook of field crops production. Edited by Indian Council of Agricultural Research. Directorate of Knowledge Management in Agriculture. Directorate of Knowledge Management in Agriculture, Indian Council of Agricultural Research, 2012.

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26

Compesi, Ronald J. Video Field Production and Editing. Routledge, 2019. http://dx.doi.org/10.4324/9780429505935.

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27

The capitalization of cultural production. International General, 1989.

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28

Clint Eastwood: A cultural production. University of Minnesota Press, 1993.

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29

The media and cultural production. Sage, 2001.

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30

Clint Eastwood: A cultural production. UCL Press, 1993.

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31

Khan, S. T. Ali. Production of field peas in Canada. Communications Branch, Agriculture Canada, 1989.

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32

Harrison, Antony H. The cultural production of Matthew Arnold. Ohio University Press, 2009.

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33

The cultural production of Matthew Arnold. Ohio University Press, 2009.

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34

Arab cultural studies: Mapping the field. I.B. Tauris, 2012.

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35

Rigaux, François. EEC competence in the cultural field. Kluwer Law and Taxation, 1992.

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36

Congreso, Anual de Etnobiología (11th 1988 Mexico City Mexico). Field trip, excursión área cultural purépecha. Universidad Nacional Autónoma de México, 1988.

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37

Crop production: Evolution, history, and technology. J. Wiley, 1995.

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38

Olmstead, Dennis L. Mist Gas Field production figures, 1979-1992. State of Oregon, Dept. of Geology and Mineral Industries, 1994.

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39

Oregon. Dept. of Geology and Mineral Industries. Mist Gas Field production figures, 1993-1998. State of Oregon, Dept. of Geology and Mineral Industries, 1999.

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40

Browitt, Jeff. Practicing Theory: Pierre Bourdieu And The Field Of Cultural Production. University of Delaware Press, 2005.

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41

Jeff, Browitt, and Nelson Brian 1946-, eds. Practising theory: Pierre Bourdieu and the field of cultural production. University of Delaware Press, 2004.

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42

Practising theory: Pierre Bourdieu and the field of cultural production. University of Delaware Press, 2005.

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43

Fink, Edward J., and Norman Medoff. Portable Video: News and Field Production. Taylor & Francis Group, 2015.

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44

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Criticism (European Perspectives: a Series in Social Philosophy & Cultural Criticism). Columbia University Press, 1997.

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45

British Columbia. Dept. of Agriculture., ed. City and suburban food production, 1918. W.H. Cullin, 1997.

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46

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Cultural interface. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0009.

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The chapter contextualizes the literary developments of the second half of the seventeenth century, including the changes in education and print culture. A new vision of court culture, expanding administration, and ecclesiastical reforms provided new contexts for writing, as well as innovations in the theater and in poetry. The spaces represented in Russian literature were, as previously, the monastery and the church. The court moved into the limelight as a center of cultural production. The social reality of the period did not entirely foster the creation of civic spaces or an autonomous lite

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47

Richtarik, Marilynn. Brian Friel and Field Day. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.23.

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When Brian Friel and actor Stephen Rea formed the Field Day Theatre Company to stage Friel’sTranslationsin 1980, they created a company arguably more conscious of its own symbolic value, and its own place in history, than any since the Abbey. Field Day soon developed into a wider cultural enterprise, playing a significant role in setting the terms of cultural debate in the 1980s, for which it was both vigorously supported and sharply criticized. The terms of this debate shaped the response to Field Day’s theatrical productions: Friel’sTranslationsand its companion piece,The Communication Cord,

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48

Schwedler, Gerald, Beate Dignas, Gerald Schwedler, et al., eds. A Cultural History of Memory in the Middle Ages. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781474206785.

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This volume covers the vast field of memory, commemoration and the art of memory in the Middle Ages. Memory was not only a religious, social and historical phenomenon but also a driving factor in cultural life and in the production of art. It played an important role in medieval intellectual, visual and material culture, touching on almost all spheres of personal and social life. Yet the perception of memory did not remain static. The period covered by this volume, 500-1450, was one of enormous change in the way memory was understood, expressed, and valued. The authors of the essays trace the

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49

Whittaker. Video Field Production Im. William C. Brown, 1989.

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50

Shepherd, Mike. Oil Field Production Geology. American Association of Petroleum Geologists, 2009. http://dx.doi.org/10.1306/m911316.

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