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Journal articles on the topic 'The grapes of wrath (Steinbeck)'

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Published: 4 June 2021

Last updated: 8 February 2022

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1

Saxton, Alexander. "In Dubious Battle: Looking Backward." Pacific Historical Review 73, no. 2 (May 1, 2004): 249–62. http://dx.doi.org/10.2307/3641601.

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Revised from an address in Santa Cruz (2002) commemorating the John Steinbeck centennial, this essay focuses on Steinbeck's views on race and class as expressed in his writings on agricultural labor in California, especially In Dubious Battle and The Grapes of Wrath. Grapes of Wrath, which played an important part in rallying support for the New Deal program of Social Security, is described as a "supreme portrayal of Great Depression America" and Steinbeck's finest novel. Steinbeck's work is linked to that of his predecessor, Edward Bellamy, author of Looking Backward. Both writers are presented as belonging to a tradition of "humane and humanist radicalism" in American culture and politics that reaches back at least as far as Tom Paine and Frances Wright.

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2

Masofa, Ima. "United States’ Recession In 1930 Reflected In John Steinbeck’s The Grapes Of Wrath." Wacana Didaktika 6, no. 01 (June 30, 2018): 63–67. http://dx.doi.org/10.31102/wacanadidaktika.6.01.63-67.

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This article writer analyzes how recession condition in 1930 in United States that can be described in John Steinbeck’s The Grapes of Wrath because historical background of recession 1930 in United States can be seen in the relation between main character that appears in John Steinbeck’s The Grapes of Wrath and her society where she is described to live in United States. Main character is not a real person but she is seen as a member of society where she lives in recession 1930. The recession in 1930 in United States causes Oklahoma people migrate to California as a promised land that condition really happened in 1930. Abstrak Artikel ini menganalisa bagaimana kondisi resesi ekonomi di tahun 1930 di Amerika Serikat yang dapat di gambarkan dalam karya John Steinbeck dalam novelnya The Grapes of Wrath karena di dalam novel karya John Steinbeck menceritakan kondisi sejarah dari resesi ekonomi tahun 1930 di Amerika Serikat, dimana ada hubungan antara karakter utama yang ada di dalam novel dengan masyarakat yang digambarkan di Amerika Serikat.Tokoh utama bukanlah seorang tokoh nyata tetapi dia dapat di lihat sebagai anggota dari masyarakat dimana dia tinggal in resesi ekonomi tahun 1930 di Amerika Serikat. Resesi ekonomi menyebabkan orang orang di Oklahoma bermigrasi ke California karena dianggap sebagai tanah yang subur dan makmur, migrasi dari oklahoma ke California ini benar benar terjadi pada tahun 1930 di Amerika Serikat.

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3

Jones, Robert. "Report from Steinbeck Country." Theology Today 46, no. 3 (October 1989): 277–82. http://dx.doi.org/10.1177/004057368904600304.

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“Steinbeck, like liberation theologians, recognizes that corporate sin must yield to some form of grace that transcends individuals. The great owners and bankers are caught in the sinful system just as tightly as the migrants. What the novel [The Grapes of Wrath] suggests, and what the liberationists assert, is that change in the system will be in the direction of justice only if it comes from the bottom up rather than from the top down.”

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Eckert, Ken. "Exodus Inverted: A New Look at The Grapes of Wrath." Religion and the Arts 13, no. 4 (2009): 534–45. http://dx.doi.org/10.1163/156852909x460447.

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AbstractJohn Steinbeck's The Grapes of Wrath has been read typically as period social activism, as sentimental Marxist fable, and as watered-down Christian theology via its failed preacher, Jim Casy. Religious interpretations have at best seen the text as an allegorical reenactment of Exodus. Yet such criticism requires a willful misreading of the text, as the Joads end the story not in a promised land but destitute. The novel makes more sense, however, if seen as a reversal of Exodus. The Joads progress from a despoiled but occupied promised land (Oklahoma) toward bondage in Egypt (California). This extended image pattern permits Steinbeck to draw a larger thematic vision in which material poverty teaches the Joads a broadly Christian worldview. Far from ending in despair, the novel closes in the Joads emerging from a self-satisfied and legalistic moralism into a new ethos of universal love in the pattern of Christ, culminating in Rose of Sharon's spiritual maturity in her selfless act at the novel's end when the family finally moves from “I” to “we.”

