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Relevant bibliographies by topics / The Haunting of Hill House

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Academic literature on the topic 'The Haunting of Hill House'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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Journal articles on the topic "The Haunting of Hill House"

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Charles, Marilyn. "The Haunting of Hill House: psyche, soma, and destiny." American Journal of Psychoanalysis 82, no. 1 (2022): 1–21. http://dx.doi.org/10.1057/s11231-022-09333-2.

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Ali, Mona. "The Haunting versus Reality: The Uncanny in Shirley Jackson's The Haunting of Hill House." Delta University Scientific Journal 5, no. 2 (2022): 493–509. http://dx.doi.org/10.21608/dusj.2022.275558.

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Pascal, Richard. "Walking Alone Together: Family Monsters in The Haunting of Hill House." Studies in the Novel 46, no. 4 (2014): 464–85. http://dx.doi.org/10.1353/sdn.2014.0072.

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Snyder, Travis. "Shirley Jackson’s Hill House and the rise of meta-gothic parody." Horror Studies 11, no. 2 (2020): 243–57. http://dx.doi.org/10.1386/host_00021_1.

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This article argues that Shirley Jackson bent her classic gothic tale The Haunting of Hill House into a new genre, the meta-gothic parody. Utilizing a postmodern framing of parody that gestures towards the meta-textual, I reread the humour as presented in the novel as a survival strategy. In utilizing parodic jokes that make fun of classic gothic tropes, some characters are able to survive a haunted house by transcending the genre that they are stuck within. Other characters, unable to change the rules, end up losing the game and getting entrapped. Jackson’s book likewise breaks new ground in what is so often lamented as a tired genre.

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Evans, Lynne. "“Help Eleanor Come Home”: Monstrous Maternity in Shirley Jackson’sThe Haunting of Hill House." Canadian Review of American Studies 50, no. 1 (2020): 102–20. http://dx.doi.org/10.3138/cras.2018.015.

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Lahaie, Christiane. "Du fantastique littéraire au fantastique filmique : une question de point de vue?" Cinémas 5, no. 3 (2011): 45–63. http://dx.doi.org/10.7202/1001146ar.

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Le texte littéraire fantastique déploie toute une batterie de stratégies narratives propres à en assurer l’intelligibilité. Au-delà d’un fantastique canonique, reconnu d’emblée comme tel, il existe un fantastique plus discursif, où l’acte d’énonciation et ultimement la narration tout entière se voit contaminés par une certaine ambiguïté. Or, ce type de fantastique scriptural issu d’un focalisateur plus ou moins « digne de confiance » existe-t-il toujours une fois adapté à un processus d’énonciation apparemment plus « objectif » comme celui du récit filmique ? L’analyse de deux textes littéraires fantastiques (Les Fils de la vierge de Julio Cortázar et The Haunting of Hill House de Shirley Jackson) et de leur adaptation pour le cinéma (Blow-Up, 1966, de Michelangelo Antonioni et The Haunting, 1963, de Robert Wise) nous fournira quelques éléments de réponses.

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Castricano, Jodey. "Shirley Jackson's The Haunting of Hill House and the Strange Question of Trans-Subjectivity." Gothic Studies 7, no. 1 (2005): 87–101. http://dx.doi.org/10.7227/gs.7.1.9.

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Vinci, Tony M. "Shirley Jackson's Posthumanist Ghosts: Revisiting Spectrality and Trauma in The Haunting of Hill House." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 75, no. 4 (2019): 53–75. http://dx.doi.org/10.1353/arq.2019.0020.

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Matek, Ljubica. "The Architecture of Evil: H. P. Lovecraft's ‘The Dreams in the Witch House’ and Shirley Jackson's The Haunting of Hill House." CounterText 4, no. 3 (2018): 406–23. http://dx.doi.org/10.3366/count.2018.0141.

