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Dissertations / Theses on the topic 'The Field of Cultural Production'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Lantz, Jenny. "Taste at work : on taste and organization in the field of cultural production." Doctoral thesis, Handelshögskolan i Stockholm, Institutionen för Företagande och Ledning, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hhs:diva-1549.

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2

Maclean, Gavin. "Art versus commerce? : the works of musicians in the field of cultural production." Thesis, Heriot-Watt University, 2016. http://hdl.handle.net/10399/3104.

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Labour process theory has been a key resource for the sociological study of work for over four decades. Yet, labour process theory has been conspicuous by its absence from research into cultural labour (Banks, 2007; Dean and Jones, 2003; Hesmondhalgh and Baker et al., 2011). This thesis firstly examines value production and the dynamics of managerial control and creative autonomy within the recorded music industry. Acknowledging the weaknesses identified with “critical theory” approaches in failing to consider the “content” of cultural work (Banks, 2007; McKinlay and Smith, 2009), this thesis

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3

Jack, Isla L. "Positioning the author : four writers in the field of cultural production, 1880-1900." Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/21320.

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Using terms and ideas from Pierre Bourdieu's theories of cultural production, this thesis reconsiders the positions of four authors functioning at the end of the nineteenth century. Therefore, a brief introduction presents the principles behind Bourdieu's work. The reconstruction of the field is begun in the first chapter, 'Towards a Democratic Culture; A Redefining Voice of the 1890s'. It reveals the literary field to be the site of a struggle to impose the legitimate definition of literature and investigates some of the new voices entering the conflict in the 1890s. Considering the developme

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4

Wilder, Thomas. "Patina and the role of nostalgia in the field of stringed instrument cultural production." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100219.

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In this paper, the evocative nature of patina on stringed instruments is linked to the four agents of transformation that create it. These correspond to four nostalgic values: nostalgic reflection on the passage of time; nostalgia inspired by use; nostalgia for craftsmanship and pastoral nostalgia. Actors in the subfield of restricted cultural production of stringed instruments invoke one or more of these nostalgic values explicitly as a means to rationalize their actions to competing actors and to the broader public in their battle for status. Patina offers visible proof of their claims. Acto

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5

Lim, Lorraine Boon Fang. "In the global field of cultural production : Singapore as global city for the arts." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3762/.

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My thesis is an examination of Singapore's aspiration to become a Global City for the Arts as set out in the Renaissance City Report released in 2000. By examining the key issues surrounding Singapore's attempt to become a Global City for the Arts, this thesis discuss the reasons why Singapore want to be achieve this aim and identifies the key obstacles in realising this goal. Using a Pierre Bourdieu framework of analysis, I provide a different way of examining Singapore's perception of its position in relation to other cities in the world and highlight key areas that Singapore needs to develo

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6

Belanger, Ashley. "Avalanche and file: the politics of alternative magazines in the field of cultural production 1968-1976." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7247.

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The expanding discourse surrounding the importance of magazines in the field of cultural production during the 1970s presents the alternative art press as a forum that contributed to the dematerialization of art and presented a more democratic space within which to encounter artworks. While discussion surrounding alternative art magazines has often revolved around the idea of the “museum without walls,” magazines have also been recognized as a site of contradiction within the artistic avant-garde. The alternative art press has come to be seen as a contributing factor in the failure of avant-

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7

Axelsson, Clara, and Charlotte Gustafsson. "Constituting Sesame : a minor field study of a cross-cultural cooperation." Thesis, Blekinge Tekniska Högskola, Institutionen för arbetsvetenskap och medieteknik, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5374.

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Internationally, universities are undergoing renewal because of technological and social changes that both increases the importance of open and flexible learning, as well as makes it practicable. Net-based education makes it possible to create courses where students can collaborate and share knowledge globally. Collaborative Learning in Virtual Communities, with the working title Sesame, is a cooperative project between Blekinge Institute of Technology, BTH, and University of Pretoria, UP that has intention to provide a course like this. The aim of this collaboration is to initiate research in

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8

Tkachev, Natalia. "The work of art in the field of cultural production : the principle of legitimization in the digital era /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2767.

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9

Chin, Bertha Catherine L. P. "From textual poachers to textual gifters : exploring fan community and celebrity in the field of fan cultural production." Thesis, Cardiff University, 2010. http://orca.cf.ac.uk/54414/.