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Khalilova, Konul, and Irina Orujova. "Strategies to Overcome Translation Losses in the Novel “The Grapes of Wrath” by John Steinbeck to Achieve Adequacy in Translation." Khazar Journal of Humanities and Social Sciences 23, no. 4 (December 2020): 17–32. http://dx.doi.org/10.5782/2223-2621.2020.23.4.17.

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The current article involves the issues of losses, gains, or survivals contributing to literature in the process of translation. It represents a thorough study based on the novel “The Grapes of Wrath” by John Steinbeck from English and, respectively, its translation into Azerbaijani by Ulfet Kurchayli. It investigates the problematic areas or challenges emerging from the source-text discrepancies. Furthermore, this article also concentrates on the issue of cultural non-equivalence or the losses occurring in translating English literary texts into Azerbaijani. The paper identifies the translation techniques adopted by the translator of John Steinbeck’s The Grapes of Wrath. Adopting certain techniques rather than others has led to many losses on different levels. The translator’s important role as a cultural insider is also emphasized. The wide gap, distance, or the differences between the cultures, languages, and thought patterns of the English and Azerbaijani language speakers are the main factors resulting in various losses in the process of translation. Coping with these extra-linguistic constraints is harder than the linguistic ones as the translator has no choice in the given situations, deleting these elements from the TT or replacing them with elements that do not fit the context. This article aims at determining translation losses and gains, defining ways that the translator employs for compensating losses, through the analysis of John Steinbeck’s style in The Grapes of Wrath. The article concludes that there are some situations where the translation of a certain text from the SL into the TL embraces alteration in the whole informational content of the text, in the form of expressions or words.

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6

Raskin, Jonah. "Genius Loci." Boom 4, no. 4 (2014): 97–101. http://dx.doi.org/10.1525/boom.2014.4.4.97.

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This essay takes a literary journey to Jack London State Historic Park, the National Steinbeck Center, and the Beat Museum. An exploration of the shrines that are devoted to writers and which attract readers from around the world as well as close to home, the essay explores California’s identity as a cultural destination for tourists as well as for natives of the Golden State. By linking specific geographical places, such as Glen Ellen, Salinas, and San Francisco to books and to their authors, California’s literary shrines weave a kind of cultural magic that transcends time and place and invigorates twentieth-century classics such as Steinbeck’s The Grapes of Wrath, Kerouac’s On the Road, and Jack London’s The Iron Heel.

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7

Burcar, Lilijana. "The (Forgotten) Significance of Interchapters in John Steinbeck’s The Grapes of Wrath: From Tenancy to Seasonal Migrant Farm Labor." arcadia 53, no. 2 (October 29, 2018): 360–78. http://dx.doi.org/10.1515/arcadia-2018-0027.

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Abstract In the wake of the so-called postmodernist turn in literary studies and criticism, Steinbeck’s The Grapes of Wrath has been subjected to a major interpretative revision that has reoriented the focus solely on the chapters dealing with the Joads while leaving out those that provide a detailed analysis of larger socioeconomic forces at work. The latter are laid out in documentary interchapters that constitute the backbone of dialectical montage, a narrative method used by Steinbeck to create a consciousness-raising novel. Documentary interchapters, as this paper argues, shed light on the integrated forms of systemic exploitation that agricultural workers face in capitalism. Overlooking the significance of documentary interchapters results in a reductive reading of Steinbeck’s classic, which in turn also undermines its consciousness-raising potential in our era.

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8

Hinton, Rebecca. "Steinbeck's the Grapes of Wrath." Explicator 56, no. 2 (January 1998): 101–3. http://dx.doi.org/10.1080/00144949809595273.

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9

Kanoza, Theresa. "Steinbeck's the Grapes of Wrath." Explicator 51, no. 3 (April 1993): 187–89. http://dx.doi.org/10.1080/00144940.1993.9938021.