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This paper proposes that H. P. Lovecraft's ‘The Dreams in the Witch House’ (1932) and Shirley Jackson's The Haunting of Hill House (1959) embody the Gothic idea of subversion through their use of space. Specifically, both texts are set in a house that is shaped according to a scale unknown and repulsive to humans, suggesting that the architecture of evil is out of scale literally and metaphorically. Walter Gilman's room in the Witch House is strangely shaped and represents a passage into a parallel world which Gilman, a mathematician firmly set into the world of scale, first believes to exist only in dreams. Similarly, the interior of the Hill House is off centre and disjointed. People get physically lost as the rooms are set in strange concentric circles which defy traditional architecture; more importantly, characters’ subjectivity is consumed and appropriated by the house. By depicting protagonists as scientists deeply invested in the research of the occult, both Jackson and Lovecraft juxtapose science, which is marked by taxonomies, systems, and scales, with entities and rituals that transcend scalable knowledge. As their projects fail, the perceived harmony and knowability of life is revealed as false. The collapse of scale in both texts unsettles the reader, as it suggests that evil refuses to comply and be contained within a specific human-designed system of measurement or value. With this, the texts confirm the Gothic genre's countercultural position within the literary canon.

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Petridis, Sotiris. "TV miniseries or long-form film? A narrative analysis of The Haunting of Hill House." Journal of Screenwriting 11, no. 2 (2020): 207–20. http://dx.doi.org/10.1386/josc_00026_1.

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In the last decade, the television landscape has drastically transformed with the digitalization of the medium. Subscription video on demand platforms have started to produce original content and as such, are changing distribution and consumption patterns of contemporary TV series. Netflix, one of the main platforms that instigated this change, has systematically produced original drama and comedy content indented for binge-watching. The Haunting of Hill House is a recent example of these Netflix original miniseries. In this article, I analyse the overarching story of the series and argue that the structure of the narrative works more like a long-form film rather than a TV series. In doing so, I comment on the nature of television drama writing in this new binge-watching era.

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Dissertations / Theses on the topic "The Haunting of Hill House"

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McGowan, Shane G. "Haunting the House, Haunting the Page: The Spectral Governess in Victorian Fiction." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/119.

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The Victorian governess occupied a difficult position in Victorian society. Straddling the line between genteel and working-class femininity, the governess did not fit neatly into the rigid categories of gender and class according to which Victorian society organized itself. This troubling liminality caused the governess to become implicitly associated with another disturbing domestic presence caught between worlds: the Victorian literary ghost. Using Henry James’s novella The Turn of the Screw as a touchstone for each chapter, this thesis examines how the spectral mirrors the governess’s own spectrality – that is, her own discursive construction as a psychosocially unsettling force within the Victorian domestic sphere.

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Hambrick, Scott Randolph. "A house on a hill." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/54026.

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The design of the house began with a response to topography. The placing of the house at the bend of a hillside prompted a rotation of axis in the plan. As a result, the thesis becomes about the architectural implications of this rotation. Through formal studies in plan, what was originally conceived as a rotation of axis developed into a rotation of volumes. The interaction and transition between the two volumes becomes critical in mediating the rotation. The rotation can be signified by a change of material, or a change of volume, making it a point of emphasis and a part of the architecture. Materiality is important to the transition between volumes, as well as to the composition and expression of the elevations. The composition of a material in elevation can serve as an indicator of the quality and function of the interior spaces and its relation to the exterior spaces. New solutions to particular problems, such as the bridge element between the two parts of the house, are found through exploring and ultimately deciding upon the best architectural resolution. The means for exploring in architecture are drawing and building.<br>Master of Architecture

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Grillo, Carmen M. "Haunting the Domestic Foam: A Political Spherology of Contemporary Haunted House Films." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/26197.

