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Journal articles on the topic 'The Girl with the Red Scarf'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Xu, Xu. "The Image of China in Red Scarf Girl: Promoting International Understanding or Reinforcing Western Hegemony?" Bookbird: A Journal of International Children's Literature 53, no. 4 (2015): 12–19. http://dx.doi.org/10.1353/bkb.2015.0078.

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Al Othman, Kawthar Yasser. "Cognitive Mapping of Migrants’ Identity in Mohja Kahf’s: The Girl in the Tangerine Scarf." Pakistan Journal of Women's Studies: Alam-e-Niswan 28, no. 1 (2021): 73–91. http://dx.doi.org/10.46521/pjws.028.01.0088.

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My article investigates the experience of migration from the Middle East to America in Mohja Kahf’s novel, The Girl in the Tangerine Scarf. To understand the narrative of the world of migrants, it would be helpful to perform a cognitive cartographic analysis. Kahf performs a form of social and psychic cartography by exploring migrants’ space through the character of the coming-of-age girl, Khadra, by situating the turning points in her character at certain places. I classify these places into three types: space of conflict, space of illumination and space of reconciliation. The text can be rea

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3

 Dobrovolskaya, V. E. "“SCARY” FAIRY TALES IN THE RUSSIAN FOLKLORE TRADITION: ON THE QUESTION OF ATTRIBUTION OF RARE PLOT TYPES." Culture and Text, no. 55 (2023): 94–105. http://dx.doi.org/10.37386/2305-4077-2023-4-94-105.

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The article discusses fairy tales related to two plot types 480B* and 333B, in which a girl encounters a certain mythological character threatening her life. In addition to the fairytale plots noted in the index, a number of plot types of texts not included in the index have been identified. The plots of fairy tales under consideration are similar to each other and related to the motif of questioning about what the heroine had seen in the house. In both plots, there may be motives of meeting with otherworldly creatures or forest animals. In the plot 480B*, the motive of getting fire is strictl

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Mustafa, Arslan. "Selvi Boylum Al Yazmalım Filminin Söylem Analizi: Toplumsal Cinsiyet Rolleri ve İdeolojik Yapılar Üzerine Bir İnceleme." ESAR- Eğitim ve Sosyal Bilimler Araştırmaları Dergisi 5, no. 2 (2024): 95–114. https://doi.org/10.5281/zenodo.14585317.

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This study aims to analyze the film <em>Selvi Boylum Al Yazmalım</em>, a cultural cornerstone of Turkish cinema, in the context of gender roles and ideological structures. The film explores universal themes such as love, loyalty, freedom, and responsibility, while also reflecting how these themes are shaped within a societal and cultural framework. The research focuses on the dialogues of the main characters—İlyas, Asya, and Cemşit—and examines how their expressions reveal their inner worlds, social roles, and ideological perspectives. The study employs qualitative research methods

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Haqqani, Ali Akbar, Dewi Puspita Sari, and Mochamad Ariq Fadhli. "The Portrayal of Islamophobia in The Girl in the Tangerine Scarf." Al-MUNZIR 16, no. 2 (2023): 1. http://dx.doi.org/10.31332/am.v16i2.5579.

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AbstractThe purpose of this study is to investigate the Islamophobia discourse, and to examine the cause and effect to the characters in the in the novel The Girl in the Tangerine Scarf. The study used qualitative approach and the results of this study are presented using a descriptive model. The case study approach was used in this study, and the theoretical framework which is used to analyzed the data was discourse anlaysis. The primary source of this study is Mohja Kahf’s novel entitled The Girl in the Tangerine Scarf, which was pulblished in. The study finds several portrayal of Islamophob

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Julianda, Wahyu, and Ade Asyari. "Case Report: Diagnosis and Management of Pin-Headscarf at The Bronchial Segment In RSUP Dr. M Djamil Padang." Journal of Agromedicine and Medical Sciences 7, no. 3 (2021): 125. http://dx.doi.org/10.19184/ams.v7i3.24494.