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Curtis, Heather D. "“God Is Not Affected by the Depression”: Pentecostal Missions during the 1930s." Church History 80, no. 3 (September 2011): 579–89. http://dx.doi.org/10.1017/s0009640711000643.

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Near the beginning of his classic depression-era novel, The Grapes of Wrath, John Steinbeck introduces the Reverend Jim Casy, a “Burning Busher” who “used to . . . get the people jumpin' an' talking' in tongues, an' glory-shoutin' till they just fell down and passed out.” But now Casy has given up preaching. “The sperit ain't in the people much no more;” Casy tells his friend Tom Joad, “and worse'n that, the sperit ain't in me no more.” Throughout the novel, Steinbeck underscores the crisis of religious meaning in the face of financial catastrophes confronting families like the Joads—share croppers and over-extended farmers who were forced off their land in dustbowl states such as Oklahoma, traveled west seeking work and better wages in California, only to find themselves struggling to stave off starvation, disease, and despair in crowded makeshift or government camps where they encountered sharp-tongued, fire-baptized believers like Steinbeck's character Lisbeth Sandry, a “deep-down Jesus-lover” who accused them of wickedness and warned that God was watching and smoking out sinners who took pleasure in play acting, devil-dancing, and other “hell-burning” behaviors.

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Balu Koli, Uttam. "All World is Good?" Shanlax International Journal of English 8, no. 4 (September 1, 2020): 57–63. http://dx.doi.org/10.34293/english.v8i4.3368.

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The meaning of the words ‘world’, ‘good,’ and ‘misfortune’ has been given. The hypothesis, objectives and the sources of data collection have been mentioned. The present research on the select theme of ‘All world is good?’ is a justification study from the perspectives of misfortunes met by characters in the select novels of Candide and The Grapes of Wrath written by Voltaire and John Steinbeck respectively. It has been concluded with the view that the world seems to be not good for those who meet many misfortunes.

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12

Čerče, Danica. "A comparative reading of John Steinbeck's and Frank Hardy's works." Acta Neophilologica 39, no. 1-2 (December 1, 2006): 63–70. http://dx.doi.org/10.4312/an.39.1-2.63-70.

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Although belonging to literatures spatially and traditionally very remote from each other, John Steinbeck, an American Nobel Prize winner, and Frank Hardy, an Australian novelist and story-teller, share a number of common grounds. The fact that by the time Hardy wrote his first novel, in 1950, Steinbeck was already a popular writer with a long list of masterpieces does not justify the assumption that Hardy had Steinbeck at hand when writing his best-sellers, but it does exclude the opposite direction of inheritance. Hardy's creativ impulses and appropriations may have been the unconscious results of his omnivorous reading after he realized that "the transition from short stories [in which he excelled] to the novel was an obstacle not easily surmounted" as he confessed in The Hard Way: The Story Behind "Power Without Glory" (109). Furthermore, since both were highly regarded proletarian writers in communist Russia, Hardy might have become acquainted with Steinbeck's novels on one of his frequent visits to that country between 1951 and 1969.2 Upon closer reading, inter-textual entanglements with Steinbeck's prose can be detected in several of his books, including But the Dead Are Many (1975), the Billy Borker material collected in The Yarns of Billy Barker (1965) and in The Great Australian Lover and Other Stories (1967), and in Power Without Glory (1950). My purpose in this essay is to briefly illuminate the most striking similarities between the two authors' narrative strategies in terms of their writing style, narrative technique, and subject matter, and link these textual affinities to the larger social and cultural milieu of each author. In the second part I will focus on the parallels between their central works, Steinbeck's The Grapes of Wrath and Hardy's Power Without Glory.

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Gudmarsdottir, Sigridur. "Rapes of Earth and Grapes of Wrath: Steinbeck, Ecofeminism and the Metaphor of Rape." Feminist Theology 18, no. 2 (January 2010): 206–22. http://dx.doi.org/10.1177/0966735009348665.

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Napier, Elizabeth. "The Grapes of Wrath: Steinbeck's Pilgrim's Progress." Steinbeck Review 7, no. 1 (March 2010): 51–56. http://dx.doi.org/10.1111/j.1754-6087.2010.01077.x.

