Academic literature on the topic 'The gothic novel'

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Dissertations / Theses on the topic "The gothic novel"

1

Behnke, Katja. "Der inszenierte Schrecken Darstellungsstrategien der Angst im englischen Schauerroman /." [S.l. : s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=965348490.

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Strachan, John. "The politics of the Gothic novel 1764-1820." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334232.

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Hilton, Laura Jayne. "The Gothic double in the contemporary graphic novel." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/928/.

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This thesis examines the role of the Gothic double as articulated within the contemporary graphic novel. Discussing representations, interpretations and subversions of the Gothic double, the analysis will apply a synthesised theoretical framework of the psychoanalytical double and literary double to five key works from three canonical creators: Neil Gaiman, Frank Miller and Alan Moore. The discussion will be divided into three sections in order to focus on three recurring motifs in the image-text hybrid of the contemporary graphic novel. Firstly, a discussion of superheroes, SF and the Gothic
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Georgieva, Margarita. "The gothic child : a study of the gothic novel in the British Isles (1764-1824)." Nice, 2011. http://www.theses.fr/2011NICE2013.

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En 1908 H. James s’interroge sur l’absence de personnages d’enfants hantés dans la littérature. Il croit l’idée inexploitée et la développe en tant qu’amusette gothique, la première en son genre – “a perfectly clear field”. Avait-il raison? Au premier abord, le gothique s’intéresse peu à l’enfant. La figure de l’enfant est prise pour résidu du roman sentimental dont le vrai roman gothique est dépourvu. La thématique est étiquetée “gothique féminin” ou “domestique”–on préfère parler d’éducation et de morale pour expliquer le monde des plus jeunes. Pourtant, certains romans mettent en scène les
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Watt, James. "Contesting the Gothic : fiction, genre and cultural conflict, 1764 - 1832 /." Cambridge [u.a.] : Cambridge Univ. Press, 2006. http://www.loc.gov/catdir/toc/cam024/98042850.html.

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Schulz, Philipp. "Die Darstellung der "gothic novel" in Geschichten der englischen Literatur." [S.l. : s.n.], 2008. http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-38355.

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Davies, Helen D. F. "Shapes half-hid : psychological realisation in the English and American Gothic novel." Thesis, University of Kent, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329059.

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Buchanan, Alison Susan. "The presentation of masculine experience in the English Gothic novel." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/1165/.

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Foulds, Alexandra Laura. "Gothic monster fiction and the 'novel-reading disease', 1860-1900." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30684/.

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This thesis scrutinises the complex ‘afterlife’ of sensation fiction in the wake of the 1860s and ‘70s, after the end of the period that critics have tended to view as the heyday of literary sensationalism. It identifies and explores the consistent framing of sensation fiction as a pathological ‘style of writing’ by middle-class critics in the periodical press, revealing how such responses were moulded by new and emerging medical research into the nervous system, the cellular structure of the body, and the role played by germs in the transmission of diseases. Envisioned as a disease characteri
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Flasdieck, Claudia. "Die Rezeption der "gothic novel" in ausgewählten Werken der viktorianischen Literatur /." Frankfurt am Main : P. Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb40022112n.

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