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Introduction: Foreign body aspiration into the airway is a common case in children. Scarf pin aspiration often occurs in women who wear the hijab. A bronchoscopy is an option in the management of foreign body aspiration cases. However, other treatments such as thoracotomy can be considered, if the management of foreign body aspiration fails using rigid bronchoscopy. Case Report: Reported one case of a 12-year-old girl who complained of inhaling scarf pin 1 day before being admitted to hospital. Chest X-ray found radiopaque foreign body projection as high as spatium intercostal V with right low

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7

Desai, Ankit, Surjit Lidder, Andrew R. Armitage, Samuel S. Rajaratnam, and Andrew D. Skyrme. "Brachymetatarsia of the fourth metatarsal, lengthening scarf osteotomy with bone graft." Orthopedic Reviews 5, no. 3 (2013): 21. http://dx.doi.org/10.4081/or.2013.e21.

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A 16-year-old girl presented with left fourth metatarsal shortening causing significant psychological distress. She underwent lengthening scarf osteotomy held with an Omnitech® screw (Biotech International, France) with the addition of two 1 cm cancellous cubes (RTI Biologics, United States). A lengthening z-plasty of the extensor tendons and skin were also performed. At 6 weeks the patient was fully weight bearing and at one-year follow up, the patient was satisfied and discharged. A modified technique of lengthening scarf osteotomy is described for congenital brachymatatarsia. This technique

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8

Ahmad Ulayyan, Huda. "The Quest for Self-Discovery: A Study of the Journey Motif in Kahf’s." International Journal of Arabic-English Studies 16, no. 1 (2016): 95–110. http://dx.doi.org/10.33806/ijaes2000.16.1.5.

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The purpose of this paper is to investigate how the journey motif plays a pivotal role in the works of Arab women writers in diaspora. Through a close reading of Arab American novelist Mohja Kahf’s The Girl in the Tangerine Scarf (2006) and Arab British novelist Leila Aboulela’s The Translator (1999), the paper highlights how the journeys taken by Khadra and Sammar, respectively, govern each of these two novels structurally and thematically. As they make journeys to their home towns in Syria and Sudan, respectively, they edge closer toward self-discovery. Therefore, the journeys the characters

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9

Chen, Yingzhu. "Qualitative Study on the Use of Red Scarves by Young Pioneers." Journal of Education, Teaching and Social Studies 6, no. 4 (2024): p124. https://doi.org/10.22158/jetss.v6n4p124.

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The Chinese Young Pioneers is a grassroots mass organization specifically established for Chinese children and youth, with the main goal of guiding them to learn the core values of communism and striving to shape them into active contributors and successors to the future socialist and communist cause. The red scarf, as a symbol of the Young Pioneers, carries glorious historical memories and serves as a distinct identity symbol for its members, which should be properly cherished. Wearing a red scarf not only enhances the organizational identity and sense of belonging of Young Pioneers, but also

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McArtney, Steven, Dave Ferree, John Schmid, J. D. Obermiller, and A. Green. "Effects of Prohexadione-Ca and GA4+7 on Scarf Skin and Fruit Maturity in Apple." HortScience 41, no. 7 (2006): 1602–5. http://dx.doi.org/10.21273/hortsci.41.7.1602.

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A series of experiments were undertaken to compare the effects of individual and combined applications of GA4+7 and prohexadione-Ca (P-Ca) on scarf skin and fruit quality parameters on red strains of `Rome Beauty' and `Gala' apples. Three applications of GA4+7 at 10-day intervals beginning at petal fall (PF) significantly reduced scarf skin severity in all experiments. A single application of P-Ca at PF had no effect on scarf skin in one experiment but reduced scarf skin severity in two further experiments. Combining P-Ca with the first of three GA4+7 sprays as a tank mix reduced the severity

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Morrison, Hope. "Red River Girl (review)." Bulletin of the Center for Children's Books 60, no. 4 (2006): 192. http://dx.doi.org/10.1353/bcc.2006.0846.