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This thesis is focused on the intersection between horror, gender and politics in American haunted house films. Taking a “spherological” approach, the author argues that horror is evidence of a spherical breakdown, or a violation of existential space. Applying this approach to Hollywood haunted house films, the author demonstrates how those movies have, in the years since 2005, responded to a masculinity crisis discourse: by figuring haunting as a horrific disruption of paternal authority by violent masculine entities and powerful female ones, film-makers situate the movies in that discourse. By positing “security moms” (Grewal: 2006) and “paternal sovereigns” (Gunn: 2008) as responses to the crisis, the films construct a domestic space where women are militant mothers and men are sovereigns. Because the family is an important metaphor for the American nation (Lakoff: 2002), this construction can be seen as part of a paternalistic national politics. Cette thèse se concentre sur l’intersection de l’horreur, le genre et la politique dans des filmes américains de maison hantée. En prenant une approche “sphérologique,” l’auteur constate que l’éclatement d’une sphère existentielle s’accompagne du sentiment d’horreur. Concernant les films de maison hantée, l’auteur démontre comment ces objets-là se sont adressés, depuis 2005, au discours de la crise de masculinité: en figurant l’hantise comme la subversion de l’autorité du père par des menaces masculins et féminins, les réalisateurs mettent les films dans la trajectoire du discours de la crise. À fin de répondre à la crise, les films construisent l’espace doméstique de façon que les femmes soient des mères militantes (les “security moms”) (Grewal: 2006) et les pères soient souverains (les “souverains paternels”) (Gunn: 2008). Finalement, car la famille reste une métaphore importante de la nation Américaine (Lakoff: 2002), cette construction peut être vue comme partie de la paternalisme nationale.

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Solomon, Amanda Bingham. "Haunting the Imagination: The Haunted House as a Figure of Dark Space in American Culture." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3531.

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In contemporary America the haunted house appears regularly as a figure in literature, film, and tourism. The increasing popularity of the haunted house is in direct correlation with the disintegration of the home as a refuge from the harsh elements of the world. The mass media populates society with dark images and subjects, portraying America as a dark place to live. Americans create fictional narratives of terror and violence as a means of coping with their own modern horrors. Their horrors are psychologically displaced within these narratives. The haunted house is therefore a manifestation of contemporary anxieties surrounding the dissolution of the home, a symbol of the infusion of terror and violence into domestic space.

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Faloon, Julie Erin. "Inhabiting the Hillside: A Multigenerational House." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/33363.

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This project is a romantic exploration of a site and a way of life. It is a proposition for blended boundaries between inside and out, between hill and house, as well as a study of mobility concerning a steep slope. Set in Lebanon overlooking the Mediterranean Sea, the house is carved from the hill yet respects its topography. The hill becomes the communal spaces and rooms of the house. These uncovered spaces and stairways lead to small private spaces, separated by elevation as well as distance due to the accommodating hill. The Mediterranean climate is ideal, with its low rainfall, for outdoor living. The hill provides enough separation and privacy between each private room to function well for extended, multigenerational families. Each family has a similar viewing angle to the sea.<br>Master of Architecture

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Makhamatova, Nilufar. "Interhouse: A Place for Growing up and Growing Adults." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4242.

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Society has become increasingly segregated by age which lessens the opportunities for communication between generations. Before the Internet, children and adolescents typically learned through traditional means - their parents, school teachers, and life experiences. Adults believed they were capable of recognizing and addressing the needs of children and adolescents. (Strom & Strom, 2012) Now, the global media is widely accessed by people of all ages which gives it the ability to influence a large population in different ways. This has led to children and adolescents being more heavily influenced and educated by the media than other traditional sources. Adolescents, in particular, are more reliant on each other for conversation, feedback, and advice. (Kovarik, 2011) Retirees, on average, are more active now than they were 20 years ago and 54% of seniors (age 60+) are considering working after retirement age (typically 65) which is up from 45% in a 2014 poll. Of the seniors polled, 81% say they will work part-time while 19% say they will work full-time.

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McEleney, Freebury Rachel M. "Beneath the money tree and nature is a haunted house: A novel and exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2579.

