Relevant bibliographies by topics / The House of Bernarda Alba

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'The House of Bernarda Alba'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "The House of Bernarda Alba"

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Stainton, Leslie, Federico Garcia Lorca, and Robert David MacDonald. "The House of Bernarda Alba." Theatre Journal 39, no. 2 (1987): 232. http://dx.doi.org/10.2307/3207692.

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Sullivan, Esther Beth, Federico Garcia Lorca, and Lynne Parker. "The House of Bernarda Alba." Theatre Journal 46, no. 1 (1994): 137. http://dx.doi.org/10.2307/3208969.

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Stephens, Jeffrey. "The House of Bernarda Alba (review)." Theatre Journal 54, no. 1 (2002): 145–47. http://dx.doi.org/10.1353/tj.2002.0030.

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Tariq, Humaira. "Protagonist: Bernarda Alba or Pepe el Romano? In Lorca’s “The House of Bernarda Alba”." IOSR Journal of Humanities and Social Science 7, no. 4 (2013): 35–37. http://dx.doi.org/10.9790/0837-0743537.

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Michelotti, Graciela. "Rosana’s house." Short Film Studies 9, no. 2 (2019): 161–64. http://dx.doi.org/10.1386/sfs.9.2.161_1.

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This article compares Roquet’s short with García Lorca’s La casa de Bernarda Alba (1936), exploring how relationships between maids and female employers have been preserved despite the passage of time. When framed by the incidence of class differences, long-held traditions and repressed emotions, silence dominates both texts.
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Breiner-Sanders, Karen E. "Andalusian Drama in Two Takes: The House of Bernarda Alba and La casa de Bernarda Alba." Hispania 79, no. 3 (1996): 503. http://dx.doi.org/10.2307/345548.

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González Chacón, María del Mar. ""Speaking through Another Culture": Frank McGuinness’s Version of Federico García Lorca’s The House of Bernarda Alba (La Casa de Bernarda Alba)." Miscelánea: A Journal of English and American Studies 60 (November 28, 2019): 71–89. http://dx.doi.org/10.26754/ojs_misc/mj.20196288.

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Translation and adaptation play an essential role in Irish contemporary theatre. Irish playwrights have turned to continental writers, such as Federico García Lorca, to rewrite their culture through another culture. Frank McGuinness has followed this tradition but, while his rewritings of Euripides or Sophocles have been widely discussed by scholarship, his version of Lorca’s The House of Bernarda Alba (1991) remains an unpublished text and, consequently, has not been the object of critical attention. This article intends to engage in close analysis of the play, addressing the strategies used
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Cifuentes, Luis Fernandez, and Dennis A. Klein. "Blood Wedding, Yerma, and The House of Bernarda Alba. Garcia Lorca's Tragic Trilogy." Hispanic Review 62, no. 1 (1994): 135. http://dx.doi.org/10.2307/474449.

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Katona, Eszter. "Bodas de sangre de Federico García Lorca en las tablas húngaras. Algunas representaciones memorables entre 1957-2014." Acta Hispanica 19 (January 1, 2014): 79–100. http://dx.doi.org/10.14232/actahisp.2014.19.79-100.

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The House of Bernarda Alba was the first play of Federico Garcia Lorca that was staged by a Hungarian company in 1955. Hungarian directors followed with close attention the dramas of the Andalusian playwright and two years later, in 1957, the Hungarian National Theater included on its program another play of Lorca, Blood Wedding, written in 1933. Since then, the popularity of this drama on Hungarian stages has not diminished at all, it also inspired dance and opera adaptations. Recently, in the 2013-2014 season, Magyar Színház theater has also staged this play. The aim of this paper, which has
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Katona, Eszter. "Las interpretaciones de La casa de Bernarda Alba en los teatros húngaros en el siglo XXI." Acta Hispanica 18 (January 1, 2013): 105–29. http://dx.doi.org/10.14232/actahisp.2013.18.105-129.

