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Relevant bibliographies by topics / The grotesque

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Journal articles

Academic literature on the topic 'The grotesque'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "The grotesque"

1

Mello, Júlia Almeida de. "Revisitando o grotesco: O indefinível como transgressão na arte." Todas as Artes Revista Luso-Brasileira de Artes e Cultura 3, no. 2 (2020): 55–70. http://dx.doi.org/10.21747/21843805/tav3n2a4.

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This article presents an analysis of the grotesque as a transgressive element of artistic canons, norms and dominant discourses, considering different periods in the art history(ies). From its manifestation as an aesthetic category in descriptions of Domus Aurea in fifteenth century to the disordered bodies that confront categorizations in contemporary art, the grotesque is constantly in motion and although it cannot be classified it is immediately identified as provocative. Approaches linking Visual Culture to gender issues and political identities are made by emphasizing works that incorpora

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2

Stoicescu, Alexa. "Een labyrint voor onze tijd. Het metaverhaal van de metropool in Paul van Ostaijens grotesken." Neerlandica Wratislaviensia 28 (June 26, 2019): 203–17. http://dx.doi.org/10.19195/0860-0716.28.15.

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A labyrinth for our time: The meta-story of the metropolis in Paul van Ostaijen’s grotesques Apart from poetry, Paul van Ostaijen also wrote grotesque prose. The grotesque shows an inverted world that is equally logical as the real world but governed by different norms and an upside-down morality. It is alienating and familiar at the same time. The grotesque texts reflect on the grand narratives of modernism. In this article, I focus on the image of the metropolis in three stories: De kudde van Claire, De gehouden hotelsleutel and De verloren huissleutel. Firstly, I define the concept of the g

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3

Minaeva, Olga. "Writings from the Grotesque World: «Julio Jurenito» by Ilya Ehrenburg and «The Naked Year» by Boris Pilnyak." Izvestia of Smolensk State University, no. 4 (56) (January 26, 2022): 39–47. http://dx.doi.org/10.35785/2072-9464-2021-56-4-39-47.

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In the article we focus on grotesque nature of Ilya Ehrenburg’s and Boris Pilnyak’s creative prose, viz. «Julio Jurenito» and «The Naked Year». These nov- els were written almost at the same time. They share commonality in issues and style. We compare these novels to trace how the both writers use grotesques in their works about Russian Revolution. Despite both Ehrenburg and Pilnyak sharing one technique, they realize it in a quite different manner. Ilya Ehrenburg finds grotesque in every human being. Thus, the world, where people live, act and communi

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4

Donn, Katharina. "Migration and the Grotesque in Salman Rushdie’s The Satanic Verses." Anglia 131, no. 1 (2013): 100–120. http://dx.doi.org/10.1515/anglia-2013-0006.

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Abstract In the following, I explore the mutually enriching dialogue between the grotesque (based on Mikhail Bakhtin) and postcolonial literature that provides a leitmotif in Salman Rushdie’s The Satanic Verses on multiple levels: first and foremost, it defines the migrant protagonists’ experience as one of metamorphosis, transgression and change; in the grotesque just as in the experience of migration, the familiar and the unfamiliar conflate, and this is foregrounded in The Satanic Verses in striking manner: the protagonists Saladin Chamcha and Gibreel Farishta transform physically into grot

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5

Forcione, Alban, and Henry W. Sullivan. "Grotesque Purgatory." Hispanic Review 66, no. 3 (1998): 345. http://dx.doi.org/10.2307/474477.

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6

Rosen, Elisheva. "Grotesque, modernité." Romantisme 21, no. 74 (1991): 23–28. http://dx.doi.org/10.3406/roman.1991.5812.

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7

D'Elia, Una Roman. "GROTESQUE PAINTING AND PAINTING AS GROTESQUE IN THE RENAISSANCE." Source: Notes in the History of Art 33, no. 2 (2014): 5–12. http://dx.doi.org/10.1086/sou.33.2.23611168.

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8

Kanashina, Svetlana. "Representation of Grotesque Forms in English Internet Memes." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (July 21, 2021): 55–64. http://dx.doi.org/10.37482/2687-1505-v103.

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This article looks at the grotesque as a stylistic device in English memes. The novelty of the research is determined by the fact that for the first time the grotesque is analysed in detail within the context of such a popular and understudied phenomenon of computer-mediated communication as the Internet meme. The relevance of the paper consists in the necessity of studying the grotesque in the Internet meme with the aim of developing and complementing a coherent theory of Internet memes. The aim of the paper is to examine the functioning of the grotesque in English Internet memes from the per

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9

Rimanelli, Giose, and Michael Vena. "Italian Grotesque Theater." World Literature Today 76, no. 1 (2002): 204. http://dx.doi.org/10.2307/40157189.

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10

Williams, Sebastian A. "The Gothic Grotesque." Journal of Literary & Cultural Disability Studies 13, no. 4 (2019): 461–76. http://dx.doi.org/10.3828/jlcds.2019.34.

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