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Journal articles on the topic 'The glass menagerie'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Zarkan, Maysa, and Eman Orabi. "Exploring The Glass Menagerie by Tennessee Williams Through the Lens of Feminism." Theory and Practice in Language Studies 14, no. 12 (2024): 3820–26. https://doi.org/10.17507/tpls.1412.16.

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The characters, scenes, and events in Tennessee William’s The Glass Menagerie are used to expand on the idea of women's liberation. Utilizing a feminist lens, the article aims to reread The Glass Menagerie from a feminist approach. It also highlights the distinctions between the characters in the play and the reasons behind them. The degree of liberalness in each of the drama's scenes helps to clarify them. Additionally, one of the ideas that will be covered in the study is the patriarchal influence of male characters over female characters. However, The Glass Menagerie's portrayal of a mother

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2

Shaland, Irene, and Tennessee Williams. "The Glass Menagerie." Theatre Journal 42, no. 1 (1990): 121. http://dx.doi.org/10.2307/3207569.

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3

Burns, Morris U., and Tennessee Williams. "The Glass Menagerie." Theatre Journal 42, no. 2 (1990): 267. http://dx.doi.org/10.2307/3207772.

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4

Hoda, Syed A., and Theresa Scognamiglio. "“The Glass Menagerie”." International Journal of Surgical Pathology 19, no. 4 (2011): 492–93. http://dx.doi.org/10.1177/1066896911411186.

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5

Elmoutassim, Abdelmonim. "Memory and Modern Drama: Tennessee Williams’s The Glass Menagerie as a Case Study." International Journal of English Literature and Social Sciences 8, no. 5 (2023): 148–54. http://dx.doi.org/10.22161/ijels.85.25.

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Tennessee Williams is one of the foremost playwrights in modern drama. In 1945, the American theater witnessed his mind-blowing play, The Glass Menagerie. Because of the latter, Williams received a great deal of fame and winnings. Since The Glass Menagerie is a memory play, this paper will focus on the subject of memory and its interconnectedness with modern drama first, then delve into memory theories, and lastly discuss memory mechanisms in The Glass Menagerie.

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6

Pond, Steven F., Billy Cobham, Michal Urbaniak, et al. "Billy Cobham's Glass Menagerie." American Music 23, no. 4 (2005): 521. http://dx.doi.org/10.2307/4153075.

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7

Crawford, Brett Ashley. "The Glass Menagerie (review)." Theatre Journal 57, no. 2 (2005): 308–11. http://dx.doi.org/10.1353/tj.2005.0056.

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8

Cobbe, Elizabeth C. "Williams's the Glass Menagerie." Explicator 61, no. 1 (2002): 49–51. http://dx.doi.org/10.1080/00144940209597752.

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9

Fambrough, Preston. "Williams's the Glass Menagerie." Explicator 63, no. 2 (2005): 100–102. http://dx.doi.org/10.1080/00144940509596906.

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10

Thierfelder, William R. "Williams's the Glass Menagerie." Explicator 48, no. 4 (1990): 284–85. http://dx.doi.org/10.1080/00144940.1990.9934033.

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11

Cardullo, Bert. "Williams’s the Glass Menagerie." Explicator 55, no. 3 (1997): 161–63. http://dx.doi.org/10.1080/00144940.1997.11484163.

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12

Chapman, Matthieu. "A Stained Glass Menagerie." Theatre History Studies 41, no. 1 (2022): 30–33. http://dx.doi.org/10.1353/ths.2022.0002.

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13

Yun, Deng. "The Analysis of the Thirdspace of the Glass Menagerie." Frontiers in Humanities and Social Sciences 4, no. 10 (2024): 251–55. https://doi.org/10.54691/q20tgh27.

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The Glass Menagerie, a masterpiece by Tennessee Williams, depicts the life of the lower middle class from the South, who came to the North for a living in the context of the Great Depression. The Southern women, Amanda and Laura, portrayed by Tennessee Williams in The Glass Menagerie, embody the Southern ladies' escape from the cruel reality and their remembrance and nostalgia for the Southern society and tradition. This article employs Edward W. Soja's perspective of Thirdspace, to analyze the decline of traditional Southern culture in The Glass Menagerie and Laura 's awakening as a new gener

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14

Ardolino, Frank. "Tennessee Williams's THE GLASS MENAGERIE." Explicator 68, no. 2 (2010): 131–32. http://dx.doi.org/10.1080/00144941003723907.