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12

Taha Alkaraw, Susan, and Ida BaizuraBahar. "Negotiating Liminal Identities in Mohja Kahf’s The Girl in the Tangerine Scarf." International Journal of Applied Linguistics & English Literature 2, no. 2 (2013): 101–6. http://dx.doi.org/10.7575/aiac.ijalel.v.2n.2p.101.

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13

Bayeh, Jumana. "Arab American Identity in Mohja Kahf’s The Girl in the Tangerine Scarf." Revue française d’études américaines N° 170, no. 1 (2022): 25–37. http://dx.doi.org/10.3917/rfea.170.0025.

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14

Rezk, Walid. "Self-discovery in Mohja Kahf’s The Girl in the Tangerine Scarf (2006)." CDELT Occasional Papers in the Development of English Education 67, no. 1 (2019): 519–30. http://dx.doi.org/10.21608/opde.2019.133851.

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15

Arami, Sara. "Encounter, Clash, and Confluence: Mohja Kahf’s The Girl in the Tangerine Scarf." Commonwealth Essays and Studies 40, no. 2 (2018): 43–53. http://dx.doi.org/10.4000/ces.287.

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16

Liu, Qin. "Tess d’urbervilles: A red girl." International Journal of Research in English 1, no. 2 (2019): 04–05. http://dx.doi.org/10.33545/26648717.2019.v1.i2a.6.

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Kuhiwczak, P. "Review: The Girl in the Red Coat * Roma Ligocka: The Girl in the Red Coat." Cambridge Quarterly 32, no. 2 (2003): 175–80. http://dx.doi.org/10.1093/camqtly/32.2.175.

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ORLOVA, L. N., and E. A. TSYGANKOVA. "PIONEER NEWSPAPERS IN THE 1920S: THE REGIONAL CONTEXT." JOURNAL OF PUBLIC AND MUNICIPAL ADMINISTRATION 13, no. 1 (2024): 205–15. http://dx.doi.org/10.22394/2225-8272-2024-13-1-205-215.

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The purpose of the article is to study the Pioneer periodicals from 1922 - 1927 both at the national level and in Orel province. The article analyzes the congresses and plenums resolutions of the Russian Communist Party and the Russian Leninist Communist Youth League concerning the periodicals and literature expanding aimed at promoting and developing the Pioneer movement. The study reveals such peculiarities of the first Pioneer magazines and newspapers as the publications subject and a special work with both Pioneer reporters and children reporters. The work was important for improving the p

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19

Henriksen, Ann-Karina. "‘I was a scarf-like gangster girl’ – Negotiating gender and ethnicity on the street." Ethnicities 17, no. 4 (2016): 491–508. http://dx.doi.org/10.1177/1468796816666592.

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Drawing on an ethnographic study in Copenhagen, this article explores the gendered ethnicities of young women navigating multi-ethnic street terrains. The study includes an ethnically heterogeneous sample of 25 women aged 13–23 who are involved in street-oriented peer groups and activities. The analysis demonstrates how young women modify their lifestyle, language, body and posture to establish proximity to ethnic minority youth. By applying intersectional theory, the article explores gender and ethnicity as situational accomplishments, and it is argued that ethnic identifications in this cont

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20

Djohar, Hasnul Insani, and Willy Oktaviano. "Redefining Jihad, Hijrah, and Caliph in Mohja Kahf’s The Girl in the Tangerine Scarf." Musãwa Jurnal Studi Gender dan Islam 23, no. 2 (2024): 236–52. https://doi.org/10.14421/musawa.2024.232.236-252.

