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Dissertations / Theses on the topic 'The Henry Miller odyssey'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Masuga, Katy Danel. "The secret violence of Henry Miller /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/6634.

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2

Manniste, Indrek. "Henry Miller and philosophy of the inhuman artist." Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/7527.

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In my doctoral dissertation I argue that it is possible to reconstruct a coherent philosophical theory from the works of the American writer Henry Miller (1891-1980) and I develop an original and well-integrated version of that theory. Building upon his notion of the inhuman artist, Miller's philosophical foundation is revealed through his literary attacks against the metaphysical design of the modern age. I argue that, by repudiating some of the most potent elements of late modernity such as history, modern technology and an aesthetisized view of art, Miller paves the way for overcoming Weste
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3

Jahshan, Paul. "Excessive images : Henry Miller and the French surrealists." Thesis, University of Nottingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313196.

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4

Matsuda, Kenjiro. "Le surréalisme dans l'univers littéraire de Henry Miller." Paris 3, 1992. http://www.theses.fr/1993PA030131.

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Henry miller rencontra le surrealisme pendant sa periode parisienne (1930-1939) et le mouvement surrealiste a eu une influence considerable sur son oeuvre a cette epoque. On peut trouver l'utilisation par miller du procede surrealiste de 'ecriture automatique tout particulierement dans ses deux ouvrages intitules black spring et tropic capricorn. Par ailleurs, miller se rapproche du surrealisme par le theme de la sexualite : on peut observer chez miller aussi bien que chez les surrealistes une tendance psycho-sexuelle qui est plus ou moins fondee sur le mecanisme du fetichisme<br>It was furing
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5

Delgado, Duatis Diego. "The Hellenic World of Henry Miller and Lawrence Durrell." Doctoral thesis, Universitat Rovira i Virgili, 2016. http://hdl.handle.net/10803/385980.

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Aquesta tesi doctoral estudia les produccions literàries de dos escriptors interconnectats, Henry Miller i Lawrence Durrell, tot posant especial atenció a les seves obres sobre el món grec, i la influència de la cultura hel•lènica sobre ambdós autors a través d’alguns escriptors grecs moderns. La meva tesi demostra que el contacte dels esmentats autors amb el món hel•lènic i amb determinats escriptors grecs de la primera meitat del segle vint va influenciar als primers considerablement, impregnant moltes de les seves obres. El terme “hel•lènic”, en la tesi, s’utilitza en el sentit que li dóna
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6

Boulade, Sophie. "Qui ? du roman. Henry Miller, Paul Auster, Michel Houellebecq." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA061.

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La catégorie du roman du qui ? comprend des romans écrits par des romanciers qui ne sont pas strictement contemporains les uns des autres, tels Henry Miller, Paul Auster et Michel Houellebecq. Ces romanciers suggèrent une problématicité de la parole, marquée par des indices référentiels contradictoires et ambigus. Ils compensent l’incertitude de ces indices par la stabilité qu’ils prêtent aux personnages et parce qu’ils se veulent réalistes : ils inscrivent leurs romans nettement dans leur époque et font de leurs personnages les témoins de cette époque. Cette dualité — incertitude du statut de
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7

Baillargeon, Patrice. "Soliloquies of lust, Henry Miller and the transmutation of desire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq21057.pdf.

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8

Labrom, Eileen. "Out of bounds : Henry Miller and the writing of the self." Thesis, King's College London (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558301.

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9

Houard, Michel. "La Conception du roman autobiographique chez Louis-Ferdinand Céline et Henry Miller." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37598344f.

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10

Gasyna, George. "The autobiographical act in the exile narratives of Marek Hłasko and Henry Miller /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28273.

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This study is an investigation of the autobiographical narratives of two authors, the Pole Marek Hlasko, and the American Henry Miller. Though they lived in different times and places Miller and Hlasko, share some remarkable features with respect to temperament, philosophies of writing, and modes of narrative output. In the chapters that follow I will examine both the biographical and the textual points of contact between these two men, concentrating on the problem of self-inscription in the autobiographical novels, and on the games played with identity that both men engaged in throughout thei
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11

Gasyna, George. "The autobigoraphical act in the exile narratives of Marek Hlasko and Henry Miller." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0005/MQ43873.pdf.