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15

Minghui, Qiu. "Through Psychological Analysis of The Glass Menagerie -- Laura's Unsound Personality Causes." International Journal of English Literature and Social Sciences 7, no. 6 (2022): 235–41. http://dx.doi.org/10.22161/ijels.76.34.

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Tennessee Williams was one of the three great American dramatists of the 20th century. The Glass Menagerie, which was produced in Chicago in 1994, took him from obscurity to fame. There are many ways to interpret the characters in The Glass Menagerie. This paper analyzes the personality structure of Laura from Jung's persona theory, and deeply reveals the reasons for the formation of the characters, so that readers can deepen their understanding of the text and the characters and reveal the complexity of the human spiritual world.

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16

Santos, Fernanda. "Adesão e crítica ao cinema na dramaturgia de The glass menagerie." Significação: Revista de Cultura Audiovisual 47, no. 54 (2020): 23–42. http://dx.doi.org/10.11606/issn.2316-7114.sig.2020.167624.

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O presente artigo analisa a dramaturgia da peça The glass menagerie (1944), de Tennessee Williams, tomando aspectos de aderência e crítica que o texto desenvolve em relação ao cinema clássico estadunidense dos anos 1930 e 1940. Por meio de uma abordagem intermidiática, advogarei a favor de uma “adesão-crítica” de The glass menagerie à linguagem e à cultura social do cinema do período, capaz de promover tensionamentos no caráter dramático do texto de Williams. O trabalho almeja um apontamento preliminar a respeito das trocas intermidiáticas entre os textos teatrais de Tennessee Williams e o cin

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17

Lee, Haimin. "Fugitive Kind in The Glass Menagerie." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 76 (August 31, 2020): 121–39. http://dx.doi.org/10.21087/nsell.2020.08.76.121.

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18

Nensia, Nensia nensia. "Masculinity Values in The Glass Menagerie." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 2 (2020): 287–96. http://dx.doi.org/10.34050/els-jish.v3i2.9616.

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Masculinity is the labeling for men related to sex, identity, responsibility, culture, tradition, and others aspect. Masculinity is also the term of separating position for men from female. The aim of the research was to describe the masculinity values of the men characters in the drama whose name is Tom that he is depressed by his mother. The research employed a descriptive qualitative method with structuralism approach. Data sources were primary and supporting data. The primary data were taken from Tennessee William’s The Glass Menagerie, and supporting data were taken from the books, journa

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19

Elliott, Kenneth. "The Glass Menagerie by Tennessee Williams." Theatre Journal 65, no. 4 (2013): 584–85. http://dx.doi.org/10.1353/tj.2013.0122.

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20

Fan, Ye. "Disintegration and Reconstruction." Frontiers in Humanities and Social Sciences 4, no. 11 (2024): 205–8. https://doi.org/10.54691/89fx3949.

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The Glass Menagerie is a work by American playwright Tennessee Williams that "opens a new chapter in the history of Western theater". It tells the tragedy of an ordinary family's confrontation with the real society in the background of the Great Depression after the First World War. In this play, Williams follows the realistic principle and uses the symbol “the glass zoo” to signify the whole family in the play, which shows the fragility of the family community under the social background at that time, and also implies the possibility of community reconstruction. Through analyzing the communit

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21

Natalina, Sry, and Rotua Elfrida2. "An Analysis of Escapism in Tennessee Williams’ “The Glass Menagerie”." Explora 9, no. 2 (2023): 17–21. http://dx.doi.org/10.51622/explora.v9i2.2458.

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This study deals with Tennessee Williams’ work, The Glass Menagerie based on psychological analysis. The characters in the play are intentionally made to identify the attitudes and behaviors of each character in order to give up clear descripion of the characters. In the Glass Menagerie there are three characters who try to escape from reality but they have different psychological problem in life. Living in illusion is Amanda’s way to escape, playing the glass figure is the way of Laura to escape from reality, while the way of Tom to escape is going to the movies. The purpose of analyzing the

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22

Sharma, Vipin K. "Memory, Media, and Modernity in Tennessee Williams’ The Glass Menagerie: A Twenty-first Century Perspective." Studies in Media and Communication 11, no. 6 (2023): 181. http://dx.doi.org/10.11114/smc.v11i6.6194.