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Early fan studies positioned fans as 'textual poachers' (Jenkins, 1992), suggesting that fans poach characters and materials from texts as an act of resistance towards commercial culture to form their own readings through fan cultural production such as fan fiction. As such, fans are often presented as a unified, communal group interacting within the context of fan communities that are considered alternative social communities with 'no established hierarchy' (Bacon-Smith, 1992, p. 41). However, Milly Williamson argued that fans do not all operate from a position of cultural marginality. Fans n

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10

Froese, Michelle Mazza. ""We seem to belong nowhere" : locating Missouri Repertory Theatre's identity in the field of cultural production of Kansas City, Missouri /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9712800.

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11

Reyes, Acosta Cornelia. "Digitally mediated social ties and achieving recognition in the field of creative and cultural production : unravelling the online social networking mystery." Thesis, London School of Economics and Political Science (University of London), 2016. http://etheses.lse.ac.uk/3604/.

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Career paths in the field of cultural and creative production and the attainment of recognition have been associated with networking and point at the relevance of maintaining social relationships. Social capital has been discussed as one key element, given the fact that forming social relations with significant others potentially aids individuals striving for symbolic capital – the precursor to recognition. The emergence of online social networking platforms as a means to amplify opportunities to build social relationships raises questions in regards to its impact on building social capital. T

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12

Kuzin, James. "Creative City and Fields of Cultural Production: Ethnographic Perspectives of “The Arts” in Tampa." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002469.

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13

Choo, Hye Won. "The cultural production and consumption of the fit body in South Korea : focus on established-outsider figuration of the body in the fitness field." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/32514.

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This thesis examines the ways in which the fit body has acted as an established form of capital in Korea. In addressing this question, this research explores the theoretical and methodological links between Bourdieu‘s and Elias‘s perspectives. In particular, using the fitness field as the context, this study examines specific types of valued capital and assesses the ways in which figurations between actors are produced and reproduced in ways that reinforce and sometimes disrupt 'established-outsider‘ (E-O) figurations in other fields (such as the academic field). In working toward its findings

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14

Jörnesten, Anders. "Forskningens nytta : Om ambivalens i forskningspolitik och vardag." Doctoral thesis, Uppsala University, Department of Sociology, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8356.

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<p>One important issue in this dissertation is understanding the concept of ambivalence in academic settings. This is addressed in two empirical studies. The first is an interview study on Swedish sociologists, focusing on how they look at and understand their own research as well as their place within academia. The second study is based on political documents and offers two possible perspectives on the historical development of research policy. On the one hand it can be viewed as a linear development toward more commercialized science, and on the other hand it can be viewed as an ongoing stru

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15

Kanematsu, Makiko. "Saga och verklighet : Barnboksproduktion i det postsovjetiska Lettland." Doctoral thesis, Stockholms universitet, Institutionen för etnologi, religionshistoria och genusstudier, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-30602.

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The aim of the dissertation is to examine the production of children’s books for the Latvian-speaking population in Latvia and attempt to illustrate how the post-Soviet transformation has affected the conditions surrounding its development. To this end, the study investigates how the economic, political, and cultural aspects of the transformation are perceived and dealt with by actors active in children’s book production. The concept of the field of the production of children’s books as a subset of the broader field of cultural production is based on the term “literary system” as defined in th

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16

Aoyagi, Hiroshi. "Islands of eight million smiles, pop-idol performances and the field of symbolic production." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ46312.pdf.

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17

Palko, Amy Joyce. "Charting habitus : Stephen King, the author protagonist and the field of literary production." Thesis, University of Stirling, 2009. http://hdl.handle.net/1893/1263.

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While most research in King studies focuses on Stephen King’s contribution to the horror genre, this thesis approaches King as a participant in American popular culture, specifically exploring the role the author-protagonist plays in his writing about writing. I have chosen Bourdieu’s theoretical construct of habitus through which to focus my analysis into not only King’s narratives, but also into his non-fiction and paratextual material: forewords, introductions, afterwords, interviews, reviews, articles, editorials and unpublished archival documents. This has facilitated my investigation int

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18

Pudersell, Katrin. "Tropane alkaloid production and riboflavine excretion in the field and tissue cultures of henbane (Hyoscyamus niger L.) /." [Tartu] : Tartu University Press, 2006. http://dspace.utlib.ee/dspace/bitstream/10062/1035/5/pudersell.pdf.

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19

Micke, Marina Kai-Ina. "'Wechselschritt zwischen Anpassung und aufrechtem Gang' : negotiating the tensions between literary ambition and political constraints at the Institut für Literatur 'Johannes R. Becher' Leipzig (1950-1990)." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/wechselschritt-zwischen-anpassung-und-aufrechtem-gang-negotiating-the-tensions-between-literary-ambition-and-political-constraints-at-the-institut-fur-literatur-johannes-r-becher-leipzig-19501990(c259d032-f129-4373-a6ef-f8acaf48c4c0).html.