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12

Rossi, Daniel. "Uma reapresentação de Henry Miller : do período francês à virada mística (1930-1940) /." Araraquara, 2016. http://hdl.handle.net/11449/138269.

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Orientador: Maria Clara Bonetti Paro<br>Banca: Maria das Graças Gomes Villa da Silva<br>Banca: Maria Lúcia Outeiro Fernandes<br>Banca: Ramiro Giroldo<br>Banca: Neil Besner<br>Resumo: Esta tese aborda o período francês da produção literária de Henry Miller, que se estende de sua chegada à Paris em 1930 até seu retorno aos Estados Unidos em 1940, de forma a reapresentar as quatro principais obras deste período: Trópico de Câncer (1934), Primavera negra (1936) e Trópico de Capricórnio (1939), que nomeamos trilogia francesa, e o volume de cartas entre Henry Miller e Michael Fraenkel intitulado Ham
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13

Bloshteyn, Maria R. "The pornographers and the prophet, Henry Miller, Anaïs Nin, and Lawrence Durrell reading Dostoevsky." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0018/NQ27280.pdf.

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14

Stevenson, Guy. "Blast and bless : radical aesthetics in the writings of Henry Miller and Ezra Pound." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12309/.

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The aim of this thesis is to provide a new way of reading Henry Miller by drawing attention to his unlikely aesthetic and moral intersections with Ezra Pound. It traces the lineage of a particular strand of radical modernist expression that is exemplified in Pound’s critical essays between 1909 and 1938 and finds its way – incongruously - into Henry Miller’s semi-autobiographical novels of the 1930s. In the process, I will illuminate hitherto underexplored territory that is shared by two seemingly incompatible writers, pointing the way to a better understanding of the aesthetic and moral contr
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15

Costa, Luciano Bedin da. "Biografema como estratégia biográfica : escrever uma vida com Nietzsche, Deleuze, Barthes e Henry Miller." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/27673.

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Comment écrire une vie? Cette question apparemment simple est la question qui anime ce texte. L'écriture de la vie - qu'on appelle ici la biographie (bíος - bios, vie et γραφή - graphein, écrire) - est un thème transversal. L'écriture biographique couvre pas seulement la littérature mais aussi d'autres domaines de la santé et des sciences humaines, comme la psychologie, l'éducation, anthropologie, histoire et sciences sociales. La bio-graphie comprend un large tissu de méthodologies; elle apparaît dans les histoires de la vie, dans la formation professionnelle, dans les études cas dans, dans l
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16

von, Richthofen Patrick Mansur Freiherr Praetorius. "The Booster/Delta nexus : Henry Miller and his friends in the literary world of Paris and London on the eve of the Second World War." Thesis, Durham University, 1987. http://etheses.dur.ac.uk/1686/.

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17

Zardo, Mônica. "A comparative study on the "American innocence" issue : Henry Jame's The American and Daisy Miller : a study." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/7758.

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Esta dissertação aborda a questão da “inocência americana” em duas obras do escritor norte-americano Henry James, empregando conceitos da Literatura Comparada como base para a análise dos textos escolhidos: The American e Daisy Miller: A Study. Portanto, os conceitos de intertextualidade, influência e alteridade são fundamentais para o estabelecimento das confluências e divergências entre as duas obras. Este trabalho também apresenta uma análise, com base na teoria comparatista da interdisciplinaridade, entre a obra literária Daisy Miller: A Study e o filme Daisy Miller, dirigido por Peter Bog
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18

Karlsson, Maria. "Rewritings of Circe: Representation, Resistance, and Change in Feminist Revisionism." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42931.

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This paper analyses the feminist revisionism of the Circe-myth in the rewritings by Eudora Welty, Margaret Atwood, and Madeline Miller. To that end, the paper first examines three different ways of discussing rewritings: Jeremy M. Rosen’s genre of minor-character elaboration, Linda Hutcheon’s take on postmodern parody, and Alicia Ostriker’s feminist revisionist mythmaking. Then, after positioning itself with the feminist revisionism, the paper conducts a brief reading of the myth as it appears in the Odyssey, followed by readings of the three rewritings: Welty’s short story “Circe,” Atwood’s p
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19

Milsted, Collyn E. "Initiation in the Novellas of Henry James." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/86.