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This article explores how effectively Tennessee Williams in The Glass Menagerie uses ‘memory’ to add new dramatic elements by recounting historical occurrences, ‘media’ to accurately depict people’s circumstances and an authentic picture of society, and ‘modernity’ through his characters that affected their lives in the play. In this study, a descriptive study design with a component of qualitative analysis is used to find out answers to three research questions based on “memory, media and modernity” in The Glass Menagerie, and get a credible solution to strengthen our arguments. The in-depth

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23

Kamalaveni, K., and Dr R. Venkataraman. "The Lonely Victims of the Glass Menagerie." International Journal of English Literature and Social Sciences 6, no. 3 (2021): 117–19. http://dx.doi.org/10.22161/ijels.63.19.

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24

Reynolds, James. "The Failure of Technology inThe Glass Menagerie." Modern Drama 34, no. 4 (1991): 522–27. http://dx.doi.org/10.3138/md.34.4.522.

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25

Ruelle, David. "Cracks in the glass menagerie of science." Physics World 7, no. 12 (1994): 43–44. http://dx.doi.org/10.1088/2058-7058/7/12/31.

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26

Sheehy, C. "FLEXI-GLASS: TENNESSEE WILLIAMS'S SUPREMELY MALLEABLE MENAGERIE." Theater 22, no. 1 (1991): 79–82. http://dx.doi.org/10.1215/01610775-22-1-79.

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27

Halfmann, Randal. "A glass menagerie of low complexity sequences." Current Opinion in Structural Biology 38 (June 2016): 18–25. http://dx.doi.org/10.1016/j.sbi.2016.05.002.

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28

Cardullo, Robert J. "Liebestod, Romanticism, and Poetry inThe Glass Menagerie." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 23, no. 2 (2010): 76–85. http://dx.doi.org/10.1080/08957691003712124.

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29

Levy, Eric. ""Through Soundproof Glass": The Prison of Self-Consciousness inThe Glass Menagerie." Modern Drama 36, no. 4 (1993): 529–37. http://dx.doi.org/10.3138/md.36.4.529.

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30

Batul Fatema Mubarak, Pathan. "THE EXPRESSIONISTIC TECHNIQUE OF PRESENTING NARRATOR AND MEMORY IN TENNESSEE WILLIAMS THE GLASS MENAGERIE." International Journal of Advanced Research 9, no. 03 (2021): 543–45. http://dx.doi.org/10.21474/ijar01/12614.

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Expressionism was a movement in art and literature which presented a very subjective view of the world. The movement itself revolted against realism and naturalism, while the technique distorted reality, displayed the human emotions and tried to reveal the psycho-spiritual truth in the Modern world. The Glass Menagerie (1944) tells the story of a broken modern family with three characters- Tom, Laura and Amanda, all of whom live in their own reality. This familys encounter with another worldly character Jim, however, crashed their fragile world around them. In the modern era, when people are o

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31

ChoSookHee. "A Study of Narratemes in The Glass Menagerie." Jungang Journal of English Language and Literature 51, no. 4 (2009): 365–78. http://dx.doi.org/10.18853/jjell.2009.51.4.019.

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32

Yu, Jiefei. "Metaphorical Disability in Tennessee Williams’s The Glass Menagerie." Theory and Practice in Language Studies 12, no. 5 (2022): 990–95. http://dx.doi.org/10.17507/tpls.1205.21.

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This paper analyses the disability in Tennessee Williams’s The Glass Menagerie at three levels: the physical disability, cultural disability, and social disability, which is reflected in Laura’s vulnerability, Tom’s spiritual struggle as a gay man, and their mother Amanda’s neuroticism. Through representations of the repressive social culture against the disabled and dramatizing the interconnected collision between the old South and modern society against the homophobic cultural background, Williams expresses his humanistic concerns.

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33

Kim, Yung-Yoon, and Joon Hui Cho. "A Study of Director’s Approach to Reinforce Metatheatricality in Tennessee Williams’s The Glass Menagerie." Humanities Contents 48 (March 31, 2018): 187–215. http://dx.doi.org/10.18658/humancon.2018.03.48.187.