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Abstract Historically, Orientalism has perceived Islam in reductionist views for centuries. To resist this basic view, it is crucial to investigate Mohja Kahf’s The Girl in the Tangerine Scarf (2005), which redefines Islam and Islamic terms, such as Jihad, Hijrah, and Caliph in more positive insights. Kahf’s text questions orientalists, which tend to misrepresent Muslims in a limited way, such as Jihad associated with terrorism and killing others instead of fighting against worldly desires. To contest these negative misrepresentations of the Muslim world, in her novel, Kahf uses Islamic sacred

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Soltani, Masoumeh, and Laleh Atashi. "Representations of Girlhood and Girl Stereotypes in Victoria Aveyards’ The Red Queen Collection." k@ta 23, no. 1 (2021): 10–20. http://dx.doi.org/10.9744/kata.23.1.10-20.

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Given the fact that girlhood studies is a new area of investigation which intriguingly demonstrates various ways through which girlhood is structured by different social and cultural codes, we intend to examine girl characters in The Red Queen collection as it was the New York Times Best Selling series. This investigation reveals the way cultural and social norms prescribe specific gender roles and shape different versions of girl characters in this series. To find girl stereotypes in The Red Queen collection, such girlhood theories as Girl Power, Reviving Ophelia, #LIKEAGIRL, Girl Effect and

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22

Ouhiba, Nawel Meriem. "Beyond the Veil: Exploring Muslim Women’s Multidimensional Identities in Laila Aboulela’s The Translator and Mohja Kahf’s The Girl in the Tangerine Scarf." International Journal of English and Comparative Literary Studies 2, no. 5 (2021): 25–38. http://dx.doi.org/10.47631/ijecls.v2i5.340.

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The article presents a critical analysis of two novels by contemporary Arab Muslim women writers, Leila Aboulela and Mohja Kahf. The article examines how these authors critique, resist, and disrupt the hegemonic discourse that presents Muslim women as a monolithic and homogeneous category. In The Translator and The Girl in Tangerine Scarf respectively, the female protagonists’ religious experiences and identities are studied with reference to resistance narratives and disruptive postcolonial strategies. The unsettling of the monolithic image of veiled Muslim women is hereby pursued through pro

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23

Ouhiba, Nawel Meriem. "Beyond the Veil: Exploring Muslim Women’s Multidimensional Identities in Laila Aboulela’s The Translator and Mohja Kahf’s The Girl in the Tangerine Scarf." International Journal of English and Comparative Literary Studies 2, no. 5 (2021): 25–38. http://dx.doi.org/10.47631/ijecls.v2i5.340.

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The article presents a critical analysis of two novels by contemporary Arab Muslim women writers, Leila Aboulela and Mohja Kahf. The article examines how these authors critique, resist, and disrupt the hegemonic discourse that presents Muslim women as a monolithic and homogeneous category. In The Translator and The Girl in Tangerine Scarf respectively, the female protagonists’ religious experiences and identities are studied with reference to resistance narratives and disruptive postcolonial strategies. The unsettling of the monolithic image of veiled Muslim women is hereby pursued through pro

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24

Lee, Hye-Won. "A Study on the Dialectic Female Narrative in Korean Idol Music Video: Focused on the girl group “Red Velvet”." K-Culture·Story Contents Reasearch Institute 2 (January 31, 2023): 9–38. http://dx.doi.org/10.56659/kcsc.2023.1.9.

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The purpose of this study is to examine the dialectical female narrative that appears in the music video of the girl group “Red Velvet” through Hegel's dialectic. In the red velvet song with the velvet concept targeted in this study, “Women's narrative,” in which women become the subject of narrative and express the self-realization of the female subject, is a central element. Macroscopically, these songs form a “These-Antithese-Synthese” relationship, and epicly, they consist of a “divide-integration-divide-integration” aspect. In general, “These” is a hesitation to return to a patriarchal an

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Handayani, Rika. "Power Relations Between Parents and Children as Seen in Desni Intan Suri's Aku Tidak Membeli Cintamu and Mohja Kafh's The Girl in Tangerine Scarf." Vivid: Journal of Language and Literature 12, no. 1 (2023): 111. http://dx.doi.org/10.25077/vj.12.1.111-117.2023.