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This Master’s Thesis seeks to explain the process of initiation undergone by Henry James’s characters. Characters are chosen for initiation into forbidden knowledge, and, like the Biblical Adam and Eve, are exiled as a result. Though initiation is erotic, it is not sexual, and society falsely perceives a sexually charged relationship between the initiator and the initiate, also called the complementary pair. The initiate faces exile and death because of his forbidden knowledge. He no longer has a place in his society, which leads to his social death and eventually physical death. James’s
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20

Burtschell, Katrin. "Nobuyoshi Araki und Henry Miller - eine japanisch-amerikanische Analogie : ein interdisziplinärer Ansatz über Absicht und Wirkung des Obszönen in Kunst und Literatur." Berlin [u.a.] Lit, 2009. http://d-nb.info/992652790/04.

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21

Burtschell, Katrin. "Nobuyoshi Araki und Henry Miller - eine japanisch-amerikanische Analogie ein interdisziplinärer Ansatz über Absicht und Wirkung des Obszönen in Kunst und Literatur." Berlin Münster Lit, 2007. http://d-nb.info/992652790/04.

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22

Gedda, Muñoz Oriana. "Fluidity in Henry Miller's Tropic of cancer : its effects on the subject and the urban landscape." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/115672.

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Informe de Seminario para optar al grado de Licenciada en Lengua y Literatura Inglesa<br>The purpose of this work is to reveal as to what extent the sick body is a reflection of the sick city and how these two spheres overlap, sometimes melting and merging into one. In accordance to this point, the body is presented as constantly falling into this sickness, or into a sort of mechanization of the quotidian in the figure of the individual as a proper machine. The city goes through the very same processes and it is compared in numerous occasions to a body that collapses over itself; that sto
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23

Ike, Monica O. V. "The clash of cultures in Henry James The portrait of a Lady, The Wings, The Dove and Daisy Miller /." [S.l.] : Universität Konstanz , Philosophische Fakultät, Fachgruppe Philosophie, 1998. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB8500873.

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24

Holdefer, Charles. "L accueil critique des premiers ouvrages de theodore dreiser et de henry miller : l evolution des horizons d attente." Paris 4, 1992. http://www.theses.fr/1992PA040192.

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Theodore dreiser et henry miller incarnent le developpement de la litterature americaine du xxe siecle, du realisme au post-modernisme. Tous les deux ont ete vigoureusement contestes avant d etre enfin admis au pantheon des lettres. Comment ces deux "rebelles" sont-ils devenus des "classiques"? dans un premier temps, nous etudions comment furent accueillis sister carrie (1900) et jennie gerhardt (1911) de dreiser, puis tropic of cancer (1934) et black spring (1936) de miller, au moment de leur parution. Nous essayons de reconstruire les "horizons d attente" a partir d un large eventail de sour
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25

Gualda, Linda Catarina [UNESP]. "Literatura e cinema: representações do feminino em Washington Square, Daisy Miller e The Europeans." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103649.

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Made available in DSpace on 2014-06-11T19:32:48Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-12-20Bitstream added on 2014-06-13T19:22:26Z : No. of bitstreams: 1 gualda_lc_dr_assis.pdf: 1930104 bytes, checksum: 1cfdb5058d8185e70aab55242e303af0 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A tese objetiva discutir as representações do feminino a partir das relações entre literatura e cinema em níveis práticos e teóricos das obras literárias de Henry James Washington Square, Daisy Miller e The Europeans e dos filmes homônimos de Agnieszka Holland, Pet
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26

Benfatti, Flávia Andréa Rodrigues. "Pornografia e criticidade: as faces de Henry Miller em Tropic of Cancer e Tropic of Capricorn sob o viés autobiográfico." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-06112013-105313/.