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This thesis comprises of an arts-based creative work Beneath the Money Tree and an exegesis, Nature is a Haunted House. Beneath the Money Tree is an Australian Gothic style novel that explores the downward spiral of Jack, who is haunted by his dead wife Maya. The couple and their three children live on a large property in Walpole, Western Australia. During a violent argument Jack murders Maya and buries her under a marijuana plant on the family property. The novel responds to the works of colonial authors such as Barbara Baynton and Mary Fortune and seeks to subvert the Australian Gothic tradition of silencing women. Like Fortune’s ghosts, Maya also lies uneasy in her grave. Her spirit seeks revenge on those who harmed her during life, and she murders them one by one. Guilt, combined with Maya’s haunting take their toll on Jack’s mental health and he slowly succumbs to her torment. The exegesis, Nature is a Haunted House, explores the evolution of Australian Gothic literature from colonial times through to contemporary works and examines three novels written in the last ten years. Charlotte Wood’s The Natural Way of Things (2015), Emily O’Grady’s The Yellow House (2018) and Felicity McLean’s The Van Apfel Girls are Gone (2019) deal with secrets that haunt the protagonists and the effect they have on the present.

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Barnhart, Erin Lynn. "Elements of Memory." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33385.

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I set out to create a house to nestle within the rugged landscape of West Virginia; a dwelling that would suit those living in rural villages and up remote hollows. This place is created by a retaining wall to hold back the slope and a generous roof to shelter from the weather. The structure is divided into two seemingly equal halves, one half being enclosed to form the house, the other remaining for outdoor space. Terrain and orientation were considered, giving rise to three variations of the house. Within each house, memories of my childhood surroundings are recognized and celebrated.<br>Master of Architecture

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Gordaoff, Roberta Michelle. "The house on the hill| A 3800-year-old upland site on Adak Island, the Aleutian Islands, Alaska." Thesis, University of Alaska Anchorage, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10245165.

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<p>The 2011 excavation of Feature 9, a 3800 cal B.P. semisubterranean house at ADK-00237 on southwest Adak Island, is the only Neoglacial house excavated in the central Aleutian Islands and the only upland site excavation in the Aleutian Islands. House structural features, lithic debitage and tool analysis, sediment analysis, and spatial analysis are used to determine if upland household activities in Feature 9 differ from household activities in coastal Neoglacial houses. The complex hearth features at ADK-00237 are similar to those at the Amaknak Bridge (UNL-00050) site on Unalaska Island. The artifact assemblage at ADK-00237 is similar to other Margaret Bay phase sites in the eastern Aleutian Islands with the notable absence of fishing and hunting equipment and midden remains. Core and blade technology include one microblade core and two blade-like unifaces. Unifacial technology was more prevalent than bifacial technology and most tools were informal flake tools. The comparable tool assemblages suggest similar activities occurred in Feature 9 as at other Margaret Bay phase houses in the eastern Aleutian Islands. There is no evidence the Arctic Small Tool tradition (ASTt)-like artifacts from Chaluka (SAM-00001) and Margaret Bay (UNL-00048) were identified at ADK-00237. The measurable differences in the upland site of ADK-00237 to coastal houses are that Feature 9 and the two additional houses were not stone-lined, it has a smaller assemblage size, there is a lower frequency of points within the assemblage, and no definitive fishing or hunting equipment was found. Given the available evidence, ADK-00237 was likely a lookout location, based on its proximity to a coastal village (ADK-00025) and its views and easy access to three other water bodies, Adak Strait to the west, South Arm Bay to the north, and Bay of Waterfalls to the southeast. ADK-00237 could also have been a refuge.

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Eriksson, Ann-Catrine. "Rummet som konstverk : om konstnärsparet Charles Rennie Mackintosh och Margaret Macdonald." Doctoral thesis, Umeå universitet, Konstvetenskap, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-82510.

