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Dissertations / Theses on the topic 'The glass menagerie'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Miyake, Bevin. "Lighting Design for The Glass Menagerie." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/853.

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This document is a written account of the design and production process for Southern Illinois University Carbondale's production of The Glass Menagerie. The project ran for one weekend in October of 2011. The first chapter consists of a textual and character analysis as well as my own goals for the production. Chapter Two describes the process of designing The Glass Menagerie from just prior to the first design meeting through opening night. The third and final chapter is a self-evaluation of the process and the final product. The text of the document is followed by appendices containing rese

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2

MacNeil, Edward J. "The stained-glass menagerie, Catholic women in educational leadership." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0019/MQ28611.pdf.

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Molitor, Stephanie Anne. "A Portrait of Four in Glass: The Costume Design for The Glass Menagerie." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/852.

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AN ABSTRACT OF THE THESIS OF Stephanie Anne Molitor, for the Master of Fine Arts degree in Theater, presented on 2 July 2010, at Southern Illinois University Carbondale. TITLE: A PORTRAIT OF FOUR IN GLASS: THE COSTUME DESIGN FOR THE GLASS MENAGERIE MAJOR PROFESSOR: Wendi Zea The Department of Theater at Southern Illinois University Carbondale presented Tennessee Williams' The Glass Menagerie in October 2011. This thesis presents the documentation and analysis of my costume design process for this piece. Chapter 1 contains an analysis of the script, including pertinent biographical informatio

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Costa, Roberta <1984&gt. "Tennessee Williams's "The Glass Menagerie": three movies for one play." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8709.

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The analysis of the three movie versions of the play "The Glass Menagerie" in comparison with the original play itself. Starting from the first adaptation in 1950, the second of 1973, and the third of 1987.

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Zúñiga, Hertz María del Pilar. "The glass menagerie and A streetcar named desire : Tennessee Williams and the confluence of experiences." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/115664.

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Informe de Seminario para optar al grado de Licenciada en Lengua y Literatura Inglesa<br>Our seminar, ‘The city and the urban subject in British and American Literature’, revolved around the problem of cities and urban subjects, considering the relations they have with the metropolis and the way in which the constant flux of cities affects them. The consolidation of the cities created a space for new subjects, and new genres. But there is one element of these cities that caught my attention, and this is a shared element with the countryside, and a reminiscent idea of the early human communitie

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Johnson, Donovan Theodore III. "A transparent melange: an interior analysis of the creative process through a production of Tennessee Williams's The Glass Menagerie." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328820635.

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7

Herman, Terah. "THE DISABLED FAMILY DYNAMIC IN DRAMA: THE GLASS MENAGERIE, A DAY IN THE DEATH OF JOE EGG AND TIME FOR BEN." UKnowledge, 2008. http://uknowledge.uky.edu/gradschool_theses/528.

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Early disability research in the social sciences focused on the individual, or the person with the disability. Only recently has disability research accepted that every family member is affected. The disabled does not suffer the disability alone; the entire family— as well as friends and relatives—suffer ramifications. Parental roles are altered, and grief, anger and guilt often blur the parameters of acceptable parental care. By using disabled family dynamic research in dialog with The Glass Menagerie, A Day in the Death of Joe Egg, and Time for Ben, I argue that the disabled family dynamic i

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8

Herman, Terah Elizabeth. "The disabled family dynamic in drama The glass menagerie, A day in the death of Joe Egg and Time for Ben /." Lexington, Ky. : [University of Kentucky Libraries], 2008. http://hdl.handle.net/10225/872.

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Thesis (M.A.)--University of Kentucky, 2008.<br>Title from document title page (viewed on November 3, 2008). Document formatted into pages; contains: v, 86 p. Includes abstract and vita. Includes bibliographical references (p. 81-85).

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9

Gros, Camille. "The Myths of the Self-Made-Man: Cowboys, Salesmen and Pirates in Tennessee Williams' the Glass Menagerie and Arthur Miller's Death of a Salesman." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_theses/61.

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Most books written about American drama concern definitions of masculinity, the American dream, and the family in a society that encourages people to surpass their competences and limits. American playwrights of the twentieth century reveal the anxiety and insecurity of men who do not rise up to the standards of the American dream. In concentrating on these themes, most critics have analyzed the main characters and plots but have left aside hints about other myths. This study aims to analyse the extended use of the cowboy, of salesman, and of pirate in Tennessee Williams’s The Glass Menagerie

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Miller, Elizabeth Marie. "Tennessee Williams and the Generation Gap of the Modern South: Exploring Identity Through Negation in Cat on a Hot Tin Roof and The Glass Menagerie." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/146608.