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34

Nensia, '. "Escapism as Reflected in Tennessee William’s The Glass Menagerie." ELS Journal on Interdisciplinary Studies in Humanities 1, no. 1 (2018): 110–16. http://dx.doi.org/10.34050/els-jish.v1i1.4189.

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Escapism is a part of psychology which in this research connected into literature as an interdisciplinary study which shows inclination of human personality to seeking for a way out or escape from unpleasant realities. The aim of the research was to describe the characters got acquainted with escapism and the way the characters’ cope with escapism in their daily life. The research employed a descriptive qualitative method with psychoanalytical approach of Sigmund Freud’s personality structure from anxiety theory, defense and problem solving mechanism. Data sources were primary and supporting d

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35

Crandell. "The Cinematic Eye in Tennessee Williams's "The Glass Menagerie"." Tennessee Williams Annual Review, no. 1 (1998): 1. http://dx.doi.org/10.2307/45343903.

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36

Flayah Ubead, Dr Qassim. "ESCAPE FROM REALITY IN TENNESSEE WILLIAMS' THE GLASS MENAGERIE." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, no. 01 (2022): 553–64. http://dx.doi.org/10.37648/ijrssh.v12i01.028.

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37

Pilkington, F. Beryl, Keville Frederickson, and Martha Velsasco-Whetsell. "The Glass Menagerie as Heuristic for Explicating Nursing Theory." Nursing Science Quarterly 19, no. 3 (2006): 190–96. http://dx.doi.org/10.1177/0894318406289435.

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38

Gordon, Richard, Dusan Losic, Mary Ann Tiffany, Stephen S. Nagy, and Frithjof A. S. Sterrenburg. "The Glass Menagerie: diatoms for novel applications in nanotechnology." Trends in Biotechnology 27, no. 2 (2009): 116–27. http://dx.doi.org/10.1016/j.tibtech.2008.11.003.

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39

V. S, Namitha. "Blue Mountain and Blue Roses: An Exploration of the Feminine Psyche in Tennessee Williams’ The Glass Menagerie." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 192–205. http://dx.doi.org/10.24113/ijellh.v9i1.10891.

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Tennessee Williams, the remarkably outstanding American dramatist of the 1920s, through his plays, presents a marked concern for the identity crisis a woman faces. He projects the crisis arising out of the conflict between a woman’s own aspirations and the traditional role expectations. The Glass Menagerie (1945) depicts the life of two women- Amanda Wingfield and her daughter Laura Wingfield. Amanda is the typical Southern belle that suffered a reversal of economic and social fortune, who withdraws from reality into fantasy. Her daughter Laura, the physically and emotionally crippled heroine

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40

Jeong, Youn-Gil. "The Aesthetics of Compassion and Empathy in A Streetcar Named Desire and The Glass Menagerie." Korean Society for Teaching English Literature 28, no. 3 (2024): 247–67. https://doi.org/10.19068/jtel.2024.28.3.09.

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41

Tabatabaei, Omid, and Maryam Mohammadi Sarab. "The psychological perception of the glass menagerie from author’s perspective." Journal of Applied Studies in Language 4, no. 1 (2020): 90–96. http://dx.doi.org/10.31940/jasl.v4i1.1821.

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42

Sari, Dian Paramita, Feby Meuthia Yusuf, and Helmita Helmita. "The Introvert Character as Seen In Tennessee William’s Glass Menagerie." Jurnal Ilmiah Langue and Parole 1, no. 1 (2017): 98–104. http://dx.doi.org/10.36057/jilp.v1i1.340.

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This thesis tell about a drama Glass Menagerie by Tennessee William. This drama memory play of narrator, Tom wingfield. He is an aspiring poet which work in warehouse to support his mother, Amanda and his sister, Laura. Mr. wingfield, Tom’s father, ran off family years ago, except for one postcard, has not been haeard from since. Amanda, originally from a genteel family, regales her children frequently with tales of her idyllic youth and the scores of suitors who once pursued her. She is disappointed that Laura, who wears a brace one her leg and is painfully shy, does not attract any gentlemen

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43

Debusscher. ""Where Memory Begins": New Texas Light on "The Glass Menagerie"." Tennessee Williams Annual Review, no. 1 (1998): 53. http://dx.doi.org/10.2307/45343908.