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LESLIE, STUART W. "Industrialism in John Steinbeck's The Grapes of Wrath." Steinbeck Review 8, no. 1 (March 2011): 109–11. http://dx.doi.org/10.1111/j.1754-6087.2011.01144.x.

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Thị Thu Hằng, Nguyễn. "The living jouney or formation of the mother archetype in The Grapes of wrath by John Steinbeck." Journal of Science, Social Science 61, no. 5 (2016): 25–30. http://dx.doi.org/10.18173/2354-1067.2016-0055.

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17

Pérez Venero, Miriam. "Inversion of biblical symbols in The Grapes of Wrath." Literatura y Lingüística, no. 26 (December 21, 2012): 167. http://dx.doi.org/10.29344/0717621x.26.43.

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Although it is agreed that Steinbeck’s The Grapes of Wrath (1939) is full ofallusions and symbols connected to the Bible, no consensus has been reachedyet about their nature. In this article an analysis is described which aims atdemonstrating that the allusions and symbols found are better interpreted asinversions of the traditional biblical symbols, in such a way that the novel canbe considered a new ‘bible for the people’.

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18

Nasalevych, T. V., and Yu V. Pchela. "THEMES CREATING THE CONCEPT OF AMERICAN DREAM IN THE NOVEL “THE GRAPES OF WRATH” BY JOHN STEINBECK." International Humanitarian University Herald. Philology 39, no. 1 (2019): 105–8. http://dx.doi.org/10.32841/2409-1154.2019.39.1.25.

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Čerče, Danica. "Centennial reflections on Steinbeck's reputation in Slovenia." Acta Neophilologica 35, no. 1-2 (December 1, 2002): 45–55. http://dx.doi.org/10.4312/an.35.1-2.45-55.

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Since the late 1920s and his first novel, Cup of Gold (1929), there has been little consensus about John Steinbeck's work, and he has often been praised or dismissed for the wrong reasons. In the wake of the novels with the sweeping reach and social consciousness of In Dubious Battle (1936), Of Mice and Men (1937), and The Grapes of Wrath (1939), and despite the prodigious and startlingly diverse output of his career, Steinbeck was generally regarded as one of America's foremost engaged artists. However, the truth is that be was as much a postmodernist and a modernist, as a traditional proletarian writer. And though be made a significant contribution to the perception of the problems of his time by writing with empathy, clarity and a strong sense of justice about the downtrodden, the exploited, and the defenseless, which contributed to his immense public success, Steinbeck's novels lose none of their richness and power when removed from their historical context. With the human dilemmas on many levels of personal, philosophical, and socio-economic existence, and their deep humanistic, philosophical and ecological message, conveyed through numerous Biblical, Arthurian, and literary allusions, his works are as relevant today as they were when they were written.Appropriate enough, and given that this year marks the centennial of John Steinbeck's birth, celebrated with a year-long series of events taking place throughout the United States and paying tribute to the winner of the 0. Henry Short Story Prize, the Pulitzer Prize, and the Nobel Prize for Literature by examining his legacy in American literature, film, theatre and journalism, and providing new information about the enduring value of his writing, this paper aims to capture the writer's reputation in Slovenia. The plan is to briefly analyse the most illustrative examples of Steinbeck criticism accompanying Slovene publications of his works; then to loosen the hold of deeply entrenched positions of Slovene reviewers, and to highlight the importance of considering Steinbeck's texts from new, insightful and politically unbiased perspectives of contemporary critical engagement. And last but not least, this discussion might hopefully induce Slovene publishers to new printings and translations of Steinbeck's works.

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Collins, Wade. "Jobs. Good Jobs." Boom 1, no. 4 (2011): 16–19. http://dx.doi.org/10.1525/boom.2011.1.4.16.

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An account of my attempts to overcome the obstacles of my unemployment by accepting a job offer at an organic farm in Napa. This article touches on the broader economic forces currently impacting our nation, the marijuana economy as it relates to vineyards, issues of disability, and the relevance of John Steinbecks' “The Grapes of Wrath” to the present day.

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Yee, Kristine R. "John Steinbeck's THE GRAPES OF WRATH: A Call to Action." Explicator 71, no. 4 (October 2013): 255–58. http://dx.doi.org/10.1080/00144940.2013.841637.