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11

Weiss, Katherine, Stephen Bottoms, Philip Kolin, and Michael S. D. Hooper. "A Student Handbook to the Plays of Tennessee Williams: The Glass Menagerie; A Streetcar Named Desire; Cat on a Hot Tin Roof; Sweet Bird of Youth." Digital Commons @ East Tennessee State University, 2014. https://www.amzn.com/1472521862.

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A Student Handbook to the Plays of Tennessee Williams provides the essential guide to Williams' most studied and revived dramas. Authored by a team of leading scholars, it offers students a clear analysis and detailed commentary on four of Williams' plays: The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and Sweet Bird of Youth. A consistent framework of analysis ensures that whether readers are wanting a summary of the play, a commentary on the themes or characters, or a discussion of the work in performance, they can readily find what they need to develop their understand

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12

Janardanan, Dipa. "Images of loss in Tennessee Williams's The glass menagerie, Arthur Miller's Death of a salesman, Marsha Norman's Night, mother, and Paula Vogel's How I learned to drive." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-11122007-085911/.

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Thesis (Ph. D.)--Georgia State University, 2007.<br>Title from file title page. Matthew C. Roudane, committee chair; Pearl McHaney, Nancy Chase, committee members. Electronic text (208 p.) : digital, PDF file. Description based on contents viewed Feb. 28, 2008. Includes bibliographical references (p. 192-208).

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13

Tsai, Yu-ling. "A Benjaminian Reading of The Glass Menagerie." 2005. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0021-2004200717495294.

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Yu-ling, Tsai, and 蔡鈺伶. "A Benjaminian Reading of The Glass Menagerie." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/84632822036974444039.

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碩士<br>國立臺灣師範大學<br>英語學系<br>94<br>In this thesis The Glass Menagerie is read in the light of Walter Benjamin’s theory of myth, symbol, allegory and emblem in German Baroque “mourning plays.” In this reading Laura’s favorite glass unicorn changes from a symbol to an allegorical figure and finally to an emblem, thus revealing Tennessee Williams’s moral concerns in the play. At first a symbol of the alienation, hyper-sensitivity and imagination of the Wingfields, especially Laura, the unicorn is broken by the gentleman caller Jim. At this point it takes on an allegorical meaning, that of the transf

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Peng, Yen-Ting, and 彭艷婷. "Performer and Character: Laura in The Glass Menagerie." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/69534021672426589012.

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碩士<br>國立臺北藝術大學<br>劇場藝術創作研究所表演組<br>103<br>This performance report documents the actor studies history of Peng-Yen-Ting.First half narrates the processes of my actor trainings( in the M.F.A. in Acting program at Taipei National University of the Arts'' Graduate Institute of Theatre Performance & Playwriting) along with the execution level, rewards during my solo performance in prior to my graduating from school. Second half details about how I form the character Laura in The Glass Menagerie, a play written by Tennessee Williams, directed by Vicky Chiang. At the end, I conclude an idea “symbiosis

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Wen-hsing, Chen, and 陳文興. "How to Teach The Glass Menagerie to Students in Taiwan." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/84590230869975223561.

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碩士<br>國立高雄師範大學<br>英語學系<br>91<br>Literature stirs our personal responses with thriving feelings and thoughts when we face its world of fantasy. What it provides us is an opportunity to meet other people, to know other different points of view, ideas and eventually to know ourselves better. When it comes to language learning, it enhances our interests in the learning activities and deepens our comprehension of the cultures at home or abroad. Now that drama is a genre of literature, it achieves the same goals as the other genres do. Drama would be accessed in two ways: going to the

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ONG, Lawrence Su Keong, and 翁書強. "An Actor''s Journey: A Crossroad Named The Glass Menagerie." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/51502877382237580974.

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碩士<br>國立臺北藝術大學<br>劇場藝術創作研究所表演組<br>103<br>This performance report documents Lawrence Ong''s acting experience in The Glass Menagerie, a play written by Tennessee Williams, directed by Vicky Chiang. It summarizes my training in the M.F.A. in Acting program at Taipei National University of the Arts'' Graduate Institute of Theatre Performance & Playwriting. These reflections include what I consider to be important, necessary, and extremely helpful homework and acting technique for actors. Although it is a performance report, it is also an actor''s journal, thoughts or ideas, scrapbook, plans, a

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18

Liao, You-qing, and 廖祐慶. "Creating Characters: The process of characterizing Tom in The Glass Menagerie." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/hjc577.