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This thesis explores how the Institut für Literatur ‘Johannes R. Becher’, an East German institution for the training of writers, negotiated tensions that arose from the conflicting demands between literary and political values. The Institute had the objective to foster emerging literary talents according to the socialist ideal of a working writer, but often found students and staff drawn towards more autonomous literary values that were incompatible with the views of the East German Socialist Unity Party. As a result, the Institute’s practices fluctuated between toeing the party line and purs

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20

Cimolai, Silvina. "Knowledge, field and researchers : the production of academic knowledge in the intersections of psychology and education in Argentina (2000-2010)." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/10021909/.

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This thesis analyses knowledge production and the role of the researcher in the intersections of psychology and education in Argentina. It aims to contribute to an understanding of educational psychology as a field of knowledge, both in terms of its present situation and future development. The research draws on and applies conceptual tools from the sociological theory of Basil Bernstein, some contributions from Pierre Bourdieu, and relevant work within the field of higher education studies. The fieldwork has consisted of collecting information on psycho-educational research projects carried o

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21

Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16496/.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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22

Butcher, Erica. "An Audience Reception Analysis Field Study: Exploring Second and Later Generation Latino Viewers’ Perceived Realism Appraisals of Latino Fictional Television Characters in English Language Television Programs." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1249586967.

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23

Cohen, Andrew Connolly. "Advertising as Cultural Production." Thesis, Yale University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10783444.

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<p> This dissertation presents three sociological essays analyzing advertising agencies through the lens of cultural economic sociology. Drawing on 12 months of ethnographic research and 81 interviews across four American advertising agencies, this dissertation presents three explorations of how meaning-making processes are central to the various processes of advertising production. </p><p> The first essay explores how market intermediaries help other market actors see the market and their opportunities for action within it. The essay article illustrates how advertising practitioners provide

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24

Tremblay, Stéphanie. "Force field adaptation in speech production." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103014.

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Although audition may appear to be the dominant sensory modality in speech production, the capacity for intelligible speech following severe hearing loss suggests that other sensory information - for example, somatosensory feedback - may also contribute to the achievement of speech targets. The aim of this thesis is to explore the role of somatosensory feedback in speech produced by healthy adults.<br>The first study aimed at providing a test of whether somatosensory feedback plays a role in speech production beyond the language acquisition period in early childhood. In order to achieve this g

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25

Robinson, Carol Anne. "Cultural production within the comprehensive school." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321488.

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26

Pellicone, Anthony James. "Performing Play| Cultural Production on Twitch.tv." Thesis, University of Maryland, College Park, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10606825.

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<p> Streaming is an emerging practice of videogame culture, where a player broadcasts a live capture of their game-play to an audience. Every day Twitch.tv, the most popular streaming platform, features thousands of streams broadcast to millions of viewers. Streams are detailed multimedia artifacts, and their study allows us to understand how the culture of games is produced, reproduced, and reinvented. </p><p> In this dissertation, I examine the act of streaming using a theoretical concept that I have developed called ‘performed play’, which combines social performance theory, g

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27

Ferchaud, Fabien. "Etude des bilans d’eau, d’azote et de carbone dans des agrosystèmes dédiés à la production de biomasse en fonction des espèces et des pratiques culturales." Thesis, Paris, AgroParisTech, 2015. http://www.theses.fr/2015AGPT0037.

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Les biocarburants de 2ème génération pourraient fournir une énergie renouvelable au secteur des transports et ainsi permettre de lutter contre le changement climatique. Toutefois, leurs bilans gaz à effet de serre, énergétiques et environnementaux seront probablement très dépendants des ressources utilisées. Les cultures lignocellulosiques candidates à la production de biocarburant 2G devront ainsi concilier forte productivité, faibles besoins en intrants et faibles impacts environnementaux. L’objectif de la thèse a été de quantifier les bilans d’eau, d’azote et de carbone à l’échelle de la pa

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Ribas, Gustavo Panacioni. "(In)dependência das iniciativas jornalísticas digitais do século XXI com escopo na região amazônica: análise dos sites Amazônia real e Infoamazonia." Universidade Estadual de Ponta Grossa, 2017. http://tede2.uepg.br/jspui/handle/prefix/2458.