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The role of parents in determining the lives of their children has been depicted in many media including literary works. This article tries to show how this issue is presented in two novels. Scrutinized from Foucauldian's perspective focusing on power relations between parents and children, this article analyzes Desni Intan Suri's Aku Tidak Membeli Cintamu and Mohja Kafh's The Girl in the Tangerine Scarf. The results show that the parents impose their power in the form of domination. In addition, the authors portray the children's acceptance as well as resistance to domination. Acceptance indi

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Byun, Eun Jung, Sang Hyun Cho, Jeong Deuk Lee, and Hei Sung Kim. "A girl with a solitary red bulla." Journal of the American Academy of Dermatology 76, no. 3 (2017): e85-e86. http://dx.doi.org/10.1016/j.jaad.2016.06.027.

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Vojvodić, Jasmina. "Changing Clothes in the Novel Crime and Punishment." Dostoevsky and World Culture. Philological journal, no. 3 (27) (2024): 159–76. http://dx.doi.org/10.22455/2619-0311-2024-3-159-176.

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The article examines the clothing of the heroes in the novel Crime and Punishment. The clothes of the poor (rags, cheap materials) are analyzed, as well as clothes that hide and reveal (an axe invisible from the outside, blood on clothes), grotesque clothes, etc. The analysis particularly emphasizes the clothing of the lovers. The clothes of the characters speak both about the falseness of love as well as about sincere feelings and the development of love between two couples: Razumikhin-Dunia and Raskolnikov-Sonia. The change of Raskolnikov’s clothes, carried out with Razumikhin’s help, is the

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Kuny Salma Afifa and Alfian Setya Nugraha. "The Myth Of "The Red" in View of Islamic Boarding Schools." Jurnal Disastri 6, no. 2 (2024): 94–100. http://dx.doi.org/10.33752/disastri.v6i2.5898.

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This study aims to describe myths in the view of Islamic boarding schools. This research uses Levi-Strauss theory and literature review approach and uses qualitative descriptive research methods. The source of this research was interviews with student audiences, female students and caregivers in Islamic boarding schools. Data collection techniques used are interviews, notes and supported by literature reviews in the form of articles. In this study tells about the myth of "The Red" circulating in girls' boarding schools. This myth is one of the things that is feared because the story circulatin

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Ling, Lin. "'The Girl in the Tangerine Scarf': Constructing Diasporic Muslim Identities in a Coming-of-Age Narrative." Cultural Intertexts 10, The Roaring (20)20s (2020): 107–21. https://doi.org/10.5281/zenodo.4322263.

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The paper explores the representation of diasporic Muslim identities in a coming-of-age narrative: Arab American female novelist Mojha Kahf’s bestseller The Girl in the Tangerine Scarf published in 2006. It examines how the religious diasporic hybrid identity is mobilized within the female protagonist Khadra Shamy, including the ways she struggles to negotiate her identity across different cultural terrains and gendered, racialised, intergenerational configurations. It attempts to show how these literary representations construct – and help conceptualize—the ways we understan

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Retno Yuliyandra and Eliya Pebriyeni. "Visualisasi Bunga Mawar Dengan Teknik Batik Tulis Pada Selendang." Jurnal Kajian dan Penelitian Umum 2, no. 1 (2024): 202–12. http://dx.doi.org/10.47861/jkpu-nalanda.v2i1.865.

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The purpose of creating this final work is to visualize the shapes of roses into the words of batik in the form of scarf cells, whose ideas came from the types of roses. The methods used in the creation of written batik buds have several stages, ranging from the preparation stage, by observing plants around, namely the author observing the rose flowers, then the elaboration stage is the observation stage carried out, the author directs the observation of roses to be used as a piece of batik, namely the stage of getting the idea, where the author's idea gets the author of the rose type of rose,

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Dita Amanah, Nida Azka Pauziyyah, and Dedy Ansari Harahap. "STRATEGI PENGEMBANGAN USAHA OUTER SCARF “DESIRE & CO” CIMAHI." Jurnal Pengabdian kepada Masyarakat Indonesia (JPKMI) 3, no. 1 (2023): 105–14. http://dx.doi.org/10.55606/jpkmi.v3i1.906.