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Esta pesquisa analisa as obras Tropic of Cancer (1961) e Tropic of Capricorn (1961) do escritor norte-americano Henry Miller sob o viés autobiográfico com o intuito de averiguar, nas narrativas, como o autor constrói a masculinidade de seu narrador por meio de suas experiências sexuais. Percebe-se que o autor, por meio de seu personagem protagonista autobiográfico se comporta, às vezes, dentro dos parâmetros de uma masculinidade hegemônica diante do ato sexual ou nas conversas sobre mulheres com seus interlocutores masculinos, já que é fruto de uma sociedade patriarcal. Por outro lado, o autor
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Román, Ciero Fernanda. "Reactions and Responses to Daisy Miller’s Behavior in the Sophisticated Europe." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109918.

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28

Gallagher, Daniel. "Les écrivains américains à Paris entre les deux guerres : les conditions économiques et sociales de leur expatriation." Paris 3, 2008. http://www.theses.fr/2008PA030112.

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Cette étude est consacrée aux aspects économiques et sociaux de l’expatriation littéraire américaine à Paris entre les deux guerres qui n’ont pas été suffisamment étudiés. Nous avons tenu pour acquis que les écrivains américains se sont rendus à Paris après la Grande Guerre pour des raisons économiques liées à un taux de change favorable et, en conséquence, à un coût de vie peu élevé en France. En outre, nous croyons toujours aujourd’hui que la France a pu résister à la modernisation et à l’industrialisation qui envahissaient l’Amérique des années 1920 et qu’elle était donc un refuge contre la
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29

Celerier, Patricia-Pia. "Anaïs Nin à Paris les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376036989.

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30

Celerier, Patricia-Pia. "Anaïs Nin à Paris : les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire." Paris 4, 1987. http://www.theses.fr/1987PA040104.

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Etude de la croissance personnelle et artistique d'Anaïs Nin à Paris entre 1931 et 1939 à travers ses relations avec Joaquin Nin, son père, Henry Miller et ses deux psychanalystes parisiens, René Allendy et Otto Rank. Évaluation de l'influence de ces quatre hommes sur sa vie et sa production littéraire. La naissance d'une artiste dans un monde d'hommes<br>Study of Anais Nin's personal and creative growth in Paris between 1931 and 1939 through her relationships with her father, Joaquin Nin, Henry Miller and her two Parisian psychoanalysts, René Allendy and Otto Rank. Evaluation of the four men'
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31

Bergheaud, Lise. "Raymond Queneau, une formation au modernisme et à la modernité : 1917-1938, lectures fondatrices du récit anglo-saxon des XIXe-XXe siècles." Paris 3, 2008. http://www.theses.fr/2008PA030075.

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Le présent travail se donne pour objectif d’éclairer les liens entre l’œuvre narrative de Raymond QUENEAU et les récits anglo-saxons qu’il a lus et recensés de 1917 à 1938. Dans un premier temps, un classement raisonné à partir des listes de lectures queniennes nous a permis de délimiter une assemblée de dix auteurs, précurseurs ou emblèmes de la modernité en littérature, dont les écrits entrent en résonance précoce et prolongée avec les textes queniens (Edgar Allan POE, Lewis CARROLL, Joseph CONRAD, Henry JAMES, James JOYCE, William FAULKNER, Gertrude STEIN, Ernest HEMINGWAY, Henry MILLER, Er
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32

Lee, Nien-feng, and 李年豐. "The Nomadic Henry Miller: A Schizoanalytic Reading of." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/19172450176335728307.

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碩士<br>國立政治大學<br>英國語文學研究所<br>83<br>Henry Miller is famous/notorious for a long time as an autobiographer coupled with sexual descriptions. Some critics tend to take Miller''s auto-novel for a sheer autobiography, thereby identifying the narrator with the autor. In fact, sexuality is merely one of Miller''s characteristic narrative strategies opposing to the institutions and establishments. One of his searing assaults is directed toward family, society, tradition, and God, all embody and re
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Palumbo, Allison P. Gontarski S. E. "Writing the in (in) between the expressions of écriture féminine in Henry Miller's Tropics Trilogy /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-07102005-011543.

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Thesis (M. A.)--Florida State University, 2005.<br>Advisor: Dr. S. E. Gontarski, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Sept. 14, 2005). Document formatted into pages; contains vi, 70 pages. Includes bibliographical references.
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34

Dias, Inês Cordeiro Silva. "A figura da prostituta em Henry Miller e Brassai." Master's thesis, 2007. http://hdl.handle.net/10451/520.