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44

Cho, Yeoniee. "A Post-Brechtian Reading of Tennessee Williams’s The Glass Menagerie." Institute of British and American Studies 54 (February 28, 2022): 167–96. http://dx.doi.org/10.25093/ibas.2022.54.167.

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45

Hickey, Brian A. "Bowen's Family Projection Process and Tennessee Williams's “The Glass Menagerie”." Perspectives in Psychiatric Care 22, no. 1 (2009): 26–32. http://dx.doi.org/10.1111/j.1744-6163.1984.tb00200.x.

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46

Kusovac, Olivera, and Jelena Pralas. "Repetition as Trapped Emotion in Tennessee Williams’s the Glass Menagerie." Studia Anglica Posnaniensia 51, no. 4 (2016): 29–51. http://dx.doi.org/10.1515/stap-2016-0018.

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AbstractRepetition as a linguistic and stylistic device extensively used in Tennessee Williams’s plays has been noticed by many. At the same time, more psychologically-inclined scholars have frequently drawn parallels between Williams’s plays and his own experiences and emotional conflicts. In an attempt to combine the two perspectives, this article will explore the function of repetitions as indicators of trapped emotions in Williams’s celebrated and award-winning play The Glass Menagerie. Starting from the stylistic theoretical background, but at the same time taking into account the psychol

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47

Tini Mogea. "Southern Pride as Reflected in Tennessee Williams’ The Glass Menagerie." Student Scientific Creativity Journal 1, no. 2 (2023): 112–36. http://dx.doi.org/10.55606/sscj-amik.v1i2.1090.

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This research is mainly intended to reveal the old southern pride reflected in the characteristics of Amanda, a southern lady. In conducting this research, the writer uses qualitative research, in which the data are collected in the form of words and the writer is the key instrument. The data were taken from the work itself and other relevant books supporting the data. In analyzing the data, the writer uses a mimetic approach, which considers that literary work is a reflection and imitation of aspects of the universe. The result of this research shows that in the southern part of America befor

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48

Li, Xiaolan. "To Defeat “Blue Devils”: the Intertextual Study of The Glass Menagerie and The Night of Iguana." Frontiers in Humanities and Social Sciences 4, no. 4 (2024): 168–72. http://dx.doi.org/10.54691/611cvp30.

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Tennessee Williams was an American 20th-century Southern dramatist. The Glass Menagerie and The Night of Iguana are two of his well-known plays, which explore how people can find help and hope in the illusion of life in order to return to reality and regain freedom. Based on the theory of intertextuality, this paper explores the themes of escape and salvation between the two plays to reveal the intrinsic connection between them.

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49

Retnowati, Retnowati. "Symbols and Sexual Perversion of Laura Wingfield in Tennesse Willimas’s The Glass Menagerie." Humaniora 6, no. 3 (2015): 291. http://dx.doi.org/10.21512/humaniora.v6i3.3350.

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The Glass Menagerie, a play written by Tennessee Williams, is full of symbols in which some of them refer to the sexual perversion in the character of the play such as Laura Wingfield. The research applied library research by taking data from the script of the play, then analysed based on the two theories, those were the theory of symbol and psychological theory called sexual perversions. The symbols in this play was analyzed, especially those related to Laura Wingfield. There were symbols like the glass collection, glass unicorn, blue roses, fire escape and Jim O’Connor which explained the se

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50

Sibgatulah Nazki. "Caught in the Maelstrom: Wingfields’ Struggle and Trauma during the Great Depression in The Glass Menagerie." International Journal of Integrated Science and Technology 3, no. 2 (2025): 1347–64. https://doi.org/10.59890/ijist.v3i2.15.

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This study examines the profound impact of the Great Depression on the lives of Wingfields’, in Tennessee Williams’ seminal play, The Glass Menagerie (1944). The economic downturn of the 1930s serves as a critical backdrop. It is against this background the characters’ experiences, decisions, and ultimate fates are unfolded. The analysis delves into Wingfields’ struggle between their obligations to family and desire for personal freedom. Conversely, Laura Wingfield’s victimisation is depicted through her acute social anxiety and physical disability, exacerbated by the socio-economic pressures

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