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Muthanna, Assist Instr Ansam. "John Steinbeck's The Grapes of Wrath As a Naturalistic Novel." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 216, no. 1 (November 10, 2018): 91–108. http://dx.doi.org/10.36473/ujhss.v216i1.581.

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John Steinbeck's The Grapes of Wrath(1939) exposes the desperate conditions that surrounded the migratory farm families in America during the year of the Great Depression from the Naturalistic point of view. It combines his adoration of the land and his simple hatred of the corruption resulting from Materialism and his faith in common to overcome his hostile environment. It attempts to present the problem of the workers of the lower classes, and exposes the unusual family, conditions under which the Joads, the migratory farm family, was forced to live during these years. The progress the government intended to spread on the Oklahoma fields and ranches sheltered families a part and reduced the migrants to beggars suffering from deprivation and hunger. His California novels attack the counterfeited image of paradise that people held when they set their migration to California.

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23

Côté, Jean-François. "Le réalisme social et l’école de Chicago : rencontre de la littérature et de la sociologie dans la communication pragmatiste chez John Steinbeck et Herbert Blumer." Cahiers de recherche sociologique, no. 26 (April 29, 2011): 115–37. http://dx.doi.org/10.7202/1002345ar.

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Dans le contexte américain des années trente, la rencontre entre la littérature et la sociologie peut être en partie évaluée dans une comparaison entre le réalisme social de John Steinbeck, exemplifié dans son roman The Grapes of Wrath (Les raisins de la colère) et les développements méthodologiques de l’interactionnisme symbolique de Herbert Blumer, qui veulent assurer une suite à la tradition des études empiriques de l’école de Chicago. Cette rencontre, qui pose une possibilité de saisir l’expression sociale dans son contexte « naturel » et qui met en oeuvre une méthodologie « naturaliste » en sociologie faisant appel plus largement à des concepts hérités de la philosophie du pragmatisme, est en fait portée par l’idée d’une possibilité de communication « immédiate » de la vie sociale. On peut prendre la mesure critique de ce qui s’exprime alors dans ce contexte, en fonction des exigences de la réflexion actuelle en sociologie concernant les modalités d’analyse et d’expression du « monde vécu », ainsi que des liens possibles à établir dans cette perspective entre littérature et sociologie.

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DeMott, Robert. ""Working Days and Hours": Steinbeck's Writing of The Grapes of Wrath." Studies in American Fiction 18, no. 1 (1990): 3–15. http://dx.doi.org/10.1353/saf.1990.0010.

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McCoppin, Rachel. "The Many Faces of Jesus in Steinbeck’s The Grapes of Wrath." Studies in the Literary Imagination 46, no. 2 (2013): 35–50. http://dx.doi.org/10.1353/sli.2013.0012.

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Lee, Byung Tae. "Condition for Authentic Justice represented in John Steinbeck’s The Grapes of Wrath." Studies in English Language & Literature 37, no. 3 (August 2011): 149–71. http://dx.doi.org/10.21559/aellk.2011.37.3.008.

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Henderson, G. "John Steinbeck's Spatial Imagination in "The Grapes of Wrath": A Critical Essay." California History 68, no. 4 (December 1, 1989): 210–23. http://dx.doi.org/10.2307/25158539.

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28

Owens, Louis, and Hector Torres. "Dialogic Structure and Levels of Discourse In Steinbeck's The Grapes of Wrath." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 45, no. 4 (1989): 75–94. http://dx.doi.org/10.1353/arq.1989.0026.

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Hughes, Robert S. "Critical Essays on Steinbeck’s “The Grapes of Wrath” ed. by John Ditsky." Western American Literature 25, no. 2 (1990): 188–89. http://dx.doi.org/10.1353/wal.1990.0156.

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Hwang, Cheebok. "The Practical Principles of Islam in John Steinbeck’s The Grapes of Wrath." Journal of East-West Comparative Literature 45 (September 30, 2018): 287–309. http://dx.doi.org/10.29324/jewcl.2018.09.45.287.

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Dyen, Jonathan. "“I never saw such people”." English Text Construction 3, no. 1 (April 8, 2010): 1–21. http://dx.doi.org/10.1075/etc.3.1.01dye.