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Tese de mestrado em Estudos Comparatistas apresentada à Faculdade de Letras da Universidade de Lisboa, 2008<br>A minha tese centra-se na figura da prostituta em Tropic of Cancer e Quiet Days in Clichy, de Henry Miller, e Le Paris Secret des années 30, de Brassaï. Esta personagem é central na modernidade estética, sendo uma das metáforas desse período, da cidade e do próprio artista. Os espaços urbanos têm um lugar basilar nos seus trabalhos, sendo vistos como um organismo vivo, especialmente em Miller. Nos seus romances a prostituta é uma das melhores formas de entrar em contacto com a cidade
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35

Lopes, Sylwia Markiewicz. "L’identité dans le roman et à son exterieur." Master's thesis, 2013. http://hdl.handle.net/10316/23642.

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Tese de Mestrado em Estudos Literários e Culturais (Estudos Franceses), apresentada à Faculdade de Letras da Universidade de Coimbra<br>Este trabalho pretende sugerir uma nova leitura do Trópico de Câncer de Henry Miller, inspirada pela sua ambiguidade latente. Tudo neste romance parece ter um duplo significado. Para reflectir sobre esse duplo sentido, a dissertação está dividida em duas partes: a primeira está focada na narrativa do romance e a segunda na sua recepção. Isso significa que iremos ler o romance como um leitor de primeiro nível e como um leitor de segundo nível (um leitor de out
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36

Masella, Giovanna. "Henry Miller et ses premières traductions françaises dans les années de l'immédiat après-guerre (1945-1954)." Thesis, 2004. http://spectrum.library.concordia.ca/7973/1/MQ91082.pdf.

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Nous étudierons les traductions françaises de trois oeuvres de Miller: Tropic of Cancer (1934), Max and the White Phagocytes (1938) et The Air-Conditioned Nightmare (1945). Nous avons choisi ces textes pour les raisons suivantes. Tropic of Cancer est son premier roman publié en anglais à Paris en 1934: il lui vaut la reconnaissance littéraire longtemps refusée dans son propre pays. La traduction de Paul Rivert, Tropique du Cancer , est publiée en 1945, aux Éditions Denoël. ±Max», le deuxième texte que nous analyserons, fait partie d'un recueil de nouvelles, Max and the White Phagocyt
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37

Yeh, Yu-Chen, and 葉育真. "Sexuality, Writing, and Redemption: Transgression and thePursuit of Self in Henry Miller''s The Rosy Crucifixion." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/02563372250287339333.

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碩士<br>淡江大學<br>英文學系碩士班<br>93<br>Many critics praise the literary merit of Henry Miller’s Parisian trilogy for his self-liberation with complicated themes and narrative technique; however, few mention the importance of The Rosy Crucifixion trilogy. This thesis argues that The Rosy Crucifixion represents a decisive period of Miller’s transitional life and explores how the narrator escapes from his old pattern of life and strives to become a writer. In the three texts, Miller intends to reveal his bitter-sweet life in New York of 1920s, thereby piecing together the mosaic of varied aspects of his
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38

Gandell, Jeffrey. "Reflections of reflections : authors, narrators and worlds inside and outside of autobiographical fiction." Thèse, 2008. http://hdl.handle.net/1866/7972.

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39

Skovajsa, Ondřej. "Psaný hlas: Whitmanovy Listy trávy (1855) a Millerův Obratník Raka." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342280.

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The PhD. dissertation Written Voice examines how Walt Whitman and Henry Miller through books, confined textual products of modernity, strive to awaken the reader to a more perceptive and courageous life, provided that the reader is willing to suspend hermeneutics of suspicion and approach Leaves of Grass and Tropic of Cancer with hermeneutics of hunger. This is examined from linguistic, anthropological and theological vantage point of oral theory (M. Jousse, M. Parry, A. Lord, W. Ong, E. Havelock, J. Assmann, D. Abram, C. Geertz, T. Pettitt, J. Nohrnberg, D. Sölle, etc.). This work thus compar
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