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The present dissertation deals with the artistic collaboration of a married couple, Charles Rennie Mackintosh and Margaret Macdonald. Living in Glasgow at the turn of the century, theeå, Swedeny concentrated their work on interior design. However, artistic collaboration has been neglected by traditional art history, with its concentration on individual creativity. For the couple in question, this has meant that the work they created together has been mainly attributed to Mackintosh, thereby relegating Macdonald to the role of spouse and assistant, rather than co-creator. The present dissertation presents a different picture of the couple's collaboration, challenging and revising our cultural perceptions about the creative abilities of the respective sexes. A selection of interiors created by the Mackintoshes is studied in order to shed light on their collaborative efforts. The analyses embark from the perspectives of «masculine» and «feminine» in order to show how the Mackintoshes created artistic wholeness in their interiors, while at the same time opening up the spaces for a mixture of actors, i.e. making the rooms accessible to men and women alike through their designs. During this epoch, the concepts of «masculine» and «feminine» were employed as natural points of reference in an attempt to explain social and cultural phenomena scientifically. The Mackintoshes made use of the era's conventions when creating interiors in the accepted division of masculine (hallways, dining rooms, libraries) and feminine (bedrooms, salons) spaces. However, with time they began to combine these accepted gender forms in order to create something new and modern. Just as the Mackintoshes could create more powerful works of art by combining their respective artistic talents, their spaces could accrue greater significance through the combination of masculine and feminine principles.<br>digitalisering@umu

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Books on the topic "The Haunting of Hill House"

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Shirley, Jackson. The haunting of Hill House. Chivers, 2011.

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Shirley, Jackson. The haunting of Hill House. Penguin Books, 2006.

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Shirley, Jackson. The haunting of hill house. Robinson, 1987.

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Shirley, Jackson. The haunting of Hill House. Penguin Books, 2007.

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Shirley, Jackson. The haunting of Hill House. Penguin Books, 1987.

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Heath, Saundra. The haunting house. Penguin Group, 1998.

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The haunting house. Paradise Press, 1996.

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The haunting of Holroyd Hill. CobbleHill Books/Dutton, 1995.

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Shirley, Jackson. Haunting of Hill House. Independently Published, 2021.

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Shirley, Jackson. Haunting of Hill House. Independently Published, 2021.

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Book chapters on the topic "The Haunting of Hill House"

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Rein, Katharina. "The Haunting of Hill House (2018)." In Genrediskurse. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33205-1_7.

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Perry, Dennis R., and Carl H. Sederholm. "Haunted “Usher”: Moving toward Absolute Reality in The Haunting of Hill House." In Poe, "The House of Usher," and the American Gothic. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620827_5.

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Newman, Judie. "Shirley Jackson and the Reproduction of Mothering: The Haunting of Hill House." In American Horror Fiction. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20579-0_8.

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Wisker, Gina. "Haunted Romance and Haunted Houses: Rebecca (du Maurier, 1938), The Haunting of Hill House (Jackson, 1959)." In Contemporary Women’s Ghost Stories. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89054-4_2.

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Peabody, Megan M., and Mikkaila Poulin. "The Gothic’s Creation of Women’s Friendship in Shirley Jackson’s The Haunting of Hill House." In Navigating Women’s Friendships in American Literature and Culture. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08003-6_3.

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Ayres, Brenda. "The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House." In Neo-Victorian Things. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06201-8_7.

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Keetley, Dawn. "Black Mold, White Extinction: I Am the Pretty Thing That Lives in the House, The Haunting of Hill House, “Gray Matter,” and H. P. Lovecraft’s “The Shunned House”." In Haunted Nature. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81869-2_3.

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Marklee, Johnston. "Hill House." In Housing Moves On. Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-79174-5_26.

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Tovy, Tal. "The White House vs. Capitol Hill." In The Gulf of Tonkin. Routledge, 2021. http://dx.doi.org/10.4324/9781315692067-5.

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Regis, Amber K. "Chapter 16: Life at Clifton Hill House, 1870–77." In The Memoirs of John Addington Symonds. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-29124-0_18.

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Conference papers on the topic "The Haunting of Hill House"

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Semeneca, Jelena. "SHIRLEY JACKSON�S �THE HAUNTING OF HILL HOUSE� AS A HORROR NOVEL: THE UNCANNY, THE MONSTROUS, THE SUDDEN." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s27.071.

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Martín-Hernández, Pilar, Ana Cristina Tesán Tesán, Juan Luis Azkue Beteta, Ana Isabel Gil-Lacruz, and Marta Gil-Lacruz. "THE HOUSE OF LOST HILL: FOSTERING MINDFULNESS AND INNOVATION BEHAVIOUR THROUGH A GAME BASED LEARNING EXPERIENCE." In 14th International Conference on Education and New Learning Technologies. IATED, 2022. http://dx.doi.org/10.21125/edulearn.2022.0907.