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Submitted by Eunice Novais (enovais@uepg.br) on 2018-03-19T22:38:58Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Gustavo Ribas.pdf: 5321723 bytes, checksum: 2c6704a0d349aa7f361b6019d47cc22c (MD5)<br>Made available in DSpace on 2018-03-19T22:38:58Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Gustavo Ribas.pdf: 5321723 bytes, checksum: 2c6704a0d349aa7f361b6019d47cc22c (MD5) Previous issue date: 2017-12-12<br>A partir de um cenário em que se está impulsionando a criação de iniciativas aut

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Saha, Anamik. "The postcolonial cultural economy the politics of British Asian cultural production." Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514380.

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30

Chen, Changping 1958. "Production variability for major Arizona field crops." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/291617.

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Previous variability studies in both U.S. and worldwide agriculture have indicated that crop production has been accompanied by increasing variation. In this research, four different variability indexes were estimated in order to evaluate the production variability associated with the major Arizona field crops. Results show that major Arizona field crops, which are all irrigated, did not have a uniform production variability over the last 24 years and the variability of these crops did not generally increase between the periods of 1967-1978 and 1979-1990. Although biological factors (e.g. pest

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31

Hladki, Janice. "Knotting it together, cultural production across difference." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ53703.pdf.

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32

McGrady, John, Marvin Butler, Michael Matheson, Michael Rethwisch, Joe Matejka, and Phil Tilt. "Sustainable Vegetable Production with Modified Cultural Management." College of Agriculture, University of Arizona (Tucson, AZ), 1990. http://hdl.handle.net/10150/214490.

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33

Rowe, D. "Independent cultural production : The case of rock." Thesis, University of Essex, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371186.

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34

Ager, Laura C. "Universities and festivals : cultural production in context." Thesis, University of Salford, 2016. http://usir.salford.ac.uk/41034/.

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This thesis critically examines universities as cultural producers within the creative ecologies of their cities, with a focus on the occasions when they produce cultural events for the public. It is a context-specific and empirical study that examines events at three individual universities in major UK cities. It takes as its starting point the range of third mission, or engagement activities through which universities form links with the local cultural sector and to the wider community and considers how the university, a relatively permanent institution that constitutes the major element of

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35

Doherty, Catherine Ann. "The production of cultural difference and cultural sameness in online internationalised education." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16302/.

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This research investigates the cultural politics of 'borderless' education. In Australia, online internationalised education has recently emerged as a market innovation borne from the intersection of two agendas in the higher education sector: an enthusiasm for technological means of delivery; and the quest for international full-fee paying enrolments. The empirical study analyses how both cultural difference and cultural sameness were produced in a case study of borderless education and were made to matter in both the design and the conduct of online interaction. A core MBA unit offered onlin

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Shan, Terence Chong King. "The cultural politics of globalisation : the Singapore theatre field." Thesis, University of Warwick, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408457.

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Nett, Leif. "N use efficiency in field vegetable production systems." Doctoral thesis, Humboldt-Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät I, 2012. http://dx.doi.org/10.18452/16463.

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In der vorliegenden Studie wurden zwei Fragestellungen bearbeitet, die beide das Ziel verfolgen, die Stickstoff(N)-Ausnutzungseffizienz in landwirtschaftlichen Systemen zu steigern: 1) Hat die langjährige organische Düngung einen Einfluss auf den Abbau kürzlich applizierter organischer Dünger? Die Hypothese war, dass relevante Effekte nur bei schwer abbaubaren organischen Düngern auftreten während bei leicht abbaubaren organischen Düngern die Düngungshistorie keine Rolle spielt. 2) Können die hohen N-Bilanzüberschüsse im intensiven Freilandgemüsebau durch den Einsatz von Winterzwischenfrüchten

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Campbell, Mary. "Youth cultural production in practice and in policy." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92356.

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This dissertation examines the increase in youth cultural production and youth involvement in the creative industries. The project researches structures that youth encounter, including federal, provinicial, and municipal policies, as they attempt to create small-scale and self-generated careers for themselves in the creative industries, and also looks at initiaves that youth create themselves, including artist networks, in order to facilitate their entry in the realm of work in the creative industries. After examining Canadian federal cultural policy in comparison to British cultural policy an

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Smyth, Heather. "Creolization and coalition in Caribbean feminist cultural production." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60349.pdf.

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Silvertooth, J. C. "Cultural and Management Practices for Pima Cotton Production." College of Agriculture, University of Arizona (Tucson, AZ), 1994. http://hdl.handle.net/10150/209590.