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This study was conducted on an online business in Cimahi called Desire & Co, which sells outer scarves with various motifs that can be selected or ordered according to the desired motif. Observation results show that there are several problems faced by this business, namely promotion on social media that is less consistent, lack of capital to advertise, poor quality product photos, and lack of human resources. This business is still implementing the red ocean strategy because it is relatively new and has many competitors. Observation of the running of the business is done by making a quest

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Clarke, George Elliott. "Trudeau – Long March /Shining Path." Canadian Theatre Review 128 (September 2006): 67–88. http://dx.doi.org/10.3138/ctr.128.014.

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During my Black Nova Scotian (Africa dian), crypto-socialist and poetry-b esotted youth, my heroes were warriorint ellectuals - scarved, lone figures. I romanticized chivalric character s such as the spea ker in Conrad Kent Rivers’s great poem, “Four Sheet s to the Wind and a One-Way Ticket to France” (1962): As a child I bought a red scarf and women told me how beautiful it looked, wandering through the sous-sols as France wandered through me.

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Zaicovski, Tatiana. "Pre-wedding traditions, matchmaking and wedding among the Old Believers of the Republic of Moldova." JOURNAL OF ETHNOLOGY AND CULTUROLOGY 31 (2022): 92–99. http://dx.doi.org/10.52603/rec.2022.31.10.

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The family traditions of the Old Believers are inextricably linked with church customs, which contributes to the preservation of morality, spiritual health and the viability of the community. In the pre-wedding period, young men and girls, naturally, sought to communicate, to get to know each other better, to pick up a mate, and for this there were various pretexts and methods (parties “vecherinki”, entertainment for the Easter holidays, when they hung a swing, etc.). In urban areas, they also met in the church. The article presents the traditional features of matchmaking (there were no specia

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Li, Lan, and Min-Lyoung Choi. "Comparative analysis of pretty and sexy makeup: between South Korean and Chinese girl groups." Korean Society of Beauty and Art 24, no. 1 (2023): 237–54. http://dx.doi.org/10.18693/jksba.2023.24.1.237.

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This study aimed to make a comparative analysis of color and shape in eye and lip makeup between South Korean girl groups with a wide appeal of pretty and sexy image to understand ingredients of South Korean style makeup in order to provide basic data for Chinese girl groups to apply to their makeup. First of all, when it comes to color for pretty image, eye shadow saw orange red or reddish orange have its desired effect, and so do orange on cheeks and red on lips. With regard to shape for pretty image, penciling eyebrows naturally straight and drawing eye lines extended horizontally with no e

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Russell, Penny. "Girl in a Red Dress: Inventions of Mathinna." Australian Historical Studies 43, no. 3 (2012): 341–62. http://dx.doi.org/10.1080/1031461x.2012.706627.

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Friedman, Susan Stanford. "Conjunctures of the “New” World Literature and Migration Studies." Journal of World Literature 3, no. 3 (2018): 267–89. http://dx.doi.org/10.1163/24056480-00303004.

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Abstract The essay explores the overlapping discourses in the fields of the “new” world literature and the “new” migration studies, with a focus on their related discourses of circulation and cosmopolitanism. It examines the transnational circulation of writers in addition to texts in twenty-first century world literature with specific discussions of the cosmopolitan treatment of religion in the work of selected diasporic Muslim women writers, featuring Elif Shafak’s The Bastard of Istanbul and Mohja Kahf’s E-Mails from Scheherazad and The Girl in the Tangerine Scarf. The essay considers the i

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Endah Dwi Larasati and Syefriani Syefriani. "Tari Batu Bolah di Sanggar Seni Misstahto Kabupaten Kampar Provinsi Riau." Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain 1, no. 4 (2024): 175–89. http://dx.doi.org/10.62383/abstrak.v1i4.223.