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In this essay, I argue that John Steinbeck’s The Grapes of Wrath has taken on renewed significance in the midst of the current economic downturn known in the United States as “the Great Recession.” While in the 1930s Steinbeck’s novel offered a way of understanding and responding to the economic conditions of the Depression, today the novel foregrounds the degree to which postmodernism has foreclosed the utopian possibilities of the novel’s grand narrative. I contend that the novel’s methodology can provide a flawed but potent framework for an effective literary response to the current economic crisis.

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Foulds, Peter. "Steinbeck, Guthrie and Zanuck: a Dust Bowl Triptych. The Intertextual Life of "The Grapes of Wrath" on Paper, Celluloid and Vinyl." Crossroads. A Journal of English Studies, no. 4(1) (2014): 50–58. http://dx.doi.org/10.15290/cr.2014.04.1.04.

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Hasyim, Fuad. "THE SEAMY SIDE OF AMERICAN CAPITALISM IN JOHN STEINBECK'S THE GRAPES OF WRATH." Rubikon : Journal of Transnational American Studies 1, no. 2 (September 1, 2014): 16. http://dx.doi.org/10.22146/rubikon.v1i2.34214.

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This article is an attempt to study Steinbeck’s vision of the American system of capitalism during 1930’s as causing the greatest economic crisis in American history. The study particularly observes the growth of materialistic values in this era. The main discussion concerns the dramatic journey of Joad’s family toward California as reflected in The Grapes of Wrath.With an interdisciplinary approach, the study examines the novel to comprehend the author’s view about his social phenomena. This is a kind of qualitative research in which the researcher applied library research on The Grapes of Wrath. The data gathered from bibliographical sources was analyzed and written descriptively to describe the seamy side of capitalism in America.The result of this research shows that material success is not the human’s only orientation in his life. The great depression and tragic life of Oklahoma tenant farmers were viewed by the author as due to the impact of uncontrolled American Capitalism in 1930’s. The seamy sides of American Capitalism such as greed, selfishness, corruption, and consumptive behavior, etc. have been described by the author as source of the extensive destruction among American people.Keywords: capitalism, the great depression, materialism, dehumanization.

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34

SAMS, ED. "An Angry Grapes of Wrath: Oakland's Theatre First's Emphasis on Steinbeck's Relevance Today." Steinbeck Review 9, no. 1 (May 2012): 68–72. http://dx.doi.org/10.1111/j.1754-6087.2012.01157.x.

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Lott, Monica. "Unearthing Steinbeck's Use of 1930s Funeral Practices: Power Structures in The Grapes of Wrath." Steinbeck Review 7, no. 1 (March 2010): 57–67. http://dx.doi.org/10.1111/j.1754-6087.2010.01070.x.

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Millichap, Joseph R. ""The Grapes of Wrath": Fiftieth Anniversary Edition, and: Looking For Steinbeck's Ghost, and: Working Days: The Journals of "The Grapes of Wrath" (review)." MFS Modern Fiction Studies 35, no. 4 (1989): 753–56. http://dx.doi.org/10.1353/mfs.0.1438.

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Hwang Chee Bok. "Jim Casy in John Steinbeck’s The Grapes of Wrath and Christological Tradition in American Folklore." English21 25, no. 3 (September 2012): 117–36. http://dx.doi.org/10.35771/engdoi.2012.25.3.005.

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Ach, Jada. "Tracking "Injurious Species": Strays, Roadkill, and Highway Ecology in John Steinbeck's The Grapes of Wrath." Studies in the Novel 52, no. 2 (2020): 156–71. http://dx.doi.org/10.1353/sdn.2020.0020.

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Marshall, Rick. "Steinbeck's Cognitive Landscapes in The Grapes of Wrath: The Highway as Commentary on 1930s Industrialization." Steinbeck Review 8, no. 1 (March 2011): 57–76. http://dx.doi.org/10.1111/j.1754-6087.2011.01108.x.