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碩士<br>國立臺北藝術大學<br>劇場藝術創作研究所表演組<br>101<br>As an actor, every performance is like a presentation of my past acting history. For instance, being Tom in “The Glass Menagerie” last November presented not only the practices and rehearsals in past 3 months on this play, but also the result of my performance learning process since my first touch in acting. All of these experiences nurture me in breathing, acting, feeling and reacting when I step on the stage. Therefore, this thesis summarizes the course of my acting and learning experience in the graduate school of TNUA and the practice notes during

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19

Lyons-Hegdahl, Teresa. "An actor's process Clifford Odets' Awake and Sing! and Tennessee Williams' The Glass Menagerie /." 1986. http://catalog.hathitrust.org/api/volumes/oclc/15029533.html.

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Thesis (M.F.A.)--University of Wisconsin--Madison, 1986.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 78-80).

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Chang, Yu-Ting, and 張毓庭. "An Analysis of Tennessee Williams’ The Glass Menagerie from the Perspective of Object Relations Theory." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/72087625859515191646.

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碩士<br>國立臺灣藝術大學<br>戲劇學系<br>102<br>The purpose of this study is to analyze the object relations of the characters of The Glass Menagerie, and to explore the complexity of feelings of all the characters to know how the relations influence the main characters’ family from the perspective of object relations theory. This study will analyze the characters’ behaviors and their dialogues from each character’s viewpoints, and contrast the similarities and differences between characters’ inner worlds and outer world of reality. This study explores the characters’ object relations by Melanie Klein’s and

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21

HUANG, YUN-CHIUEH, and 黃雲雀. "Confinement and estrangement: A study of the gloomy vision in Tennessee Williams's The Glass Menagerie." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/97244118407942113462.

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22

Yu-ling, Hung. "Multiple Masquerades and Contradictory Female Images in Tennessee Williams' The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke." 2005. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0001-1407200510551300.

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23

Hung, Yu-ling, and 洪毓羚. "Multiple Masquerades and Contradictory Female Images in Tennessee Williams'' The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/45039599020817382707.

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碩士<br>國立臺灣大學<br>外國語文學研究所<br>93<br>Tennessee Williams, one of the greatest American dramatists, is highly praised for his exquisite female characterization. While generally occupying a main position, Williams’ women are also overloaded with images and significances that reflect not only critics’ ideology but the author’s own propensity. The aim of the thesis is to explore the contradictory images of female characters through the lens of masquerades in Williams’ three plays, The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke. By focusing on the multiple masquerades of sexuali

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24

Ching-Ting, Tseng, and 曾慶婷. "Illusion and Disillusion of the three protagonists in Tennessee Williams’ The Glass Menagerie, Sweet Bird of Youth, and Cat on the Hot Tin Roof." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/v6bx7r.

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碩士<br>中國文化大學<br>英國語文學系<br>98<br>Abstract This thesis is an attempt to make an inquiry into the economical and psychological effects that cause illusion and disillusion of the three protagonists in Tennessee Williams’ works, namely, Tom Wingfield in The Glass Menagerie (1944), Chance Wayne in Sweet Bird of Youth (1959), and Brick in Cat on a Hot Tin Roof (1955). The Glass Menagerie is a memory play set in St. Louis during the Great Depression, and it deals with the relationship among a strong Amanda Wingfield, a crippled daughter, Laura, and an imaginative son, Tom Wingfield. Tom Wingfield de

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葉怡君. "From Chrysalis to Butterfly: The Female Body in Tennessee Williams's The Glass Menagerie and Mei-yin Liu's The Train Vagina Is Going/Penetrating Flowers." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/96606327003747411439.

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碩士<br>國立中正大學<br>比較文學研究所<br>90<br>This thesis aims to discuss the issue of the female body in Tennessee Williams’s The Glass Menagerie and Mei-yin Liu’s The Train Vagina Is Going/Penetrating Flowers. Admitted his homosexuality, Tennessee Williams’s effeminate characteristic and Mei-yin Liu’s hardy and aggressive personality reveal that such gender identity and personality do not fit in with the traditional social norms which require men should have masculinity and women posses femininity. Due to this difference, they have profound understanding of the problems faced by women with their bodies

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HU, ZHI-XIANG, and 胡志祥. "Tennessee Williams' The Glass Menagerie:a Chinese translation with introduction." Thesis, 1991. http://ndltd.ncl.edu.tw/handle/71141665735388195150.

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