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Federico García Lorca's last play, The House of Bernarda Alba was in fact his first drama that was presented to the Hungarian audience in the 1950s. Nearly sixty years have passed since then, and numerous Hungarian theaters have included this play in their repertoire. I managed to trace 19 premiers from the period of 1955-2000 and 25 since the turn of the century. However, behind these high numbers we do not always find traditional theatrical presentations working with Lorca’s text. Other adaptations, like dance or musical plays, were also inspired by Lorca's drama, but with their different fo
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Dissertations / Theses on the topic "The House of Bernarda Alba"

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Lindgren, Lovisa. ""Porque quiero casarme con un varón hermoso de la orilla del mar" Un análisis de lo grotesco femenino de María Josefa en La casa de Bernarda Alba." Thesis, Högskolan Dalarna, Spanska, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-13621.

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This essay is an analysis of the character María Josefa in the play 'The House of Bernarda Alba' (1936) by Federico García Lorca. It is hypothesized that the character of María Josefa can be considered a distorting mirror of the femininity presented in the play, and that through María Josefa this femininity is both revealed and problematized. The analysis adopts theories from the field of the (female) grotesque, using terminology both from Mikhail Bakhtin and Mary Russo. Throughout the analysis it is demonstrated how the character of María Josefa challenges the boundaries and norms which are d
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Wåhlin, Landa Helena. "Opresión, crueldad y represión sexual en La casa de Bernarda Alba." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100265.

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Esta tesina presenta un análisis temático de la obra de teatro La casa de Bernarda Alba escrita por Federico García Lorca partiendo de las contribuciones teóricas de Michel Foucault, un enfoque metodológico inspirado por el esquema actancial presentado por Eduardo Jimenez Tornatore así como una visión histórica y biográfica de Martha Ackelsberg y Reed Anderson. Uno de los objetivos es analizar los temas relacionados con la opresión y la represión de los deseos sexuales. Un segundo, mirar las acciones e interacciones entre los personajes y cómo estas reflejan las reglas sociales de corte conser
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Carbone, Rafael. "Frustración lorquiana : Metáforas y símbolos en La Casa de Bernarda Alba." Thesis, Högskolan Dalarna, Spanska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-18375.

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El presente trabajo está orientado a detectar los símbolos y metáforas ambivalentes en la obraLa Casa de Bernarda Alba de Federico García Lorca. Debido a que hay pocos estudiosdedicados al simbolismo de la frustración, se ha concentrado en analizar dicha temática. Paraanalizar el concepto de frustración, primero ha sido necesario comprender cómo eraconcebida la moral de la época en que se inscribe la obra. En segundo lugar, ha sidofundamental entender cómo surge la frustración en el ser humano. Atendiendo a estascuestiones se ha aplicado la teoría del formalismo iluminista y una visión freudia
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Willersinn, Mario. "Federico García Lorcas "La casa de Bernarda Alba" - dramatischer Text und Aufführungspraxis eine Analyse /." [S.l. : s.n.], 2008. http://nbn-resolving.de/urn:nbn:de:bsz:25-opus-54302.

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SOUZA, Marcella Macêdo Sampaio de. "O amor, a liberdade e a morte: diálogo entre a casa de Bernarda Alba e os sete gatinhos." Universidade Federal de Pernambuco, 2002. https://repositorio.ufpe.br/handle/123456789/7881.

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Made available in DSpace on 2014-06-12T18:36:32Z (GMT). No. of bitstreams: 2 arquivo8081_1.pdf: 359095 bytes, checksum: 0a4c80cf61817fda5840425b7ee5895b (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2002<br>Propusemo-nos fazer, nesta dissertação, uma análise das convergências e interseções das obras teatrais A Casa de Bernarda Alba, de Federico García Lorca, e Os Sete Gatinhos, de Nelson Rodrigues, sob a perspectiva do Amor, da Liberdade e da Morte. Estudamos a interação dos temas entre si e sua relação com as obras citadas, e ana
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Höljö, Nikolina. "El trasvase interlingüístico de las metáforas en La casa de Bernarda Alba : Un estudio comparativo del español al sueco." Thesis, Uppsala universitet, Institutionen för moderna språk, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-295661.

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En esta tesina se analiza las diferencias entre las metáforas en La casa de Bernarda Alba y sus equivalentes en una traducción sueca. Nuestros análisis se basan en la teoría sobre las metáforas conceptuales de Lakoff y Johnson (1980) con su enfoque cognitivista, además de la teoría de Gottlob Frege y sus ideas sobre sentido y significado, en el momento de compararlas. Las metáforas traducidas presentan una variedad de maneras en la traducción de la metáfora: traducir la metáfora literalmente, sustituirla por otra metáfora en la lengua meta, traducirla como metáfora que no lo era en el original
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da, Silva Filho José Francisco. "Un análisis mitopoético e imaginal de La casa de Bernarda Alba, de Federico García Lorca, y Dorotéia, de Nelson Rodrigues." Doctoral thesis, Universitat Autònoma de Barcelona, 2014. http://hdl.handle.net/10803/133267.