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The good use of cultural or agronomic practices is fundamental to the production of high yields and quality of American Pima cotton. In order for Pima farmers to maintain viable production operations, a continual review and improvement upon the existing set of cultural practices are in order. Basic aspects of crop production such as planting date management, soil fertility and plant nutrition, plant growth regulator use, crop termination, and defoliation are reviewed in this paper in relation to American Pima cotton production. Specific attention is also given to potassium (K) fertility manage

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Hjorth, Isis Amelie. "Networked cultural production : filmmaking in the Wreckamovie community." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:c5baae87-6667-463a-bef2-b22d25c75896.

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This thesis challenges core assumptions associated with the peer production of culture using the web-based collaborative film production platform Wreckamovie to understand how peer production works in practice. Active cultural participation is a growing political priority for many governments and cultural bodies, but these priorities are often implemented without a basis in empirical evidence, making it necessary for rigorous scholarship to tackle emerging networked cultural production. Existing work portrays peer production efforts as unrealistically distinct from proprietary, market-based pr

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42

Arsal, Mustafa Kerem. "Governance in online communities of artistic cultural production." Thesis, Boston University, 2013. https://hdl.handle.net/2144/12047.

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Thesis (D.B.A.)--Boston University<br>While scholars have brought much insight into the governance of online communities engaged in the production of goods with relatively established quality criteria, such as open source software, they paid less attention to the governance of online communities of artistic cultural production. In artistic cultural production, due to its drive for novelty and potential resistance to institutionalized norms, it is difficult to create agreements and shared routines among participants -particularly during initial emergence when participants are new to one another

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Murphy, Brenda. "Consuming Guinness, producing Irishness : circuits of cultural production." Thesis, Goldsmiths College (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398053.

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44

Söderlind, Eva, and Sara Kidby. "Cross cultural cooperation : a field study about India and Sweden." Thesis, Södertörn University College, Södertörn University College, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-300.

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<p>A successful cooperation between different cultures in a global organisation depends on a good understanding about the norms and the values in the other culture. To have a good understanding about other cultures makes it easier to build good international relationships between countries without misunderstandings and misperceptions.</p><p>In this master thesis we investigate the cultural differences between Swedes and Indians that can be found in Swedish subsidiaries in India and if these cultural differences affect the cooperation between Indians and Swedes. The five cultural aspects that a

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45

Mutibwa, Daniel Henry. "Changing imperatives in third sector media and cultural production : a study of news production, documentary film-making and arts and cultural programming." Thesis, University of Leeds, 2012. http://etheses.whiterose.ac.uk/3407/.

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Research on third sector media and cultural organisations has tended to focus on socio-political imperatives in organisational and production processes. However, my research shows that as socio-political circumstances have gradually changed, other imperatives especially of a professional, artistic and commercial nature now play an equally important role in these processes in the third sector. The interplay between the different imperatives can be conflicting, pulling producers in different directions. Moreover, producers can be subjected to systemic pressures such as demands from subsidy, othe

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Bell, Ian Mac. "Alignment production by atomic collisions in a laser field." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240609.

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47

Guevara, Villalobos Orlando. "Cultural production and politics of the digital games industry : the case of independent game production." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8874.

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This thesis sheds light on the social relationships, work practices and identities that shape the small scale sector of independent game production. Harnessing elements of the Production of Culture and Cultural Industries/Work perspectives, it aims to clarify the specifics of independent game production and its relationship with the large-scale sector of the industry. Drawing on a multi-sided ethnography, the thesis captures gamework practices, motivations, ideas and conventions deployed in a diverse range of online and physical spaces where independent developers interact. Given the complex r

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Tannous, Joseph. "Wine production in rural area of Bekaa - Lebanon." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/28568.

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Although wine production has an extremely long history across Lebanon, it is relatively suffering from a loss of identity due to globalization, and the huge rupture that occurred during the Islamic era. A development of a collective strategy that focuses on brand identity and territorial promotion is a must for an identity development. Luckily the rich history and culture of Lebanon, make them great assets to build upon them this identity. Accordingly, in this thesis we are going to seek the current vineyard landscapes, vineyards and the cultural potentials that the wine industry has, having t

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Davis, Blair. "The 1950s B-movie : the economics of cultural production." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102798.

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The United States Supreme Court placed the major Hollywood studios in violation of antitrust laws in 1948, leading to the end of the classical Hollywood studio system of the 1930s and 1940s. Subsequent changes in the corporate organization and mode of production of the major studios signaled the end of the traditional B-movie as a product of block-booking policies.<br>B-movies became a distinctly different entity in the 1950s, however. From the institutional effects of the antitrust ruling, to changing audience demographics, the emergent patterns in production, distribution and exhibition had

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Musikawong, Sudarat. "Mediating memories of the 1970s in Thai cultural production /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2006. http://uclibs.org/PID/11984.

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