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This research was carried out with the aim of finding out the Batu Bolah Dance works at the Miss Tahto Art Studio, Kampar Regency, Riau Province. The method used in this research is a descriptive method using qualitative data. The data collection techniques used are observation, interviews and documentation techniques. In this research, the author conducted direct interviews at the Miss Tahto art studio with 3 people involved, namely, Misselia Nofitri as choreographer, Riska Juliani as dancer, and Gilang Ramadhan as musician. Based on Soedarsono's theory, the Batu Bolah dance has several movem

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Usmani, :. Shahab Ali. "DUPATTA STRANGULATION CAUSING TRACHEAL INJURY AND STENOSIS, A COMMON NORTH INDIAN SCENARIO: A CASE REPORT." UP STATE JOURNAL OF OTOLARYNGOLOGY AND HEAD AND NECK SURGERY VOLUME 8, ISSUE 2 (2020): 49–52. http://dx.doi.org/10.36611/upjohns/volume8/issue2/10.

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ABSTRACT: Closed tracheal injuries are rare but are more frequent in northern India. Ladies wear Dupatta (A Scarf ) around the neck which causes strangulation injury when entangled in the rear wheel of motorcycle or rickshaw. Because of rarity of such cases, it is often difficult for physicians at periphery to diagnose it early adding to the morbidity. We report a12-years old girl who presented to us with severe stridor and grade III tracheal Stenosis following dupatta strangulation while she was riding motorcycle. She was previously treated with T-tube placement in the trachea for 6 months, w

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ZHONG, Shi-en, Wen-bin LU, Hong-song PENG, and Shu-qi DAI. "Red scarf children's cognition of red tourism resources and patriotism: Evidence from Yuhuatai Revolutionary Martyrs Memorial Area in Nanjing." JOURNAL OF NATURAL RESOURCES 36, no. 7 (2021): 1684. http://dx.doi.org/10.31497/zrzyxb.20210705.

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Centorrino, Clizia, Marco Dalla Gassa, and Andrea Minuz. "With a hat and a red scarf: The construction of Federico Fellini’s public image." Journal of Italian Cinema & Media Studies 9, no. 1 (2021): 3–9. http://dx.doi.org/10.1386/jicms_00047_2.

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Jingwen, Xu, Long Danping, Yu Minzhang, and Lan Yaqi. "Research on Countermeasures for Digitally Empowering the “Red Scarf Medal” Special Seal Examination Activity." Education Study 7, no. 2 (2025): 149–53. https://doi.org/10.35534/es.0702030.

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Berrebbah, Ishak Adel. "The Fourth Space as an Escape from Colliding Cultures in Mohja Kahf's "The Girl in the Tangerine Scarf"." Lublin Studies in Modern Languages and Literature 43, no. 4 (2019): 63. http://dx.doi.org/10.17951/lsmll.2019.43.4.63-75.

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<p>The main axis of Arab American literature is its portrayal of the experiences that Arab Americans go through in their daily life inside and outside the USA. Taking Mohja Kahf’s novel as a literary sample, this paper examines the extent to which triple consciousness, faith development, and existentialist thought forge Khadra’s perplexity in understanding her identity – she struggles to explore her true self in two different cultural realms i.e., Mecca and Indianapolis. By employing points of view and criticism of well-known scholars and critics such as Erik Erikson, Henri Tajfel and Ja

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Quealy-Gainer, Kate. "The Girl with the Red Balloon by Katherine Locke." Bulletin of the Center for Children's Books 71, no. 3 (2017): 122–23. http://dx.doi.org/10.1353/bcc.2017.0789.

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Wobser, M., M. Goebeler, and H. Hamm. "Extensive Red and Blue Patches in a Young Girl." Klinische Pädiatrie 225, no. 01 (2012): 46–47. http://dx.doi.org/10.1055/s-0032-1329946.

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Aghasi, Maya. "World Literature in the World?" Journal of World Literature 6, no. 4 (2021): 593–612. http://dx.doi.org/10.1163/24056480-20210009.