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Giustini, Francesca, Mauro Brilli, Enrico Gallocchio, and Patrizio Pensabene. "Characterisation of White Marble Objects from the Temple of Apollo and the House of Augustus (Palatine Hill, Rome)." In XI International Conference of ASMOSIA. University of Split, Arts Academy in Split; University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. http://dx.doi.org/10.31534/xi.asmosia.2015/02.08.

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Castledine, Ian. "Chevin Tower - An Engine House Hidden in Plain Sight. A New Theory on a Local Landmark." In 2nd International Early Engines Conference. International Early Engines Conference & ISSES, 2021. http://dx.doi.org/10.54267/ieec2-1-08.

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The tall square building known as Chevin Tower sits on the hill directly above the Milford tunnel on the North Midland railway constructed from 1837-1840 by the railways appointed contractors to surveys carried out by George & Robert Stephenson. Until recently it has always been described as a ‘signal tower’, or a manmade landmark to aid railway surveying where direct line of sight was not possible. In2021 articles in the Midland Journal explored the use of the tower casting some doubt on the signalling interpretation and this led the author to examine afresh the structure, its location and context. This review has refuted the original theories concerning its construction and postulating with extensive supporting evidence that the tower housed a winding engine used to raise material extracted in the shafts and tunnel headings below to the surface, thereby speeding up the process of its construction. This pattern of engine house with a vertical cylinder driving a winding drum mounted above was one widely used in the north-east coalfield during the 19th century and its construction was likely to have been influenced by the Stephensons whose background would have made them familiar with such an arrangement.

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Borello, Domenico, Giovanni Delibra, and Franco Rispoli. "Multiscale Partially Averaged Navier Stokes Approach for the Prediction of Flow in Linear Compressor Cascade With Moving Casing." In ASME 2011 Turbo Expo: Turbine Technical Conference and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/gt2011-45875.

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In this paper we present an innovative Partially Averaged Navier Stokes (PANS) approach for the simulation of turbomachinery flows. The elliptic relaxation k-ε-ζ-f model was used as baseline Unsteady Reynolds Averaged Navier Stokes (URANS) model for the derivation of the PANS formulation. The well established T-FlowS unstructured finite volume in-house code was used for the computations. A preliminary assessment of the developed formulation was carried out on a 2D hill flow that represents a very demanding test case for turbulence models. The turbomachinery flow here investigated reproduces the experimental campaign carried out at Virginia Tech on a linear compressor cascade with tip leakage. Their measurements were used for comparisons with numerical results. The predictive capabilities of the model were assessed through the analysis of the flow field. Then an investigation of the blade passage, where experiments were not available, was carried out to detect the main loss sources.

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McLemore, V. T., W. C. McIntosh, and J. W. Hawley. "First-day road log, from Lordsburg to Ruth Mine (Lordsburg district) to Twelve Mile Hill to Rock House Canyon (Pyramid Mountains) to Burgett's Greenhouses (Animas Valley) to Steins (Peloncillo Mountains)." In 51st Annual Fall Field Conference. New Mexico Geological Society, 2000. http://dx.doi.org/10.56577/ffc-51.1.

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Saxena, Rakhi, Promila Sharma, Pratibha Joshi, and Kavita Narwal. "Environmental Problems Among Rural Women and Management of Occupational Health and Safety." In Applied Human Factors and Ergonomics Conference. AHFE International, 2020. http://dx.doi.org/10.54941/ahfe100341.