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Esta investigación tiene como propuesta analizar las obras dramáticas La casa de Bernarda Alba, de Federico García Lorca (1898–1936) y Dorotéia, del brasileño Nelson Rodrigues (1912-1980), desde el marco de la literatura comparada. Se ha buscado elucidar no tanto los elementos visibles y explícitos que pueden aproximan ambos textos, sino desentrañar más el aspecto simbólico, implícito y mítico que conllevan en su interior. Como uno de los objetivos de este trabajo es hacer un análisis mitopoético, el primer capítulo inicia con algunas reflexiones sobre el concepto de mito. En la búsqueda por c
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Cea, Sepúlveda Alma. "El rizoma aplicado a la dirección de escena de la trilogía lorquiana:Bodas de sangre, Yerma y La casa de Bernarda Alba." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/145268.

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Magíster en artes con mención en dirección teatral.<br>Uno de los objetivos fundamentales de esta exploración teórico-práctica, es vincular los principios rizomáticos a obras teatrales de origen clásico que posean un orden aristotélico; para ello, hemos seleccionado tres textos de Federico García Lorca: Bodas de Sangre, Yerma y La casa de Bernarda Alba con el propósito de observar el proceso creativo que surja a partir de una nueva estructura dramática que apele a lo rizomático. Para conseguir éste propósito, estudiaremos autores teatrales que han podido combinar estos conceptos, siendo ejem
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Swick, Janell. "La opresion del genero sexual y la expresion sexual en Bodas de sangre, Yerma, y la casa de Bernarda Alba por Federico Garcia Lorca." Click here to view, 2010. http://digitalcommons.calpoly.edu/mllsp/2/.

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Thesis (B.A.)--California Polytechnic State University, 2010.<br>Project advisor: Karen Munoz-Christian. Title from PDF title page; viewed on Mar. 24, 2010. Includes bibliographical references. Also available on microfiche.
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Dutra, Sandra Cristina Pereira. "As tradi??es do patriarcalismo nas obras A casa de Bernarda Alba, de Federico Garcia Lorca e Como ?gua para chocolate, de Laura Esquivel." PROGRAMA DE P?S-GRADUA??O EM ESTUDOS DA LINGUAGEM, 2017. https://repositorio.ufrn.br/jspui/handle/123456789/24192.

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Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-11-01T21:02:11Z No. of bitstreams: 1 SandraCristinaPereiraDutra_DISSERT.pdf: 1721179 bytes, checksum: 792c34b1c2ddcbc48c4b0a1c6f52e2b2 (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-11-06T23:43:08Z (GMT) No. of bitstreams: 1 SandraCristinaPereiraDutra_DISSERT.pdf: 1721179 bytes, checksum: 792c34b1c2ddcbc48c4b0a1c6f52e2b2 (MD5)<br>Made available in DSpace on 2017-11-06T23:43:08Z (GMT). No. of bitstreams: 1 SandraCristinaPereiraDutra_DISSERT.pdf: 1721179 bytes, checksum:
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Books on the topic "The House of Bernarda Alba"

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Gwynne, Edwards, ed. The house of Bernarda Alba =: La casa de Bernarda Alba. Methuen Drama, 1998.

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1898-1936, García Lorca Federico, and National Theatre of Scotland, eds. The house of Bernarda Alba. Methuen Drama, 2009.

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Munro, Rona. The house of Bernarda Alba. Methuen Drama, 2009.

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The house of Bernarda Alba. Nick Hern, 1999.

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The House of Bernarda Alba and Other Plays. Penguin Books, 2001.

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Lorca, Federico García. Three plays: Blood wedding, Yerma, The house of Bernarda Alba. Farrar, Straus, and Giroux, 1993.

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The rural trilogy: Blood wedding = Yerma = and The House of Bernarda Alba. Bantam Books, 1987.