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Millichap, Joseph R. "The Dramatic Landscape of Steinbeck's Short Stories, and: The Short Novels of John Steinbeck, and: New Essays on "The Grapes of Wrath", and: Inside Cannery Row: Sketches from the Steinbeck Era (review)." MFS Modern Fiction Studies 37, no. 2 (1991): 256–59. http://dx.doi.org/10.1353/mfs.0.0533.

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Entze. "The Winning of Tom Joad: Steinbeck's Refutation of the Western Romance in The Grapes of Wrath." Steinbeck Review 16, no. 1 (2019): 62. http://dx.doi.org/10.5325/steinbeckreview.16.1.0062.

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Provey. "Seeds of #MeToo Planted Under the Orange Trees in Steinbeck's The Grapes of Wrath." Steinbeck Review 17, no. 1 (2020): 1. http://dx.doi.org/10.5325/steinbeckreview.17.1.0001.

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Kim Dae-young. "A Study of John Steinbeck's Comprehensive Ecological Perspective - Narrative structures and Symbolism in Grapes of Wrath." Literature and Environment 14, no. 2 (September 2015): 7–33. http://dx.doi.org/10.36063/asle.2015.14.2.001.

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Baskind, Samantha. "The "True" Story: LIFE Magazine, Horace Bristol, and John Steinbeck's The Grapes of Wrath." Steinbeck Studies 15, no. 2 (2004): 39–74. http://dx.doi.org/10.1353/stn.2004.0029.

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Spencer, Andrew. "Voluntary Exploitation and Forced Assimilation: John Steinbeck's Critique of American Advertising in The Grapes of Wrath." Journal of American Culture 40, no. 4 (December 2017): 313–24. http://dx.doi.org/10.1111/jacc.12804.

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FENSCH, THOMAS. "Rick Wartzman. Obscene in the Extreme: The Burning and Banning of John Steinbeck's The Grapes of Wrath." Steinbeck Review 5, no. 2 (September 2008): 107–9. http://dx.doi.org/10.1111/j.1754-6087.2008.01015.x.

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LI, LUCHEN. "Rick Wartzman,Obscene in the Extreme: The Burning and Banning of John Steinbeck's “The Grapes of Wrath”." Steinbeck Review 9, no. 2 (November 2012): 127–30. http://dx.doi.org/10.1111/j.1754-6087.2012.01209.x.

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JABBARI, MOHAMMAD JAFAR. "Idiomatic Expressions in Translation." JOURNAL OF ADVANCES IN HUMANITIES 4, no. 3 (December 27, 2016): 507–14. http://dx.doi.org/10.24297/jah.v4i2.4611.

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Abstract:

There is no language without its own collection of idiomatic expressions. They are expressions with a figurative meaning different from its Â literal meaning. Idiomatic expressions play a very important role in the establishment of rapport. They are two or more words syntactically related, with a meaning like a single syntactic unit whose meaning is not predictable from its component words. It is said that without a sound knowledge of idioms one's language will remain foreign. Idiomatic expression is a universal feature of language, though different languages may use literally different idiomatic expressions serving the same function. Owing to these complexities, rendering the idiomaticity of expressions from a source into a target language has always been problematic. This study aimes to scrutinize some aspects of the translation of idiomatic expressions. To this end, Steinbeck's The Grapes of Wrath is compared with two versions of its translation into Persian.

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Benton, Robert M. "John Steinbeck’s Fiction Revisited by Warren French, and After the Grapes of Wrath: Essays on John Steinbeck in Honor of Tetsumaro Hayashi ed. by Donald V. Coers, Paul D. Ruffin, and Robert J. DeMott, and John Steinbeck: A Biography by Jay Parini, and Parallel Expeditions: Charles Darwin and the Art of John Steinbeck by Brian E. Railsback." Western American Literature 32, no. 2 (1997): 161–71. http://dx.doi.org/10.1353/wal.1997.0089.

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Smirnov, K. S. "NARRATIVE BIOETHICS IN THE SEARCH OF «OTHER» WORLD (ON EXAMPLE OF THE J. STEINBECK’S NOVEL «THE GRAPES OF WRATH»)." Bioethics 23, no. 1 (April 26, 2019): 11–14. http://dx.doi.org/10.19163/2070-1586-2019-1(23)-11-14.

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