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Women have long occupied a central place in agriculture production in developing countries, ensuring food security for their household and communities, but this role is not performed without adverse consequences for health. The major consequences include health risks owing due to women’s use and exposure to hazardous agro-chemicals/pesticides, farm-related accidents or physical injuries and exposure to hazardous solid fuel in the interior house. Developing countries like India have many polluting sources that produce high level of human exposure. Indoor air pollution in developing countries from biomass smoke is considered to be a significant source of public health hazard, particularly to the poor and vulnerable women and children. Women and children face the greatest exposure to the harmful health effects of pollution. Women traditionally carry out most household chores and spend a considerable part of their time indoors. The pollution also affects young children under their mothers’ care. Another source of high risk of ill health in rural India is exposure to spray of pesticides in the fields. In India, 70% of the population is farmers and they are the target group to be affected by the hazards of pesticide applications. In India, 70% of the population is farmers and they are the target group to be affected by the hazards of pesticide applications. Moreover, in developing countries the users are rather careless in handling pesticides. The high risk groups exposed to pesticides include the production workers, formulators, sprayers, mixers, loaders and agricultural farm workers. During manufacture and formulation, the possibility of hazards may be more because the processes involved are not risk free. In India, 70% of the population is farmers and they are the target group to be affected by the hazards of pesticide applications. Moreover, in developing countries the users are rather careless in handling pesticides. All pesticides in a given chemical group generally affect the human body in the same way; however, severity of the effects varies depending on the formulation, concentration, toxicity and route of exposure of the pesticide. Descriptive cum experimental research design was chosen for the study. The study was carried out in two districts Udham Singh Nagar and Nainital. Purposive cum Random sampling design was used to select the study area. Total sample size was comprised of 240 women from rural areas of Uttarakhand state in India. Experimental data was recorded through various scientific instruments and descriptive data was collected through interview schedule, awareness scales, and observation sheet. On the basis of anthropometric measurements the 5th, 50th and 95th percentile was calculated for the designing of personal protective equipments (gloves and coverall) through CAD for reducing the hazards of pesticide spraying and designing of chimney for minimizing the hazards of smoke originated by traditional cooking source. It was found from investigation that indoor air pollution and pesticide hazards were almost same for the families of hill region but sufferings related to indoor air pollution and pesticide hazards were more in the plain region as compare to hill region. The healthy and natural environmental conditions in the hill region and less dense housing of this region were the cause of less suffering from cooking smoke and pesticide spraying conditions. Taking the above fact into account the chances of diseases, risks and hazards were less for families of hill region.

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Del Rey, Miguel, Antonio Gallud, and Silvia Bronchales. "Una torre en la muralla de Biar. Consolidación y recuperación de una imagen urbana." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11353.

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A tower in the wall of Biar. Consolidation and recovery of an urban imageThe wall of Biar goes around the historical part of the city and connects it with the castle at the top of the hill. This urban wall was comprised by the city wall and a walk wall, which were protected by a battlement and a series of towers. Currently, the urban wall has been swallowed by changes in the area. Internal edifications to the city wall have progressively taken over the wall and, in its outside part, an area as wide as the towers has been occupied, which has eventually set up the front part of Torreta street. The Tower of Jesus is part of this defensive set that nowadays is almost invisible. Before its restoration, the tower was in an unfortunate state of abandonment and deterioration. Large cracks in its masonry warned of its immediate collapse. After its defensive use, it was transformed and joined to more modern neighboring buildings. Removed walls, deformed gaps and variations in the roof concealed its past as it went unnoticed and passed as another house on the street. Only the traces in its walls exposed its history. The intervention process for its recovery began with a thorough, formal, dimensional and technical study, to subsequently propose its restoration and the choice of contiguous elements that had to be eliminated to show a recognizable set. Also, a new way of walking and using it was put forward. During the intervention, several objectives were considered. In addition to the most obvious ones, such as the structural consolidation that would prevent its eventual collapse, recovering its historical image and showing the key facts that would lead to interpreting its past and discovering its secrets. Besides describing in detail the restoration process in its entirety, this text aims to present the issues that were raised during the intervention and to consider those reasons behind all the decisions that were made.

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Reports on the topic "The Haunting of Hill House"

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"This is Our House!" A Preliminary Assessment of the Capitol Hill Siege Participants. George Washington University, 2021. http://dx.doi.org/10.4079/poe.03.2021.01.

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