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Blood wedding, Yerma, and The house of Bernarda Alba: García Lorca's tragic trilogy. Twayne Publishers, 1991.

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1898-1936, García Lorca Federico, ed. The house of Bernarda Alba: A drama about women in villages of Spain. Dramatists Play Service, 1999.

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Andrés, Amorós, ed. La casa de Bernarda Alba. 3rd ed. Plaza & Janes Editores, 1998.

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Book chapters on the topic "The House of Bernarda Alba"

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KLL. "García Lorca, Federico: La casa de Bernarda Alba." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3715-1.

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Neuschäfer, Hans-Jörg. "Federico García Lorca: La casa de Bernarda Alba (1936) Die Enttabuisierung der weiblichen Sexualität." In Klassische Texte der spanischen Literatur. J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-05277-3_22.

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Delgado, Maria M. "La Casa De Bernarda Alba [The House Of Bernarda Alba]." In Theatre and National Identity. Routledge, 2014. http://dx.doi.org/10.4324/9780203366219-5.

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Soria Olmedo, Andres. "Habitar, bordar, coser. Citas del teatro de Federico García Lorca." In Biblioteca di Rassegna iberistica. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-278-9/007.

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When Bernarda Alba attributes “Needle and thread for women, whip and mule for the men”, she describes a spacial distinction, interior/exterior, and a distinction of gender that can be followed throughout Lorca’s plays. Quotes from Mariana Pineda, Blood Wedding, Yerma, Doña Rosita the Spinster, The House of Bernarda Alba, and The Public disclose the variations on the above rule in what refers to embroidering and sewing.
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Badenes, José I. "The House of Bernarda Alba by Federico García Lorca." In How to Teach a Play. Methuen Drama, 2020. http://dx.doi.org/10.5040/9781350017566.ch-043.

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"Maternity, Morality, and Metaphor: Galdos’s Doña Perfecta, Lorca’s The House of Bernarda Alba, and Andalusian Culture." In Cognition, Literature, and History. Routledge, 2013. http://dx.doi.org/10.4324/9781315858487-15.

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"ACT THREE." In Lorca: The House of Bernarda Alba: A Drama of Women in the Villages of Spain. Liverpool University Press, 2009. http://dx.doi.org/10.2307/j.ctv16zjjdj.10.

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"ACKNOWLEDGEMENTS." In Lorca: The House of Bernarda Alba: A Drama of Women in the Villages of Spain. Liverpool University Press, 2009. http://dx.doi.org/10.2307/j.ctv16zjjdj.3.

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Southworth, Eric. "INTRODUCTION." In Lorca: The House of Bernarda Alba: A Drama of Women in the Villages of Spain. Liverpool University Press, 2009. http://dx.doi.org/10.2307/j.ctv16zjjdj.4.

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"SELECT BIBLIOGRAPHY." In Lorca: The House of Bernarda Alba: A Drama of Women in the Villages of Spain. Liverpool University Press, 2009. http://dx.doi.org/10.2307/j.ctv16zjjdj.6.

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Conference papers on the topic "The House of Bernarda Alba"

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Balaneanu, Ecaterina. "INTERPRETATION GEOTECHNICAL INDICES OF SOIL FOUNDATION TO BUILD A FAMILY HOUSE, PETRESTI LOCALITY,ALBA COUNTY." In 13th SGEM GeoConference on SCIENCE AND TECHNOLOGIES IN GEOLOGY, EXPLORATION AND MINING. Stef92 Technology, 2013. http://dx.doi.org/10.5593/sgem2013/ba1.v2/s02.030.

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Burmakina, E., and Ekaterina Hazova. "LANDSCAPE-ENVIRONMENTAL ASSESSMENT OF THE PARK TERRITORY OF CULTURAL HOUSE 50-YEARS OF OCTOBER, VORONEZH." In Modern problems of animal and plant ecology. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2021. http://dx.doi.org/10.34220/mpeapw2021_103-107.

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The results of the landscape-ecological assessment of the park territory of cultural house 50-years of October in Voronezh are presented. This work allows you to determine the state of the object for its further use. This facility is located in the South-West district of the city and is used for recreation of the local population. The indicators of landscape-ecological assessment were determined: type of landscape, type of spatial structure, sanitary-hygienic assessment, aesthetic assessment, stage of digression. The results of the research showed that the site is in a relatively good sanitary
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