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Abstract Criticized for being too Euro- and Americentric, world literature scholarship tends to center on the American implications of this shortcoming, with little discussion of world literature beyond these centers. This paper thus addresses the function of world literature beyond these centers, particularly in the lingua franca of global business: English. Drawing from my experience in the United Arab Emirates, I argue that because students in the region come from places with fraught colonial histories, migrant, Anglophone literature is critical in the world literature classroom because it

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Muhammad Asghar and Dr. Abdul Hamid Khan. "Challenging Muslim Female Identity and the Conflict of Western Social Expectations and Religious Visibility: A Postcolonial Feminist View." GUMAN 7, no. 3 (2024): 440–62. https://doi.org/10.63075/guman.v7i3.857.

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This Paper examines Muslim women's struggles with social expectations and religious identities in two novels: "The Girl in the Tangerine Scarf" by MohjaKahf and "Does My Head Look Big In This?". In the context of Muslim women's feminine identities amidst conflict due to religious visibility like Hijab in socially anticipated and demanding western settings, modern Anglophone literature is examined. Post-colonial feminist theory is used to analyse the text qualitatively through critical reading revealing literary aspects and representations that underscore Muslim women's struggles in Western cou

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Houssine, Khadiri El. "Counter- Representational Discourse of Islam in Islamophobic States: The Case of Mohja Kahf’s The Girl in Tangerine Scarf (2006)." International Journal of Language, Literature and Culture 3, no. 1 (2023): 25–30. http://dx.doi.org/10.22161/ijllc.3.1.4.

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Anglophone Arab literature in general and women in specific witnessed unprecedented change in content and quantity after the Twin Tower collapse. The September attacks of the 2011 brought about great political, social, cultural changes to the situation of Arabs in the West and America in particular since it destabilized their sense of belonging and created an agony and hostility against them. The experiences of social, political, and cultural marginality shape Arab Women’s diaspora fiction which, in turn, attempts to produce a rhetoric of resistance to counter-balance discourses of hierarchies

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Berrebbah, Ishak. "Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s The Girl in the Tangerine Scarf (2006)." East-West Cultural Passage 20, no. 1 (2020): 30–52. http://dx.doi.org/10.2478/ewcp-2020-0002.

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Abstract Arab-American women’s literature has emerged noticeably in the early years of the 21st century. The social and political atmosphere in post-9/11 America encouraged the growth of such literature and brought it to international attention. This diasporic literature functions as a means of discussing the Orientalist discourse that circumscribes Arab American identity and its effects in determining their position in the wider American society. As such, this article investigates the extent to which Edward Said’s discourse of Orientalism is employed by Mohja Kahf in her novel The Girl in the

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Boualem, Fadia, and Noureddine Guerroudj. "Identity Malaise of Exiled characters in Ethnic Fiction Case study: Mohja Kahf’s The Girl in the Tangerine Scarf (2006)." Arab World English Journal For Translation and Literary Studies 3, no. 3 (2019): 175–87. http://dx.doi.org/10.24093/awejtls/vol3no3.13.

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Ikhtiyanti, Ata Amrita, and Raissa Putri Azzahra. "Khadra's Journey of Finding Her True Identity Across Different Cultures in Mohja Kahf's The Girl in the Tangerine Scarf." Litteratura: Jurnal Bahasa dan Sastra 3, no. 2 (2024): 107–20. https://doi.org/10.15408/ltr.v3i2.30144.

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The novel The Girl in the Tangerine Scarf tells the story of a Muslim woman, Khadra Shamy, living in a non-Muslim country, experiencing various cultural and value clashes. Mohja Kahf, the author of the novel, portrays Khadra's journey in trying to discover her true identity as a Muslim woman. This article discusses the formation of Khadra Shamy’s identity in America. The study applies a descriptive qualitative method using Stuart Hall's theory of identity. The article also takes a feminist approach to examine the issues related to women, as the process of identity formation cannot be separated

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